20th Century Hits for a New Millennium: 40 Hits of 1975–1979

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Daddy Cool
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett (in 1976), Frank Farian (in 1976) und Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographisches Urheberrecht (℗) von:
Far Music Productions GmbH (in 1976) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 153)
recording of:
Daddy Cool (in 1976)
Texter:
George Reyam
Komponist(in):
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH und Intro (German publisher) (in 1976)
Boney M.4.13:31
2Yes Sir, I Can Boogie
recording of:
Yes Sir, I Can Boogie (original English version)
Texter:
Frank Dostal
Komponist(in):
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music und Peermusic (UK) Ltd.
Baccara43:20
3Una Paloma Blanca
phonographisches Urheberrecht (℗) von:
EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
recording of:
Paloma blanca
Texter und Komponist(in):
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) und EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
George Baker Selection32:51
4Mississippi
phonographisches Urheberrecht (℗) von:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (in 1975)
recording of:
Mississippi
Texter und Komponist(in):
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat34:37
5January
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
January
Orchestrator(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Texter und Komponist(in):
David Paton (of Pilot)
publisher:
EMI Music Publishing (do not use as a release label!) und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:32
6Movie Star
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1976)
recording of:
Movie Star
Texter und Komponist(in):
Harpo (Swedish pop singer) (in 1975)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. und Warner/Chappell Music Scandinavia AB
Harpo4.53:27
7I Only Want to Be With YouBay City Rollers3:42
8Make Me Smile (Come Up and See Me)
Produzent(in):
Steve Harley und Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:58
9In Dulce Jubilo
Techniker(in):
Phil Newell (engineer and producer) und Mike Oldfield
Produzent(in):
Mike Oldfield
Akustikgitarre, E-Gitarre und Synthesizer:
Mike Oldfield (von 1974-11 bis 1975-10)
kleine Trommel / Snare:
William Murray (von 1974-11 bis 1975-10)
arranger:
Mike Oldfield
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975) und Mercury Records Ltd. (not for release label use!) (in 2010)
aufgenommen bei:
The Beacon (Mike Oldfield home studio) in Herefordshire, England, Vereinigtes Königreich (in 1974-11) und The Manor in Oxfordshire, England, Vereinigtes Königreich (in 1975-10)
recording of:
In dulci jubilo (Mike Oldfield version) (von 1974-11 bis 1975-10)
arranger:
Mike Oldfield
publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), EMI Virgin Music Ltd. (do not use this as a release label!), Oldfield Music Ltd., Stage Three Music (Catalogues) Ltd. und フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
In dulci jubilo (macaronic of English and Latin)
Mike Oldfield42:53
10Year of the Cat
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 13)
recording of:
Year of the Cat
Verfasser(in):
Al Stewart (UK folk singer/songwriter) und Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.456:37
11Rhinestone Cowboy
phonographisches Urheberrecht (℗) von:
Nashville Records (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (in 1975) und Capitol Records Nashville (in 2003)
recording of:
Rhinestone Cowboy (am 1975-02-24)
Texter und Komponist(in):
Larry Weiss (American singer-songwriter)
publisher:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Glen Campbell43:18
12Don’t Give Up on Us
vocals:
David Soul
phonographisches Urheberrecht (℗) von:
David Soul (in 1976)
phonographisches Urheberrecht (℗) von:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) und Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
Texter und Komponist(in):
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. und Universal Music Publishing International Ltd.
David Soul33:40
13When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Willie Weeks (US bass player) (in 1976)
Gitarre:
Dean Parks (American session guitarist) (in 1976)
Hybrid-Piano:
Michael Omartian (in 1976)
Saxophon:
George Palisky, Jr. (in 1976)
Schlagzeug:
Jeff Porcaro (in 1976)
Synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
Synthesizer arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) und Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
Texter:
Carole Bayer Sager
Komponist(in):
Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) und Windswept Music (London) Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:11
14Float On
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
Bearbeitung von:
Float On (long version) von Floaters
recording of:
Float On
Verfasser(in):
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) und Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters4.54:14
15Swing Your Daddy
Produzent(in):
Kenny Nolan
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographisches Urheberrecht (℗) von:
Roxbury (70s US soul, subsiduary of Chelsea Records) (in 1975)
cover recording of:
Swing Your Daddy
Verfasser(in):
Kenny Nolan
Jim Gilstrap32:56
16You to Me Are Everything
Produzent(in):
Ken Gold
phonographisches Urheberrecht (℗) von:
Pye Records (in 1976) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
Verfasser(in):
Michael Denne und Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Screen Gems–EMI Music Ltd.
The Real Thing3.653:32
17Heaven Must Be Missing an Angel
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1976)
Bearbeitung von:
Heaven Must Be Missing an Angel von Tavares (US R&B, funk and soul music)
recording of:
Heaven Must Be Missing an Angel
Verfasser(in):
Freddie Perren und Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tavares43:33
18That’s the Way I Like It
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC & the Sunshine Band4.43:08
19You Sexy Thing
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1975) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
You Sexy Thing
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.53:47
20Egyptian Reggae
recording of:
Egyptian Reggae
Verfasser(in):
Earl Anthony Johnson (reggae singer Earl Zero) und Jonathan Richman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
basiert auf:
None Shall Escape the Judgement
Jonathan Richman & The Modern Lovers2:36
2CD

Nennungen

Veröffentlichung

design:Artidee (graphic design company)
vertrieben von und vermarkted von:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (in 1998)
lizensiert von:BMG Nederland B.V.
BR Music Two B.V.
Castle Communications PLC (not for label use, copyright holder)
Chelsea/Roxbury/Wes Sky Industries Inc.
David Soul
EMI (EMI Records, or EMI Music only if there is no other imprint)
Janus Records Inc.
The Hit Label
Universal Music (plain logo: “Universal Music”)
Discogs:https://www.discogs.com/release/514951 [Info]
ASIN:DE: B00000IJKI [Info]

Veröffentlichungsgruppe

Teil von:20th Century Hits for a New Millennium (Nummer: 6) (Reihenfolge: 6)