50 Barbecue Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1In the Summertime
Produzent(in):
Barry Murray (producer, associated with Mungo Jerry)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1970) und Dawn (UK 70s 'underground and progressive' label, a subsidiary of Pye Records) (in 1970)
früheste Veröffentlichung:
In the Summertime von Mungo Jerry
Musikvideos:
In the Summertime von Mungo Jerry
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 40) und Billboard Year-End Hot 100 singles of 1970 (Nummer: 53)
recording of:
In the Summertime
Texter und Komponist(in):
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.753:31
2Karma Chameleon
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club3.753:59
3Sing Hallelujah
Techniker(in):
Gundars Rullis (Chorgesang)
Koproduzent(in):
Douglas Carr (Swedish songwriter)
Produzent(in) und Mix:
Denniz PoP
Chorgesang:
Berit Cullberg, Björn Klingvall, Johanna Nyström und Joakim Sanden
Hintergrundgesang:
Giovanna Bragazzi
remixer:
Douglas Carr (Swedish songwriter)
produced for:
SweMix Productions
aufgenommen bei und mixed at:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Schweden
engineered at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (Chorgesang)
recording of:
Sing Hallelujah!
Texter:
Dr. Alban
Komponist(in):
Douglas Carr (Swedish songwriter) und Denniz PoP
publisher:
BMG Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Songs of Logic, SweMix Music und SweMix Songs
Dr. Alban34:02
4Saragossa
Jimmy Frey3:32
5Is This the Way to Amarillo?
recording of:
Is This the Way to Amarillo
Verfasser(in):
Howard Greenfield und Neil Sedaka
publisher:
Kirshner-Warner Bros Music
Tony Christie3:07
6Bailando
recording of:
Bailando
Texter:
Maria Isabel Garcia Asensio (Spanish dance artist)
Komponist(in):
Luc Rigaux (Belgian producer, A&R manager) und Patrick Samoy (Belgian DJ, producer, A&R manager)
publisher:
PolyGram Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
Paradisio3:50
7Cheri Cheri Lady
vocals:
Thomas Anders
phonographisches Urheberrecht (℗) von:
Ariola Eurodisc GmbH (not for release label use!) (in 1985)
recording of:
Cheri, Cheri Lady
Texter und Komponist(in):
Dieter Bohlen
Modern Talking43:47
8Ein Madchen fur immer
recording of:
Ein Mädchen für immer
Verfasser(in):
Chris Andrews (UK singer-songwriter) und Peter Orloff (schlager-singer, songwriter, producer, actor)
Peter Orloff2:25
9C’est bon pour le moral
recording of:
C'est bon pour le moral
Texter und Komponist(in):
Jean Kluger (Belgian producer, publisher, songwriter) und Daniel Vangarde
La Compagnie Créole4:17
10Friet met mayonaise
Mike Vincent3:35
11Saturday Night
recording of:
Saturday Night
Texter:
Larry Pignagnoli
Komponist(in):
Larry Pignagnoli und Davide Riva
publisher:
A La Mode, B. Mikulski Publ. (Bernhard Mikulski Publishing) und Labelle Music (publisher and production company)
Whigfield3:42
12Lay Your Love on Me
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978), RAK Records (copyrights holder) (in 1978) und RAK (in 1979)
recording of:
Lay Your Love on Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music und Universal Music Publishing MGB Australia
Racey3:11
13La felicidad
Digno Garcia2:56
14Zondag
recording of:
Zondag
Verfasser(in):
Tineke Beishuizen, Bill van Dijk (singer, musical performer) und Gerard Stellaard
Rob de Nijs3:03
15Copacabana
Two Man Sound2:54
165-6-7-8
assistierende(r) Techniker(in):
Bradlee Spreadborough und Al Unsworth
Techniker(in):
Chris McDonnell (engineer)
Produzent(in):
Mark Topham, Karl Twigg und Pete Waterman
Mix:
Les Sharma
Banjo:
Sean Lyons
Geige / Violine:
Chris Haigh (violinist)
Gitarre [guitars]:
Mark Topham und Barry Upton (songwriter, arranger, musician, record producer)
Keyboard [keyboards]:
Karl Twigg
Schlagzeug [drums]:
Chris McDonnell (engineer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1997)
aufgenommen bei und mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Vereinigtes Königreich und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich
recording of:
5, 6, 7, 8
Verfasser(in):
Steve Crosby (record producer, songwriter, music manager) und Barry Upton (songwriter, arranger, musician, record producer)
publisher:
All Boys Music Ltd. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Steps3.353:23
17Can Can
recording of:
Can Can (“Bad Manners” version)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
arranger:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) und Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
Version von:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in der Unterwelt: Höllengalopp, widely known as “Can-can”)
Bad Manners2:48
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