Brass in Pocket: The 70s All Over

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2020 Warner Music Group - X5 Music Group»

Countries excluded (Spotify + Deezer)

(As of 2020-03-20).

  • Caribbean: 🇩🇴 Dominican Republic (do) 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg)
  • Eastern Africa: 🇲🇬 Madagascar (mg)
  • Middle Africa: 🇨🇬 Congo (cg)
  • Western Asia: 🇧🇭 Bahrain (bh)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc)
  • Polynesia: 🇨🇰 Cook Islands (ck)
  • Melanesia: 🇸🇧 Solomon Islands (sb)
  • Micronesia: 🇰🇮 Kiribati (ki)
Anmerkung zuletzt geändert am 2020-03-20 17:26 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
The Pretenders4.43:04
2Da Ya Think I’m Sexy
Techniker(in):
Andy Johns
Produzent(in):
Tom Dowd
Mix:
Tom Dowd und Andy Johns
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) und WEA Records B.V. (in 1978)
Musikvideos:
Da Ya Think I'm Sexy? von Rod Stewart
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 301)
recording of:
Da Ya Think I’m Sexy?
Verfasser(in):
Carmine Appice, Duane Hitchings und Rod Stewart
publisher:
Control (German electronic sub-label of edel, inactive for a time, but relaunched in 2015), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Version von:
Taj Mahal
Rod Stewart4.155:31
3You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (The Rolling Stones) (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:18
4Right Back Where We Started From
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
Verfasser(in):
J. Vincent Edwards und Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Songs LLC
Maxine Nightingale4.153:12
5Listen to the Music
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
Bearbeitung von:
Listen to the Music von The Doobie Brothers
recording of:
Listen to the Music
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:47
6We Don’t Talk Anymore
Produzent(in):
Bruce Welch (English guitarist, singer, songwriter and producer)
vocals:
Cliff Richard (in 1979)
phonographisches Urheberrecht (℗) von:
EMI America (in 1979) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
Musikvideos:
We Don’t Talk Anymore von Cliff Richard
recording of:
We Don’t Talk Anymore (in 1979)
Texter und Komponist(in):
Alan Tarney
publisher:
ATV Music Ltd., Sony/ATV Songs LLC und Warner Chappell
Cliff Richard34:17
7That’s the Way (I Like It)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:05
8Jane
recording of:
Jane (Jefferson Starship song)
Texter:
David Freiberg und Jim McPherson (singer/songwriter)
Komponist(in):
Craig Chaquico, David Freiberg, Paul Kantner und Jim McPherson (singer/songwriter)
publisher:
Carlin Music Corp.
Jefferson Starship3.754:12
9December, 1963 (Oh What a Night!)
recording of:
December, 1963 (Oh, What a Night)
Texter:
Bob Gaudio und Judy Parker
Komponist(in):
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. und Seasons Music Co.
Frankie Valli & The Four Seasons3:21
10She’s Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
11I’m Every Woman
Techniker(in):
James Douglass (engineer)
Produzent(in):
Arif Mardin
Hintergrundgesang:
Will Lee (US jazz/rock bassist) (in 1978) und Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (in 1978)
Hintergrundgesang und Sologesang:
Chaka Khan (in 1978)
Blechblasinstrumente arranger, Holzblasinstrumente arranger und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 4)
recording of:
I’m Every Woman (in 1978)
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:04
12Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:06
13Le Freak
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Le Freak (in 1978)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.43:30
14Fire and Rain
Techniker(in):
Bill Lazerus (in 1969-12)
Produzent(in):
Peter Asher (in 1969-12)
Akustikgitarre und Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
Klavier:
Carole King (in 1969-12)
Kontrabass:
Bobby ‘Wild, Wild’ West (in 1969-12)
Schlagzeug:
Russ Kunkel (session drummer) (in 1969-12)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 146) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 227)
recording of:
Fire and Rain (in 1969-12)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (beendet), EMI Blackwood Music Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor4.33:21
15You Sexy Thing
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.854:05
16No More Mr. Nice Guy
Produzent(in):
Bob Ezrin
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01)
Gitarre:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01) und Glen Buxton (American guitarist) (von 1972-08 bis 1973-01)
Keyboard:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01)
Schlagzeug:
Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
Hintergrundgesang:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01), Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01) und Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975–present) (von 1972-08 bis 1973-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
No More Mr. Nice Guy (von 1972-08 bis 1973-01)
Verfasser(in):
Michael Bruce (of Alice Cooper) und Alice Cooper (the singer, active as a solo artist 1975–present)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music (, in 1973), Ezra Music Corp., Primary Wave Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Group und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:06
17Grease
Techniker(in) und Mix:
Karl Richardson
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Gitarre:
Peter Frampton
Hintergrundgesang:
Barry Gibb
Sologesang:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arranger:
Albhy Galuten und Barry Gibb
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 11)
recording of:
Grease (Grease, 1978 film)
Texter und Komponist(in):
Barry Gibb
publisher:
Careers–BMG Music Publishing, Inc. und Gibb Brothers Music
Teil von:
Grease (1978 film)
Frankie Valli4.43:22
18Werewolves of London
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass:
John McVie
Gitarre [guitars]:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Mick Fleetwood
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (vom 2007 bis heute)
aufgenommen bei:
The Sound Factory in Tucson, Arizona, Vereinigte Staaten (in 2007)
recording of:
Werewolves of London
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music Inc. (BMI)
Warren Zevon4.93:29
19Rock Your Baby
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae6:24
20I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:39
21Young Hearts Run Free
Produzent(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
Bassgitarre:
Scotty Edwards (bassist)
Conga:
Eddie Bongo
Gitarre:
Jay Graydon und Ray Parker
Keyboard:
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) und Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Synthesizer:
Monty Stark
Vibraphon:
Vic Feldman
Hintergrundgesang:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells und June D. Williams
Sologesang:
Candi Staton
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
aufgenommen bei:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 424)
recording of:
Young Hearts Run Free
Texter und Komponist(in):
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. und IQ Music Ltd.
Candi Staton4.154:09
222-4-6-8 Motorway
Produzent(in):
Vic Maile
Bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
Gitarre:
Danny Kustow (am 1977-09-14)
Klavier und Orgel:
Mark Ambler (am 1977-09-14)
Schlagzeug:
Dolphin Taylor (am 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (am 1977-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
Berwick Street Studios in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (am 1977-09-14)
Texter und Komponist(in):
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band4.253:17
23A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Mix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America4.254:12
24The Rubberband Man
The Spinners4.653:35
25Fool (If You Think It’s Over)
Techniker(in):
Justin Shirley‐Smith
Produzent(in):
Jon Kelly (engineer at Air London Studios) und Chris Rea
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd. (in 1988)
aufgenommen bei:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, Vereinigtes Königreich (in 2007)
recording of:
Fool (If You Think It’s Over) (in 2007)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea54:07
26Ride Like the Wind
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recording of:
Ride Like the Wind
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) und Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. und Universal Music Publishing, Synch Division
Christopher Cross24:01
27Tush
recording engineer und Mix:
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
Bassgitarre und Sologesang:
Dusty Hill
E-Gitarre:
Billy Gibbons
Schlagzeug:
Frank Beard (ZZ Top drummer)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten und Robin Hood Studios in Tyler, Texas, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 67)
recording of:
Tush
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Music of Stage Three und Songs of Mosaic
ZZ Top4.552:14
28Feels Like the First Time
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977)
recording of:
Feels Like the First Time
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3:13
29Cat’s in the Cradle
Produzent(in):
Paul Leka
arranger:
Paul Leka
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
aufgenommen bei:
Connecticut Recording Studios in Connecticut, Vereinigte Staaten
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:46
30Move On Up
Bearbeitung von:
Move On Up von Curtis Mayfield
recording of:
Move On Up
Texter und Komponist(in):
Curtis Mayfield
publisher:
Camad Music Company (beendet), Curtom Publishing Co Inc (beendet), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:46
31Peaches
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
assistierende(r) Mix:
Benny King (engineer)
Mix:
Doug Bennett (producer, engineer)
Bassgitarre:
Jean‐Jacques Burnel (von 1976-12-20 bis 1977-01-28)
Gitarre und Sologesang:
Hugh Cornwell (English rock musician) (von 1976-12-20 bis 1977-01-28)
Keyboard:
Dave Greenfield (von 1976-12-20 bis 1977-01-28)
Schlagzeug:
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (von 1976-12-20 bis 1977-01-28)
Herausgeber:
EMI April Music Inc.
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1976-12-20 bis 1977-01-28)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1977-01 bis 1977-02)
recording of:
Peaches (von 1976-12-20 bis 1977-01-28)
Verfasser(in):
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Albion Music Ltd., April Music Ltd., Complete Music, Complete Music Ltd., Musik-Edition Discoton GmbH und Universal Music Publishing MGB Ltd.
The Stranglers4.154:05
32I’d Love You to Want Me
recording of:
I’d Love You to Want Me
Texter und Komponist(in):
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo34:04
33Slow Ride
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1975) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
Bearbeitung von:
Slow Ride (long version) von Foghat
recording of:
Slow Ride
Texter und Komponist(in):
Dave Peverett
publisher:
Kohaw Music Inc. und WC Music Corp.
Foghat4.53:58
34Then Came You
Gast vocals:
Dionne Warwick
Interpret(in):
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
cover recording of:
Then Came You
Verfasser(in):
Sherman Marshall und Philip Pugh
publisher:
Mijac Double Diamond Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dionne Warwick4.54:01
35Saturday in the Park
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 1972, in 2002)
aufgenommen bei und mixed at:
Columbia Studios in New York, New York, Vereinigte Staaten (von 1971-09-20 bis 1971-09-29)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 9)
recording of:
Saturday in the Park (von 1971-09-20 bis 1971-09-29)
Texter und Komponist(in):
Robert Lamm (in 1971)
publisher:
Big Elk Music, Lamminations Music, Spirit Music Publishing Ltd. und Warner Chappell North America Ltd.
Chicago43:56
36Dream Weaver
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
aufgenommen bei und mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 25)
recording of:
Dream Weaver (Gary Wright)
Texter und Komponist(in):
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und WB Music Corp.
Gary Wright44:16
37Jealous Guy (studio version)
Donny Hathaway2.453:44
38Blitzkrieg Bop
assistierende(r) Techniker(in):
Don Hünerberg
Techniker(in):
Rob Freeman (engineer)
Partner-Produzent(in):
Thomas Erdelyi (Tommy Ramone)
Produzent(in):
Craig Leon (musician, arranger, composer and producer)
Bassgitarre:
Dee Dee Ramone
Gitarre:
Johnny Ramone
Schlagzeug:
Tommy Ramone
Sologesang:
Joey Ramone
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 25), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 64), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 92) und Indie 88: Top 500 Indie Rock Songs (Nummer: 93)
recording of:
Blitzkrieg Bop (in 1976-01)
Verfasser(in):
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman und John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher) und Taco Tunes Inc.
Ramones4.552:13
39Year of the Cat
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 13)
recording of:
Year of the Cat
Verfasser(in):
Al Stewart (UK folk singer/songwriter) und Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.456:34
40Street Life (edit)
recording of:
Street Life
Verfasser(in):
Will Jennings und Joe Sample
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Four Knights Music, Four Knights Music Co., Fujipacific Music, Inc., Irving Music, Inc., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Randy Crawford4:49
41Feel Like Makin’ Love
recording engineer:
Ron Nevison (in 1974-09)
Produzent(in):
Bad Company (British blues-rock supergroup)
Mix:
Ron Nevison
E-Bass:
Boz Burrell (English musician) (in 1974-09)
Gitarre:
Mick Ralphs (in 1974-09) und Paul Rodgers (in 1974-09)
Keyboard:
Mick Ralphs (in 1974-09)
Klavier und Sologesang:
Paul Rodgers (in 1974-09)
Schlagzeug:
Simon Kirke (in 1974-09)
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1975)
aufgenommen bei:
Clearwell Castle in Gloucestershire, England, Vereinigtes Königreich (in 1974-09)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 78)
recording of:
Feel Like Makin’ Love (in 1974-09)
Verfasser(in):
Mick Ralphs und Paul Rodgers
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Badco Music, Inc. (vom 1974 bis heute)
Bad Company4.255:15
42Summer Breeze
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 10)
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.253:22
43Wishing on a Star (edit)
recording of:
Wishing on a Star
Texter und Komponist(in):
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce43:59
44Lonely Boy
assistierende(r) Techniker(in):
Dennis Kirk und Greg Ladanyi
Techniker(in):
Val Garay
Produzent(in):
Peter Asher
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1976-03 bis 1976-10)
cowbell, Klavier und Tamburin:
Andrew Gold (von 1976-03 bis 1976-10)
Gitarre:
Dan Dugmore (von 1976-03 bis 1976-10)
Gitarre [Lead Guitar]:
Waddy (von 1976-03 bis 1976-10)
Glocken [Sleigh] und Schlagzeug:
Michael Botts (von 1976-03 bis 1976-10)
Händeklatschen:
Peter Asher (von 1976-03 bis 1976-10) und Andrew Gold (von 1976-03 bis 1976-10)
Hybrid-Piano und Synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (von 1976-03 bis 1976-10)
Hintergrundgesang:
Linda Ronstadt (von 1976-03 bis 1976-10)
vocals:
Andrew Gold (von 1976-03 bis 1976-10)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-03 bis 1976-10)
recording of:
Lonely Boy (von 1976-03 bis 1976-10)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:25
45Rock Steady
recording engineer:
Ron Albert (am 1971-02-16)
Techniker(in):
Howard Albert, Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Klavier und Sologesang:
Aretha Franklin (am 1971-02-16)
Orgel:
Donny Hathaway (am 1971-02-16)
Perkussion:
Mac Rebennack (New Orleans blues pianist, singer and songwriter) (am 1971-02-16) und Robert Popwell (am 1971-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1971-02-16)
Tenorsaxophon:
Andrew Love (am 1971-02-16)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1971-02-16)
Hintergrundgesang:
Margaret Branch (am 1971-02-16), Ann S. Clark (am 1971-02-16), Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und Pat Smith (soul vocalist) (am 1971-02-16)
Horn arranger:
Tom Dowd
Saiteninstrumente und Holzblasinstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971, in 1972) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
recording of:
Rock Steady (am 1971-02-16)
Texter und Komponist(in):
Aretha Franklin (von 1970 bis 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc und Springtime Music, Inc.
Aretha Franklin3.753:14
46Make It With You
Bassgitarre, Gitarre, Saiteninstrumente, Hintergrundgesang und Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
Schlagzeug:
Michael Botts
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) und Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 13)
recording of:
Make It With You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:13
47Riders on the Storm
Produzent(in):
Bruce Botnick und The Doors
Bassgitarre:
Jerry Scheff
Gitarre [lead guitar]:
Robby Krieger (American guitarist, member of The Doors)
Rhodes Piano:
Ray Manzarek
Schlagzeug:
John Densmore
Sologesang:
Jim Morrison (lead vocalist of the Doors)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1971)
aufgenommen bei:
The Doors Workshop in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1970)
Remaster:
Riders on the Storm von The Doors
recording of:
Riders on the Storm (in 1970)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company und Rondor Music (London) Ltd.
The Doors4.57:15
48I Got The…
Techniker(in):
Dick Plant (engineer)
Produzent(in):
Derek Lawrence (British producer) und Big Jim Sullivan
Akustikgitarre und Hybrid-Piano:
Labi Siffre
Bass:
Dave Peacock (English bass guitarist, Chas & Dave)
E-Gitarre:
Chas Hodges
E-Gitarre [Lead Guitar]:
Big Jim Sullivan
Instrumente:
Chas Hodges
Perkussion:
Alan Branscombe
Saiteninstrumente:
Rock 'n' Roll Gypsies
Schlagzeug:
Ian Wallace (drummer, ex‐King Crimson)
Hintergrundgesang:
Chas Hodges und Dave Peacock (English bass guitarist, Chas & Dave)
vocals:
Gordon Neville (british singer) und Labi Siffre
arranger:
Big Jim Sullivan
recording of:
I Got The
Texter und Komponist(in):
Labi Siffre
Labi Siffre56:35
49Big Yellow Taxi
Akustikgitarre [guitar] und Sologesang:
Joni Mitchell (in 1970)
Perkussion:
Milt Holland (in 1970)
Chorgesang und sonstiger Gesang [Bop vocals]:
The Saskatunes (in 1970)
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 217)
recording of:
Big Yellow Taxi (in 1970)
Texter und Komponist(in):
Joni Mitchell
publisher:
Siquomb Pub. Corp.
Joni Mitchell4.252:15
50I Saw the Light
Produzent(in):
Todd Rundgren
Instrumente und vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographisches Urheberrecht (℗) von:
Bearsville Records (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 452)
recording of:
I Saw the Light
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Todd Rundgren52:59
51Disco Inferno (single edit)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 54)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps4.353:12
52Long Cool Woman (in a Black Dress)
Techniker(in):
John Punter
Produzent(in):
The Hollies und Ron Richards
phonographisches Urheberrecht (℗) von:
The Hollies Ltd. (in 1971) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1971-07-16, von 1971-07-27 bis 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (von 1971-07-16 bis 1971-07-30)
Verfasser(in):
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
The Hollies4.153:19
53Black Night (single version)
E-Bass:
Roger Glover (in 1970-05)
E-Gitarre:
Ritchie Blackmore (in 1970-05)
Hammond-Orgel:
Jon Lord (in 1970-05)
Schlagzeug:
Ian Paice (in 1970-05)
Sologesang:
Ian Gillan (in 1970-05)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970-05)
recording of:
Black Night (in 1970-05)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (bis 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple4.253:27
54If You Could Read My Mind
recording engineer:
Gary Brandt und Lee Herschberg
Produzent(in):
Lenny Waronker und Joe Wissert
Mix:
Lee Herschberg
vocals:
Gordon Lightfoot
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 8)
recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Gordon Lightfoot4.63:49