Early in the Morning / Deep Roots

~ Release by Lorez Alexandria (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Early in the Morning
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Early in the Morning (in 1960-03)
writer:
Dallas Bartley, Leo Hickman and Louis Jordan (US jazz, blues and r&b musician and songwriter)
publisher:
Cherio Corp.
2:59
2Don't Explain
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Don’t Explain (in 1960-03)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3:14
3So Long
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
So Long (in 1960-03)
writer:
Remus Harris, Irving Melsher and Russ Morgan (Big Band orchestra leader)
3:28
4Good Morning Heartache
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Good Morning Heartache (in 1960-03)
lyricist:
Ervin Drake (songwriter)
composer:
Dan Fisher (U.S. songwriter ("Good Morning Heartache"), author, producer) and Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. and Universal/MCA Music (music publisher; do not use as release label!)
3:19
5Trouble Is a Man
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Kirk Stuart
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Trouble Is a Man (in 1960-03)
lyricist and composer:
Alec Wilder (American composer)
2:44
6I Ain't Got Nothing but the Blues
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
guitar [rhythm guitar]:
Freddie Green (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
tenor saxophone:
Frank Foster (saxophonist) (from 1960-03-15 until 1960-03-17)
trombone:
Al Grey (trombone) (from 1960-03-15 until 1960-03-17)
trumpet:
Joe Newman (US jazz trumpeter) (from 1960-03-15 until 1960-03-17)
woodwind:
Frank Wess (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
I Ain’t Got Nothin’ but the Blues (in 1960-03)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
publisher:
Ricki Music and Tempo Music Co.
2:23
7Baby Don't You Cry
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
guitar [rhythm guitar]:
Freddie Green (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
tenor saxophone:
Frank Foster (saxophonist) (from 1960-03-15 until 1960-03-17)
trombone:
Al Grey (trombone) (from 1960-03-15 until 1960-03-17)
trumpet:
Joe Newman (US jazz trumpeter) (from 1960-03-15 until 1960-03-17)
woodwind:
Frank Wess (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Baby Don’t You Cry (in 1960-03)
lyricist:
Ned Washington
composer:
Buddy Johnson
2:16
8Rocks in My Bed
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
guitar [rhythm guitar]:
Freddie Green (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
tenor saxophone:
Frank Foster (saxophonist) (from 1960-03-15 until 1960-03-17)
trombone:
Al Grey (trombone) (from 1960-03-15 until 1960-03-17)
trumpet:
Joe Newman (US jazz trumpeter) (from 1960-03-15 until 1960-03-17)
woodwind:
Frank Wess (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
Rocks in My Bed (in 1960-03)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
2:43
9I'm Just a Lucky So and So
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
guitar [rhythm guitar]:
Freddie Green (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
tenor saxophone:
Frank Foster (saxophonist) (from 1960-03-15 until 1960-03-17)
trombone:
Al Grey (trombone) (from 1960-03-15 until 1960-03-17)
trumpet:
Joe Newman (US jazz trumpeter) (from 1960-03-15 until 1960-03-17)
woodwind:
Frank Wess (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
I’m Just a Lucky So and So (in 1960-03)
lyricist:
Mack David (American lyricist and songwriter) (in 1945)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation and PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
3:02
10Almost Lost My Mind
engineer:
Ron Malo
producer:
Ralph Bass
double bass [bass]:
Eldee Young (from 1960-03-15 until 1960-03-17)
drums (drum set):
Red Holt (from 1960-03-15 until 1960-03-17)
guitar:
Johnny Gray (guitar) (from 1960-03-15 until 1960-03-17)
guitar [rhythm guitar]:
Freddie Green (from 1960-03-15 until 1960-03-17)
piano:
Ramsey Lewis (from 1960-03-15 until 1960-03-17)
tenor saxophone:
Frank Foster (saxophonist) (from 1960-03-15 until 1960-03-17)
trombone:
Al Grey (trombone) (from 1960-03-15 until 1960-03-17)
trumpet:
Joe Newman (US jazz trumpeter) (from 1960-03-15 until 1960-03-17)
woodwind:
Frank Wess (from 1960-03-15 until 1960-03-17)
vocals:
Lorez Alexandria (from 1960-03-15 until 1960-03-17)
arranger:
Frank Foster (saxophonist)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1960-03-15 until 1960-03-17)
recording of:
I Almost Lost My Mind (in 1960-03)
lyricist and composer:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
Hill and Range (publisher) and St. Louis Music Corp.
3:04
11Nature Boy
double bass:
Israel Crosby (in 1962-02)
drums (drum set):
Vernell Fournier (jazz drummer) (in 1962-02)
guitar:
George Eskridge (in 1962-02)
piano:
John Young (jazz pianist) (in 1962-02)
trumpet:
Howard McGhee (in 1962-02)
vocals:
Lorez Alexandria (in 1962-02)
arranger:
John Young (jazz pianist) (in 1962-02)
recording of:
Nature Boy (in 1962-02)
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:50
12I Was a Fool
double bass:
Israel Crosby (in 1962-02)
drums (drum set):
Vernell Fournier (jazz drummer) (in 1962-02)
guitar:
George Eskridge (in 1962-02)
piano:
John Young (jazz pianist) (in 1962-02)
trumpet:
Howard McGhee (in 1962-02)
vocals:
Lorez Alexandria (in 1962-02)
arranger:
John Young (jazz pianist) (in 1962-02)
recording of:
I Was a Fool (in 1962-02)
writer:
Johnny Pate
3:24
13No Moon at All
double bass:
Israel Crosby (in 1962-02)
drums (drum set):
Vernell Fournier (jazz drummer) (in 1962-02)
guitar:
George Eskridge (in 1962-02)
piano:
John Young (jazz pianist) (in 1962-02)
trumpet:
Howard McGhee (in 1962-02)
vocals:
Lorez Alexandria (in 1962-02)
arranger:
John Young (jazz pianist) (in 1962-02)
recording of:
No Moon at All (in 1962-02)
lyricist:
Redd Evans
composer:
David Mann (American songwriter)
publisher:
Mann David Music Company, Music Sales Corporation (American copyright holder in both popular and classical music) and Rytvoc, Inc. (ASCAP)
2:12
14Spring Will Be a Little Late This Year
double bass:
Israel Crosby (in 1962-02)
drums (drum set):
Vernell Fournier (jazz drummer) (in 1962-02)
guitar:
George Eskridge (in 1962-02)
piano:
John Young (jazz pianist) (in 1962-02)
trumpet:
Howard McGhee (in 1962-02)
vocals:
Lorez Alexandria (in 1962-02)
arranger:
John Young (jazz pianist) (in 1962-02)
recording of:
Spring Will Be a Little Late This Year (in 1962-02)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp. and MPL Music Publishing Inc.
3:04
15Softly as in a Morning Sunrise
double bass:
Israel Crosby (in 1962-02)
drums (drum set):
Vernell Fournier (jazz drummer) (in 1962-02)
guitar:
George Eskridge (in 1962-02)
piano:
John Young (jazz pianist) (in 1962-02)
trumpet:
Howard McGhee (in 1962-02)
vocals:
Lorez Alexandria (in 1962-02)
arranger:
John Young (jazz pianist) (in 1962-02)
recording of:
Softly, as in a Morning Sunrise (The New Moon) (in 1962-02)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Chappell & Co Ltd., Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
part of:
The New Moon: Act I
2:37
16Detour Ahead
double bass:
Israel Crosby (in 1962-02)
drums (drum set):
Vernell Fournier (jazz drummer) (in 1962-02)
guitar:
George Eskridge (in 1962-02)
piano:
John Young (jazz pianist) (in 1962-02)
trumpet:
Howard McGhee (in 1962-02)
vocals:
Lorez Alexandria (in 1962-02)
arranger:
John Young (jazz pianist) (in 1962-02)
recording of:
Detour Ahead (in 1962-02)
composer:
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) and Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
3:40
17It Could Happen to You
double bass:
Israel Crosby (in 1962-02)
drums (drum set):
Vernell Fournier (jazz drummer) (in 1962-02)
guitar:
George Eskridge (in 1962-02)
piano:
John Young (jazz pianist) (in 1962-02)
trumpet:
Howard McGhee (in 1962-02)
vocals:
Lorez Alexandria (in 1962-02)
arranger:
John Young (jazz pianist) (in 1962-02)
recording of:
It Could Happen to You (in 1962-02)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:46
18Trav'lin' Light
double bass:
Israel Crosby (in 1962-02)
drums (drum set):
Vernell Fournier (jazz drummer) (in 1962-02)
guitar:
George Eskridge (in 1962-02)
piano:
John Young (jazz pianist) (in 1962-02)
trumpet:
Howard McGhee (in 1962-02)
vocals:
Lorez Alexandria (in 1962-02)
arranger:
John Young (jazz pianist) (in 1962-02)
recording of:
Trav’lin’ Light (in 1962-02)
lyricist:
Johnny Mercer (in 1942)
composer:
Jimmy Mundy (in 1942) and Trummy Young (in 1942)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publishing, Music Sales Corporation (American copyright holder in both popular and classical music), Rytvoc, Inc. (ASCAP) and WB Music Corp. (1929–2019)
3:28
19Almost Like Being in Love
double bass:
Israel Crosby (in 1962-02)
drums (drum set):
Vernell Fournier (jazz drummer) (in 1962-02)
guitar:
George Eskridge (in 1962-02)
piano:
John Young (jazz pianist) (in 1962-02)
trumpet:
Howard McGhee (in 1962-02)
vocals:
Lorez Alexandria (in 1962-02)
arranger:
John Young (jazz pianist) (in 1962-02)
recording of:
Almost Like Being in Love (from “Brigadoon”) (in 1962-02)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
2:22
20I Want to Talk About You
double bass:
Israel Crosby (in 1962-02)
drums (drum set):
Vernell Fournier (jazz drummer) (in 1962-02)
guitar:
George Eskridge (in 1962-02)
piano:
John Young (jazz pianist) (in 1962-02)
trumpet:
Howard McGhee (in 1962-02)
vocals:
Lorez Alexandria (in 1962-02)
arranger:
John Young (jazz pianist) (in 1962-02)
recording of:
I Want to Talk About You (in 1962-02)
lyricist and composer:
Billy Eckstine
publisher:
Belinda Scandinavia AB
2:54
21Traveling Down a Lonely Road
3:46
22Love Look Away
3:50
23The End of a Love Affair
2:51
24Baltimore Oriole (1963)
recording of:
Baltimore Oriole (in 1963)
lyricist:
Paul Francis Webster (in 1942)
composer:
Hoagy Carmichael (in 1942)
3:12
25Baltimore Oriole (1957)
recording of:
Baltimore Oriole (in 1957)
lyricist:
Paul Francis Webster (in 1942)
composer:
Hoagy Carmichael (in 1942)
2:56