The Apocryphal Bach Cantatas

~ Release by Koslowsky, Geraerts, Langshaw, Wessel, Alsfelder Vokalensemble, Steintor Barock Bremen, Wolfgang Helbich (see all versions of this release, 2 available)

Tracklist

1▼CD: BWV 217-219
#TitleArtistRatingLength
1Gedenke, Herr, wie es uns gehet, BWV 217: I. Choir: Gedenke, Herr, wie es uns gehet
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Gedenke, Herr, wie es uns gehet, BWV 217: I. Chor: Gedenke, Herr, wie es uns gehet (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Gedenke, Herr, wie es uns gehet, BWV 217
[anonymous]3:52
2Gedenke, Herr, wie es uns gehet, BWV 217: II. Recitative (Soprano): Ach, Jesus ist verlorent!
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
soprano vocals:
Johanna Koslowsky (soprano) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Gedenke, Herr, wie es uns gehet, BWV 217: II. Rezitativ: Ach, Jesus ist verlorent! (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Gedenke, Herr, wie es uns gehet, BWV 217
[anonymous]1:39
3Gedenke, Herr, wie es uns gehet, BWV 217: III. Aria (Alto): Saget mir, beliebte Felder
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
alto vocals:
Kai Wessel (countertenor) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Gedenke, Herr, wie es uns gehet, BWV 217: III. Arie: Saget mir, beliebte Felder (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Gedenke, Herr, wie es uns gehet, BWV 217
[anonymous]6:42
4Gedenke, Herr, wie es uns gehet, BWV 217: IV. Recitative (Bass): Sei kummervolles Herz, getrost
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Gedenke, Herr, wie es uns gehet, BWV 217: IV. Rezitativ: Sei kummervolles Herz, getrost (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Gedenke, Herr, wie es uns gehet, BWV 217
[anonymous]1:44
5Gedenke, Herr, wie es uns gehet, BWV 217: V. Chorale: Ändert Euch, ihr Klagelieder
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Gedenke, Herr, wie es uns gehet, BWV 217: V. Chor: Ändert Euch, ihr Klagelieder (in 1991-02)
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Gedenke, Herr, wie es uns gehet, BWV 217
[anonymous]1:37
6Gott der Hoffnung erfülle euch, BWV 218: I. Choir: Gott der Hoffnung erfülle euch
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Gott der Hoffnung erfülle euch, TWV 1:634, BWV 218: I. Chor: Gott der Hoffnung erfülle euch (in 1991-02)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Gott der Hoffnung erfülle euch, TWV 1:634, BWV 218
Georg Philipp Telemann2:32
7Gott der Hoffnung erfülle euch, BWV 218: II. Aria (Alto): Glaub' und Hoffnung
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
alto vocals:
Kai Wessel (countertenor) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Gott der Hoffnung erfülle euch, TWV 1:634, BWV 218: II. Arie: Glaub' und Hoffnung (in 1991-02)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Gott der Hoffnung erfülle euch, TWV 1:634, BWV 218
Georg Philipp Telemann1:59
8Gott der Hoffnung erfülle euch, BWV 218: III. Recitative (Tenor, Bass, Soprano, Alto): Weil wir nichts ohne dich
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
alto vocals:
Kai Wessel (countertenor) (in 1991-02)
bass vocals:
Phillip Langshaw (bass-baritone) (in 1991-02)
soprano vocals:
Johanna Koslowsky (soprano) (in 1991-02)
tenor vocals:
Harry Geraerts (tenor) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Gott der Hoffnung erfülle euch, TWV 1:634, BWV 218: III. Rezitativ: Weil wir nichts ohne dich (in 1991-02)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Gott der Hoffnung erfülle euch, TWV 1:634, BWV 218
Georg Philipp Telemann3:07
9Gott der Hoffnung erfülle euch, BWV 218: IV. Aria (Soprano): Ihr Christen, wollt ihr selig sein?
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
soprano vocals:
Johanna Koslowsky (soprano) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Gott der Hoffnung erfülle euch, TWV 1:634, BWV 218: IV. Arie: Ihr Christen, wollt ihr selig sein? (in 1991-02)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Gott der Hoffnung erfülle euch, TWV 1:634, BWV 218
Georg Philipp Telemann2:08
10Gott der Hoffnung erfülle euch, BWV 218: V. Chorale: Komm, Gott Schöper, heiliger Geist
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Gott der Hoffnung erfülle euch, TWV 1:634, BWV 218: V. Chor: Komm, Gott Schöper, heiliger Geist (in 1991-02)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Gott der Hoffnung erfülle euch, TWV 1:634, BWV 218
Georg Philipp Telemann0:39
11Siehe, Es hat uberwunden der Löwe, BWV 219: I. Choir: Siehe! Es hat uberwunden der Löwe
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Siehe, es hat überwunden, TWV 1:1328, BWV 219: I. Chor: Siehe! Es hat uberwunden der Löwe (in 1991-02)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Siehe, es hat überwunden, TWV 1:1328, BWV 219
Georg Philipp Telemann1:40
12Siehe, Es hat uberwunden der Löwe, BWV 219: II. Aria (Bass): Gott stürzet den Hochmuth
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
bass vocals:
Phillip Langshaw (bass-baritone) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Siehe, es hat überwunden, TWV 1:1328, BWV 219: II. Arie: Gott stürzet den Hochmuth (in 1991-02)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Siehe, es hat überwunden, TWV 1:1328, BWV 219
Georg Philipp Telemann5:03
13Siehe, Es hat uberwunden der Löwe, BWV 219: III. Recitative (Soprano): Mensch, willst du nicht dein Heil
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
soprano vocals:
Johanna Koslowsky (soprano) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Siehe, es hat überwunden, TWV 1:1328, BWV 219: III. Rezitativ: Mensch, willst du nicht dein Heil (in 1991-02)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Siehe, es hat überwunden, TWV 1:1328, BWV 219
Georg Philipp Telemann2:29
14Siehe, Es hat uberwunden der Löwe, BWV 219: IV. Aria (Alto): Wenn in meinen letzten Zügen
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
alto vocals:
Kai Wessel (countertenor) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Siehe, es hat überwunden, TWV 1:1328, BWV 219: IV. Arie: Wenn in meinen letzten Zügen (in 1991-02)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Siehe, es hat überwunden, TWV 1:1328, BWV 219
Georg Philipp Telemann5:02
15Siehe, Es hat uberwunden der Löwe, BWV 219: V. Chorale: Lass deine Kirch' und unser Land
recording engineer:
Frauke Schulz
engineer:
Christine Potschkat (engineer) (task: recording technician)
producer:
Andreas Heintzeler (engineer) (task: recording supervisor) and Helmut Schaarschmidt
choir vocals:
Alsfelder Vokalensemble (German vocal ensemble) (in 1991-02)
orchestra:
Steintor Barock Bremen (in 1991-02)
conductor:
Wolfgang Helbich (in 1991-02)
phonographic copyright (℗) by:
Classic Produktion Osnabrück (almost always appears as cpo, in bold italic lowercase) (in 1992)
recorded at:
Radio Bremen Sendesaal (from 1952–2008, now known as Sendesaal Bremen) in Bremen, Bremen, Germany (in 1991-02)
recording of:
Siehe, es hat überwunden, TWV 1:1328, BWV 219: V. Chor: Lass deine Kirch' und unser Land (in 1991-02)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Siehe, es hat überwunden, TWV 1:1328, BWV 219
Georg Philipp Telemann1:44
2▶CD: BWV 220-222

Credits

Release

manufactured in:Germany
artwork:Adolf Hölzel (German painter) (in 1916: task: cover painting "Fuge über ein Auferstehungsthema")
rights society:GEMA (German rights society; do not use this as a label or work publisher!)
graphic design:Carrée 53 (graphic design)
Discogs:https://www.discogs.com/release/14762340 [info]
ASIN:DE: B000001RUS [info]