Music of the Millennium II

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1Woman
Techniker(in):
Lee DeCarlo
Produzent(in):
Jack Douglas, John Lennon (The Beatles) und Yoko Ono (Japanese‐American musician and artist)
Sologesang:
John Lennon (The Beatles)
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) und Calderstone Productions Limited (in 2016)
Musikvideos:
Woman von John Lennon (The Beatles)
recording of:
Woman
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
Geffen/Kaye Music, Lenono Music und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
John Lennon43:32
2Every Breath You Take
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass und Sologesang:
Sting (singer, songwriter & member of The Police) (in 1983)
E-Gitarre:
Andy Summers (in 1983)
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer) (in 1983)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1983) und A&M Records, Inc. (in 1997)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1983) und Le Studio in Morin‐Heights, Québec (Quebec), Kanada (in 1983)
Musikvideos:
Every Breath You Take von The Police (British rock band)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 287) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 305)
recording of:
Every Breath You Take (in 1983)
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) und Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Police4.054:12
3Nothing Compares to You
Techniker(in):
Chris Birkett
Produzent(in):
Nellee Hooper und Sinéad O’Connor (Irish singer‐songwriter)
Mix:
Chris Birkett, Fachtna Ó Ceallaigh und Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) und Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
Musikvideos:
Nothing Compares 2 U (music video) von Sinéad O’Connor (Irish singer‐songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 184) und Indie 88: Top 500 Indie Rock Songs (Nummer: 413)
cover recording of:
Nothing Compares 2 U
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing und Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:08
4That's the Way Love Goes
Assistent recording engineer:
Tim Summerhayes (von 1977-08-09 bis 1977-10)
recording engineer:
Geoff Emerick (British recording engineer) (von 1977-08-09 bis 1977-10)
Produzent(in):
Paul McCartney (The Beatles)
Mix:
Geoff Emerick (British recording engineer)
Akustikgitarre:
Denny Laine (von 1977-08-09 bis 1977-10) und Paul McCartney (The Beatles) (von 1977-08-09 bis 1977-10)
akustische Bassgitarre und Sologesang:
Paul McCartney (The Beatles) (von 1977-08-09 bis 1977-10)
Dudelsack:
John Lang Brown (von 1977-08-09 bis 1977-10), Campbelltown Pipe Band (von 1977-08-09 bis 1977-10), Archie Coffield (von 1977-08-09 bis 1977-10), Dougie Lang (von 1977-08-09 bis 1977-10), John McGeachy (von 1977-08-09 bis 1977-10), Ian McKerral (von 1977-08-09 bis 1977-10) und Tony Wilson (bagpipes) (von 1977-08-09 bis 1977-10)
E-Gitarre:
Denny Laine (von 1977-08-09 bis 1977-10)
Perkussion:
Linda McCartney (von 1977-08-09 bis 1977-10)
Schlagzeug:
Tommy Blue (von 1977-08-09 bis 1977-10), Joe English (von 1977-08-09 bis 1977-10), Campbell Maloney (von 1977-08-09 bis 1977-10) und Jimmy McGeachy (von 1977-08-09 bis 1977-10)
Hintergrundgesang:
Denny Laine (von 1977-08-09 bis 1977-10), Linda McCartney (von 1977-08-09 bis 1977-10), Paul McCartney (The Beatles) (von 1977-08-09 bis 1977-10), Ian McKerral (von 1977-08-09 bis 1977-10) und Dave Paton (von 1977-08-09 bis 1977-10)
phonographisches Urheberrecht (℗) von:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
aufgenommen bei:
Spirit of Ranachan Studio in Scotland, Vereinigtes Königreich (am 1977-08-09) und Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1977-10)
recording of:
Mull of Kintyre (von 1977-08-09 bis 1977-10)
Verfasser(in):
Denny Laine und Paul McCartney (The Beatles)
publisher:
ATV Music
Janet Jackson2.84:44
5Fast Love
Techniker(in):
Paul Gomersall und Ren Swan
Produzent(in):
Jon Douglas und George Michael
Keyboard:
Dave Clews, Jon Douglas und George Michael
Saxophon:
Andrew Kevin Hamilton (British saxophonist, composer and producer)
arranger:
George Michael
Samples:
Forget Me Nots von Patrice Rushen
recording of:
Fastlove
Texter und Komponist(in):
George Michael
George Michael45:25
6Angels
Programmierung:
Steve Power und Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistierende(r) Techniker(in):
Jim Brumby (UK engineer) und Matt Hay
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Mix:
Steve Power
Bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
Gitarre:
Andre Barreau, Chester Kamen und Gary Nuttall
Keyboard [keyboards]:
Guy Chambers (English songwriter and record producer) und Steve Power
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug [drums]:
Chris Sharrock
Hintergrundgesang:
Andre Barreau, Gary Nuttall und Nicole Patterson
Sologesang:
Robbie Williams
Orchester:
London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1997)
aufgenommen bei:
Matrix Maison Rouge Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 5)
recording of:
Angels
Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) und Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:24
7What’s Love Got to Do With It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
recording of:
What’s Love Got to Do With It (Kygo version)
Verfasser(in):
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) und Graham Lyle
publisher:
Kobalt Music (publisher) (vom 2020 bis heute) und WC Music Corp. (vom 2020 bis heute)
basiert auf:
What’s Love Got to Do With It
Tina Turner4.153:46
8You Wear It Well
Produzent(in):
Rod Stewart
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
recording of:
You Wear It Well
Verfasser(in):
Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), G.H. Music Ltd, Three Bridges Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Windswept Pacific Music Ltd. (publishing company)
Rod Stewart4.54:21
91999
recording engineer:
Peggy McCreary (von 1982-07 bis 1982-08)
Produzent(in):
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
Becken, cowbell, drum machine [Linn LM-1], E-Bass, E-Gitarre, elektronisches Schlagzeug / E-Drums [Pearl SY-1 Syncussion], Händeklatschen, Synthesizer [ARP Omni-2], Synthesizer [Oberheim OB-Xa] und Tamburin:
Prince (“The Artist Formerly Known as…”) (von 1982-07 bis 1982-08)
Hintergrundgesang:
Jesse Johnson (original guitarist for The Time) (von 1982-07 bis 1982-08)
Sologesang:
Lisa Coleman (US pianist/keyboardist & composer) (von 1982-07 bis 1982-08), Dez Dickerson (von 1982-07 bis 1982-08), Jill Jones (American singer, songwriter, and actress) (von 1982-07 bis 1982-08) und Prince (“The Artist Formerly Known as…”) (von 1982-07 bis 1982-08)
arranger:
Prince Rogers Nelson (Prince, “The Artist Formerly Known as…”)
Bearbeitung von:
1999 (album version) von Prince (“The Artist Formerly Known as…”)
Musikvideos:
1999 von Prince (“The Artist Formerly Known as…”)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 212) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 339)
recording of:
1999 (von 1982-07 bis 1982-08)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince43:37
10Hot Stuff
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
recording of:
Hot Stuff
Verfasser(in):
Pete Bellotte (English lyricist and producer), Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer33:51
11Mamma Mia
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Mike Watson (English‐Swedish rock musician) (am 1975-03-12)
Bratsche / Viola:
Nils Heie (am 1975-03-15) und Håkan Roos (Swedish violist) (am 1975-03-15)
Cello:
Kjell Bjurling (Swedish cellist) (am 1975-03-15) und Olle Gustafsson (cellist) (am 1975-03-15)
E-Gitarre:
Finn Sjöberg (am 1975-03-12)
Geige / Violine:
Anders Dahl (Swedish media artist creates artworks and experimental sound) (am 1975-03-15), Inge Lindstedt (am 1975-03-15), Gunnar Michols (Swedish violinist) (am 1975-03-15), Sixten Strömvall (Swedish violinist) (am 1975-03-15), Harry Teike (am 1975-03-15) und Krzysztof Zdrzalka (Swedish violinist) (am 1975-03-15)
Gitarre und zusätzlich Gitarre:
Janne Schaffer (am 1975-03-16)
Marimba:
Benny Andersson (ABBA) (in 1975-03)
Oboe:
Lars-Erik Rönn (am 1975-03-15)
Schlagzeug:
Roger Palm (am 1975-03-12)
Sologesang:
Agnetha Fältskog (am 1975-03-12) und Frida (Swedish singer and member of ABBA) (am 1975-03-12)
Cello, Bratsche / Viola und Geige / Violine arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1975) und Polar Music International AB (in 2001, in 2014)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (am 1975-03-12, am 1975-03-15, am 1975-03-16)
mixed at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Mamma Mia (von 1975-03-12 bis 1975-03-16)
geschrieben in:
Lidingö municipality (Lidingö), Stockholms län (Stockholm county), Schweden
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Polar Music AB (beendet), Union Songs AB (publisher) (beendet), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. und Universal/Union Songs Musikförlag AB
Teil von:
Mamma Mia! (1999 musical)
recording of:
Mamma Mia (Spanish version)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Übersetzer:
Buddy McCluskey (translator) und Mary McCluskey (translator)
übersetzte Version von:
Mamma Mia
ABBA3.83:32
12Chain Reaction
assistierende(r) Techniker(in):
Scott Glasel und John Haig (engineer)
Techniker(in):
Jack Joseph‐Puig, Karl Richardson und Brian Tench
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Mix:
Jack Joseph‐Puig
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1985), Maurice Gibb (in 1985) und Robin Gibb (in 1985)
aufgenommen bei:
Middle Ear Studio in Miami Beach, Florida, Vereinigte Staaten
recording of:
Chain Reaction
Komponist(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music Publishing Ltd. und Gibb Brothers Music
Diana Ross4.253:47
13Get Up (I Feel Like Being a) Sex Machine
recording of:
Get Up (I Feel Like Being Like a) Sex Machine
Verfasser(in):
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) und Ron Lenhoff
publisher:
Dynatone Publishing Co. und Intersong Music Ltd.
James Brown2:48
14What's Going On
Produzent(in):
Marvin Gaye
Mix:
Lawrence Miles (am 1971-05-06)
Instrumente:
Detroit Symphony Orchestra (am 1971-05-06) und The Funk Brothers (am 1971-05-06)
Klavier, Perkussion [box drum] und Sologesang:
Marvin Gaye (am 1971-05-06)
Hintergrundgesang:
Lem Barney (am 1971-05-06), Mel Farr (am 1971-05-06) und Marvin Gaye (am 1971-05-06)
conductor:
David Van dePitte (am 1971-05-06)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1971)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1971-05-06)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 102) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’s Going On (am 1971-05-06)
Texter und Komponist(in):
Renaldo Benson, Al Cleveland (songwriter 1930-1996) und Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. und Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Marvin Gaye4.2?:??
15Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:56
16(Sittin' on) The Dock of the Bay
recording of:
Dock of the bay
Otis Redding2:38
17Uptight (Everything’s Alright)
Produzent(in):
Henry Cosby und William Stevenson (Motown songwriter)
Sologesang:
Stevie Wonder (in 1965)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
Texter und Komponist(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music und Stone Agate Music
Stevie Wonder4.72:53
18Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:01
19Mull of Kintyre
Assistent recording engineer:
Tim Summerhayes (von 1977-08-09 bis 1977-10)
recording engineer:
Geoff Emerick (British recording engineer) (von 1977-08-09 bis 1977-10)
Produzent(in):
Paul McCartney (The Beatles)
Mix:
Geoff Emerick (British recording engineer)
Akustikgitarre:
Denny Laine (von 1977-08-09 bis 1977-10) und Paul McCartney (The Beatles) (von 1977-08-09 bis 1977-10)
akustische Bassgitarre und Sologesang:
Paul McCartney (The Beatles) (von 1977-08-09 bis 1977-10)
Dudelsack:
John Lang Brown (von 1977-08-09 bis 1977-10), Campbelltown Pipe Band (von 1977-08-09 bis 1977-10), Archie Coffield (von 1977-08-09 bis 1977-10), Dougie Lang (von 1977-08-09 bis 1977-10), John McGeachy (von 1977-08-09 bis 1977-10), Ian McKerral (von 1977-08-09 bis 1977-10) und Tony Wilson (bagpipes) (von 1977-08-09 bis 1977-10)
E-Gitarre:
Denny Laine (von 1977-08-09 bis 1977-10)
Perkussion:
Linda McCartney (von 1977-08-09 bis 1977-10)
Schlagzeug:
Tommy Blue (von 1977-08-09 bis 1977-10), Joe English (von 1977-08-09 bis 1977-10), Campbell Maloney (von 1977-08-09 bis 1977-10) und Jimmy McGeachy (von 1977-08-09 bis 1977-10)
Hintergrundgesang:
Denny Laine (von 1977-08-09 bis 1977-10), Linda McCartney (von 1977-08-09 bis 1977-10), Paul McCartney (The Beatles) (von 1977-08-09 bis 1977-10), Ian McKerral (von 1977-08-09 bis 1977-10) und Dave Paton (von 1977-08-09 bis 1977-10)
phonographisches Urheberrecht (℗) von:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
aufgenommen bei:
Spirit of Ranachan Studio in Scotland, Vereinigtes Königreich (am 1977-08-09) und Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1977-10)
recording of:
Mull of Kintyre (von 1977-08-09 bis 1977-10)
Verfasser(in):
Denny Laine und Paul McCartney (The Beatles)
publisher:
ATV Music
Wings2.8?:??
20American Pie
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
Perkussion und Schlagzeug:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) und United Artists Records (for bootlegs and counterfeit) (in 1971)
teilweise recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:05

Nennungen

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/119643 [Info]