Summertime

~ Veröffentlichung von Isata Kanneh‐Mason (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Summertime
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
Grand Fantasy on Porgy and Bess: Summertime
Komponist(in):
Earl Wild (pianist, composer and conductor)
Teil von:
Grand Fantasy on Porgy and Bess (arr. for piano, Earl Wild)
George Gershwin / Earl Wild3:29
2I Got Rhythm
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
7 Virtuoso Études: I Got Rhythm
Komponist(in):
Earl Wild (pianist, composer and conductor) (in 1973)
basiert auf:
I Got Rhythm
Teil von:
7 Virtuoso Études
George Gershwin / Earl Wild2:13
3Nocturne (Homage to John Field), op. 33
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
Nocturne, op. 33: Moderato
Komponist(in):
Samuel Barber (American composer) (in 1959)
Teil von:
Works of Samuel Barber by opus number (Nummer: op. 33)
Samuel Barber3:27
4Piano Sonata in E-flat minor, op. 26: I. Allegro energico
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
Sonata for Piano, op. 26: I. Allegro energico - Un poco meno mosso - Tempo I
Komponist(in):
Samuel Barber (American composer) (von 1947 bis 1949-06)
Teil von:
Sonata for Piano, op. 26
Samuel Barber7:08
5Piano Sonata in E-flat minor, op. 26: II. Allegro vivace e leggero
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
Sonata for Piano, op. 26: II. Allegro vivace e leggero
Komponist(in):
Samuel Barber (American composer) (von 1947 bis 1949-06)
Teil von:
Sonata for Piano, op. 26
Samuel Barber2:00
6Piano Sonata in E-flat minor, op. 26: III. Adagio mesto
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
Sonata for Piano, op. 26: III. Adagio mesto
Komponist(in):
Samuel Barber (American composer) (von 1947 bis 1949-06)
Teil von:
Sonata for Piano, op. 26
Samuel Barber5:23
7Piano Sonata in E-flat minor, op. 26: IV. Fuga: Allegro con spirito
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
Sonata for Piano, op. 26: IV. Fuga. Allegro con spirito
Komponist(in):
Samuel Barber (American composer) (von 1947 bis 1949-06)
Teil von:
Sonata for Piano, op. 26
Samuel Barber4:37
8The Man I Love
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
The Man I Love (for solo piano, transcr. by Percy Grainger)
Komponist(in):
George Gershwin (composer)
Klavier arranger:
Percy Grainger (Australian composer 1882–1961)
Arrangement von:
The Man I Love
George Gershwin arr. Percy Grainger3:17
9Three Preludes: I. Allegro ben ritmato e deciso
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano)
Komponist(in):
George Gershwin (composer) (in 1926)
Arrangement von:
Three Preludes: No. 1. Allegro ben ritmato e deciso (for clarinet and string orchestra, Cohn)
Teil von:
Three Preludes (original for piano)
George Gershwin1:35
10Three Preludes: II. Andante con moto e poco rubato
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano)
Komponist(in):
George Gershwin (composer) (in 1926)
Teil von:
Three Preludes (original for piano)
George Gershwin3:38
11Three Preludes: III. Allegro ben ritmato e deciso
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
Three Preludes: No. 3. Allegro ben ritmato e deciso (original version for piano)
Komponist(in):
George Gershwin (composer) (in 1926)
Teil von:
Three Preludes (original for piano)
George Gershwin1:19
12By the Still Waters, op. 114
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
By the Still Waters, op. 114
Komponist(in):
Amy Beach (American composer and pianist) (in 1925)
Teil von:
Works of Amy Beach by opus number (Nummer: op. 114)
Amy Beach3:07
13The Cat and the Mouse (Scherzo Humoristique)
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
The Cat and the Mouse
Komponist(in):
Aaron Copland (composer) (in 1920)
Aaron Copland4:10
14Impromptu no. 2 in B minor
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
Impromptu no. 2 in B minor
Komponist(in):
Samuel Coleridge‐Taylor (composer, conductor)
Samuel Coleridge-Taylor4:36
15Deep River
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
Deep River, op. 59 no. 10
Komponist(in):
Samuel Coleridge‐Taylor (composer, conductor) (in 1905)
Teil von:
24 Negro Melodies, op. 59
Samuel Coleridge-Taylor6:17
16The Bamboula
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
The Bamboula, op. 59 no. 8
Komponist(in):
Samuel Coleridge‐Taylor (composer, conductor) (in 1905)
Teil von:
24 Negro Melodies, op. 59
Samuel Coleridge-Taylor2:26
17Sometimes I Feel Like a Motherless Child
recording engineer:
Philip Siney (sound engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Klavier:
Isata Kanneh‐Mason
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
aufgenommen bei:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, Vereinigtes Königreich (von 2020-11-04 bis 2021-03-01)
recording of:
Sometimes I Feel Like a Motherless Child, op. 59 no. 22
Komponist(in):
Samuel Coleridge‐Taylor (composer, conductor) (in 1905)
Teil von:
24 Negro Melodies, op. 59
Samuel Coleridge-Taylor4:01

Nennungen

Veröffentlichung

Fotografie:Robin Clewley (photographer)
liner notes:Rebecca Franks (Classical music critic)
liner notes Übersetzer:Daniel Fesquet (liner notes translator)
Stefanie Schlatt (liner notes translator)
leitende(r) Produzent(in):Dominic Fyfe
design:Paul Chessell (art director)
booklet editor:WLP Ltd
Verwertungsgesellschaft:BIEM (international rights organization representing member societies from 58 countries)
SDRM (Société pour l’administration du droit de reproduction mécanique, French mechanical reproduction rights society)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2021)
ASIN:UK: B08XXZYD87 [Info]
Diskografieeintrag:https://www.deccaclassics.com/en/catalogue/products/summertime-isata-kanneh-mason-12347 [Info]

Veröffentlichungsgruppe

A&R-Management:Joanne Baines