’60s Music Revolution

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Different Drum 1
2▶CD: Different Drum 2
3▶CD: Let the Sunshine in 1
4▶CD: Let the Sunshine in 2
5▼CD: Magic Carpet Ride 1
Nr.TitelKünstlerBewertungLänge
1One
cover recording of:
One
Texter und Komponist(in):
Harry Nilsson (US singer-songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Australia Pty. Ltd.
Three Dog Night4.753:05
2Na Na Hey Hey Kiss Him Goodbye
recording of:
Na Na Hey Hey Kiss Him Goodbye (in 1969)
Verfasser(in):
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson und Graham Turner
publisher:
Warner Chappell North America und Warner/Chappell North America
Teil von:
Goodbye
Steam34:09
3Midnight Confessions
cover recording of:
Midnight Confessions
Texter und Komponist(in):
Lou Josie
publisher:
Diagonal (US publisher) (in 1979)
The Grass Roots2:43
4I Got You (I Feel Good)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good))
Texter und Komponist(in):
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. und Try Me Inc.
James Brown2:45
5My Girl
Produzent(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
Bass:
James Jamerson (von 1964-09-25 bis 1964-11-17)
Gitarre:
Robert White (US funk/soul guitarist) (von 1964-09-25 bis 1964-11-17)
Instrumente:
The Funk Brothers (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente:
Detroit Symphony Orchestra (von 1964-09-25 bis 1964-11-17)
Schlagzeug:
Benny Benjamin (US drummer) (von 1964-09-25 bis 1964-11-17)
Hintergrundgesang:
Eddie Kendricks (von 1964-09-25 bis 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1964-09-25 bis 1964-11-17) und Paul Williams (member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Interpret(in):
The Temptations (Motown soul vocal group) (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1964-09-25 bis 1964-11-17)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 43) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 88)
recording of:
My Girl (von 1964-09-25 bis 1964-11-17)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations4.452:42
6Baby Love
recording of:
Baby Love
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes2:48
7Reach Out, I’ll Be There
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (in 1966)
Hintergrundgesang:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) und Lawrence Payton (in 1966)
Sologesang:
Levi Stubbs (in 1966)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 78) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Four Tops42:54
8Wooly Bully
recording of:
Wooly Bully
Texter und Komponist(in):
Domingo Samudio
publisher:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) und Melodie der Welt (publisher)
Sam the Sham & the Pharaohs2:19
9A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.13:59
10Incense and Peppermints
Produzent(in):
Frank Slay
recording of:
Incense and Peppermints
Verfasser(in):
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) und Tim Gilbert
zusätzliche(r) Verfasser(in):
Ed King (US guitarist, bassist & songwriter) und Mark Weitz (keyboardist)
publisher:
MCA Music Ltd.
Strawberry Alarm Clock4.52:46
11You Were on My Mind
recorded in:
San Francisco, California (Kalifornien), Vereinigte Staaten (in 1965-04)
Produzent(in):
Frank Werber
Bass:
Peter Fullerton (in 1965-04)
Gitarre:
Jerry Burgan (in 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (in 1965-04) und Michael Stewart (US producer/guitarist from California, 1945–2002) (in 1965-04)
Schlagzeug:
Jerry Granelli (in 1965-04)
Hintergrundgesang:
Jerry Burgan (in 1965-04), Peter Fullerton (in 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (in 1965-04) und Michael Stewart (US producer/guitarist from California, 1945–2002) (in 1965-04)
Sologesang:
Beverly Bivens (in 1965-04)
cover recording of:
You Were on My Mind (in 1965-04)
Texter und Komponist(in):
Sylvia Tyson
recording of:
You Were on My Mind
Texter und Komponist(in):
Sylvia Tyson
We Five22:34
12The Rain, the Park & Other Things
recording of:
The Rain, the Park & Other Things
Verfasser(in):
Steve Duboff und Artie Kornfeld
publisher:
Akbestal Music Inc. und MPCA Lehsem Songs
The Cowsills2:55
13Sunday Will Never Be the Same
Spanky & Our Gang2:56
14California Dreamin’
Techniker(in):
Bones Howe
Produzent(in):
Lou Adler
Gitarre:
P.F. Sloan (in 1965)
Solo-Altflöte:
Bud Shank (in 1965)
phonographisches Urheberrecht (℗) von:
Geffen Records und Dunhill Records (in 1966)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 420)
recording of:
California Dreamin’ (in 1965)
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:41
15You’ve Lost That Lovin’ Feelin’
recording of:
You’ve Lost That Lovin’ Feelin’
Verfasser(in):
Barry Mann, Phil Spector und Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Righteous Brothers3:45
16I Was Made to Love Her
Produzent(in):
Henry Cosby
Bass:
James Jamerson (am 1967-03-31)
E-Sitars:
Eddie Willis (am 1967-03-31)
Instrumente:
The Funk Brothers (am 1967-03-31)
Mundharmonika und Sologesang:
Stevie Wonder (am 1967-03-31)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966) und Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1967-03-31)
recording of:
I Was Made to Love Her (am 1967-03-31)
Verfasser(in):
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy und Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.72:36
171‐2‐3
recording of:
1‐2‐3
Verfasser(in):
Leonard Borisoff, John Madara und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
zusätzliche(r) Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Mijac Double Diamond Music, Songs of Universal, Inc. (BMI), Stone Agate Music Division, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Welbeck Music Ltd.
Len Barry2:22
18Eve of Destruction
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965)
recording of:
Eve of Destruction (in 1965)
Texter und Komponist(in):
P.F. Sloan
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Barry McGuire4.63:37
6▶CD: Magic Carpet Ride 2
7▶CD: Groovin’ 1
8▶CD: Groovin’ 2
9▶CD: Legends: Pluggin’ In

Nennungen

Veröffentlichungsgruppe

Teil von:Time Life Music (Reihenfolge: 6)