Opera Arias

~ Release by Wolfgang Amadeus Mozart; Bryn Terfel, Rod Gilfry, Cyndia Sieden, Sir John Eliot Gardiner (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Le nozze di Figaro, K. 492: Overture
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
live recording of:
Le nozze di Figaro: Sinfonia (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:13
2Le nozze di Figaro, K. 492: Act I. "Non più andrai"
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:36
3Le nozze di Figaro, K. 492: Act II. "Porgi amor"
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
live recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:05
4Le nozze di Figaro, K. 492: Act III. "Vedro mentr'io sospiro"
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
baritone vocals [Count Amalviva]:
Rodney Gilfry (baritone) (from 1993-06 until 1993-07)
baritone vocals [Il Conte di Almaviva]:
Rodney Golfry (baritone) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:19
5Le nozze di Figaro, K. 492: Act III. "Che soave zeffiretto"
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
soprano vocals [La Contessa di Almaviva]:
Hillevi Martinpelto (soprano) (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
live recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:36
6Le nozze di Figaro, K. 492: Act IV. "Deh vieni, non tardar"
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (from 1993-06 until 1993-07)
fortepiano:
Sabine Vatin (from 1993-06 until 1993-07)
soprano vocals [Susanna, sua cameriera e promessa sposa di Figaro] and soprano vocals [Susanna]:
Alison Hagley (soprano) (from 1993-06 until 1993-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1993-06 until 1993-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (from 1993-06 until 1993-07)
balance engineer:
Ulrich Vette (engineer) (from 1993-06 until 1993-07)
concertmaster:
Alison Bury (violinist) (from 1993-06 until 1993-07)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (from 1993-06 until 1993-07)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
live recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (from 1993-06 until 1993-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:07
7Don Giovanni, ossia Il dissoluto punito, K. 527: Act I. "Là ci darem la mano"
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:06
8Don Giovanni, ossia Il dissoluto punito, K. 527: Act I. "Fin ch'han dal vino"
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:20
9Don Giovanni, ossia Il dissoluto punito, K. 527: Appendix. "Il mio tesoro intanto" (Don Ottavio)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
tenor vocals [Don Ottavio]:
Christoph Prégardien (tenor) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:44
10Don Giovanni, ossia Il dissoluto punito, K. 527: Act II. "Mi tradì quell'alma ingrata"
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart4:18
11Così fan tutte, K. 588: Act I. "Soave sia il vento"
recording engineer:
Ulrich Vette (engineer) (in 1992-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1992-06)
fortepiano:
Sabine Vatin (in 1992-06)
bass vocals [Don Alfonso, vecchio filosofo]:
Carlos Feller (operatic bass) (in 1992-06)
soprano vocals [Dorabella]:
Rosa Mannion (soprano) (in 1992-06)
soprano vocals [Fiordiligi]:
Amanda Roocroft (soprano) (in 1992-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1992-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1992-06)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1992-06)
live recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1992-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:54
12Così fan tutte, K. 588: Act II. "Donne mie, la fate a tanti"
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:03
13Così fan tutte, K. 588: Act II. "E amore un ladroncello"
orchestra:
English Baroque Soloists (The English Baroque Soloists)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Così fan tutte: Atto II. No. 28 Aria “È amore un ladroncello” (Dorabella)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto II
Wolfgang Amadeus Mozart3:11
14La clemenza di Tito, K. 621: Act I. "Parto, ma tu ben mio"
recording engineer:
Ulrich Vette (engineer) (in 1990-06)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
basset clarinet and basset horn:
Leslie Schatzberger (clarinetist) (in 1990-06)
cello [violoncello]:
Angela East (cellist) (in 1990-06)
fortepiano:
Alastair Ross (organist and harpsichordist) (in 1990-06)
mezzo-soprano vocals [Sesto, amico di Tito, amante di Vitellia]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-06)
concertmaster:
Alison Bury (violinist) (in 1990-06)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (in 1990-06)
live recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) (in 1990-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
Wolfgang Amadeus Mozart5:52
15Die Zauberflöte, K. 620: Act I. "Der Vogelfänger bin ich ja" (Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:27
16Die Zauberflöte, K. 620: Act II. "Der Hölle Rache kocht in meinem Herzen" (Königin der Nacht)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
soprano vocals and soprano vocals [Königin der Nacht]:
Cyndia Sieden (soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:54
17Die Zauberflöte, K. 620: Act II. "Ach, ich fühl's...Nichr wahr, Tamino"
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
soprano vocals [Pamina, ihre Tochter]:
Christiane Oelze (German soprano) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Monolog „Nicht wahr, Tamino” (Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl’s, es ist verschwunden“ (Pamina) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:54
18Die Zauberflöte, K. 620: Act II. "Ein Mädchen oder Weibchen" (Papageno)
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:52
19Die Zauberflöte, K. 620: Act II. "Papagena! Weibchen! Täubchen!" / "Pa-pa-gena!" / "Pa- pa-geno!"
recording engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) (in 1995-07)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
fortepiano [hammerklavier] and glockenspiel:
Marco Zambelli (in 1995-07)
baritone vocals [Papageno]:
Gerald Finley (bass-baritone) (in 1995-07)
soprano vocals [Papagena]:
Constanze Backes (German Soprano vocalist) (in 1995-07)
treble vocals [Dritter Knabe]:
Florian Wöller (in 1995-07)
treble vocals [Erster Knabe]:
Andreas Dieterich (treble / boy soprano) (in 1995-07)
treble vocals [Zweiter Knabe]:
Jan Andreas Mendel (in 1995-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1995-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1995-07)
concertmaster:
Alison Bury (violinist) (in 1995-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1995-07)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1995-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
included in:
「パ、パ、パ、パ」〜オペラ「魔笛」より
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:40

Credits

Release

part of:Virtuoso (Deutsche Grammophon/Decca Classics) (order: 37)
ASIN:UK: B0090GTZJ2 [info]