The Mexican

~ Veröffentlichung von Alan Silvestri (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Main Title
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
Main Title
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri0:52
2Blame Shifting
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
Blame Shifting
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri0:59
3Oye
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
Oye
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri1:34
4These Boots are Made for Walkin'
Techniker(in):
Eddie Brackett
Produzent(in):
Lee Hazlewood
vocals:
Nancy Sinatra
conductor:
Billy Strange
arranger:
Billy Strange
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 109)
recording of:
These Boots Are Made for Walkin’
Texter und Komponist(in):
Lee Hazlewood
publisher:
Lorna Music und Criterion Music Corp. (in 1966)
Version von:
Boots (original melody)
Nancy Sinatra4.052:44
510% Clint
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
10% Clint
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri1:11
6Leroy's Morning
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
Leroy's Morning
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri1:41
7Why Can't We Be Friends
recording engineer:
Ed Barton (engineer), Andrew Berliner und Chris Huston
Partner-Produzent(in):
Lonnie Jordan und Howard E. Scott (US funk/rock guitarist, member of War)
Produzent(in):
Jerry Goldstein (producer, record label owner and publisher)
Mix:
Ed Barton (engineer)
recording of:
Why Can’t We Be Friends?
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
War4.153:52
8Want Our Life Back
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
Want Our Life Back
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri1:31
9Frank's Dead
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
Frank's Dead
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri2:52
10You're Nobody 'Til Somebody Loves You
recording of:
You’re Nobody Till Somebody Loves You
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
cover recording of:
You’re Nobody Till Somebody Loves You
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin51:59
11Jerry and Ted to Pawn Shop
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
Jerry and Ted to Pawn Shop
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri1:28
12The Mexican
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
The Mexican
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri2:14
13Airport
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
Airport
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri2:22
14Safety Dance
Produzent(in):
Marc Durand (Canadian producer)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 17)
recording of:
The Safety Dance (von 1982-01 bis 1982-03)
Texter und Komponist(in):
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) und Wintrup Musik (in 1982)
Men Without Hats4.54:34
15El Cable
Juan García Esquivel32:19
16Margolese Compound
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
Margolese Compound
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri1:04
17Where's My Stuff
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
Where's My Stuff
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri1:02
18Thieves
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
Thieves
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri1:12
19A Good F'ing Reason
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
A Good F'ing Reason
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri1:16
20It's Cursed, That Gun
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
It's Cursed, That Gun
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri3:25
21Oye, Oye
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
Oye, Oye
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri1:33
22A Miracle
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
A Miracle
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri2:28
23End Credits Medley - The Mexican
recording engineer und Mix:
Dennis Sands (American sound engineer)
Produzent(in):
David Bifano (producer and engineer for Alan Silvestri's motion picture soundtracks) und Alan Silvestri (US score composer)
Editing:
Ken Karman, Denise Okimoto und Jacqueline Tager (editor)
recording of:
End Credits Medley - The Mexican
Komponist(in):
Alan Silvestri (US score composer)
Alan Silvestri5:03

Nennungen

Veröffentlichung

ASIN:US: B000059T84 [Info]