Matthäus-Passion, BWV 244

~ Release by Johann Sebastian Bach; Rudolf Mauersberger, Erhard Mauersberger (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Matthäus-Passion, BWV 244: Teil I, I. Coro "Kommt, ihr Töchter, helft mir klagen"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
edel records GmbH (in 1975) and VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach8:50
2Matthäus-Passion, BWV 244: Teil I, II. "Da Jesus diese Rede vollendet hatte" (Evangelista, Jesus)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone) (from 1970-01 until 1970-02)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:56
3Matthäus-Passion, BWV 244: Teil I, III. Corale "Herzliebster Jesu, was hast du verbrochen"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (from 1970-01 until 1970-02)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:58
4Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone) (from 1970-01 until 1970-02)
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:37
5Matthäus-Passion, BWV 244: Teil I, V. Recitativo (Alto) "Du lieber Heiland du"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
alto vocals:
Annelies Burmeister (contralto) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:57
6Matthäus-Passion, BWV 244: Teil I, VI. Aria (Alto) "Buß und Reu"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
alto vocals:
Annelies Burmeister (contralto) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:46
7Matthäus-Passion, BWV 244: Teil I, VII. "Da ging hin der Zwölfen einer" (Evangelista, Judas)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:39
8Matthäus-Passion, BWV 244: Teil I, VIII. Aria (Soprano) "Blute nur, du liebes Herz"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
soprano vocals:
Adele Stolte (soprano) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:44
9Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:32
10Matthäus-Passion, BWV 244: Teil I, X. Corale "Ich bin's, ich sollte büßen"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (from 1970-01 until 1970-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:57
11Matthäus-Passion, BWV 244: Teil I, XI. "Er antwortete und sprach" (Evangelista, Jesus, Judas)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone) (from 1970-01 until 1970-02)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:08
12Matthäus-Passion, BWV 244: Teil I, XII. Recitativo (Soprano) "Wiewohl mein Herz in Tränen schwimmt"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
soprano vocals:
Adele Stolte (soprano) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:25
13Matthäus-Passion, BWV 244: Teil I, XIII. Aria (Soprano) "Ich will dir mein Herze schenken"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
soprano vocals:
Adele Stolte (soprano) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:10
14Matthäus-Passion, BWV 244: Teil I, XIV. "Und da sie den Lobgesang gesprochen hatten" (Evangelista, Judas)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:17
15Matthäus-Passion, BWV 244: Teil I, XV. Corale "Erkenne mich, mein Hüter"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (from 1970-01 until 1970-02)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:13
16Matthäus-Passion, BWV 244: Teil I, XVI. "Petrus aber antwortete und sprach zu ihm" (Evangelista, Petrus, Jesus)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone) (from 1970-01 until 1970-02)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:25
17Matthäus-Passion, BWV 244: Teil I, XVII. Corale "Ich will hier bei dir stehen"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:15
18Matthäus-Passion, BWV 244: Teil I, XVIII. "Da kam Jesus mit ihnen zu einen Hofe" (Evangelista, Jesus)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone) (from 1970-01 until 1970-02)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:02
19Matthäus-Passion, BWV 244: Teil I, XIX. Recitativo (Tenore) "O Schmerz! Hier zittert das gequälte Herz"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
tenor vocals:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:43
20Matthäus-Passion, BWV 244: Teil I, XX. Aria (Tenore) "Ich will bei meinen Jesu wachen"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
choir vocals:
Dresdner Kreuzchor (from 1970-01 until 1970-02) and Thomanerchor Leipzig (from 1970-01 until 1970-02)
tenor vocals:
Hans-Joachim Rotzsch (choral conductor and tenor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Rudolf Mauersberger (Kreuzkantor and organ player) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:30
21Matthäus-Passion, BWV 244: Teil I, XXI. "Und ging hin ein wenig" (Evangelista, Jesus)
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals [Jesus]:
Theo Adam (German classical bass-baritone) (from 1970-01 until 1970-02)
tenor vocals [Evangelist]:
Peter Schreier (German tenor and conductor) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:57
22Matthäus-Passion, BWV 244: Teil I, XXII. Recitativo (Basso) "Der Heiland fällt vor seinem Vater nieder"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals:
Günther Leib (baritone) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:14
23Matthäus-Passion, BWV 244: Teil I, XXIII. Aria (Basso) "Gerne will ich mich bequemen"
recording engineer:
Jürgen Regler (from 1970-01 until 1970-02)
producer:
Reimar Bluth
editor:
Annelene Dziengel and Hildegard Miehe
bass vocals:
Günther Leib (baritone) (from 1970-01 until 1970-02)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1970-01 until 1970-02)
conductor:
Erhard Mauersberger (Thomaskantor and organist) (from 1970-01 until 1970-02)
balance engineer:
Claus Strüben (german sound engineer) (from 1970-01 until 1970-02)
phonographic copyright (℗) by:
VEB Deutsche Schallplatten Berlin (in 1975)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1970-01 until 1970-02)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (from 1970-01 until 1970-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:24
2▶CD
3▶CD

Credits

Release

ASIN:DE: B0007GAFM0 [info]