The Skeleton Key

~ Veröffentlichung von Edward Shearmur (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Death Letter
Interpret(in):
Johnny Farmer (American blues artist) und Organized Noize (Atlanta hip-hop production group)
recording of:
Death Letter
Texter und Komponist(in):
Johnny Farmer (American blues artist)
Johnny Farmer & Organized Noize3:40
2Opening Titles
recording engineer und Mix:
Chris Fogel (engineer)
Produzent(in):
Edward Shearmur (English score composer)
Editing:
Daryl Kell
Bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter und Susan Ranney (double bass)
Bratsche / Viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann und Shanti Randall
Cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) und John Walz
Fagott:
Rose Corrigan, David Riddles und Allen Savedoff
flute:
Geri Rotella (flutist) und Steve Kujala
Geige / Violine:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade und Roger Wilkie (violinist)
Gitarre:
George Doering und Lyle Workman
Horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd und Phil Yao
Klarinette:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), James Kanter (clarinetist), Phillip O’Connor und Steve L. Roberts (clarinet player)
Perkussion:
Alan Estes, Gregory Goodall, Brian Kilgore und Mike Fisher (percussionist)
Posaune:
Bill Booth (US trombonist), Alan Kaplan und Phil Teele
shofar:
David Zasloff
Ventilposaune:
Bill Reichenbach, Jr. (jazz trombonist)
Orchester:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Opening Titles (The Skeleton Key)
Orchestrator(in):
Bob Elhai
Komponist(in):
Edward Shearmur (English score composer)
Edward Shearmur3:00
3Come On In My Kitchen
recording engineer:
Vincent Liebler
leitende(r) Produzent(in):
Art Satherly
Produzent(in):
Don Law
Gitarre:
Robert Johnson (1930s blues legend) (am 1936-11-23)
vocals:
Robert Johnson (1930s blues legend) (am 1936-11-23)
phonographisches Urheberrecht (℗) von:
Soul Jam Records (in 2015)
aufgenommen bei:
Gunter Hotel in San Antonio, Texas, Vereinigte Staaten (am 1936-11-23)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 1989)
recording of:
Come On In My Kitchen (am 1936-11-23)
Texter und Komponist(in):
Robert Johnson (1930s blues legend)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King of Spades Music, Paul Rodriguez Music Ltd. und Standing Ovation Music (publisher; do NOT use as release label)
Robert Johnson42:49
4Barefoot Dancing
recording of:
Barefoot Dancing
Texter und Komponist(in):
BlackBud
BlackBud3:42
5Ben Escapes
recording engineer und Mix:
Chris Fogel (engineer)
Produzent(in):
Edward Shearmur (English score composer)
Editing:
Daryl Kell
Bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter und Susan Ranney (double bass)
Bratsche / Viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann und Shanti Randall
Cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) und John Walz
Fagott:
Rose Corrigan, David Riddles und Allen Savedoff
flute:
Geri Rotella (flutist) und Steve Kujala
Geige / Violine:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade und Roger Wilkie (violinist)
Gitarre:
George Doering
Horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd und Phil Yao
Klarinette:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), James Kanter (clarinetist), Phillip O’Connor und Steve L. Roberts (clarinet player)
Perkussion:
Alan Estes, Gregory Goodall, Brian Kilgore und Mike Fisher (percussionist)
shofar:
David Zasloff
Ventilposaune:
Bill Booth (US trombonist), Alan Kaplan, Bill Reichenbach, Jr. (jazz trombonist) und Phil Teele
Orchester:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Ben Escapes
Orchestrator(in):
Bob Elhai
Komponist(in):
Edward Shearmur (English score composer)
Edward Shearmur3:12
6Do Watcha Wanna
recording of:
Do Watcha Wanna
Texter und Komponist(in):
Keith Frazier (Bass Drum) und Kermit Ruffins (US jazz trumpeter, singer, composer, and actor)
Rebirth Brass Band3:25
761 Highway Blues
Interpret(in):
Mississippi Fred McDowell
arranger:
Alan Lomax (US ethnomusicologist) und Mississippi Fred McDowell
Mississippi Fred McDowell3:11
8Violet’s Story
recording engineer und Mix:
Chris Fogel (engineer)
Produzent(in):
Edward Shearmur (English score composer)
Editing:
Daryl Kell
Bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter und Susan Ranney (double bass)
Bratsche / Viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann und Shanti Randall
Cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) und John Walz
Fagott:
Rose Corrigan, David Riddles und Allen Savedoff
flute:
Geri Rotella (flutist) und Steve Kujala
Geige / Violine:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade und Roger Wilkie (violinist)
Gitarre:
George Doering und Lyle Workman
Horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd und Phil Yao
Klarinette:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), James Kanter (clarinetist), Phillip O’Connor und Steve L. Roberts (clarinet player)
Perkussion:
Alan Estes, Gregory Goodall, Brian Kilgore und Mike Fisher (percussionist)
shofar:
David Zasloff
Ventilposaune:
Bill Booth (US trombonist), Alan Kaplan, Bill Reichenbach, Jr. (jazz trombonist) und Phil Teele
Orchester:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Violet's Story
Orchestrator(in):
Bob Elhai
Komponist(in):
Edward Shearmur (English score composer)
Edward Shearmur2:29
9Hoodoo Woman
recording engineer und Mix:
Chris Fogel (engineer)
Produzent(in):
Edward Shearmur (English score composer)
Editing:
Daryl Kell
Bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter und Susan Ranney (double bass)
Bratsche / Viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann und Shanti Randall
Cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) und John Walz
Fagott:
Rose Corrigan, David Riddles und Allen Savedoff
flute:
Geri Rotella (flutist) und Steve Kujala
Geige / Violine:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade und Roger Wilkie (violinist)
Gitarre:
George Doering und Lyle Workman
Horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd und Phil Yao
Klarinette:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), James Kanter (clarinetist), Phillip O’Connor und Steve L. Roberts (clarinet player)
Perkussion:
Alan Estes, Gregory Goodall, Brian Kilgore und Mike Fisher (percussionist)
shofar:
David Zasloff
Ventilposaune:
Bill Booth (US trombonist), Alan Kaplan, Bill Reichenbach, Jr. (jazz trombonist) und Phil Teele
Orchester:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hoodoo Woman
Orchestrator(in):
Bob Elhai
Komponist(in):
Edward Shearmur (English score composer)
Edward Shearmur2:45
10God Moves on the Water
recorded in:
New Orleans, Louisiana, Vereinigte Staaten (am 1929-12-11)
Gitarre:
Blind Willie Johnson (am 1929-12-11)
vocals:
Blind Willie Johnson (am 1929-12-11)
recording of:
God Moves on the Water (am 1929-12-11)
Texter und Komponist(in):
Blind Willie Johnson
Blind Willie Johnson2:59
11The Goldrush
recording of:
The Goldrush
Texter und Komponist(in):
Joe Washbourn
Joe Washbourn4:19
12Saving Ben
recording engineer und Mix:
Chris Fogel (engineer)
Produzent(in):
Edward Shearmur (English score composer)
Editing:
Daryl Kell
Bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter und Susan Ranney (double bass)
Bratsche / Viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann und Shanti Randall
Cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) und John Walz
Fagott:
Rose Corrigan, David Riddles und Allen Savedoff
flute:
Geri Rotella (flutist) und Steve Kujala
Geige / Violine:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade und Roger Wilkie (violinist)
Gitarre:
George Doering und Lyle Workman
Horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd und Phil Yao
Klarinette:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), Phillip O’Connor und Steve L. Roberts (clarinet player)
Perkussion:
Alan Estes, Gregory Goodall, Brian Kilgore und Mike Fisher (percussionist)
Posaune:
Bill Booth (US trombonist), Alan Kaplan, Bill Reichenbach, Jr. (jazz trombonist) und Phil Teele
shofar:
David Zasloff
Orchester:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Saving Ben
Orchestrator(in):
Bob Elhai
Komponist(in):
Edward Shearmur (English score composer)
Edward Shearmur4:41
13Iko Iko
cover recording of:
Iko Iko
Texter:
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins, Rosa Lee Hawkins und Joan Marie Johnson (Joan Marie Johnson Faust)
Komponist(in):
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins und Rosa Lee Hawkins
publisher:
Arc Music Corp. (U.S. rock & blues publisher), EMI Longitude Music Co., IKO Legal Hold, Melder Publishing Co., Songs of Windswept Pacific, Trio Music Company Inc. und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Revision von:
Jockomo
The Dixie Cups2:04
14The Conjure Room
recording engineer und Mix:
Chris Fogel (engineer)
Produzent(in):
Edward Shearmur (English score composer)
Editing:
Daryl Kell
Bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter und Susan Ranney (double bass)
Bratsche / Viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann und Shanti Randall
Cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) und John Walz
Fagott:
Rose Corrigan, David Riddles und Allen Savedoff
flute:
Geri Rotella (flutist) und Steve Kujala
Geige / Violine:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade und Roger Wilkie (violinist)
Gitarre:
George Doering und Lyle Workman
Horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd und Phil Yao
Klarinette:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), James Kanter (clarinetist), Phillip O’Connor und Steve L. Roberts (clarinet player)
Perkussion:
Alan Estes, Gregory Goodall, Brian Kilgore und Mike Fisher (percussionist)
shofar:
David Zasloff
Ventilposaune:
Bill Booth (US trombonist), Alan Kaplan, Bill Reichenbach, Jr. (jazz trombonist) und Phil Teele
Orchester:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Conjure Room
Orchestrator(in):
Bob Elhai
Komponist(in):
Edward Shearmur (English score composer)
Edward Shearmur5:54
15Conjure of Sacrifice
recording engineer und Mix:
Chris Fogel (engineer)
Produzent(in):
Edward Shearmur (English score composer)
Editing:
Daryl Kell
Bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter und Susan Ranney (double bass)
Bratsche / Viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann und Shanti Randall
Cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) und John Walz
Fagott:
Rose Corrigan, David Riddles und Allen Savedoff
flute:
Geri Rotella (flutist) und Steve Kujala
Geige / Violine:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade und Roger Wilkie (violinist)
Gitarre:
George Doering und Lyle Workman
Horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd und Phil Yao
Klarinette:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), James Kanter (clarinetist), Phillip O’Connor und Steve L. Roberts (clarinet player)
Perkussion:
Alan Estes, Gregory Goodall, Brian Kilgore und Mike Fisher (percussionist)
shofar:
David Zasloff
Ventilposaune:
Bill Booth (US trombonist), Alan Kaplan, Bill Reichenbach, Jr. (jazz trombonist) und Phil Teele
Orchester:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
Interpret(in):
Walter Breaux, Bruce "Sunpie" Barnes, Eluard Burt II, Fawn Lohnee Harris und Alfred Roberts (conga/percussion player, aka "Uganda")
arranger:
Alan Lomax (US ethnomusicologist)
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Conjure of Sacrifice
Orchestrator(in):
Bob Elhai
Texter:
Walter Breaux, Bruce "Sunpie" Barnes, Eluard Burt II, Fawn Lohnee Harris, Ehren Kruger und Alfred Roberts (conga/percussion player, aka "Uganda")
Komponist(in):
Walter Breaux, Bruce "Sunpie" Barnes, Eluard Burt II, Fawn Lohnee Harris, Ehren Kruger, Alfred Roberts (conga/percussion player, aka "Uganda") und Edward Shearmur (English score composer)
Edward Shearmur2:41
16Thank You Child
recording engineer und Mix:
Chris Fogel (engineer)
Produzent(in):
Edward Shearmur (English score composer)
Editing:
Daryl Kell
Bass:
Drew Dembowski, Richard Feves, Christian Kollgaard, Ed Meares, David Parmeter und Susan Ranney (double bass)
Bratsche / Viola:
Brian Dembow, Evan Wilson (viola player), Matt Funes, Keith Greene (Viola player), Shawn Mann (violist), Darrin McCann und Shanti Randall
Cello:
Tony Cooke, Steve Erdody, Christine Ermacoff, Dennis Karmazyn, Dane Little, David Low, Kim Scholes, Andrew Shulman (cellist, conductor and composer), Sebastian Toettcher, Cécilia Tsan (cellist) und John Walz
Fagott:
Rose Corrigan, David Riddles und Allen Savedoff
flute:
Geri Rotella (flutist) und Steve Kujala
Geige / Violine:
Eun Mee Ahn, Richard Altenbach, Armen Anassian, Ishani Bhoola (violinist), Jacqueline Brand, Darius Campo, Bruce Dukov, Endre Granat (Hungarian violinist), Henry Gronnier, Alan Grunfeld, Ana Landauer, Natalie Leggett, Dimitrie Leivici, Phillip Levy (violinist), Marina Manukian, Mario de Leon, Liane Mautner, Sara Parkins (US violinist), Katia Popov, Marc Sazer, Sarah Thornblade und Roger Wilkie (violinist)
Gitarre:
George Doering und Lyle Workman
Horn:
Brian O'Connor (Irish flautist), Jim Thatcher (hornist from United States), Rick Todd und Phil Yao
Klarinette:
Gary Bovyer (clarinetist), Donald Foster (US clarinetist), James Kanter (clarinetist), Phillip O’Connor und Steve L. Roberts (clarinet player)
Perkussion:
Alan Estes, Gregory Goodall, Brian Kilgore und Mike Fisher (percussionist)
shofar:
David Zasloff
Ventilposaune:
Bill Booth (US trombonist), Alan Kaplan, Bill Reichenbach, Jr. (jazz trombonist) und Phil Teele
Orchester:
Hollywood Studio Symphony
conductor:
Edward Shearmur (English score composer)
arranger:
Alan Lomax (US ethnomusicologist)
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, Inc.
mixed at:
Hyperion Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Thank You Child
Orchestrator(in):
Bob Elhai
Texter:
Philip Frazier ("Tuba" Phil Fraizer) und Joan Marie Johnson (Joan Marie Johnson Faust)
Komponist(in):
Philip Frazier ("Tuba" Phil Fraizer), Joan Marie Johnson (Joan Marie Johnson Faust) und Edward Shearmur (English score composer)
Edward Shearmur2:04

Nennungen

Veröffentlichung

Mix, Techniker(in) und recording engineer:Chris Fogel (engineer)
Produzent(in):Iain Softley
Robert Townson (soundtrack producer)
Programmierung:Bryan Carrigan
Editing:Daryl Kell
Discogs:https://www.discogs.com/release/11378397 [Info]
ASIN:DE: B000A2AD0A [Info]