Halloween 2022

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Countries where available (Deezer + Spotify)

(As of 2024-03-01).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇨🇼 Curaçao (cw) 🇩🇴 Dominican Republic (do) 🇹🇹 Trinidad and Tobago (tt)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇦🇱 Albania (al) 🇧🇦 Bosnia and Herzegovina (ba) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇪 Montenegro (me) 🇲🇰 North Macedonia (mk) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇨🇿 Czechia (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma) 🇹🇳 Tunisia (tn)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng) 🇸🇳 Senegal (sn)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Middle Africa: 🇨🇲 Cameroon (cm)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Türkiye (tr)
  • Southern Asia: 🇱🇰 Sri Lanka (lk) 🇮🇳 India (in)
  • Eastern Asia: 🇯🇵 Japan (jp) 🇭🇰 Hong Kong (hk) 🇰🇷 South Korea (kr) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇰🇭 Cambodia (kh) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Vietnam (vn)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Anmerkung zuletzt geändert am 2024-03-01 03:58 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Blinding Lights
Programmierung und Produzent(in):
Oscar Holter, Max Martin (Swedish record producer) und The Weeknd (Canadian R&B singer)
assistierende(r) Techniker(in):
Cory Bice, Sean Klein und Jeremy Lertola
Techniker(in):
Shin Kamiyama
assistierende(r) Mix:
John Hanes (audio engineer, mixer)
Mix:
Serban Ghenea
Bass, Gitarre, Keyboard [keyboards] und Schlagzeug:
Oscar Holter, Max Martin (Swedish record producer) und The Weeknd (Canadian R&B singer)
Hintergrundgesang:
Abel Tesfaye (Canadian R&B singer)
phonographisches Urheberrecht (℗) von:
The Weeknd XO, Inc. (in 2019)
produced for:
MXM Productions und Wolf Cousins Productions
aufgenommen bei:
Jungle City Studios in New York, New York, Vereinigte Staaten und MXM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Blinding Lights (music video) von The Weeknd (Canadian R&B singer)
Teil von:
Billboard Year-End Hot 100 singles of 2020 (Nummer: 1), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 1), Billboard Year-End Hot 100 singles of 2021 (Nummer: 3), Stereogum Readers’ Top 10 Songs of 2020 (Nummer: 6), iHeartRadio Music Awards: Song of the Year nominees (Nummer: 2021 winner), BILLIONS CLUB, Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 51), Top Songs of 2024: Global (Nummer: 65) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 79)
recording of:
Blinding Lights (von 2019-06 bis 2019-11)
Verfasser(in):
Abel “The Weeknd” Tesfaye (Canadian R&B singer), Ahmad Balshe (Palestinian-Canadian rapper), Oscar Holter, Jason “DaHeala” Quenneville und Karl Martin Sandberg (Swedish record producer)
publisher:
BOTA Publishing II, HiFi Music IP Issuer, L.P., KMR Music Royalties II SCSp, MXM, SAL&CO, Songs of Wolf Cousins, Universal Music Corp. (USA, affiliated with ASCAP), Warner Chappell Music Scand (STIM), WB Music Corp. (1929–2019), WC Music Corp. und Wolf Cousins
sub-publisher:
Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH (2017 – present) und Universal/MCA Music Publishing GmbH
Teil von:
Prix de l’œuvre internationale de l’année (Nummer: 2021)
The Weeknd4.23:21
2bad guy
recorded in:
Sydney, New South Wales, Australien (andere Instrumente [accessible pedestrian signal])
Produzent(in):
FINNEAS
zusätzliche(r) Produzent(in):
Billie Eilish
assistierende(r) Mix:
Casey Cuayo
Mix:
Rob Kinelski
field recordings:
Billie Eilish
phonographisches Urheberrecht (℗) von:
Darkroom (in 2019, in 2022) und Interscope Records (part of UMG Recordings, Inc.) (in 2019, in 2022)
aufgenommen bei:
FINNEAS’ bedroom studio (until October 2019) in Highland Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
bad guy (music video) von Billie Eilish
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 4), TheNeedleDrop: Top 50 Singles of 2019 (Nummer: 11), Grammy Award: Record of the Year nominees (Nummer: 2020 winner), Stereogum: The 200 Best Songs of the 2010s (Nummer: 27), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2019), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 34), Billboard Year-End Hot 100 singles of 2020 (Nummer: 46), TheNeedleDrop: Top 100 Songs of the 2010s (Nummer: 77), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 97), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 139), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 178) und BILLIONS CLUB
recording of:
bad guy
Verfasser(in):
Billie Eilish O’Connell und Finneas O’Connell
publisher:
Drup, Last Frontier und Universal Music Corp. (USA, affiliated with ASCAP)
Teil von:
Prix de l’œuvre internationale de l’année (Nummer: 2020) und Grammy Award: Song of the Year nominees (Nummer: 2020 winner)
Billie Eilish3.83:14
3Bad Romance
Produzent(in):
RedOne
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2009) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2009)
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 8), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 24), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 482)
recording of:
Bad Romance
Verfasser(in):
Nadir Khayat und Stefani Germanotta
publisher:
GloJoe Music Inc., House of Gaga Publishing Inc. und Sony/ATV Songs LLC
Lady Gaga44:54
4BILLIE EILISH.
Armani White1:39
5Maneater
recording engineer und Mix:
Demacio "Demo" Castellon
zusätzlich recording engineer und zusätzliche(r) Mix:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
Techniker(in):
Vadim Chislov, Demacio "Demo" Castellon, Ben Jost (engineer), James Roach (engineer) und Kobla Tetey
Produzent(in):
Jim Beanz (Sologesang), Danja (US producer Nate Hills) und Timbaland
Schlagzeug [drums] und Keyboard [keyboards]:
Danja (US producer Nate Hills)
Hintergrundgesang:
Jim Beanz, Nelly Furtado und Timbaland
phonographisches Urheberrecht (℗) von:
Mosley Music Group LLC (Do not use as a release company, use Mosley Music Group instead) und Geffen Records (in 2006)
gemixt für:
Storm Circle Entertainment
produced for:
Danja Handz Productions, Pettaway Music, Sunset Entertainment und Timbaland Productions
aufgenommen bei:
The Hit Factory Miami in Miami, Florida, Vereinigte Staaten
mixed at:
Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
Maneater
Texter:
Nelly Furtado
zusätzlicher Texter:
Jim Beanz
Komponist(in):
Nelly Furtado, Nate Hills (US producer Nate Hills) und Timothy Mosley
publisher:
Danjahandz Muzik, Millennium Kid Music Publishing, Nelstar Publishing und Virginia Beach Music
Nelly Furtado3.854:25
6Bring Me to Life
Programmierung:
Ben Moody (American guitarist and producer)
zusätzliche Programmierung:
Zac Baird, David Hodges (American record producer & songwriter) und Chris Johnson (programming/production for Ivy Lane Music)
assistierende(r) Techniker(in):
Sergio Chavez, Jason Cupp, Ai Fujisaki, Dean Nelson und Sam Storey
Techniker(in):
Jeremy Parker (engineer)
zusätzliche(r) Techniker(in):
Ben Moody (American guitarist and producer)
Produzent(in):
Dave Fortman
Mix:
Jay Baumgardner
Bassgitarre:
Francesco DiCosmo
Gitarre und Perkussion:
Ben Moody (American guitarist and producer)
Keyboard und Klavier:
David Hodges (American record producer & songwriter)
Schlagzeug:
Josh Freese (American drummer)
Gast vocals:
Paul McCoy
Sologesang:
Amy Lee (singer and keyboardist of Evanescence)
phonographisches Urheberrecht (℗) von:
The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 2003)
Musikvideos:
Bring Me to Life von Evanescence
Teil von:
VH1’s Big Song of 2003 (Nummer: 22), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 43) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 83)
recording of:
Bring Me to Life
Verfasser(in):
David Hodges (American record producer & songwriter), Amy Lee (singer and keyboardist of Evanescence) und Ben Moody (American guitarist and producer)
publisher:
Forthefallen Publishing, Reservoir One America, ROBA Music Verlag GmbH und Zombies Ate My Publishing
Evanescence4.453:55
7Thunder
Programmierung:
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer)
Techniker(in):
Travis Ference
Produzent(in):
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer) und Jayson DeZuzio
Mix:
Manny Marroquin
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2017) und KIDinaKORNER (in 2017)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2018 (Nummer: 22), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2018) und Billboard Year-End Hot 100 singles of 2017 (Nummer: 51)
recording of:
Thunder
publisher:
Alexander Grant (UK musician, record producer, songwriter, record executive & fashion designer)
Verfasser(in):
A. Grant (UK musician, record producer, songwriter, record executive & fashion designer), Jayson Dezuzio, Ben McKee (American bassist, Imagine Dragons), Daniel Platzman, Dan Reynolds (American singer/songwriter, producer) und Wayne Sermon
publisher:
Have a Nice Jay, Imagine Dragons Publishing, KIDinaKORNER, Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) und Universal, Inc.
Imagine Dragons3.43:07
8One Right Now
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2021) und Mercury Records (the holding company; for use as ℗&© credits only!) (in 2022)
Teil von:
Billboard Hot 100: 2022-02-05 (Nummer: 23) und Billboard Year-End Hot 100 singles of 2022 (Nummer: 30)
recording of:
One Right Now
Verfasser(in):
Abel Tesfaye (Canadian R&B singer), Austin Post, Louis Bell (American producer, engineer, and songwriter), Andrew Bolooki, Dre London, Brian Lee (Korean American songwriter) und Billy Walsh (American songwriter)
publisher:
Bell Ear Publishing, Bolooki Music, Dong Hoe Music, Dre Vision Publishing, HiFi Music IP Issuer, L.P., Posty Publishing (GMR affiliated), Songs of Universal, Inc. (BMI), Sony/ATV Tunes LLC (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Works (GMR affiliated), WMMW Publishing (ASCAP affiliated) und XO Music Publishing LLC
Post Malone & The Weeknd43:13
9Zombie
assistierende(r) Techniker(in) und assistierende(r) Produzent(in):
Julie Gardiner (engineer)
Techniker(in) und Produzent(in):
Stephen Street (famous producer, songwriter)
Akustikgitarre und E-Gitarre:
Noel Hogan und Dolores O’Riordan
Bassgitarre:
Mike Hogan (bassist for The Cranberries)
Keyboard und Sologesang:
Dolores O’Riordan
Perkussion und Schlagzeug:
Fergal Lawler
Hintergrundgesang:
Noel Hogan
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label), Island Records, Inc. (US, Island holding) (in 1994), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich (von 1993-11 bis 1994-08) und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1993-11 bis 1994-08)
mixed at:
The Manor in Oxfordshire, England, Vereinigtes Königreich und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1994) und Indie 88: Top 500 Indie Rock Songs (Nummer: 234)
recording of:
Zombie
Texter und Komponist(in):
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) und Universal–Songs of PolyGram International, Inc.
The Cranberries4.25:07
10Dark Horse
Programmierung und Produzent(in):
Cirkut, Dr. Luke und Max Martin (Swedish record producer)
assistierende(r) Techniker(in):
Cory Bice, Eric Eylands, Rachael Findlen (engineer), Justin Fox und Elliott Lanam (engineer)
Techniker(in):
Peter Carlsson (engineer), Clint Gibbs, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Michael Ilbert und Mike Foster (recording engineer Mike Foster)
zusätzliche(r) assistierende(r) Produzent(in):
Irene Richter
Mix:
Serban Ghenea
alto saxophone:
Alex Foster (Saxophonist)
Instrumente:
Cirkut, Dr. Luke und Max Martin (Swedish record producer)
Hintergrundgesang:
Max Martin (Swedish record producer) und Katy Perry
vocals:
Juicy J (US rapper) und Katy Perry
zusätzlich vocals:
Ava James (EDM vocals, featured on Braxton's "Something About You")
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Luke’s in the Boo in Malibu, California (Kalifornien), Vereinigte Staaten, MXM Studios in Stockholm, Stockholms län (Stockholm county), Schweden, Playback Recording Studio in Santa Barbara, California (Kalifornien), Vereinigte Staaten und Secret Garden Studios in Montecito, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Dark Horse von Katy Perry feat. Juicy J (US rapper)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 2), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 9), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2015) und BILLIONS CLUB
recording of:
Dark Horse
Verfasser(in):
Łukasz Gottwald, Henry Walter, Sarah Hudson, Jordan Houston (US rapper), Madison Love, Max Martin (Swedish record producer) und Katy Perry
publisher:
DeeEtta Music (in 2013), Italians Do It Better (in 2013), Kasz Money Publishing (ASCAP affiliated) (in 2013), MXM (in 2013), Oneirology Publishing (in 2013), Prescription Songs (in 2013) und When I’m Rich You’ll Be My Bitch (in 2013)
Katy Perry & Juicy J3.953:35
11Black WidowIggy Azalea & Rita Ora3.53:29
12There Will Be Blood
Produzent(in):
Aaron Joseph (producer, songwriter, and DJ), Made in China und Vaughn Oliver (US techno producer aka U-Tern)
recording of:
There Will Be Blood
Verfasser(in):
Aaron Joseph (producer, songwriter, and DJ), Łukasz Gottwald, Vaughn Oliver (US techno producer aka U-Tern), Kim Petras, Jesse Saint John und Theron Thomas
Kim Petras33:17
13cinderella’s dead
phonographisches Urheberrecht (℗) von:
Middlest LLC (in 2022)
EMELINE2:00
14Somebody’s Watching Me (single version)
Produzent(in):
Curtis Anthony Nolen und Rockwell (R & B – “Somebody’s Watching Me”)
Gast vocals:
Michael Jackson (“King of Pop”)
Hintergrundgesang:
Jermaine Jackson (soul/pop singer, of Jackson 5)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 20)
recording of:
Somebody’s Watching Me
Texter und Komponist(in):
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:56
15Bad Blood
Programmierung und Produzent(in):
Mark Crew (songwriter, record producer and mix engineer) und Dan Smith (member of UK band Bastille)
Mix:
Mark Crew (songwriter, record producer and mix engineer)
Keyboard [keyboards]:
Mark Crew (songwriter, record producer and mix engineer)
Keyboard [keyboards] und Klavier:
Dan Smith (member of UK band Bastille)
vocals:
Dan Smith (member of UK band Bastille)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2013)
aufgenommen bei:
Unit 24 (Mark Crew's studio) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Bad Blood von Bastille (British indie pop band)
recording of:
Bad Blood
Texter und Komponist(in):
Dan Smith (member of UK band Bastille)
publisher:
Bastille Music, Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Bastille3.753:32
16Gimme! Gimme! Gimme! (A Man After Midnight)
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1979, in 1986)
recording of:
Gimme! Gimme! Gimme! (A Man After Midnight) (in 1979)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., Union Songs Music und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
ABBA44:49
17Scream & Shout
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 23)
recording of:
Scream & Shout
Verfasser(in):
Jean Baptiste, Jef Martens (Belgian electronic music producer), Tula Paulinea Contostavlos und William Adams (American rapper and producer)
will.i.am & Britney Spears2.254:45
18U Can’t Touch This
Koproduzent(in):
James Earley und Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
Produzent(in):
MC Hammer
Mix:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) und MC Hammer
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
Samples:
Super Freak von Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recording of:
U Can’t Touch This
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) und Stanley Kirk Burrell
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music und Stone Diamond Music Corporation
basiert auf:
Super Freak
MC Hammer4.14:17
19Bad Behaviour
recording engineer und Produzent(in):
Dre Skull
zusätzliche(r) Techniker(in):
Bill Zimmerman
zusätzliche(r) Produzent(in):
Cameron Gower Poole (Aufgabe: vocal) und WILDLIFE! (Swiss electronic producer)
Mix:
Phil Tan (Malaysian-American audio engineer)
Bassgitarre:
Josh Werner (bassist)
vocals:
Mabel (British-Swedish singer)
phonographisches Urheberrecht (℗) von:
Mabel McVey (British-Swedish singer) (in 2020)
produced for:
Mixpak Records LLC
Mabel53:25
20Monster
recording engineer:
Frank Dukes (Canadian record producer, songwriter, musician), Josh Gudwin (Sologesang [Justin Bieber’s vocals]) und George Seara
Produzent(in):
Frank Dukes (Canadian record producer, songwriter, musician) und Josh Gudwin (Sologesang [Justin Bieber’s vocals])
zusätzliche(r) Produzent(in):
Kaan Gunesberk und Matthew Tavares (CA jazz, member BADBADNOTGOOD)
assistierende(r) Mix:
Robin Florent, Chris Galland und Jeremie Inhaber
Mix:
Manny Marroquin
aufgenommen bei:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Sologesang [Justin Bieber’s vocals]) und Noble Street Studios in Toronto, Ontario, Kanada
mixed at:
Larrabee North in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Monster
Verfasser(in):
Adam King Feeney (Canadian record producer, songwriter, musician), Ashton Simmonds (Canadian R&B/soul singer‐songwriter), Justin Bieber, Shawn Mendes und Mustafa Ahmad (FIXME: at least rap and edm artist merged)
publisher:
Bieber Time Publishing (vom 2020 bis heute), Blackwood Music Inc. (1953-02-07–1987-12-30) (vom 2020 bis heute), Mendes Music (vom 2020 bis heute), Quiet as Kept Music, Inc. (vom 2020 bis heute), Songs of Universal, Inc. (BMI) (vom 2020 bis heute), Sony/ATV Music Publishing LLC (1995–2020) (vom 2020 bis heute), Universal Music (plain logo: “Universal Music”) (vom 2020 bis heute), Universal Music Publishing Group (vom 2020 bis heute) und A Perfect Circle Publishing (in 2020)
Shawn Mendes & Justin Bieber3.252:58
21Heads Will Roll
Produzent(in):
Dave Sitek und Nick Launay
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2009)
Teil von:
Paste: The 10 Best Halloween Songs of the 21st Century (Nummer: 1) und Indie 88: Top 500 Indie Rock Songs (Nummer: 462)
recording of:
Heads Will Roll
Verfasser(in):
Brian Chase (drummer and songwriter), Karen O und Nick Zinner (US guitarist, composer, and producer)
publisher:
BMG Blue und BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
Yeah Yeah Yeahs4.053:41
22Poker Face
recording engineer, Programmierung und Produzent(in):
RedOne
Techniker(in):
Dave Russell (British engineer, producer)
Mix:
Robert Orton
Hintergrundgesang:
RedOne
Hintergrundgesang und Sologesang:
Lady Gaga
Interpret(in):
RedOne
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2008, in 2009)
Musikvideos:
Poker Face von Lady Gaga
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 2), Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2010 winner) und BILLIONS CLUB
recording of:
Poker Face
Verfasser(in):
Nadir Khayat und Stefani Germanotta
publisher:
GloJoe Music Inc., House of Gaga Publishing Inc., RedOne Productions LLC, Sony/ATV Songs LLC und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Lady Gaga4.23:58
23Promiscuous
recording engineer und Mix:
Demacio "Demo" Castellon
zusätzlich recording engineer:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
zusätzliche Programmierung:
Demacio "Demo" Castellon
Techniker(in):
Vadim Chislov, Demacio "Demo" Castellon, Ben Jost (engineer), James Roach (engineer) und Kobla Tetey
Produzent(in):
Jim Beanz (Sologesang), Danja (US producer Nate Hills) und Timbaland
Keyboard [keyboards] und Schlagzeug [drums]:
Danja (US producer Nate Hills) und Timbaland
Gast vocals:
Timbaland
Hintergrundgesang:
Nelly Furtado
zusätzlich Hintergrundgesang:
Jim Beanz
phonographisches Urheberrecht (℗) von:
Mosley Music Group LLC (Do not use as a release company, use Mosley Music Group instead) und Geffen Records (in 2006)
gemixt für:
Storm Circle Entertainment
produced for:
Danja Handz Productions, Pettaway Music, Sunset Entertainment und Timbaland Productions
aufgenommen bei:
The Hit Factory Miami in Miami, Florida, Vereinigte Staaten
mixed at:
Thomas Crown Studios Virginia Beach in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 456)
recording of:
Promiscuous
Texter:
Attitude (US rapper/producer Tim Clayton), Nelly Furtado und Timbaland
Komponist(in):
Timothy Clayton, Nelly Furtado, Nate Hills (US producer Nate Hills) und Timothy Mosley
Nelly Furtado & Timbaland3.854:02
24Starboy
Techniker(in):
Cirkut, Doc McKinney (producer), Florian Lagatta und Josh Smith (engineer)
Koproduzent(in):
Abel "The Weeknd" Tesfaye (Canadian R&B singer), Cirkut und Doc McKinney (producer)
Produzent(in):
Daft Punk (French electronic duo)
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer)
vocals:
The Weeknd (Canadian R&B singer)
Interpret(in):
Daft Punk (French electronic duo)
phonographisches Urheberrecht (℗) von:
The Weeknd XO, Inc. (in 2016)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Gang Studios in Paris, Île-de-France, Frankreich
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
Starboy von The Weeknd (Canadian R&B singer) feat. Daft Punk (French electronic duo) und Starboy (explicit) von The Weeknd (Canadian R&B singer) feat. Daft Punk (French electronic duo)
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 20), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 48), Billboard Year-End Hot 100 singles of 2016 (Nummer: 58), TheNeedleDrop: Top 100 Songs of the 2010s (Nummer: 84) und BILLIONS CLUB
recording of:
Starboy
Verfasser(in):
Abel “The Weeknd” Tesfaye (Canadian R&B singer), Thomas Bangalter, Henry Russell Walter, Guy‐Manuel de Homem‐Christo, Jason Quenneville und Martin “Doc” McKinney (producer)
publisher:
Cirkut Breaker LLC, Daft Music, Kobalt Music Group, Mykai Music, Prescription Songs, SAL&CO, Songs Music Publishing LLC, Songs of SMP und Universal Music Corp. (USA, affiliated with ASCAP)
The Weeknd & Daft Punk4.453:50
25All Star
A&R-Management:
Tom Whalley
assistierende(r) Techniker(in):
Trevor Adkinson (engineer for Smash Mouth)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
zusätzliches Editing:
Jacquire King
Bassgitarre:
Paul De Lisle
elektronische Instrumente:
Mark Camp (Smash Mouth collaborator) und Chris Racine
Gitarre:
Greg Camp
Keyboard:
Michael Klooster
Schlagzeug:
Kevin Coleman
zusätzlich Keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Hintergrundgesang:
Greg Camp und Paul De Lisle
Sologesang:
Steve Harwell
Musikvideos:
All Star von Smash Mouth (US rock band from San Jose, CA)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 339)
recording of:
All Star
Texter und Komponist(in):
Greg Camp
publisher:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Smash Mouth4.63:20
26Moves Like Jagger (studio recording from “The Voice” performance)
Bass:
Mickey Madden
Gitarre:
James Valentine (Maroon 5)
Keyboard:
PJ Morton
Perkussion und Schlagzeug:
Matt Flynn (Maroon 5 drummer)
Hintergrundgesang und Sologesang:
Adam Levine (Maroon 5’s lead vocalist)
Remix von:
Moves Like Jagger von Maroon 5 (American pop rock band) feat. Christina Aguilera
Teil von:
Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2012), Billboard Year-End Hot 100 singles of 2011 (Nummer: 9) und Billboard Year-End Hot 100 singles of 2012 (Nummer: 36)
recording of:
Moves Like Jagger
Verfasser(in):
Benjamin Levin (producer Benjamin Levin), Adam Levine (Maroon 5’s lead vocalist), Ammar Malik und Shellback
Maroon 5 & Christina Aguilera3.43:22
27Superstition (single version)
Moog-Programmierung und Partner-Produzent(in):
Malcolm Cecil und Robert Margouleff
Techniker(in):
Malcolm Cecil und Robert Margouleff
Produzent(in):
Stevie Wonder
Sologesang:
Stevie Wonder
recording of:
Superstition
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, 大洋音楽 (Taiyō Music), Jobete Music Co., Inc. (in 1972) und Stein & Van Stock, Inc. (in 1972)
Stevie Wonder4.654:04
28bury a friend
Produzent(in):
FINNEAS
Mix:
Rob Kinelski
phonographisches Urheberrecht (℗) von:
Darkroom (in 2019, in 2022) und Interscope Records (part of UMG Recordings, Inc.) (in 2019, in 2022)
aufgenommen bei:
FINNEAS’ bedroom studio (until October 2019) in Highland Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
bury a friend (music video) von Billie Eilish
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 73) und BILLIONS CLUB
recording of:
bury a friend
Verfasser(in):
Billie Eilish O’Connell und Finneas O’Connell
publisher:
Drup, Last Frontier und Universal Music Corp. (USA, affiliated with ASCAP)
Billie Eilish3.93:13
29Super Freak
recording engineer und Mix:
Tom "Super" Flye
assistierende(r) Techniker(in):
Rick "Port Hole" Sanchez
Techniker(in):
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez und Tom "Super" Flye
leitende(r) Produzent(in):
Alonzo Miller (Singer-songwriter, producer)
Produzent(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
andere Instrumente [flexatone] und Vibraslap:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Bass:
Oscar Alston
Gitarre:
Tom McDermott (guitarist)
Händeklatschen und Perkussion:
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) und Tom McDermott (guitarist)
Hybrid-Piano und Synthesizer [Crumar]:
Levi Ruffin, Jr.
Schlagzeug:
Lanise Hughes
Tenorsaxophon:
Daniel LeMelle
Hintergrundgesang:
Dennis Edwards (US soul & R’n’B singer), Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street und Otis Williams (US baritone singer, member of The Temptations & The Distants)
Horn arranger:
Daniel LeMelle und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
aufgenommen bei:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (Hintergrundgesang) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 153) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 477)
recording of:
Super Freak
Orchestrator(in):
Bruce Fowler (trombone, composer, arranger, orchestrator)
Texter und Komponist(in):
Alonzo Miller (Singer-songwriter, producer) und Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. und Stone Diamond Music Corporation
Rick James4.153:24
30E.T.
Programmierung und Produzent(in):
Ammo (American musician, songwriter and producer Joshua Coleman), Dr. Luke und Max Martin (Swedish record producer)
assistierende(r) Techniker(in):
Aniela Gottwald und Tim Roberts (engineer)
Techniker(in):
John Hanes (audio engineer, mixer), Sam Holland (sound engineer) und Emily Wright
Mix:
Serban Ghenea
Keyboard und Schlagzeug:
Ammo (American musician, songwriter and producer Joshua Coleman), Dr. Luke und Max Martin (Swedish record producer)
vocals:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2011 (Nummer: 4)
recording of:
E.T.
Verfasser(in):
Łukasz Gottwald, Joshua Coleman (American musician, songwriter and producer Joshua Coleman), Max Martin (Swedish record producer) und Katy Perry
publisher:
Maratone, MXM Music AB, Each Note Counts (in 2010, in 2012), Kasz Money Publishing (ASCAP affiliated) (in 2010, in 2012), Maratone AB (in 2010, in 2012), Prescription Songs (in 2010, in 2012) und When I’m Rich You’ll Be My Bitch (in 2010, in 2012)
Katy Perry3.853:26
31Monster
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2009) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2009)
recording of:
Monster
Verfasser(in):
Lady Gaga, RedOne und Space Cowboy (French‐British singer‐songwriter, DJ, and producer)
publisher:
GloJoe Music Inc., House of Gaga Publishing Inc., Sony/ATV Songs LLC und Tiger Trax
Lady Gaga4.54:09
32Party Rock Anthem
Gast vocals:
Lauren Bennett und GoonRock
phonographisches Urheberrecht (℗) von:
Foo & Blu, LLC (in 2011)
Samples:
Shooting Star (Party Rock mix) von David Rush feat. Pitbull (American rapper), Kevin Rudolf & LMFAO (US electronic dance music duo)
Teil von:
Billboard Year-End Hot 100 singles of 2011 (Nummer: 2), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 7), Billboard Year-End Hot 100 singles of 2012 (Nummer: 29) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 99)
recording of:
Party Rock Anthem
Verfasser(in):
David Jamahl Listenbee, Peter Schroeder, Skyler Gordy und Stefan Kendal Gordy
LMFAO, Lauren Bennett & GoonRock4.054:24
33My Songs Know What You Did in the Dark (Light em Up)
zusätzliche Programmierung:
Patrick Vaughn Stump, Jake Sinclair, Joe Trohman und Butch Walker
assistierende(r) Techniker(in):
Todd Stopera
Techniker(in):
Matt Still, Jake Sinclair und Laura Sisk
Produzent(in):
Butch Walker
zusätzliche(r) Produzent(in):
Fall Out Boy (pop punk band)
assistierende(r) Mix:
Matty Green (mix engineer)
Mix:
David Sardy (American score composer) und Mark “Spike” Stent (producer, engineer)
Bassgitarre:
Pete Wentz
Gitarre [guitars] und Keyboard [keyboards]:
Patrick Vaughn Stump und Joe Trohman
Schlagzeug [drums] und Perkussion:
Andy Hurley (rock drummer from the US)
zusätzlich Keyboard [keyboards] und Perkussion und zusätzlich Hintergrundgesang [backing vocals]:
Jake Sinclair und Butch Walker
Hintergrundgesang [backing vocals]:
Andy Hurley (rock drummer from the US), Joe Trohman und Pete Wentz
Sologesang:
Patrick Vaughn Stump
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2013)
aufgenommen bei:
Rubyred Recordings in Venice, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Hillside Manor in Los Angeles, California (Kalifornien), Vereinigte Staaten und Mix Suite LA in Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Rubyred Recordings in Venice, Los Angeles, California (Kalifornien), Vereinigte Staaten, Silent Sound Studios in Atlanta, Georgia, Vereinigte Staaten und Sonora Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 40)
recording of:
My Songs Know What You Did in the Dark (Light 'em Up)
Texter und Komponist(in):
Fall Out Boy (pop punk band), John Hill (producer and songwriter, aka Johnny Rodeo) und Butch Walker
publisher:
Chicago X Softcore Songs (in 2013), EMI April Music Inc. (in 2013), I Eat Publishing for Breakfast (in 2013), Rodeo-Man Music (in 2013) und Sony/ATV Songs LLC (in 2013)
Fall Out Boy3.83:06
34In for the Kill
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer)
zusätzliche(r) Mix:
Tim Roberts (engineer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2009)
recording of:
In for the Kill
Texter und Komponist(in):
Elly Jackson und Ben Langmaid
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
La Roux4.154:10
35Square Hammer
recording engineer, Produzent(in) und Mix:
Tom Dalgety
assistierende Programmierung und zusätzliche(r) assistierende(r) Techniker(in):
Markus Krona
Programmierung:
Niels Nielsen
zusätzliche(r) Techniker(in):
Niels Nielsen
Instrumente:
Group of Nameless Ghouls
vocals:
Papa Emeritus III
phonographisches Urheberrecht (℗) von:
Loma Vista Recordings (in 2016) und UMG Recordings, Inc. FP (in 2023)
aufgenommen bei:
Gardenia Studio in Linköping, Östergötland (Östergötlands län), Schweden
mixed at:
Psalm Studio (in Wiltshire, near Bath) in Vereinigtes Königreich
recording of:
Square Hammer
Texter und Komponist(in):
A Ghoul Writer (unknown writer for Ghost)
publisher:
Papastrello Songs (vom 2016 bis heute)
Ghost4.43:59
36Spooky, Scary Skeletons (Undead Tombstone remix)Andrew Gold2:05
37Stabbing in the Dark
Techniker(in) und Mix:
Justin deBlieck, Jeff Dunne (mixing & mastering engineer) und WZRD BLD (rock/hip hop producer, songwriter, and musician)
Produzent(in):
WZRD BLD (rock/hip hop producer, songwriter, and musician)
zusätzliche(r) Produzent(in):
Spencer Charnas (Ice Nine Kills singer) und Justin deBlieck
Gitarre:
Justin deBlieck
Sprecher:
Andrew Justin Smith (original bassist for Ice Nine Kills) und Nadia Teichmann
vocals:
Spencer Charnas (Ice Nine Kills singer) und Justin deBlieck
zusätzlich Sprecher:
Gina deBlieck
zusätzlich vocals:
Josh Strock und WZRD BLD (rock/hip hop producer, songwriter, and musician)
zusätzlich arranger:
Josh Strock und WZRD BLD (rock/hip hop producer, songwriter, and musician)
Orchestrator(in):
Justin deBlieck
phonographisches Urheberrecht (℗) von:
Fearless Records (a division of Concord) (in 2018)
recording of:
Stabbing in the Dark
Texter:
Spencer Charnas (Ice Nine Kills singer) und Steve Sopchak
Verfasser(in):
Justin Morrow und WZRD BLD (rock/hip hop producer, songwriter, and musician)
Komponist(in):
Spencer Charnas (Ice Nine Kills singer) und Justin deBlieck
publisher:
Square Studio Publishing und Wizards Dancing Underwater
Ice Nine Kills14:36
38Dead Man’s Party
Oingo Boingo6:18
39Haunt You
Social House23:18
40Close Your Eyes
Produzent(in):
Aaron Joseph (producer, songwriter, and DJ) und Made in China
recording of:
Close Your Eyes
Verfasser(in):
Aaron Joseph (producer, songwriter, and DJ), Łukasz Gottwald, Sarah Hudson, Kim Petras und Jesse Saint John
Kim Petras3.353:55
41Rampage
Produzent(in) und Mix:
SebastiAn (French electro artist)
recording of:
Rampage
Komponist(in):
Kavinsky und SebastiAn (French electro artist)
publisher:
Because Éditions, Headbangers Publishing und Imagem London Ltd.
Kavinsky2:55
42Dance in the Dark
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2009) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2009)
recording of:
Dance in the Dark
Verfasser(in):
Garibay (US producer, songwriter and DJ) und Lady Gaga
publisher:
GloJoe Music Inc., House of Gaga Publishing Inc., Sony/ATV Songs LLC und Tiger Trax
Lady Gaga54:48
43Addams Groove
recording of:
Addams Groove
Verfasser(in):
Vic Mizzy (US television & movie composer) und Stanley Kirk Burrell
zusätzliche(r) Komponist(in):
Felton C. Pilate II (American singer, songwriter, multi-instrumentalist and record producer)
publisher:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), Kobalt Music Publishing Ltd. (UK), Unison Music Company, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Teil von:
Golden Raspberry Award for Worst Original Song (Nummer: 1991)
MC Hammer23:59
44Things That Go Bump in the NightallSTARS3:26
45Heart of Glass (special mix)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
remixer:
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 1981, in 2002) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Remix von:
Heart of Glass von Blondie (US rock band)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie44:32
46Halloween
Techniker(in):
Stefan Boman (Sologesang, Hintergrundgesang) und Stig Kreutzfeldt (Danish vocalist, guitarist, composer and producer) (Sologesang, Hintergrundgesang)
Produzent(in):
Claus Norreen und Søren Rasted
Mix:
Aqua (Danish Euro‐dance group) und Michael Henderson (UK recording/mix engineer)
Gitarre:
Ole Kibsgaard (Danish musician and producer) (von 1999-01 bis 1999-11)
Hintergrundgesang:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini) (von 1999-01 bis 1999-11)
Sologesang:
Lene Grawford Nystrøm (von 1999-01 bis 1999-11) und René Dif (von 1999-01 bis 1999-11)
arranger:
Claus Norreen und Søren Rasted
phonographisches Urheberrecht (℗) von:
Universal Music (Denmark) A/S (not for release label use! Danish subsidiary of Universal Music Group) (in 2000)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1999-01 bis 1999-11: Hintergrundgesang) und Rastednorreen Mobile Studio in Höganäs Municipality (Höganäs), Skåne (Skåne county), Schweden (von 1999-01 bis 1999-11)
mixed at:
Rastednorreen Mobile Studio in Somerset, England, Vereinigtes Königreich
recording of:
Halloween (von 1999-01 bis 1999-11)
Texter und Komponist(in):
Claus Norreen, Søren Rasted und René Dif
publisher:
Universal Music Publishing AB (Sweden)
Aqua3.53:50
47You and Me and the Devil Makes 3
recording engineer, Programmierung und Techniker(in):
Tim Sköld (industrial musician Tim Sköld)
Produzent(in):
Marilyn Manson (the person) und Tim Sköld (industrial musician Tim Sköld)
Mix:
Sean Beavan
recording of:
You and Me and the Devil Makes 3
Verfasser(in):
Marilyn Manson (the person) und Tim Sköld (industrial musician Tim Sköld)
Marilyn Manson2.354:24
48Monster Mash (Next Habit remix)
Bobby “Boris” Pickett & Next Habit2:59
49Dance Macabre
recording engineer, Programmierung und Produzent(in):
Tom Dalgety
assistierende(r) Techniker(in):
Greg Eliason
Mix:
Clif Norrell und Andy Wallace (engineer)
Bass:
Nameless Ghoul (Water) (bass)
Gitarre [lead guitar]:
Nameless Ghoul (Fire) (lead guitar)
Gitarre [rhythm guitar]:
Nameless Ghoul (Aether) (rhythm guitar)
Keyboard:
Salem Al Fakir und Nameless Ghoul (Air) (keyboards)
Klavier:
Salem Al Fakir
Perkussion:
Tom Dalgety
Schlagzeug:
Ludvig Kennberg und Nameless Ghoul (Earth) (drums)
Synthesizer:
Steve Moore (NYC-based electronic artist)
Chorgesang:
Deryn Edwards und Mark Williams (vocalist)
Sologesang:
Cardinal Copia
Interpret(in):
Papa Nihil
phonographisches Urheberrecht (℗) von:
Loma Vista Recordings (in 2018) und UMG Recordings, Inc. FP (in 2023)
aufgenommen bei:
Artery Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
mixed at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
Dance Macabre
Verfasser(in):
Salem Al Fakir, A Ghoul Writer (unknown writer for Ghost) und Vincent Pontare (Swedish singer, songwriter and producer)
Ghost4.453:39

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2022)
kostenlos streamen:https://open.spotify.com/album/6eiGu7WvgBIvVLNxNhxztt [Info]
https://www.deezer.com/album/365809247 [Info]
Streaming-Seite:https://music.apple.com/us/album/1648732308 [Info]