Complete Mozart Edition

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 17 available)

Tracklist

1▶CD: Volume 1: Symphonies
2▶CD: Volume 1: Symphonies
3▶CD: Volume 1: Symphonies
4▶CD: Volume 1: Symphonies
5▶CD: Volume 1: Symphonies
6▶CD: Volume 1: Symphonies
7▶CD: Volume 1: Symphonies
8▶CD: Volume 1: Symphonies
9▶CD: Volume 1: Symphonies
10▶CD: Volume 1: Symphonies
11▶CD: Volume 1: Symphonies
12▶CD: Volume 1: Symphonies
13▶CD: Volume 2: Serenades / Dances / Marches
14▶CD: Volume 2: Serenades / Dances / Marches
15▶CD: Volume 2: Serenades / Dances / Marches
16▶CD: Volume 2: Serenades / Dances / Marches
17▶CD: Volume 2: Serenades / Dances / Marches
18▶CD: Volume 2: Serenades / Dances / Marches
19▶CD: Volume 2: Serenades / Dances / Marches
20▶CD: Volume 2: Serenades / Dances / Marches
21▶CD: Volume 2: Serenades / Dances / Marches
22▶CD: Volume 2: Serenades / Dances / Marches
23▶CD: Volume 2: Serenades / Dances / Marches
24▶CD: Volume 2: Serenades / Dances / Marches
25▶CD: Volume 2: Serenades / Dances / Marches
26▶CD: Volume 3: Divertimenti / Serenades
27▶CD: Volume 3: Divertimenti / Serenades
28▶CD: Volume 3: Divertimenti / Serenades
29▶CD: Volume 3: Divertimenti / Serenades
30▶CD: Volume 3: Divertimenti / Serenades
31▶CD: Volume 3: Divertimenti / Serenades
32▶CD: Volume 3: Divertimenti / Serenades
33▶CD: Volume 3: Divertimenti / Serenades
34▶CD: Volume 3: Divertimenti / Serenades
35▶CD: Volume 3: Divertimenti / Serenades
36▶CD: Volume 3: Divertimenti / Serenades
37▶CD: Volume 4: Piano Concertos
38▶CD: Volume 4: Piano Concertos
39▶CD: Volume 4: Piano Concertos
40▶CD: Volume 4: Piano Concertos
41▶CD: Volume 4: Piano Concertos
42▶CD: Volume 4: Piano Concertos
43▶CD: Volume 4: Piano Concertos
44▶CD: Volume 4: Piano Concertos
45▶CD: Volume 4: Piano Concertos
46▶CD: Volume 4: Piano Concertos
47▶CD: Volume 4: Piano Concertos
48▶CD: Volume 4: Piano Concertos
49▶CD: Volume 5: Violin Concertos / Wind Concertos
50▶CD: Volume 5: Violin Concertos / Wind Concertos
51▶CD: Volume 5: Violin Concertos / Wind Concertos
52▶CD: Volume 5: Violin Concertos / Wind Concertos
53▶CD: Volume 5: Violin Concertos / Wind Concertos
54▶CD: Volume 5: Violin Concertos / Wind Concertos
55▶CD: Volume 5: Violin Concertos / Wind Concertos
56▶CD: Volume 5: Violin Concertos / Wind Concertos
57▶CD: Volume 5: Violin Concertos / Wind Concertos
58▶CD: Volume 6: Quintets, Quartets, Trios, etc.
59▶CD: Volume 6: Quintets, Quartets, Trios, etc.
60▶CD: Volume 6: Quintets, Quartets, Trios, etc.
61▶CD: Volume 6: Quintets, Quartets, Trios, etc.
62▶CD: Volume 6: Quintets, Quartets, Trios, etc.
63▶CD: Volume 6: Quintets, Quartets, Trios, etc.
64▶CD: Volume 6: Quintets, Quartets, Trios, etc.
65▶CD: Volume 6: Quintets, Quartets, Trios, etc.
66▶CD: Volume 7: String Quartets / String Quintets
67▶CD: Volume 7: String Quartets / String Quintets
68▶CD: Volume 7: String Quartets / String Quintets
69▶CD: Volume 7: String Quartets / String Quintets
70▶CD: Volume 7: String Quartets / String Quintets
71▶CD: Volume 7: String Quartets / String Quintets
72▶CD: Volume 7: String Quartets / String Quintets
73▶CD: Volume 7: String Quartets / String Quintets
74▶CD: Volume 7: String Quartets / String Quintets
75▶CD: Volume 7: String Quartets / String Quintets
76▶CD: Volume 7: String Quartets / String Quintets
77▶CD: Volume 8: Violin Sonatas / String Duos & Trios
78▶CD: Volume 8: Violin Sonatas / String Duos & Trios
79▶CD: Volume 8: Violin Sonatas / String Duos & Trios
80▶CD: Volume 8: Violin Sonatas / String Duos & Trios
81▶CD: Volume 8: Violin Sonatas / String Duos & Trios
82▶CD: Volume 8: Violin Sonatas / String Duos & Trios
83▶CD: Volume 8: Violin Sonatas / String Duos & Trios
84▶CD: Volume 8: Violin Sonatas / String Duos & Trios
85▶CD: Volume 8: Violin Sonatas / String Duos & Trios
86▶CD: Volume 9: Piano Music
87▶CD: Volume 9: Piano Music
88▶CD: Volume 9: Piano Music
89▶CD: Volume 9: Piano Music
90▶CD: Volume 9: Piano Music
91▶CD: Volume 9: Piano Music
92▶CD: Volume 9: Piano Music
93▶CD: Volume 9: Piano Music
94▶CD: Volume 9: Piano Music
95▶CD: Volume 9: Piano Music
96▶CD: Volume 9: Piano Music
97▶CD: Volume 9: Piano Music
98▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
99▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
100▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
101▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
102▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
103▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
104▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
105▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
106▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
107▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
108▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
109▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
110▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
111▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
112▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
113▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
114▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
115▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
116▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
117▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
118▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
119▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
120▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
121▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
122▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
123▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
124▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
125▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
126▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
127▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
128▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
129▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
130▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
131▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
132▶CD: Volume 13: Early Italian Operas
133▶CD: Volume 13: Early Italian Operas
134▶CD: Volume 13: Early Italian Operas
135▶CD: Volume 13: Early Italian Operas
136▶CD: Volume 13: Early Italian Operas
137▶CD: Volume 13: Early Italian Operas
138▶CD: Volume 13: Early Italian Operas
139▶CD: Volume 13: Early Italian Operas
140▶CD: Volume 13: Early Italian Operas
141▶CD: Volume 13: Early Italian Operas
142▶CD: Volume 13: Early Italian Operas
143▶CD: Volume 13: Early Italian Operas
144▶CD: Volume 13: Early Italian Operas
145▶CD: Volume 14: Middle Italian Operas
146▶CD: Volume 14: Middle Italian Operas
147▶CD: Volume 14: Middle Italian Operas
148▶CD: Volume 14: Middle Italian Operas
149▶CD: Volume 14: Middle Italian Operas
150▶CD: Volume 14: Middle Italian Operas
151▶CD: Volume 14: Middle Italian Operas
152▶CD: Volume 14: Middle Italian Operas
153▶CD: Volume 14: Middle Italian Operas
154▶CD: Volume 15: Late Italian Operas
155▶CD: Volume 15: Late Italian Operas
156▶CD: Volume 15: Late Italian Operas
157▶CD: Volume 15: Late Italian Operas
158▶CD: Volume 15: Late Italian Operas
159▶CD: Volume 15: Late Italian Operas
160▶CD: Volume 15: Late Italian Operas
161▶CD: Volume 15: Late Italian Operas
162▶CD: Volume 15: Late Italian Operas
163▶CD: Volume 15: Late Italian Operas
164▶CD: Volume 15: Late Italian Operas
165▶CD: Volume 16: German Operas
166▶CD: Volume 16: German Operas
167▶CD: Volume 16: German Operas
168▶CD: Volume 16: German Operas
169▶CD: Volume 16: German Operas
170▶CD: Volume 16: German Operas
171▶CD: Volume 16: German Operas
172▶CD: Volume 16: German Operas
173▶CD: Volume 16: German Operas
174▼CD: Volume 16: German Operas
#TitleRatingLength
1Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Drei Knaben, Tamino)
choir vocals:
Dresdner Kreuzchor (in 1984-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:50
2Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino, Coro)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Rezitativ „Die Weisheitslehre dieser Knaben” (Tamino, Coro) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:50
3Die Zauberflöte, K. 620: Act I, Scene XV. "Wo willst du kühner Fremdling hin?" (Sprecher, Tamino, Coro)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1984-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. „Zurück!” … „Zurück?” … „Wo willst du kühner Fremdling hin?” … „O ewige Nacht” (Priester, Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
6:11
4Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino)
recorded in:
Dresden, Sachsen (Saxony), Germany (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:13
5Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno, Monostatos, Coro)
bass vocals:
Mikael Melbye (bass-baritone) (in 1984-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
soprano vocals:
Margaret Price (soprano) (in 1984-01)
tenor vocals:
Robert Tear (tenor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:16
6Die Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Coro, Pamina, Papageno)
bass vocals:
Mikael Melbye (bass-baritone) (in 1984-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
soprano vocals:
Margaret Price (soprano) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:56
7Die Zauberflöte, K. 620: Act I, Scene XVII. "Herr, ich bin zwar Verbrecherin" (Pamina, Sarastro, Monostatos, Tamino, Coro)
bass vocals:
Kurt Moll (operatic bass) (in 1984-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
soprano vocals:
Margaret Price (soprano) (in 1984-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01) and Robert Tear (tenor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. „Herr, ich bin zwar Verbrecherin” (Pamina, Sarastro) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
5:34
8Die Zauberflöte, K. 620: Act I, Scene XVII. "Wenn Tugend und Gerechtigkeit" (Coro)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt I. Schlußchor „Wenn Tugend und Gerechtigkeit” (Chor) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
1:08
9Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
2:53
10Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Ihr, in dem Weisheitstempel eingeweihten Diener" (Sarastro, Drei Priester)/ "Sarastro dankt euch" (Sarastro, Sprecher)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro, Sprecher, Priester) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:26
11Die Zauberflöte, K. 620: Act II, Scene I. Aria with Choir "O Isis und Osiris" (Sarastro, Coro)
bass vocals:
Kurt Moll (operatic bass) (in 1984-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:54
12Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Papageno! Wo denkst du, daß wir uns befinden?" (Tamino, Papageno, Sprecher, Zweiter Sprecher)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
2:52
13Die Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Sprecher, Zweiter Sprecher) / Act II, Scene IV. Dialogue "He, Lichter Her!" (Papageno, Tamino)
bass vocals:
Theo Adam (German classical bass-baritone) (in 1984-01)
tenor vocals:
Armin Ude (tenor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „He, Lichter her!” (Papageno, Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:30
14Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Drei Damen, Papageno, Tamino, Coro)
bass vocals:
Mikael Melbye (bass-baritone) (in 1984-01)
choir vocals:
MDR Rundfunkchor Leipzig (in 1984-01)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1984-01) and Hanna Schwarz (mezzo soprano) (in 1984-01)
soprano vocals:
Marie McLaughlin (soprano) (in 1984-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:11
15Die Zauberflöte, K. 620: Act II, Scene VI. Dialogue "Heil dir, Jüngling" (Sprecher, Zweiter Sprecher, Papageno, Pamina, Monostatos)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:07
16Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos)
tenor vocals:
Robert Tear (tenor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:18
17Die Zauberflöte, K. 620: Act II, Scene VIII. Dialogue "Zurück! O weh!" (Die Königin der Nacht, Pamina, Monostatos)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „Zurück! O weh!” (Die Königin der Nacht, Pamina, Monostatos) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:21
18Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 1984-01)
soprano vocals:
Luciana Serra (soprano) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:53
19Die Zauberflöte, K. 620: Act II, Scene IX - XII. Monologue "Morden soll ich?" (Pamina, Monostaatos, Sarastro)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:16
20Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
bass vocals:
Kurt Moll (operatic bass) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1984)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:09
21Die Zauberflöte, K. 620: Act II, Scene XIII - XV. Dialogue "Hier seid ihr euch beide allein überlassen" (Sprecer, Zweiter Sprecher, Papageno, Tamino, Altes Weib)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:41
22Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Drei Knaben)
choir vocals:
Dresdner Kreuzchor (in 1984-01)
tenor vocals:
Armin Ude (tenor) (in 1984-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1984-01)
conductor:
Sir Colin Davis (English conductor) (in 1984-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1984-01)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1984-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
1:39
175▶CD: Volume 16: German Operas
176▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
177▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
178▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
179▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
180▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises

Credits

Release

transliterated/translated track listings:Mozart Les inédits by Wolfgang Amadeus Mozart (classical composer) & Ensemble de chambre de l'Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
ASIN:DE: B000050GG5 [info]