King of Pop: The Belgian Edition (RTL)

~ Veröffentlichung von Michael Jackson (alle Versionen dieser Veröffentlichung ansehen, 28 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1Wanna Be Startin’ Something
Sologesang:
Michael Jackson (“King of Pop”)
Bearbeitung von:
Wanna Be Startin’ Somethin’ von Michael Jackson (“King of Pop”)
recording of:
Wanna Be Startin’ Somethin’
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Byefall Productions, Inc. und Sony/ATV Harmony
quotes lyrics from:
Soul Makossa
Teil von:
MJ: The Musical
Teil von:
MJ: The Musical
54:20
2Smile
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
cover recording of:
Smile (song version w/ lyrics)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
3.554:57
3Remember the Time
recording engineer und Mix:
Teddy Riley (US R&B singer & producer), Bruce Swedien und Dave Way
Programmierung:
Wayne Cobham (US engineer)
Koproduzent(in):
Teddy Riley (US R&B singer & producer)
Produzent(in):
Michael Jackson (“King of Pop”) und Teddy Riley (US R&B singer & producer)
Keyboard und Synthesizer:
Teddy Riley (US R&B singer & producer)
Hintergrundgesang und Sologesang und Sologesang:
Michael Jackson (“King of Pop”)
Synthesizer arranger und zusätzlich arranger:
Teddy Riley (US R&B singer & producer)
vocals arranger:
Michael Jackson (“King of Pop”)
recording of:
Remember the Time (in 1991)
Verfasser(in):
Bernard Belle, Michael Jackson (“King of Pop”) und Teddy Riley (US R&B singer & producer)
publisher:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), Sony/ATV Tunes LLC (ASCAP), Universal Music–Z Tunes LLC und Warner/Chappell Music, Inc.
3.854:01
4Come Together
Produzent(in):
Bill Bottrell
cover recording of:
Come Together
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI-Songs Musikverlag, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
basiert auf:
You Can’t Catch Me
4.14:03
5The Girl Is Mine
recording engineer und Mix:
Bruce Swedien
Synthesizer-Programmierung:
Steve Porcaro
Produzent(in):
Michael Jackson (“King of Pop”) und Quincy Jones
E-Bass:
Louis Johnson (bass, member of Brothers Johnson) (von 1982-04-14 bis 1982-04-16)
Geige / Violine:
Gerald Vinci (American violinist and strings conductor) (von 1982-04-14 bis 1982-04-16)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (von 1982-04-14 bis 1982-04-16) und Dean Parks (American session guitarist) (von 1982-04-14 bis 1982-04-16)
Klavier:
David Paich (von 1982-04-14 bis 1982-04-16)
Rhodes Piano:
Greg Phillinganes (von 1982-04-14 bis 1982-04-16)
Schlagzeug:
Jeff Porcaro (von 1982-04-14 bis 1982-04-16)
Synthesizer:
David Foster (Canadian music producer, arranger and composer) (von 1982-04-14 bis 1982-04-16)
Gast Sologesang:
Paul McCartney (The Beatles) (von 1982-04-14 bis 1982-04-16)
Sologesang:
Michael Jackson (“King of Pop”) (von 1982-04-14 bis 1982-04-16)
conductor:
Jerry Hey (von 1982-04-14 bis 1982-04-16)
Perkussion arranger:
David Paich
Saiteninstrumente arranger:
Jerry Hey
Synthesizer arranger:
David Foster (Canadian music producer, arranger and composer)
arranger:
Michael Jackson (“King of Pop”) und Quincy Jones
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1982-04-14 bis 1982-04-16)
recording of:
The Girl Is Mine (von 1982-04-14 bis 1982-04-16)
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3.63:42
6Stranger in Moscow
recording of:
Stranger in Moscow
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
Teil von:
MJ: The Musical
55:22
7P.Y.T. (Pretty Young Thing)
recording engineer und Mix:
Bruce Swedien
Synthesizer-Programmierung:
Greg Phillinganes
Produzent(in):
Quincy Jones
E-Bass:
Louis Johnson (bass, member of Brothers Johnson)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Händeklatschen:
James Ingram (R&B singer), Michael Jackson (“King of Pop”), Greg Phillinganes und Steven Ray (80s US R&B producer/performer)
Händeklatschen und Keyboard und Keyboard:
James Ingram (R&B singer)
Händeklatschen und Synthesizer und Synthesizer:
Greg Phillinganes
Schlagzeug:
Leon Ndugu Chancler
Vocoder:
Michael Boddicker
Hintergrundgesang [P.Y.T.'s]:
Bunny Hull, Janet Jackson, La Toya Jackson und Becky Lopez
Sologesang:
Michael Jackson (“King of Pop”)
zusätzlich Hintergrundgesang:
Howard Hewett und James Ingram (R&B singer)
arranger:
James Ingram (R&B singer) und Quincy Jones
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1982)
recording of:
P.Y.T. (Pretty Young Thing)
Verfasser(in):
James Ingram (R&B singer) und Quincy Jones
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Yellowbrick Road Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
3.94:00
8Off the Wall
recording engineer und Mix:
Bruce Swedien
Synthesizer-Programmierung:
Michael Boddicker und George Duke
Produzent(in):
Michael Jackson (“King of Pop”) und Quincy Jones
alto saxophone, flute und Tenorsaxophon:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
baritone saxophone, flute und Tenorsaxophon:
Kim Hutchcroft
E-Bass:
Louis Johnson (bass, member of Brothers Johnson)
Flügelhorn und Trompete:
Jerry Hey
Gitarre:
Marlo Henderson und David Williams (session guitarist and songwriter)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Posaune:
Bill Reichenbach, Jr. (jazz trombonist)
Rhodes Piano und Synthesizer:
Greg Phillinganes
Schlagzeug:
John “JR” Robinson (session drummer)
Synthesizer:
George Duke
Trompete:
Gary Grant (brass)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”)
vocals:
Michael Jackson (“King of Pop”)
Horn arranger:
Jerry Hey
arranger und vocals arranger:
Rod Temperton
sound effects:
George Duke
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1979)
recording of:
Off the Wall (von 1978-12 bis 1979-04)
Texter und Komponist(in):
Rod Temperton
4.354:07
9Liberian Girl
recording engineer und Mix:
Bruce Swedien
Schlagzeug-Programmierung:
Douglas Getschal
Synthesizer-Programmierung:
Steve Porcaro
Koproduzent(in):
Michael Jackson (“King of Pop”)
Produzent(in):
Quincy Jones
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Synclavier:
Christopher Currell (arranger)
Synthesizer:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay), Michael Boddicker, David Paich und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”)
Synthesizer arranger:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay), Jerry Hey und Quincy Jones
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1987)
recording of:
Liberian Girl
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music, Sony/ATV Music Publishing France, Warner-Tamerlane Publ. Co. (publisher; do NOT use as release label) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3.353:47
10Ghost
Produzent(in):
Teddy Riley (US R&B singer & producer)
recording of:
Ghosts
Texter:
Teddy Riley (US R&B singer & producer)
Komponist(in):
Michael Jackson (“King of Pop”) und Teddy Riley (US R&B singer & producer)
4.155:14
11The Way You Make Me Feel
recording engineer und Mix:
Bruce Swedien
Schlagzeug-Programmierung:
Douglas Getschal
Synthesizer-Programmierung:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Koproduzent(in):
Michael Jackson (“King of Pop”)
Produzent(in):
Quincy Jones
Gitarre:
Eric Gale und David Williams (session guitarist and songwriter)
Perkussion:
Ollie E. Brown (US drummer, session musician & record producer) und Paulinho da Costa (Brazilian percussionist)
Saxophon:
Kim Hutchcroft und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Schlagzeug:
John “JR” Robinson (session drummer)
Synclavier:
Christopher Currell (arranger)
Synthesizer:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay), Michael Boddicker und Greg Phillinganes
Trompete:
Gary Grant (brass) und Jerry Hey
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”)
Blasinstrumente arranger:
Jerry Hey
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1987)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Way You Make Me Feel
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3.854:59
12Scream
recording engineer und Mix:
Steve Hodge (engineer and producer) und Bruce Swedien
Produzent(in):
Janet Jackson, Michael Jackson (“King of Pop”), Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Keyboard und Perkussion:
Jimmy Jam and Terry Lewis
vocals:
Janet Jackson
recording of:
Scream
Verfasser(in):
Janet Jackson, Michael Jackson (“King of Pop”), Jimmy Jam (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
4.254:40
13Childhood (theme from “Free Willy 2”)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
recording of:
Childhood
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
3.44:28
14Jam
recording engineer und Mix:
Teddy Riley (US R&B singer & producer), Bruce Swedien und Dave Way
Produzent(in):
Michael Jackson (“King of Pop”), Teddy Riley (US R&B singer & producer) und Bruce Swedien
Keyboard:
René Moore
Keyboard und Synthesizer:
Brad Buxer
Schlagzeug und Keyboard:
Bruce Swedien
Schlagzeug, Gitarre, Keyboard und Synthesizer:
Teddy Riley (US R&B singer & producer)
Synthesizer:
Michael Boddicker und Rhett Lawrence
Hintergrundgesang und Sologesang:
Michael Jackson (“King of Pop”)
sonstiger Gesang:
Heavy D (US rapper)
arranger:
Michael Jackson (“King of Pop”), René Moore, Teddy Riley (US R&B singer & producer) und Bruce Swedien
vocals arranger:
Michael Jackson (“King of Pop”)
aufgenommen bei:
Larrabee West (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten, Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten, Smoketree Ranch in Chatsworth, California (Kalifornien), Vereinigte Staaten, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Toad Hall (ran during 1990's in Pasadena, CA; now defunct) in Pasadena, California (Kalifornien), Vereinigte Staaten und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Jam (in 1991)
Texter:
Michael Jackson (“King of Pop”)
Komponist(in):
Michael Jackson (“King of Pop”), René Moore, Teddy Riley (US R&B singer & producer) und Bruce Swedien
Teil von:
MJ: The Musical
Teil von:
MJ: The Musical
3.355:39
15They Don’t Care About Us
recording of:
They Don’t Care About Us
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
Teil von:
MJ: The Musical
54:11
16Leave Me Alone
recording engineer und Mix:
Bruce Swedien
Schlagzeug-Programmierung:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Synthesizer-Programmierung:
Casey Young
Koproduzent(in):
Michael Jackson (“King of Pop”)
Produzent(in):
Quincy Jones
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Synclavier:
Casey Young
Synthesizer:
Greg Phillinganes und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Hintergrundgesang und Sologesang und Sologesang:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1987)
recording of:
Leave Me Alone
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music und Warner-Tamerlane Publ. Co. (publisher; do NOT use as release label)
3.454:40
17We Are Here to Change the World
drum machine-Programmierung:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay)
Techniker(in):
Ric Butz (Aufgabe: 2nd Engineer), Matt Forger und Bruce Wildstein (Aufgabe: 2nd Engineer)
Produzent(in):
Michael Jackson (“King of Pop”)
Mix:
Matt Forger
Keyboard und Synthesizer:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay)
Sologesang:
Michael Jackson (“King of Pop”)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
We Are Here to Change the World (Captain EO) (in 1986)
Verfasser(in):
John Barnes (wrote with Herb Alpert) und Michael Jackson (“King of Pop”)
2:54