Sony Music 100 Years: Soundtrack for a Century

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD: Pop Music: The Early Years 1890–1950, Disc 1
2▶CD: Pop Music: The Early Years 1890–1950, Disc 2
3▶CD: Sony Classical: Great Performances: 1903–1998, Disc 1
4▶CD: Sony Classical: Great Performances: 1903–1998, Disc 2
5▶CD: Sony Classical: Great Performances: 1903–1998, Disc 3
6▶CD: Sony Classical: Great Performances: 1903–1998, Disc 4
7▶CD: Jazz: The Definitive Performances, Disc 1
8▶CD: Jazz: The Definitive Performances, Disc 2
9▶CD: Folk, Gospel & Blues: Will the Circle Be Unbroken, Disc 1
10▶CD: Folk, Gospel & Blues: Will the Circle Be Unbroken, Disc 2
11▶CD: Country: The American Tradition, Disc 1
12▶CD: Country: The American Tradition, Disc 2
13▶CD: Movie Music: The Definitive Performances, Disc 1
14▶CD: Movie Music: The Definitive Performances, Disc 2
15▶CD: Broadway: The Great Original Cast Recordings, Disc 1
16▶CD: Broadway: The Great Original Cast Recordings, Disc 2
17▶CD: Pop Music: The Golden Era: 1951–1975, Disc 1
18▼CD: Pop Music: The Golden Era: 1951–1975, Disc 2
Nr.TitelKünstlerBewertungLänge
1Turn! Turn! Turn! (To Everything There Is a Season)
Produzent(in):
Terry Melcher
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 95)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Pete Seeger (in 1959)
publisher:
Melody Trails und TRO Essex Music Ltd.
The Byrds4.853:34
2Red Rubber Ball
recording of:
Red Rubber Ball
Verfasser(in):
Paul Simon (of Simon & Garfunkel) und Bruce Woodley
publisher:
Paul Simon Music
The Cyrkle2:17
3Sunshine Superman
Produzent(in):
Mickie Most (English record producer)
Akustikgitarre:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
Bass:
Spike Heatley (in 1966)
E-Gitarre:
Eric Ford (session musician) (in 1966) und Jimmy Page (in 1966)
Keyboard:
John Cameron (British composer, arranger and conductor) (in 1966)
Perkussion:
Tony Carr (in 1966)
Schlagzeug:
Bobby Orr (in 1966)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966)
arranger:
John Cameron (British composer, arranger and conductor)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1966)
recording of:
Sunshine Superman (in 1966)
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. und Peer International Corporation (BMI)
Donovan3:17
4Don’t You Care
recording of:
Don’t You Care
Verfasser(in):
Gary Beisbier und James Holvay
The Buckinghams2:28
5San Francisco (Be Sure to Wear Some Flowers in Your Hair)
Produzent(in):
Lou Adler und John Phillips (The Mamas & The Papas)
vocals:
Scott McKenzie (in 1967-05)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1967) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
recording of:
San Francisco (Be Sure to Wear Flowers in Your Hair) (in 1967-05)
publisher:
John Phillips (The Mamas & The Papas)
Texter und Komponist(in):
John Phillips (The Mamas & The Papas)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) und Wingate Music Corp.
Scott McKenzie3.752:57
6Carrie‐Anne
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967) und The Hollies Ltd. (in 1967)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-05-01)
recording of:
Carrie Anne (am 1967-05-01)
Texter und Komponist(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
publisher:
PolyGram Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
The Hollies3.652:54
7Itchycoo Park
Techniker(in):
Glyn Johns
Produzent(in):
Ronnie Lane und Steve Marriott (English musician and songwriter)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1967)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Itchycoo Park
Verfasser(in):
Ronnie Lane und Steve Marriott (English musician and songwriter)
publisher:
EMI United Partnership Ltd. (beendet) und EMI Catalogue Partnership
Small Faces3.652:46
8Stoned Soul Picnic
recording of:
Stoned Soul Picnic
Texter und Komponist(in):
Laura Nyro
publisher:
EMI Blackwood Music Inc., Tuna Fish Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Laura Nyro3:49
9Time of the Season
Techniker(in):
Geoff Emerick (British recording engineer) und Peter Vince (engineer, producer)
Produzent(in):
Rod Argent und Chris White (UK bassist for The Zombies)
Bassgitarre:
Chris White (UK bassist for The Zombies) (in 1967-08)
Gitarre:
Paul Atkinson (in 1967-08)
mellotron, Orgel und Klavier:
Rod Argent (in 1967-08)
Schlagzeug:
Hugh Grundy (in 1967-08)
Hintergrundgesang:
Rod Argent (in 1967-08) und Chris White (UK bassist for The Zombies) (in 1967-08)
vocals:
Colin Blunstone (in 1967-08)
phonographisches Urheberrecht (℗) von:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1968)
aufgenommen bei:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1967-08)
engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 349)
recording of:
Time of the Season (in 1967-08)
Texter und Komponist(in):
Rod Argent
publisher:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. und Mainstay Music, Inc. (in 1968)
The Zombies4.53:29
10Young Girl
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
Texter und Komponist(in):
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
The Union Gap43:08
11You’ve Made Me So Very Happy
cover recording of:
You’ve Made Me So Very Happy
Verfasser(in):
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway und Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
Blood, Sweat and Tears43:29
12Hot Fun in the Summertime
Bassgitarre:
Larry Graham (US bassist & singer) (in 1969)
Gitarre:
Freddie Stone (in 1969)
Klavier:
Sly Stone (in 1969)
Saxophon:
Jerry Martini (in 1969)
Schlagzeug:
Greg Errico (in 1969)
Trompete:
Cynthia Robinson (in 1969)
vocals:
Larry Graham (US bassist & singer) (in 1969), Freddie Stone (in 1969), Rose Stone (in 1969) und Sly Stone (in 1969)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 247)
recording of:
Hot Fun in the Summertime (in 1969)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sly & the Family Stone3.652:42
13Evil Ways
Produzent(in):
Carlos Santana
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1969)
cover recording of:
Evil Ways
Texter und Komponist(in):
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music und Universal–Songs of PolyGram International, Inc.
Santana3.52:57
14Bridge Over Troubled Water
recording engineer:
Ted Brosnan (am 1969-11-09)
Techniker(in):
Roy Halee
Produzent(in):
Arthur Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter) (am 1969-11-09)
Gitarre:
Fred Carter, Jr. (am 1969-11-09) und Paul Simon (of Simon & Garfunkel) (am 1969-11-09)
Keyboard:
Larry Knechtel (am 1969-11-09)
Saiteninstrumente:
Ernie Freeman (am 1969-11-09) und Jimmie Haskell (am 1969-11-09)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1969-11-09)
vocals:
Art Garfunkel (am 1969-11-09) und Paul Simon (of Simon & Garfunkel) (am 1969-11-09)
phonographisches Urheberrecht (℗) von:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 1), The Co-Op: Top 10 British Funeral Songs (Nummer: 9), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 58) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 66)
recording of:
Bridge Over Troubled Water (am 1969-11-09)
Texter:
Paul Simon (of Simon & Garfunkel)
Komponist(in):
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel4.054:53
1525 or 6 to 4
Produzent(in):
James William Guercio
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
25 or 6 to 4 (in 1969-08)
Texter und Komponist(in):
Robert Lamm (in 1969)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (in 1986) und Lamminations Music (in 1986)
Chicago2:53
16Me and Bobby McGee
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul Rothchild
Akustikgitarre und Sologesang:
Janis Joplin (am 1970-09-25)
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25)
Gast-Bongos und Gast-Conga:
Bobbye Hall
Gast-Bongos und Conga:
Bobbye Hall (am 1970-09-25)
Gast-Tamburin:
Sandra Crouch (am 1970-09-25)
Gitarre:
John Till (rock guitarist) (am 1970-09-25)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25)
Orgel:
Ken Pearson (am 1970-09-25)
Schlagzeug:
Clark Pierson (am 1970-09-25)
Hintergrundgesang:
Phil Badella (am 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-09-25), John Cooke (am 1970-09-25), Janis Joplin (am 1970-09-25), Vince Mitchell (am 1970-09-25), Ken Pearson (am 1970-09-25), Clark Pierson (am 1970-09-25) und John Till (rock guitarist) (am 1970-09-25)
Interpret(in):
Full Tilt Boogie (am 1970-09-25)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-09-25)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 31) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 148)
cover recording of:
Me and Bobby McGee (am 1970-09-25)
Texter und Komponist(in):
Fred Foster und Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:30
17Brandy (You’re a Fine Girl)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 2), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 11) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 40)
recording of:
Brandy (You’re a Fine Girl) (in 1972)
Texter und Komponist(in):
Elliot Lurie
Looking Glass4.253:02
18I Can See Clearly Now
Produzent(in):
Johnny Nash (US reggae/pop singer-songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1972) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 165)
recording of:
I Can See Clearly Now (in 1972)
Texter und Komponist(in):
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash4.152:44
19Your Mama Don’t Dance
zusätzliche(r) Techniker(in):
John Fiore
recording of:
Your Mama Don’t Dance
Verfasser(in):
Kenny Loggins und Jim Messina
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Loggins and Messina4.52:48
20I Can Help
recording of:
I Can Help (in 1974)
Texter und Komponist(in):
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Billy Swan52:57
21Love Train
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Love Train (in 1972)
Texter und Komponist(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:58
22That Lady (Part 1)
teilweise recording of:
That Lady
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. und EMI Songs Ltd.
Version von:
Who’s That Lady
The Isley Brothers53:13
23Lady Marmalade
Produzent(in):
Allen Toussaint
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1974)
Bearbeitung von:
Lady Marmalade von LaBelle (American female vocal group, of “Lady Marmalade” fame)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle4.753:17
24Shining Star
Techniker(in):
George Massenburg
Koproduzent(in):
Charles Stepney (musician, producer, arranger and songwriter)
Produzent(in):
Maurice White (Earth, Wind & Fire)
arranger:
Earth, Wind & Fire und Charles Stepney (musician, producer, arranger and songwriter)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
Shining Star
Verfasser(in):
Philip Bailey, Lorenzo Dunn und Maurice White (Earth, Wind & Fire)
publisher:
EMI April Music Inc.
Earth, Wind & Fire42:50
19▶CD: Rock: The Train Kept a Rollin’, Disc 1
20▶CD: Rock: The Train Kept a Rollin’, Disc 2
21▶CD: R&B: From Doo‐Wop to Hip‐Hop, Disc 1
22▶CD: R&B: From Doo‐Wop to Hip‐Hop, Disc 2
23▶CD: International Music: Sony Music Around the World, Disc 1
24▶CD: International Music: Sony Music Around the World, Disc 2
25▶CD: Pop Music: The Modern Era: 1976–1999, Disc 1
26▶CD: Pop Music: The Modern Era: 1976–1999, Disc 2