Prelude: The Best of Charlotte Church

~ Release by Charlotte Church (see all versions of this release, 7 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1"Pie Jesu" From Requiem
producer:
Grace Row (engineer/producer)
vocals:
Charlotte Church
orchestra:
Orchestra of the Welsh National Opera
conductor:
Sian Edwards (English conductor)
recording of:
Requiem: Pie Jesu
lyricist and composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Requiem
Charlotte Church, Welsh National Opera Orchestra, Sian Edwards33:23
2My Lagan Love
harp [celtic harp]:
Meinir Heulyn
vocals:
Charlotte Church
Charlotte Church, Meinir Heulyn23:13
3No. 21 - In Trutina From Carmina Burana
vocals:
Charlotte Church
orchestra:
Orchestra of the Welsh National Opera
conductor:
Sian Edwards (English conductor)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Charlotte Church, Sian Edwards, Welsh National Opera Orchestra31:59
4Panis Angelicus
choir vocals:
Chorus of the Welsh National Opera
vocals:
Charlotte Church
orchestra:
Orchestra of the Welsh National Opera
conductor:
Sian Edwards (English conductor)
chorus master:
Julian Smith (Welsh National Opera conductor)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
Charlotte Church, Sian Edwards,Graham Jackson,Welsh National Opera Orchestra, Chorus of Welsh National Opera34:08
5Amazing Grace
Charlotte Church, Sian Edwards, Graham Jackson, Chorus of Welsh National Opera2:41
6Just Wave Hello
producer:
Trevor Horn
vocals:
Charlotte Church
orchestra:
London Symphony Orchestra
conductor:
Siân Edwards (English conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1999)
recording of:
Just Wave Hello
writer:
Danny Beckerman
Charlotte Church, Sian Edwards, London Symphony Orchestra, The London Welsh Male Voice Choir, London Symphony Chorus, Janice Graham, Colin Paris, Jane Atkins, Tim Hugh, Rhodri Davies3:51
7La Pastorella (The Little Shepherdess) From "Soirées Musicales"
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
executive producer:
Jeremy Caulton
producer:
Grace Row (engineer/producer)
vocals:
Charlotte Church
orchestra:
London Symphony Orchestra
conductor:
Siân Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1999)
recording of:
La pastorella "Odia la pastorella"
lyricist:
N. di Santo-Mango
composer:
Gioachino Rossini (composer)
Charlotte Church, Sian Edwards, London Symphony Orchestra, The London Welsh Male Voice Choir, London Symphony Chorus, Janice Graham, Colin Paris, Jane Atkins, Tim Hugh, Rhodri Davies2:26
8She Moved Through the Fair
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
executive producer:
Jeremy Caulton
producer:
Grace Row (engineer/producer)
vocals:
Charlotte Church
orchestra:
London Symphony Orchestra
conductor:
Siân Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1999)
recording of:
She Moved Through the Fair
lyricist:
[traditional] (special purpose artist) and Padraic Colum
composer:
[traditional] (special purpose artist)
publisher:
Four Season Music
part of:
Roud Folk Song Index (number: 861)
Charlotte Church, Sian Edwards, London Symphony Orchestra, The London Welsh Male Voice Choir, London Symphony Chorus, Janice Graham, Colin Paris, Jane Atkins, Tim Hugh, Rhodri Davies3:00
9Ave Maria
recording engineer:
Charles Harbutt (sound engineer and reissue producer)
assistant engineer:
Dave Clarke (sound engineer), Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
producer:
Grace Row (engineer/producer)
harp:
Rhodri Davies (UK harp player)
orchestra:
London Symphony Orchestra
conductor:
Sian Edwards (English conductor)
arranger:
Julian Smith (Welsh National Opera conductor)
concertmaster:
Janice Graham (violinist)
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Blackheath Concert Halls in London (Greater London), England, United Kingdom
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charlotte Church, Sian Edwards, London Symphony Orchestra, Rhodri Davies2:47
10Dream a Dream
recording engineer, programming and mixer:
Ash Howes (British mixer, writer and musician)
producer:
Julian Gallagher (songwriter, producer) and Richard Stannard
guitar:
John Themis
vocals:
Charlotte Church and Billy Gilman (American country music singer.)
performer:
Billy Gilman (American country music singer.)
strings arranger:
Simon Hale
vocals arranger:
Simon Hale
produced for:
Biffco Productions
recorded at:
Air Studios (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (strings) and Whitfield St. Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
mixed at:
Whitfield St. Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Dream a Dream
lyricist:
Sam Babenia
additional composer:
Simon Greenaway and James Shearman (conductor, orchestrator, composer)
composer:
Gabriel Fauré (French composer)
publisher:
A E Copyrights Ltd.
is based on:
Pavane, op. 50 (for piano and chorus)
Charlotte Church, Billy Gilman, John Themis23:49
11The Flower Duet
Charlotte Church, Sian Edwards, John Parricelli, Jeremy Backhouse, Philharmonia Chorus,Philharmonia Orchestra3:55
12Habañera
recording engineer and mixer:
Billy Whittington
assistant engineer:
Andrew Granger (sound engineer) and Jake Jackson (recording engineer)
engineer:
Billy Whittington, Peter Bond (engineer), Jesse Cook (Canadian guitarist) and Charles Harbutt (sound engineer and reissue producer)
producer:
Jesse Cook (Canadian guitarist) and Keith Thomas (CCM, country, pop producer & songwriter)
cimbalom [tambas], djembe, repinique [repiniques], shakers [shaker] and surdo [surdos]:
Mario Melo
cowbell, drums (drum set) and guitar [guitars]:
Jesse Cook (Canadian guitarist)
background vocals [chorus vocals]:
Rebecca Whelan
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
soprano vocals:
Charlotte Church
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sian Edwards (English conductor)
chorus master:
Jeremy Backhouse (choral conductor)
arranger:
Jesse Cook (Canadian guitarist)
orchestrator:
Jesse Cook (Canadian guitarist) and Mario Melo
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2001)
recording of:
Habanera (from Carmen) (catch-all for arrangements)
composer:
Georges Bizet (French composer)
arrangement of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
Charlotte Church, Sian Edwards, Jesse Cook, Mario Melo, Jeremy Backhouse, Philharmonia Chorus, Philharmonia Orchestra4:26
13The Prayer
synthesizer programming:
Felipe Elgueta
additional engineer:
Ed Kaufman and Nigel Lewis (Producer & Member of Nigel & Marvin & Tall Boys)
engineer:
Felipe Elgueta and Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Felipe Elgueta
guitar:
Michael Thompson (guitar/bass/mandolin player, related to Austin Peay State University)
keyboard:
David Foster (Canadian music producer, arranger and composer)
vocals:
Charlotte Church and Josh Groban
performer:
Josh Groban
arranger:
David Foster (Canadian music producer, arranger and composer)
orchestrator:
William Ross (composer, orchestrator, arranger, conductor)
recording of:
The Prayer (English/Italian version)
lyricist:
Carole Bayer Sager
composer:
Carole Bayer Sager and David Foster (Canadian music producer, arranger and composer)
translator:
Tony Renis and Alberto Testa
publisher:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner–Barham Music LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 71st Academy Award for Best Original Song (number: 2)
translated version of:
Prayer
Josh Groban, Charlotte Church, David Foster, Michael Thompson4:23
14All Love Can Be
recording engineer and mixer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
David Marquette
producer:
James Horner (American score composer) and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant editor:
Barbara McDermott
editor:
Jim Henrikson
lead vocals:
Charlotte Church
conductor:
James Horner (American score composer)
orchestrator:
James Horner (American score composer) and Randy Kerber
recorded at and mixed at:
Todd Scoring Stage in Studio City, Los Angeles, California, United States
recording of:
All Love Can Be
lyricist:
Will Jennings
composer:
James Horner (American score composer)
cover recording of:
All Love Can Be
lyricist:
Will Jennings
composer:
James Horner (American score composer)
James Horner, Charlotte Church3:16
15It's the Heart That Matters Most
Charlotte Church, Steve Mac, Mae McKenna, Frizee McKenna, Chris Laws2:19
16Tantum Ergo
Charlotte Church, Sian Edwards, Jeremy Backhouse, Philharmonia Chorus, Philharmonia Orchestra3:25
17Bridge Over Troubled Water
cover recording of:
Bridge Over Troubled Water
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Charlotte Church, Sian Edwards, Bruce Gaitsch, Jeremy Backhouse, Philharmonia Chorus, Philharmonia Orchestra4:12
18Sancta Maria
Charlotte Church, Sian Edwards, Jeremy Backhouse, Philharmonia Chorus, Philharmonia Orchestra3:07

Credits

Release

purchase for download:https://music.apple.com/us/album/280403590 [info]

Release group

Discogs:https://www.discogs.com/master/411038 [info]
Wikidata:Q7240060 [info]