Man on the Moon Ⅱ: The Legend of Mr. Rager

~ Release by Kid Cudi (see all versions of this release, 6 available)

Tracklist

1▼CD
#TitleRatingLength
1Scott Mescudi vs. The World
recording engineer:
Emile Haynie (hip hop producer, aka "Emile") and Andrew Wright (US hip hop-oriented recording engineer)
engineer:
Graham Marsh (engineer, producer) (lead vocals [Cee Lo’s])
producer:
Emile Haynie (hip hop producer, aka "Emile")
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
guest vocals:
CeeLo Green
conductor:
Larry Gold (strings)
strings arranger:
Larry Gold
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
produced for:
Emile Music Inc. (Emile Haynie's production label)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Broski Room in New York, New York, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Scott Mescudi vs. The World
writer:
Emile Haynie (hip hop producer, aka "Emile") and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP), Heavy Crate Publishing and Sony/ATV
3.5?:??
2REVOFEV
recording engineer:
Anthony Kilhoffer and Christian Mochizuki
producer:
Plain Pat
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
organ and piano:
Mike Dean (US “dirty south” hip‐hop producer & mix engineer)
synthesizer:
Emile Haynie (hip hop producer, aka "Emile")
conductor:
Larry Gold (strings)
strings arranger:
Larry Gold
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
recorded at:
Avex Honolulu Studios in Honolulu, Hawaii, United States, Glenwood Place Studios in Burbank, California, United States and Westlake Sound (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
REVOFEV
writer:
Patrick Reynolds and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP) and Plain Pat What Up (ASCAP)
3?:??
3Don’t Play This Song
recording engineer:
Kevin Porter (engineer) and Ryan West (engineer)
engineer:
Brent Kolatalo
producer:
Emile Haynie (hip hop producer, aka "Emile")
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
woodwind:
Ken Lewis (recording engineer and mixer)
guest vocals:
Mary J. Blige
conductor:
Larry Gold (strings)
strings arranger:
Larry Gold
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
produced for:
Emile Music Inc. (Emile Haynie's production label)
recorded at:
Germano Studios in Manhattan, New York, New York, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Don’t Play This Song
writer:
Emile Haynie (hip hop producer, aka "Emile") and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP), Heavy Crate Publishing and Sony/ATV
2.5?:??
4We Aite (Wake Your Mind Up)
recording engineer:
Ryan West (engineer)
producer:
Emile Haynie (hip hop producer, aka "Emile")
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
produced for:
Emile Music Inc. (Emile Haynie's production label)
recorded at:
Germano Studios in Manhattan, New York, New York, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
We Aite (Wake Your Mind Up)
writer:
Emile Haynie (hip hop producer, aka "Emile") and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP), Heavy Crate Publishing and Sony/ATV
2?:??
5Marijuana
recording engineer:
Ghazi Hourani and Anthony Kilhoffer
producer:
Dot da Genius and Kid Cudi
mixer:
Dot da Genius and Ryan West (engineer)
guitar:
Mike Dean (US “dirty south” hip‐hop producer & mix engineer)
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
produced for:
HeadBanga Muzik Group (Dot da Genius’ label)
recorded at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and Westlake Sound (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
MSR Studios in New York, New York, United States
recording of:
Marijuana
writer:
Oladipo Omishore and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP), Owo Olorun (ASCAP) and Universal Publishing
3.5?:??
6Mojo So Dope
recording engineer:
Anthony Kilhoffer and Christian Mochizuki
producer:
Emile Haynie (hip hop producer, aka "Emile")
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
produced for:
Emile Music Inc. (Emile Haynie's production label)
recorded at:
Avex Honolulu Studios in Honolulu, Hawaii, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
samples:
Claustrophobia by Choir of Young Believers
recording of:
Mojo So Dope
writer:
Emile Haynie (hip hop producer, aka "Emile"), Jannis Noya Makrigiannis, Anders Rhedin, Fridolin Tai Nordsø Schjoldan and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP), Heavy Crate Publishing, Sony/ATV and Sony/ATV Music Publishing Scandinavia Kb
3.5?:??
7Ashin’ Kusher
recording engineer:
Ghazi Hourani
producer:
Chuck Inglish
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
bass and guitar:
JP Keller
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
produced for:
C.A.K.E. Recordings
recorded at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Ashin’ Kusher
writer:
Evan Ingersoll and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP) and I Made That Noise (ASCAP)
3?:??
8Erase Me
assistant recording engineer:
Matt Huber and Jason Wilkie
recording engineer:
James Wisner (American musician and producer) and Anthony Kilhoffer (lead vocals [Kanye West’s])
programming and producer:
Jim Jonsin
additional assistant mixer:
Erik Madrid (engineer) and Christian Plata
additional mixer:
Manny Marroquin
assistant mixer:
Matt Huber and Sean McCoy
mixer:
Robert Marks
guitar:
Frank Romano Music (producer/guitarist)
keyboard:
Jim Jonsin
guest performer:
Kanye West (Ye, formerly Kanye West)
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
produced for:
Rebel Rock Productions
recorded at:
Avex Honolulu Studios in Honolulu, Hawaii, United States (lead vocals [Kanye West’s]) and Parkland Playhouse in Parkland, Florida, United States
additionally mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
mixed at:
Circle House Recording Studios in North Miami, Florida, United States
recording of:
Erase Me
writer:
Frank Romano (producer/guitarist), James Scheffer, Kanye West (Ye, formerly Kanye West) and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP), EMI Blackwood Music Inc., Jesse Jaye Music, JimiPub Music, Please Gimme My Publishing (publisher; do NOT use as release label) and Reach Global
4?:??
9Wild’n Cuz I’m Young
recording engineer:
Anthony Kilhoffer and Christian Mochizuki
producer:
Plain Pat
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
keyboard:
Emile Haynie (hip hop producer, aka "Emile")
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
recorded at:
Avex Honolulu Studios in Honolulu, Hawaii, United States, Glenwood Place Studios in Burbank, California, United States and Westlake Sound (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Wild’n Cuz I’m Young
writer:
Patrick Reynolds and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP) and Plain Pat What Up (ASCAP)
2.5?:??
10The Mood
recording engineer and producer:
Emile Haynie (hip hop producer, aka "Emile")
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
produced for:
Emile Music Inc. (Emile Haynie's production label)
recorded at:
The Broski Room in New York, New York, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
The Mood
writer:
Emile Haynie (hip hop producer, aka "Emile") and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP), Heavy Crate Publishing and Sony/ATV
2.5?:??
11MANIAC
recording engineer:
Emile Haynie (hip hop producer, aka "Emile") and Anthony Kilhoffer
producer and mixer:
Anthony Kilhoffer
guitar:
Mike Dean (US “dirty south” hip‐hop producer & mix engineer)
guest performer:
Cage (New York-based hip hop artist Chris Palko) and St. Vincent (USA guitarist, singer and songwriter Annie Clark)
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
recorded at:
Avex Honolulu Studios in Honolulu, Hawaii, United States and The Broski Room in New York, New York, United States
mixed at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States
samples:
The Strangers by St. Vincent (USA guitarist, singer and songwriter Annie Clark)
recording of:
MANIAC
writer:
Anne Erin Clark (USA guitarist, singer and songwriter Annie Clark), Christian Palko, Anthony Kilhoffer and Scott Mescudi
publisher:
Agent Alex Music (BMI), Chrysalis Music Group, Elsie’s Baby Boy (ASCAP) and Nail Polish Manifesto Music (ASCAP)
3?:??
12Mr. Rager
recording engineer:
Anthony Kronfle and Christian Mochizuki
producer:
Emile Haynie (hip hop producer, aka "Emile")
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
conductor:
Larry Gold (strings)
strings arranger:
Larry Gold
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
produced for:
Emile Music Inc. (Emile Haynie's production label)
recorded at:
Avex Honolulu Studios in Honolulu, Hawaii, United States and NightBird at The Sunset Marquis in West Hollywood, California, United States
recording of:
Mr. Rager
lyricist and composer:
Emile Haynie (hip hop producer, aka "Emile") and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP), Heavy Crate Publishing and Sony/ATV
4.35?:??
13These Worries
recording engineer:
Emile Haynie (hip hop producer, aka "Emile") and Kevin Porter (engineer)
producer:
Emile Haynie (hip hop producer, aka "Emile")
assistant mixer:
Erik Madrid (engineer) and Christian Plata
conductor:
Larry Gold (strings)
guest performer:
Mary J. Blige
strings arranger:
Larry Gold
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
produced for:
Emile Music Inc. (Emile Haynie's production label)
recorded at:
Germano Studios in Manhattan, New York, New York, United States and The Broski Room in New York, New York, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
These Worries
writer:
Emile Haynie (hip hop producer, aka "Emile") and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP), Heavy Crate Publishing and Sony/ATV
2?:??
14The End
recording engineer:
Chip tha Ripper (Cleveland, OH rapper, aka King Chip), Anthony Kilhoffer, Leonard Harris (US rapper) and Rich Perry (producer)
producer:
Blended Babies (Producer duo)
guest performer:
Chip tha Ripper (Cleveland, OH rapper, aka King Chip), GLC (US rapper) and Nicole Wray (US R&B & hip hop singer Nicole Wray)
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
recorded at:
Westlake Sound (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States
samples:
I Need Your Love by Skip Mahoney & the Casuals (Washington, DC R&B)
recording of:
The End
writer:
Charles Worth (Cleveland, OH rapper, aka King Chip), Jonathan Keller (rapper Jonathan Keller), Leonard Harris (US rapper), Skip Mahoney, Richard Perry (producer), James Purdie, Scott Mescudi and Lady Wray (US R&B & hip hop singer Nicole Wray)
2?:??
15All Along
recording engineer:
Andrew Wright (US hip hop-oriented recording engineer)
producer:
Emile Haynie (hip hop producer, aka "Emile")
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
conductor:
Larry Gold (strings)
strings arranger:
Larry Gold
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
produced for:
Emile Music Inc. (Emile Haynie's production label)
recorded at:
MSR Studios in New York, New York, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
All Along
writer:
Emile Haynie (hip hop producer, aka "Emile") and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP), Heavy Crate Publishing and Sony/ATV
3?:??
16GHOST!
recording engineer:
Emile Haynie (hip hop producer, aka "Emile") and Ryan West (engineer)
engineer:
Brent Kolatalo
producer:
Emile Haynie (hip hop producer, aka "Emile")
assistant mixer:
Erik Madrid (engineer) and Christian Plata
mixer:
Manny Marroquin
bass, guitar and keyboard [keys]:
Ken Lewis (recording engineer and mixer)
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
produced for:
Emile Music Inc. (Emile Haynie's production label)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Broski Room in New York, New York, United States
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
GHOST!
writer:
Rusty Evans (Marcus Uzilevsky), Emile Haynie (hip hop producer, aka "Emile") and Scott Mescudi
publisher:
Aldor Music, Elsie’s Baby Boy (ASCAP), Heavy Crate Publishing, Scion Three Music LLC and Sony/ATV
3?:??
17Trapped in My Mind
recording engineer:
Dot da Genius and Emile Haynie (hip hop producer, aka "Emile")
producer:
Dot da Genius and Kid Cudi
mixer:
Dot da Genius and Ryan West (engineer)
additional keyboard:
Emile Haynie (hip hop producer, aka "Emile")
guitar:
Mike Dean (US “dirty south” hip‐hop producer & mix engineer)
phonographic copyright (℗) by:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2010)
produced for:
HeadBanga Muzik Group (Dot da Genius’ label)
recorded at:
The Broski Room in New York, New York, United States
mixed at:
MSR Studios in New York, New York, United States
recording of:
Trapped in My Mind
lyricist and composer:
Oladipo Omishore and Scott Mescudi
publisher:
Elsie’s Baby Boy (ASCAP), Owo Olorun (ASCAP) and Universal Publishing
2.5?:??