Essential: The Power of Rock

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1You Took the Words Right Out of My Mouth (Hot Summer Night)
registrazione di:
You Took the Words Right Out of My Mouth (Hot Summer Night)
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation e J. Albert & Son Pty. Ltd.
Meat Loaf4:11
2Poison
tecnico di registrazione:
Sir Arthur Payson (dal 1988 al 1989)
programmazione degli strumenti:
Steve Deutsch
assistente tecnico:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber e Mark Tanzer
produttore:
Desmond Child
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
altri strumenti [special effects] aggiunto:
Gregg Mangiafico (dal 1988 al 1989)
batteria :
Bobby Chouinard (dal 1988 al 1989)
chitarra :
John McCurry (dal 1988 al 1989)
chitarra basso :
Hugh McDonald (bassist) (dal 1988 al 1989)
tastiera :
Alan St. John (dal 1988 al 1989)
tastiera aggiunto:
Paul Chiten (songwriter and producer) (dal 1988 al 1989) e Gregg Mangiafico (dal 1988 al 1989)
voce di accompagnamento:
Alan St. John (dal 1988 al 1989), Michael Anthony (US bassist, formerly of Van Halen) (dal 1988 al 1989), Desmond Child (dal 1988 al 1989), Diana Grasselli (dal 1988 al 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (dal 1988 al 1989), Louie Merlino (dal 1988 al 1989), Hugh McDonald (bassist) (dal 1988 al 1989), Jamie Sever (dal 1988 al 1989), Bernie Shanahan (dal 1988 al 1989), Stiv Bator (dal 1988 al 1989), Tom Teeley (dal 1988 al 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (dal 1988 al 1989), Myriam Valle (dal 1988 al 1989) e Maria Vidal (American singer-songwriter) (dal 1988 al 1989)
voce principale:
Alice Cooper (the singer, active as a solo artist 1975–present) (dal 1988 al 1989)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1988 al 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Stati Uniti (dal 1988 al 1989), Grog Kill Studio in Woodstock, New York, Stati Uniti (dal 1988 al 1989), Mediasound Studios in New York, New York, Stati Uniti (dal 1988 al 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1988 al 1989), Right Track Recording in Manhattan, New York, New York, Stati Uniti (dal 1988 al 1989), Sigma Sound Studios (New York) in New York, New York, Stati Uniti (dal 1988 al 1989), The Complex Studios in Los Angeles, California, Stati Uniti (dal 1988 al 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (dal 1988 al 1989) e The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (dal 1988 al 1989)
registrazione di:
Poison (dal 1988 al 1989)
autore:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975–present) e John McCurry
editore:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, dal 1989 a oggi), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, dal 1989 al ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Ezra Music Corp. (dal 1989 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:29
3Breaking the Law
tecnico:
Lou Austin (engineering)
produttore:
Tom Allom
basso elettrico :
Ian Hill (UK bassist for Judas Priest) (dal 1980-01 al 1980-02)
batteria :
Dave Holland (British rock drummer) (dal 1980-01 al 1980-02)
chitarra elettrica :
Kenneth Downing (dal 1980-01 al 1980-02) e Glenn Tipton (dal 1980-01 al 1980-02)
voce principale:
Rob Halford (dal 1980-01 al 1980-02)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1980), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1980), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1980) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2026)
registrata presso:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, Regno Unito (dal 1980-01 al 1980-02)
video musicali:
Breaking the Law (music video) di Judas Priest
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 4), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 12) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Breaking the Law (dal 1980-01 al 1980-02)
autore:
Kenneth Downing, Rob Halford e Glenn Tipton
editore:
Crewglen Ltd., Ebonytree Ltd, EMI April Music Inc., EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Geargate Ltd. (publishing for K. K. Downing), Reach Global (UK) Limited, Reach Music Publishing, Inc., Round Hill Songs II e Warner Chappell Music France
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Judas Priest4.152:33
4Because the Night
produttore:
Jimmy Iovine
tecnico di missaggio:
Jimmy Iovine e Shelly Yakus
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1978, nel 1988) e Arista Records, LLC (holding company - file NO releases here!) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 72)
registrazione di:
Because the Night
editore:
Bruce Springsteen e Bruce Springsteen (nel 1975)
paroliere:
Patti Smith (nel 1977) e Bruce Springsteen (nel 1977)
compositore:
Bruce Springsteen (nel 1977)
editore:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.63:18
5When I See You Smile
registrazione di:
When I See You Smile
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Universal/MCA Music Ltd. (not for release label use!)
Bad English4:16
6Perfect Day
produttore:
David Bowie (English singer‐songwriter) e Mick Ronson (British guitarist)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1972) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 334)
registrazione di:
Perfect Day (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. e Screen Gems–EMI Music Ltd.
Lou Reed4.33:43
7All Day and All of the Night
registrazione cover di:
All Day and All of the Night
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Edward Kassner Music Co. Ltd., Jay Boy e Kassner Associated Publishers Ltd.
The Stranglers2:25
8Pretty in Pink
tecnico:
Will Gosling e Phil Thornalley
produttore:
Steve Lillywhite
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981, nel 1986)
registrazione di:
Pretty in Pink
autore:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn e Roger Morris (UK guitarist for The Psychedelic Furs)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30) e EMI Songs Ltd.
The Psychedelic Furs4.653:58
9Another Girl Another Planet
assistente tecnico:
Kevin Dallimore (engineering) e Andy Lyden
tecnico:
Robert Ash (sound engineer)
assistente produttore:
Robert Ash (sound engineer)
produttore:
The Only Ones
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1978)
registrazione di:
Another Girl, Another Planet
paroliere e compositore:
Peter Perrett
editore:
Domino Publishing Co. Ltd.
The Only Ones4.353:00
10Ballad of Mott the Hoople
registrazione di:
Ballad of Mott the Hoople
autore:
Verden Allen (organ player), Dale Griffin (British drummer and producer), Ian Hunter (Mott the Hoople), Mick Ralphs e Overend Watts
Mott the Hoople5:23
11She’s Not There
registrazione cover di:
She’s Not There
paroliere e compositore:
Rod Argent
editore:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA e Parker Music
sub-editore:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana3:19
12Cum On Feel the Noize
tecnico di registrazione e tecnico di missaggio:
Duane Baron
produttore:
Spencer Proffer
basso elettrico :
Rudy Sarzo
batteria :
Frankie Banali (US drummer)
chitarra elettrica :
Carlos Cavazo
tastiera :
Pat Regan (American recording engineer)
voce di accompagnamento:
Frankie Banali (US drummer), Carlos Cavazo e Chuck Wright
voce principale:
Kevin DuBrow
registrazione cover di:
Cum On Feel the Noize
autore:
Noddy Holder e Jim Lea
editore:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Quiet Riot3:48
13(Don’t Fear) The Reaper
tecnico di registrazione:
Andy Abrams (nel 1976-03) e Shelly Yakus (nel 1976-03)
tecnico:
Andy Abrams e Shelly Yakus
produttore:
Murray Krugman, David Lucas (US producer, composer & engineer) e Sandy Pearlman
tecnico di missaggio:
Andy Abrams (dal 1975 al 1976) e Shelly Yakus (dal 1975 al 1976)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1976-03)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1975 al 1976)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 55) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 60)
registrazione di:
(Don’t Fear) The Reaper (nel 1976-03)
paroliere e compositore:
Donald Roeser (singer, lead guitarist and songwriter)
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:08
14Up Around the Bend
tecnico di registrazione:
Lenny DeRose, Robert “Ringo” Hrycyna, Jay Messina, Rod O’Brien, Tom Swift (engineer) e David Tickle
produttore:
Bob Ezrin e David Tickle
batteria :
Razzle (of Hanoi Rocks)
chitarra basso :
Sami Yaffa (bassist)
chitarra elettrica :
Andy Lyden e Nasty Suicide
voce principale:
Michael Monroe (lead singer of Hanoi Rocks)
remixer:
Bob Ezrin, Robert “Ringo” Hrycyna e Rod O’Brien
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment)
registrazione cover di:
Up Around the Bend
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Jondora Music e Prestige Music ltd.
Hanoi Rocks3:05
15Dust in the Wind
tecnico:
Jeff Glixman (dal 1977-06 al 1977-07)
tecnico aggiunto:
Terry Diane Becker (engineer)
produttore:
Jeff Glixman (nel 1977-06)
batteria , chimes , gong e timpani :
Phil Ehart (dal 1977-06 al 1977-07)
celesta , organo , sintetizzatore , vibrafono e voce principale:
Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
chitarra acustica e chitarra elettrica :
Kerry Livgren (dal 1977-06 al 1977-07) e Rich Williams (guitarist of Kansas) (dal 1977-06 al 1977-07)
chitarra basso :
Dave Hope (dal 1977-06 al 1977-07)
clavinet e sintetizzatore [synthesizers] :
Kerry Livgren (dal 1977-06 al 1977-07)
percussione [additional percussion] :
Phil Ehart (dal 1977-06 al 1977-07), Kerry Livgren (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
pianoforte :
Kerry Livgren (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
viola , violino [violins] e violoncello :
Robby Steinhardt (dal 1977-06 al 1977-07)
voce di accompagnamento:
Robby Steinhardt (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
arrangiatore:
Kansas (US prog rock band)
diritti fonografici (℗) detenuti da:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978)
registrata presso:
Studio in the Country in Bogalusa, Louisiana, Stati Uniti (dal 1977-06 al 1977-07) e Woodland Studios in Nashville, Tennessee, Stati Uniti (dal 1977-06 al 1977-07)
mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (nel 1977-08)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 39)
registrazione di:
Dust in the Wind (dal 1977-06 al 1977-07)
paroliere e compositore:
Kerry Livgren
editore:
Blackwood Music Publishing (1953-02-07–1987-12-30), Don Kirshner Music Inc., Kirshner CBS Music Publishing e Kirshner-Warner Bros Music Ltd.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adattamenti:
As the Sun Rises
Kansas4.13:22
16Eight Miles High
registrazione di:
Eight Miles High
autore:
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby e Roger McGuinn
editore:
Gene Clark Music, Reservoir One America, Tickson Music Co. e TRO Essex Music Ltd.
The Byrds3:34
17Ventura Highway
registrata presso:
XM Performance Theater in Washington, D.C., Stati Uniti (nel 2005-08)
registrazione dal vivo di:
Ventura Highway (nel 2005-10)
paroliere e compositore:
Dewey Bunnell
editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
America43:45
18I Walk the Line
produttore:
Sam Phillips (founder of Sun Records)
chitarra acustica e voce principale:
Johnny Cash (country music legend) (il 1956-04-02)
chitarra elettrica :
Luther Perkins (il 1956-04-02)
contrabbasso :
Marshall Grant (il 1956-04-02)
diritti fonografici (℗) detenuti da:
Sun Entertainment Corporation (company credits only; do not use as release label!) (nel 1956) e Sun Record Company (nel 1956)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1956-04-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 30), Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 33) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 76)
registrazione di:
I Walk the Line (il 1956-04-02)
paroliere e compositore:
John R. Cash (country music legend) (nel 1956)
editore:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) e House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.152:42
19Guitar Man
registrazione cover di:
Guitar Man
paroliere e compositore:
Jerry Reed
editore:
Sixteen Stars Music (BMI-affiliated) e The International Music Network
Elvis Presley2:15
20Lover, You Should’ve Come Over
registrazione di:
Lover, You Should’ve Come Over
paroliere e compositore:
Jeff Buckley (American singer, guitarist and songwriter)
Jeff Buckley6:41
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Accreditamenti

Pubblicazione

fabbricata a:Europa
distribuito da:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2009)
Discogs:https://www.discogs.com/release/3016321 [info]
ASIN:UK: B002KSATX8 [info]