A Night at the Opera

~ Release by Sabine Meyer (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fantasia di concerto "Rigoletto"
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
arranger:
Kurt Herrlinger
recording of:
Concert Fantasia on motives from "Rigoletto" (for clarinet, piano) (from 1996-01-29 until 1996-02-02)
composer:
Luigi Bassi
is based on:
Rigoletto
Giuseppe Verdi12:00
2Dies Bildnis ist bezaubernd schön (Die Zauberflöte - Tamino)
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
instrumental recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1996-01-29 until 1996-02-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:35
3Konzertstück G-Moll / in G minor / en sol mineur: Variationen über “Là ci darem la mano” (Don Giovanni / Mozart)
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
recording of:
Konzertstück G-Moll: Variationen über “Là ci darem la mano” (Don Giovanni / Mozart) (for clarinet and orchestra) (from 1996-01-29 until 1996-02-02)
composer:
Franz Danzi (cellist, composer and conductor)
Franz Danzi after Wolfgang Amadeus Mozart9:52
4Leise, leise, fromme Weise (Der Freischütz - Agathe)
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
instrumental recording of:
Der Freischütz: Akt III. Leise, leise, fromme Weise (catch-all for arrangements) (from 1996-01-29 until 1996-02-02)
composer:
Carl Maria von Weber (composer)
arrangement of:
Der Freischütz: Akt II. Nr. 8. Szene und Arie „Wie nahte mir der Schlummer“ … „Leise, leise …” (Agathe) (Agathes Gebet)
Carl Maria von Weber4:29
5Thema und Variationen concertante, Op. 33 B-dur / in B flat / en si bémol majeur (Silvana - Mechthilde): Thema
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Variations on a Theme from "Silvana", op. 33 (J 128) (from 1996-01-29 until 1996-02-02)
composer:
Carl Maria von Weber (composer)
part of:
Works of Carl Maria von Weber by opus number (number: op. 33) and Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen (number: J. 128)
Carl Maria von Weber1:45
6Thema und Variationen concertante, Op. 33 B-dur / in B flat / en si bémol majeur (Silvana - Mechthilde): Var. I
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Variations on a Theme from "Silvana", op. 33 (J 128) (from 1996-01-29 until 1996-02-02)
composer:
Carl Maria von Weber (composer)
part of:
Works of Carl Maria von Weber by opus number (number: op. 33) and Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen (number: J. 128)
Carl Maria von Weber0:49
7Thema und Variationen concertante, Op. 33 B-dur / in B flat / en si bémol majeur (Silvana - Mechthilde): Var. II
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Variations on a Theme from "Silvana", op. 33 (J 128) (from 1996-01-29 until 1996-02-02)
composer:
Carl Maria von Weber (composer)
part of:
Works of Carl Maria von Weber by opus number (number: op. 33) and Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen (number: J. 128)
Carl Maria von Weber0:44
8Thema und Variationen concertante, Op. 33 B-dur / in B flat / en si bémol majeur (Silvana - Mechthilde): Var. III
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Variations on a Theme from "Silvana", op. 33 (J 128) (from 1996-01-29 until 1996-02-02)
composer:
Carl Maria von Weber (composer)
part of:
Works of Carl Maria von Weber by opus number (number: op. 33) and Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen (number: J. 128)
Carl Maria von Weber2:54
9Thema und Variationen concertante, Op. 33 B-dur / in B flat / en si bémol majeur (Silvana - Mechthilde): Var. IV
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Variations on a Theme from "Silvana", op. 33 (J 128) (from 1996-01-29 until 1996-02-02)
composer:
Carl Maria von Weber (composer)
part of:
Works of Carl Maria von Weber by opus number (number: op. 33) and Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen (number: J. 128)
Carl Maria von Weber0:51
10Thema und Variationen concertante, Op. 33 B-dur / in B flat / en si bémol majeur (Silvana - Mechthilde): Var. V
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Variations on a Theme from "Silvana", op. 33 (J 128) (from 1996-01-29 until 1996-02-02)
composer:
Carl Maria von Weber (composer)
part of:
Works of Carl Maria von Weber by opus number (number: op. 33) and Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen (number: J. 128)
Carl Maria von Weber0:55
11Thema und Variationen concertante, Op. 33 B-dur / in B flat / en si bémol majeur (Silvana - Mechthilde): Var. VI
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Variations on a Theme from "Silvana", op. 33 (J 128) (from 1996-01-29 until 1996-02-02)
composer:
Carl Maria von Weber (composer)
part of:
Works of Carl Maria von Weber by opus number (number: op. 33) and Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen (number: J. 128)
Carl Maria von Weber2:37
12Thema und Variationen concertante, Op. 33 B-dur / in B flat / en si bémol majeur (Silvana - Mechthilde): Var. VII
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Variations on a Theme from "Silvana", op. 33 (J 128) (from 1996-01-29 until 1996-02-02)
composer:
Carl Maria von Weber (composer)
part of:
Works of Carl Maria von Weber by opus number (number: op. 33) and Carl Maria von Weber in seinen Werken. Chronologisch-thematisches Verzeichniss seiner sammtlichen Compositionen (number: J. 128)
Carl Maria von Weber1:52
13Una voce poco fà (Il barbiere di Siviglia - Rosina)
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
instrumental recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1996-01-29 until 1996-02-02)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:35
14Introduktion, Thema und Variationen Es-dur / in E flat / en mi bémol majeur: Introduktion
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Introduction, Theme and Variations for Clarinet and Orchestra (from 1996-01-29 until 1996-02-02)
composer:
Gioachino Rossini (composer) (in 1819)
is based on:
La donna del lago: Atto I, scena 2. “Oh! quante lacrime finor versai” (Malcolm)
Gioachino Rossini3:36
15Introduktion, Thema und Variationen Es-dur / in E flat / en mi bémol majeur: Thema
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Introduction, Theme and Variations for Clarinet and Orchestra (from 1996-01-29 until 1996-02-02)
composer:
Gioachino Rossini (composer) (in 1819)
is based on:
La donna del lago: Atto I, scena 2. “Oh! quante lacrime finor versai” (Malcolm)
Gioachino Rossini0:50
16Introduktion, Thema und Variationen Es-dur / in E flat / en mi bémol majeur: Var. I
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Introduction, Theme and Variations for Clarinet and Orchestra (from 1996-01-29 until 1996-02-02)
composer:
Gioachino Rossini (composer) (in 1819)
is based on:
La donna del lago: Atto I, scena 2. “Oh! quante lacrime finor versai” (Malcolm)
Gioachino Rossini1:04
17Introduktion, Thema und Variationen Es-dur / in E flat / en mi bémol majeur: Var. II
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Introduction, Theme and Variations for Clarinet and Orchestra (from 1996-01-29 until 1996-02-02)
composer:
Gioachino Rossini (composer) (in 1819)
is based on:
La donna del lago: Atto I, scena 2. “Oh! quante lacrime finor versai” (Malcolm)
Gioachino Rossini1:04
18Introduktion, Thema und Variationen Es-dur / in E flat / en mi bémol majeur: Var. III
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Introduction, Theme and Variations for Clarinet and Orchestra (from 1996-01-29 until 1996-02-02)
composer:
Gioachino Rossini (composer) (in 1819)
is based on:
La donna del lago: Atto I, scena 2. “Oh! quante lacrime finor versai” (Malcolm)
Gioachino Rossini1:04
19Introduktion, Thema und Variationen Es-dur / in E flat / en mi bémol majeur: Largo minore
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Introduction, Theme and Variations for Clarinet and Orchestra (from 1996-01-29 until 1996-02-02)
composer:
Gioachino Rossini (composer) (in 1819)
is based on:
La donna del lago: Atto I, scena 2. “Oh! quante lacrime finor versai” (Malcolm)
Gioachino Rossini2:08
20Introduktion, Thema und Variationen Es-dur / in E flat / en mi bémol majeur: Maggiore
recorded in:
Zurich (Zürich), Zürich (Canton of Zürich), Switzerland (from 1996-01-29 until 1996-02-02)
clarinet:
Sabine Meyer (clarinetist) (from 1996-01-29 until 1996-02-02)
orchestra:
Orchester der Oper Zürich (aka Philharmonia Zürich) (from 1996-01-29 until 1996-02-02)
conductor:
Franz Welser‐Möst (conductor) (from 1996-01-29 until 1996-02-02)
partial recording of:
Introduction, Theme and Variations for Clarinet and Orchestra (from 1996-01-29 until 1996-02-02)
composer:
Gioachino Rossini (composer) (in 1819)
is based on:
La donna del lago: Atto I, scena 2. “Oh! quante lacrime finor versai” (Malcolm)
Gioachino Rossini1:46