Stabat Mater

~ Release by Pergolesi, Scarlatti, Bononcini; St John’s College Choir, George Guest, Schütz Choir, Roger Norrington (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1O magnum mysterium
producer:
Michael Bremner (producer/engineer)
organ:
Charles Spinks (classical harpsichordist) (in 1973-10)
choir vocals:
The Schütz Choir of London (in 1973-10)
conductor:
Roger Norrington (conductor) (in 1973-10)
balance engineer:
Stanley Goodall (engineer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1973-10)
recording of:
O magnum mysterium ((by Alessandro Scarlatti)) (in 1973-10)
composer:
Alessandro Scarlatti (composer)
Alessandro Scarlatti6:22
2Domine, refugium factus es nobis
producer:
Michael Bremner (producer/engineer)
organ:
Charles Spinks (classical harpsichordist) (in 1973-10)
choir vocals:
The Schütz Choir of London (in 1973-10)
conductor:
Roger Norrington (conductor) (in 1973-10)
balance engineer:
Stanley Goodall (engineer)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1973-10)
recording of:
Domine, refugium factus es nobis
composer:
Domenico Scarlatti (composer)
Alessandro Scarlatti4:19
3Magnificat in C major: I. Magnificat
choir vocals:
Choir of King’s College, Cambridge (in 1966)
orchestra:
Academy of St Martin in the Fields (in 1966)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966)
recording of:
Magnificat B-Dur: I. Coro "Magnificat anima mea" (in 1966)
composer:
Francesco Durante
previously attributed to:
Giovanni Battista Pergolesi (composer)
part of:
Magnificat in B-flat major
Giovanni Battista Pergolesi2:51
4Magnificat in C major: II. Et misericordia
choir vocals:
Choir of King’s College, Cambridge (in 1966)
soprano vocals:
Elizabeth Vaughan (soprano) (in 1966)
orchestra:
Academy of St Martin in the Fields (in 1966)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966)
recording of:
Magnificat B-Dur: II. Soprano solo "Et misericordia" (in 1966)
composer:
Francesco Durante
previously attributed to:
Giovanni Battista Pergolesi (composer)
part of:
Magnificat in B-flat major
recording of:
Magnificat B-Dur: III. Coro "Fecit potentiam" (in 1966)
composer:
Francesco Durante
previously attributed to:
Giovanni Battista Pergolesi (composer)
part of:
Magnificat in B-flat major
Giovanni Battista Pergolesi1:44
5Magnificat in C major: III. Deposuit potentes
alto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966)
choir vocals:
Choir of King’s College, Cambridge (in 1966)
orchestra:
Academy of St Martin in the Fields (in 1966)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966)
recording of:
Magnificat B-Dur: IV. Coro "Deposuit potentes" (in 1966)
composer:
Francesco Durante
previously attributed to:
Giovanni Battista Pergolesi (composer)
part of:
Magnificat in B-flat major
Giovanni Battista Pergolesi1:48
6Magnificat in C major: IV. Suscepit Israel
bass vocals:
Christopher Keyte (operatic bass) (in 1966)
choir vocals:
Choir of King’s College, Cambridge (in 1966)
tenor vocals:
Ian Partridge (tenor) (in 1966)
orchestra:
Academy of St Martin in the Fields (in 1966)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966)
recording of:
Magnificat B-Dur: V. Duetto Tenore/Basso "Suscepit Israel" (in 1966)
composer:
Francesco Durante
previously attributed to:
Giovanni Battista Pergolesi (composer)
part of:
Magnificat in B-flat major
Giovanni Battista Pergolesi1:51
7Magnificat in C major: V. Sicut locutus est ... Gloria
choir vocals:
Choir of King’s College, Cambridge (in 1966)
orchestra:
Academy of St Martin in the Fields (in 1966)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966)
recording of:
Magnificat B-Dur: VI. Coro "Sicut locutus est" (in 1966)
composer:
Francesco Durante
previously attributed to:
Giovanni Battista Pergolesi (composer)
part of:
Magnificat in B-flat major
recording of:
Magnificat B-Dur: VII. Coro "Gloria Patri" (in 1966)
composer:
Francesco Durante
previously attributed to:
Giovanni Battista Pergolesi (composer)
part of:
Magnificat in B-flat major
recording of:
Magnificat B-Dur: VIII. Coro "Sicut erat in principio" (in 1966)
composer:
Francesco Durante
previously attributed to:
Giovanni Battista Pergolesi (composer)
part of:
Magnificat in B-flat major
Giovanni Battista Pergolesi3:45
8Crucifixus
choir vocals:
Choir of St John’s College, Cambridge (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Crucifixus a 8 (from 1977-03-11 until 1977-03-12)
composer:
Antonio Lotti (Italian baroque composer, 1667-1740)
Antonio Lotti3:45
9Stabat Mater: I. Stabat Mater dolorosa
choir vocals:
Choir of St John’s College, Cambridge (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Stabat Mater: I. Stabat Mater dolorosa (from 1977-03-11 until 1977-03-12)
composer:
Antonio Maria Bononcini
part of:
Stabat Mater
Giovanni Battista Bononcini3:22
10Stabat Mater: II. O quam tristis
soprano vocals:
Felicity Palmer (mezzo-soprano) (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Stabat Mater: II. O quam tristis (from 1977-03-11 until 1977-03-12)
composer:
Antonio Maria Bononcini
part of:
Stabat Mater
Giovanni Battista Bononcini2:39
11Stabat Mater: III. Quis est homo
countertenor vocals:
Paul Esswood (countertenor) (from 1977-03-11 until 1977-03-12)
soprano vocals:
Felicity Palmer (mezzo-soprano) (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Stabat Mater: III. Quis est homo (from 1977-03-11 until 1977-03-12)
composer:
Antonio Maria Bononcini
part of:
Stabat Mater
Giovanni Battista Bononcini2:38
12Stabat Mater: IV. Pro peccatis suae gentis
choir vocals:
Choir of St John’s College, Cambridge (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Stabat Mater: IV. Pro peccatis suae gentis (from 1977-03-11 until 1977-03-12)
composer:
Antonio Maria Bononcini
part of:
Stabat Mater
Giovanni Battista Bononcini3:57
13Stabat Mater: V. Eia, Mater, fons amoris
solo violin [violin obbligato]:
John Willison (from 1977-03-11 until 1977-03-12)
countertenor vocals:
Paul Esswood (countertenor) (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Stabat Mater: V. Eia, Mater, fons amoris (from 1977-03-11 until 1977-03-12)
composer:
Antonio Maria Bononcini
part of:
Stabat Mater
Giovanni Battista Bononcini4:31
14Stabat Mater: VI. Sancta Mater, istud agas
choir vocals:
Choir of St John’s College, Cambridge (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Stabat Mater: VI. Sancta Mater, istud agas (from 1977-03-11 until 1977-03-12)
composer:
Antonio Maria Bononcini
part of:
Stabat Mater
Giovanni Battista Bononcini1:19
15Stabat Mater: VII. Fac me vere tecum flere
solo viola:
Don McVeigh (from 1977-03-11 until 1977-03-12) and Christopher Wellington (violist) (from 1977-03-11 until 1977-03-12)
countertenor vocals:
Paul Esswood (countertenor) (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Stabat Mater: VII. Fac me vere tecum flere (from 1977-03-11 until 1977-03-12)
composer:
Antonio Maria Bononcini
part of:
Stabat Mater
Giovanni Battista Bononcini4:42
16Stabat Mater: VIII. Juxta crucem tecum flere
bass vocals:
Christopher Keyte (operatic bass) (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Stabat Mater: VIII. Juxta crucem tecum flere (from 1977-03-11 until 1977-03-12)
composer:
Antonio Maria Bononcini
part of:
Stabat Mater
Giovanni Battista Bononcini2:09
17Stabat Mater: IX. Virgo virginum praeclara
choir vocals:
Choir of St John’s College, Cambridge (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Stabat Mater: IX. Virgo virginum praeclara (from 1977-03-11 until 1977-03-12)
composer:
Antonio Maria Bononcini
part of:
Stabat Mater
Giovanni Battista Bononcini1:38
18Stabat Mater: X. Fac ut portem Christis mortem
tenor vocals:
Philip Langridge (tenor) (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Stabat Mater: X. Fac ut portem Christis mortem (from 1977-03-11 until 1977-03-12)
composer:
Antonio Maria Bononcini
part of:
Stabat Mater
Giovanni Battista Bononcini1:58
19Stabat Mater: XI. Fac me plagis vulnerari
countertenor vocals:
Paul Esswood (countertenor) (from 1977-03-11 until 1977-03-12)
tenor vocals:
Philip Langridge (tenor) (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Stabat Mater: XI. Fac me plagis vulnerari (from 1977-03-11 until 1977-03-12)
composer:
Antonio Maria Bononcini
part of:
Stabat Mater
Giovanni Battista Bononcini2:51
20Stabat Mater: XII. Fac me cruce custodiri
bass vocals:
Christopher Keyte (operatic bass) (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Stabat Mater: XII. Fac me cruce custodiri (from 1977-03-11 until 1977-03-12)
composer:
Antonio Maria Bononcini
part of:
Stabat Mater
Giovanni Battista Bononcini2:04
21Stabat Mater: XIII. Quando corpus morietur
choir vocals:
Choir of St John’s College, Cambridge (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Stabat Mater: XIII. Quando corpus morietur (from 1977-03-11 until 1977-03-12)
composer:
Antonio Maria Bononcini
part of:
Stabat Mater
Giovanni Battista Bononcini3:13
22Crucifixus
choir vocals:
Choir of St John’s College, Cambridge (from 1977-03-11 until 1977-03-12)
orchestra:
Philomusica of London (from 1977-03-11 until 1977-03-12)
conductor:
George Guest (organist and conductor) (from 1977-03-11 until 1977-03-12)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1977-03-11 until 1977-03-12)
recording of:
Crucifixus a 16 (from 1977-03-11 until 1977-03-12)
composer:
Antonio Caldara (Italian composer)
Antonio Caldara4:48

Credits

Release

liner notes translator:Luis Carlos Gago (liner notes)
Brigitte Pinaud
Friederike Schoeneck-Böttger (liner notes translator)
engineer:Martin Atkinson (engineer)
John Dunkerley (engineer)
Simon Eadon (classical music engineer)
Kenneth Wilkinson (engineer)
producer:Michael Bremner (producer/engineer)
Chris Hazell
booklet editor:Anne Schneider (liner notes, translator)
part of:Double Decca (order: 34)
Discogs:https://www.discogs.com/release/7468379 [info]
ASIN:UK: B00000425T [info]