Now That’s What I Call Music! 27

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Don’t Be Stupid (You Know I Love You)
assistierende Programmierung:
Jay Alvarez und James Somberg
Programmierung und Editing:
Olle Romo (Swedish music producer, songwriter, and drummer)
zusätzliche Programmierung:
Bjorn Thornsrud
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Fiddle:
Glen Duncan (bluegrass multi-instrument musician), Rob Hajacos, Aubrey Haynie und Joe Spivey
arranger:
Robert John “Mutt” Lange (Robert John Lange)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
Musikvideos:
Don’t Be Stupid (You Know I Love You) von Shania Twain
recording of:
Don’t Be Stupid (You Know I Love You)
Verfasser(in):
Eilleen Regina Lange und Robert John Lange
publisher:
Imagem London Ltd.
Shania Twain43:38
2Every Day I Love You
recording of:
Every Day I Love You
Verfasser(in):
Gary Baker (songwriter), Jerry Allan Williams (Jerry Allan Williams; songwriter for Boyzone, South 65) und Frank Joseph Myers (country music singer, songwriter, record producer)
Boyzone3:34
3She’s the One
cover recording of:
She’s the One
Texter und Komponist(in):
Karl Wallinger
publisher:
Universal/Polygram Music Publishing
Robbie Williams4:18
4Show Me the Meaning of Being Lonely
Techniker(in):
Bo Reimer
Produzent(in):
Kristian Lundin (in 1999) und Max Martin (Swedish record producer) (in 1999)
Mix:
Kristian Lundin und Max Martin (Swedish record producer)
Bratsche / Viola:
Åsa Stove Paulsson, Torbjörn Bernhardsson (violist), Elisabeth Arnberg Ranmo, Ulf Forsberg (violinist), Hans Åkeson (violist) und Svein H. Martinsen
Cello:
Åsa Forsberg und Samuli Örnströmer
E-Bass [bass]:
Tomas Lindberg (Swedish bass player)
Geige / Violine:
Tomas Andersson (Swedish classical violinist), Annette Mannheimer und Monika Stanikoliska
Gitarre:
Jojje Wadenius (guitarist, bassist, keyboardist, singer, composer, producer) und Esbjörn Öhrwall
Kontrabass:
Michael Karlsson (double bassist)
vocals:
Alexander James “A.J.” McLean (US singer, songwriter, actor, dancer & model), Brian “B-Rok” Littrell (from the Backstreet Boys), Nick Carter (US pop singer & Backstreet Boy), Howard “Howie D.” Dorough (from the Backstreet Boys) und Kevin Richardson (from the Backstreet Boys)
Orchester:
SNYKO (Stockholm Chamber Orchestra)
conductor:
Henrik Janson und Ulf Janson
Saiteninstrumente arranger:
Henrik Janson und Ulf Janson
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2025)
produced for:
Cheiron Productions (in 1999)
aufgenommen bei und mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
zusätzlich aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Show Me the Meaning of Being Lonely
Verfasser(in):
Herbert Crichlow und Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., GV-MXM, Megasong Publishing A/S, Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Backstreet Boys3.43:56
5Born to Make You Happy
Programmierung und Produzent(in):
Kristian Lundin
Gitarre:
Esbjörn Öhrwall
Keyboard:
Kristian Lundin
Hintergrundgesang [backing vocals]:
Andreas Carlsson (pop songwriter) und Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini)
produced for:
Cheiron Productions
aufgenommen bei und mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Born to Make You Happy
Verfasser(in):
Andreas Carlsson (pop songwriter) und Kristian Lundin
publisher:
Grantsville Publishing Ltd. und Zomba Enterprises, Inc.
Britney Spears33:37
6Kiss (When the Sun Goes Down) (Hitradio mix)Vengaboys3:32
7Mambo Italiano
phonographisches Urheberrecht (℗) von:
Wonderboy Records (von 1999 bis 2000)
recording of:
Mambo Italiano
basiert auf:
Mambo Italiano (original english version)
Shaft2:51
8Say You’ll Be Mine
Techniker(in) und Mix:
Dan Frampton (engineer)
Produzent(in):
Andrew Frampton und Pete Waterman
Bass:
Dan Frampton (engineer)
Gitarre:
Greg Bone
Keyboard:
Andrew Frampton
Schlagzeug [drums]:
Pete Waterman
aufgenommen bei und mixed at:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Vereinigtes Königreich und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich
recording of:
Say You’ll Be Mine
Verfasser(in):
Andrew Frampton und Pete Waterman
Steps3.253:33
9Cartoon Heroes
Techniker(in):
Stefan Boman (Sologesang, Hintergrundgesang) und Stig Kreutzfeldt (Danish vocalist, guitarist, composer and producer) (Sologesang, Hintergrundgesang)
Produzent(in):
Claus Norreen und Søren Rasted
Mix:
Aqua (Danish Euro‐dance group) und Bernard Löhr (engineer)
Hintergrundgesang:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini) (von 1999-01 bis 1999-11) und Søren Rasted (von 1999-01 bis 1999-11)
Sologesang:
Lene Grawford Nystrøm (von 1999-01 bis 1999-11) und René Dif (von 1999-01 bis 1999-11)
arranger:
Claus Norreen und Søren Rasted
phonographisches Urheberrecht (℗) von:
Universal Music (Denmark) A/S (not for release label use! Danish subsidiary of Universal Music Group) (in 2000)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1999-01 bis 1999-11: Hintergrundgesang) und Rastednorreen Mobile Studio in Höganäs Municipality (Höganäs), Skåne (Skåne county), Schweden (von 1999-01 bis 1999-11)
mixed at:
Mono Music Studio in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Cartoon Heroes (von 1999-01 bis 1999-11)
Texter und Komponist(in):
Claus Norreen und Søren Rasted
publisher:
Universal Music Publishing AB (Sweden)
Aqua3.43:44
10The Bad Touch (The Eiffel 65 mix radio edit)
remixer:
Eiffel 65 (Italian Italo-dance/Euro-dance group)
Karaokeversion von:
The Bad Touch (Eiffel 65 Instrumental Mix) von Bloodhound Gang
Remix von:
The Bad Touch von Bloodhound Gang
recording of:
The Bad Touch
Texter und Komponist(in):
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (vom 2000 bis ????), Hey Rudy Music Publishing (publishing company for rock band Bloodhound Gang) (vom 2000 bis heute) und The Jimmy Franks Publishing Company (vom 2000 bis heute)
Bloodhound Gang3:36
11Dolphin’s Cry
Lïve4:16
12Sitting Down Here (Tin Tin Out remix)
drum machine [drum]-Programmierung:
David Bryant (US percussionist, pianist and keyboard player)
zusätzliche(r) Produzent(in):
Tin Tin Out
vocals:
Lene Marlin
remixer:
Tin Tin Out
arranger:
Jørn Dahl
phonographisches Urheberrecht (℗) von:
Virgin Records Norway (in 2000)
mixed at:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
recording of:
Sitting Down Here
Texter und Komponist(in):
Lene Marlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lene Marlin3:46
13Gravity of Love
Techniker(in):
Michael Cretu (Romanian-born German musician, composer and record producer) und Jens Gad
Produzent(in):
Michael Cretu (Romanian-born German musician, composer and record producer)
Sologesang:
Ruth‐Ann Boyle
aufgenommen bei:
A.R.T. Studios (Enigma) in Ibiza, Illes Balears (Balearische Inseln), Spanien
Samples:
When the Levee Breaks (original studio mix) von Led Zeppelin
recording of:
Gravity of Love (in 1999)
Texter:
Michael Cretu (Romanian-born German musician, composer and record producer)
Komponist(in):
Michael Cretu (Romanian-born German musician, composer and record producer) und Carl Orff (composer)
publisher:
Schott Music International (publisher; do not use as label) (in 1937), 1-2-3 Music (Enigma) (in 1999) und Crocodile Music (Crocodile Music Management GmbH) (in 1999)
Enigma43:52
14If I Could Turn Back the Hands of Time
R. Kelly4:44
15Back at One
Assistent recording engineer:
Mary Ann Souza
recording engineer:
Tommy Vicarri und Chris Wood (recording engineer)
drum machine-Programmierung:
Brian McKnight
leitende(r) Produzent(in):
Bruce Carbone, Kedar Massenburg und Herb Trawick
Produzent(in):
Brian McKnight
assistierende(r) Mix:
Tom Bender (engineer)
Mix:
Mick Guzauski
Bass, Keyboard, Perkussion, Hintergrundgesang und Sologesang:
Brian McKnight
arranger:
Brian McKnight
Orchestrator(in):
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
aufgenommen bei:
Capital Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Barking Doctor in Mount Kisco, New York, Vereinigte Staaten
recording of:
Back at One
Texter, Verfasser(in) und Komponist(in):
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight3:23
16Shine on Me
Watershed3:59
17New York City Boy (Almighty Definitive mix)
recording of:
New York City Boy
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys), David Morales (US DJ/producer) und Neil Tennant
publisher:
Cage Music Ltd., Def Mix Music (David Morales') und EMI 10 Ltd.
Pet Shop Boys4:11
18When the Heartache Is Over
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
When the Heartache Is Over
Verfasser(in):
John Reid (Scottish-born manager and music industry figure) und Graham Stack
publisher:
Rive Droite Music Ltd. und Riverhorse Songs
Tina Turner33:44
19When We Are Together
Programmierung:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd und Johnny McElhone
Techniker(in):
Kenny MacDonald
Produzent(in) und Mix:
Johnny Mac (singer and guitar player from Little Rock, Arkansas)
Gitarre:
Ally McErlaine (Scottish guitarist) und Tony McGovern
Keyboard:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes) und Johnny McElhone
turntable [scratching]:
Mark-One (UK turntablist/producer Mark Lee)
Hintergrundgesang:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens und Sharleen Spiteri
Saiteninstrumente arranger:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes) und Johnny McElhone
recording of:
When We Are Together
Texter und Komponist(in):
Johnny McElhone und Sharleen Spiteri
publisher:
BMG 10 Music Ltd.
Texas33:22
20In Your Arms (Rescue Me)
Produzent(in):
Aston Harvey (member of Freestylers) (Aufgabe: original production)
Mix:
Aston Harvey (member of Freestylers)
cover recording of:
Rescue Me
Verfasser(in):
Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (beendet), Chevis Music Publ. Corp. und Reservoir 416
Nu Generation32:20

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Veröffentlichungsgruppe

Teil von:Now That’s What I Call Music! (South Africa) (Nummer: 27) (Reihenfolge: 16)