Herzberührt 03

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Angie
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
guest piano:
Nicky Hopkins (pianist and organist)
strings arranger:
Nicky Harrison
music videos:
Angie (version 2: Jagger in white hat) by The Rolling Stones and Angie (version 1: sitting on a stage, flowers on guitars) by The Rolling Stones
recording of:
Angie
written in:
Vevey, Vaud (Canton of Vaud), Switzerland (in 1969-04)
writer:
Mick Jagger (The Rolling Stones) (in 1969-04) and Keith Richards (Rolling Stones guitarist) (in 1969-04)
publisher:
Westminster Music Ltd.
The Rolling Stones3.84:31
2Have You Every Really Loved a Woman?
recorded in:
Jamaica (in 1995-02) and Wisconsin, United States (from 1995-02-23 until 1995-03-04)
mixed in:
France (in 1996-03)
miscellaneous support:
Bryan Adams (Canadian singer/songwriter) (task: vocal harmony), Mickey Curry (task: brushes) and Olle "Sven" Romo (Swedish music producer, songwriter, and drummer) (task: pads)
programming:
Olle "Sven" Romo (Swedish music producer, songwriter, and drummer)
engineer:
Olle "Sven" Romo (Swedish music producer, songwriter, and drummer) and Ron Vermeulen (Canadian engineer/producer)
producer:
Bryan Adams (Canadian singer/songwriter) and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Bob Clearmountain (on 1995-03-08)
acoustic guitar and handclaps:
BA (Canadian singer/songwriter) (from 1995-02-23 until 1995-03-04)
bass:
Mutt Lange (Robert John Lange) (from 1995-02-23 until 1995-03-04)
brushes and drums (drum set):
Mickey Curry (from 1995-02-23 until 1995-03-04)
castanets:
Olle Romo (Swedish music producer, songwriter, and drummer) (from 1995-02-23 until 1995-03-04)
classical guitar [Spanish guitar]:
Paco de Lucía (from 1995-02-23 until 1995-03-04)
guitar [spanish]:
Paco de Lucía
vocals:
BA (Canadian singer/songwriter) (from 1995-02-23 until 1995-03-04)
phonographic copyright (℗) by:
A&M Records (in 1995), A&M Records, Inc. (in 1995, in 1999) and Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1995, in 1999)
recorded at:
The Warehouse Studio Mobile Unit (from 1995-02-23 until 1995-03-04)
mixed at:
The Warehouse Studio in Vancouver, British Columbia, Canada (on 1995-03-08)
part of:
The Downloader’s Music Source Book (number: 163)
recording of:
Have You Ever Really Loved a Woman? (from 1995-02-23 until 1995-03-04)
writer:
Bryan Adams (Canadian singer/songwriter), Michael Kamen (American score composer) and Robert John “Mutt” Lange (Robert John Lange)
publisher:
Out-of-Pocket Productions Ltd., Sony Songs Inc., Zomba Enterprises Inc., Badams Music Limited (in 1995), K‐Man Corp. (in 1995), New Line Music Co. (in 1995), Sony/ATV Songs LLC (in 1995) and Zomba Music Publishing Ltd. (in 1995)
part of:
The 68th Academy Award for Best Original Song (number: 2)
Bryan Adams3.554:51
3Fields of Gold
recording of:
Fields of Gold
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) and Steerpike Ltd. (PRS-affiliated)
Sting3:39
4Clocks
recording of:
Clocks
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd.
Coldplay5:07
5Try Again
programming and engineer:
Andy Green (producer, engineer)
additional engineer:
Julian Wilmott
producer:
Andy Green (producer, engineer) and Keane
assistant mixer:
Alex Dromgoole and Dave Emery (engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Julian Wilmott
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2006) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2006)
recording of:
Try Again
writer:
Tom Chaplin, Richard Hughes (Keane member) and Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Keane34:27
6Summer Wine (single edit)
cover recording of:
Summer Wine
lyricist and composer:
Lee Hazlewood
Natalia Avelon3:53
7Du bist die
producer:
Herbert Grönemeyer (German musician and actor) and Alex Silva
mixer:
John Smith (UK producer/engineer)
mixed at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
recording of:
Du bist die
writer:
Herbert Grönemeyer (German musician and actor)
Herbert Grönemeyer3:46
8The Moment You Believe
recording of:
The Moment You Believe
writer:
Melanie Chisholm and Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Melanie C3:30
9Zerrissen
recording of:
Zerrissen
lyricist and composer:
Simon Triebel
Juli53:21
10Patience
assistant recording engineer:
Robin Baynton (strings), Andrew Dudman (UK recording engineer and mixer, early 21c) (strings), Mike Horner and Lewis Jones (engineer) (strings)
recording engineer and mixer:
Jeff Rothschild
miscellaneous support:
Shari Sutcliffe (task: production coordinator)
producer:
John Shanks
bass, guitar [guitars] and keyboard [keyboards]:
John Shanks
drums (drum set) [drums]:
Jeff Rothschild
piano and lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange and Mark Owen (singer–songwriter)
orchestra:
London Session Orchestra
strings arranger:
Wil Malone
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2006)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (strings), Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States and RAK Recording Studios in London (Greater London), England, United Kingdom
mixed at:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States
music videos:
Patience (music video) by Take That
recording of:
Patience
writer:
Gary Barlow, Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and John Shanks
publisher:
BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. and WB Music Corp. (1929–2019)
live recording of:
Patience
writer:
Gary Barlow, Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and John Shanks
publisher:
BMG Music Publishing Ltd., John Shanks Music, Sony/ATV Music Publishing (UK) Ltd. and WB Music Corp. (1929–2019)
Take That43:20
11Forever Yours (acoustic version)
Sunrise Avenue3:09
12Why Does My Heart Feel So Bad?
engineer, producer and mixer:
Moby (electronic musician Richard Melville Hall)
choir vocals:
The Shining Light Gospel Choir
performer:
Moby (electronic musician Richard Melville Hall)
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1999)
recording of:
Why Does My Heart Feel So Bad?
lyricist and composer:
Moby (electronic musician Richard Melville Hall)
publisher:
Little Idiot Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Moby3.554:23
13Only When I Lose Myself (single version)
recording engineer:
Guy Massey (UK producer/engineer)
programming:
Stephen Hilton
engineer:
Robin Hancock (UK music engineer/remixer/producer)
producer and mixer:
Tim Simenon
lead vocals:
Dave Gahan
conductor:
Richard Niles
recording of:
Only When I Lose Myself
lyricist and composer:
Martin L. Gore
Depeche Mode2.854:33
14Serpentine (radio edit)
Reamonn3:43
15Um bei dir zu sein (single edit 2007)
recording of:
Um bei dir zu sein
lyricist and composer:
Paul Leisin, Peter Horsch (played piano for Liquido) and Tim Winter
Christina Stürmer3:19
16Aus Liebe wollt ich alles wissen (radio version)Rosenstolz3:50
17Ciao bella
Rose3:57
18The World and You Tonight
Simply Red3:31
19Sorry Seems to Be the Hardest Word
engineer:
Gus Dudgeon and Mark Howlett
producer:
Gus Dudgeon and John Stewart (UK music producer/recording engineer)
accordion:
Carl Fortina
electric bass guitar:
Kenny Passarelli (Bass, piano)
electric piano:
James Newton Howard (American score composer)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
vibraphone:
Ray Cooper (percussionist)
conductor:
James Newton Howard (American score composer)
accordion and strings arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Happenstance Limited (record and publishing company) (in 1976)
recorded at:
Eastern Sound in Toronto, Ontario, Canada and Sunset Sound in Hollywood, Los Angeles, California, United States (in 1976-03)
recording of:
Sorry Seems to Be the Hardest Word
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd (publisher), Chappell & Co Inc. (USA), Happenstance Limited (record and publishing company), Intersong U.S.A. Inc. (publisher), Muziekuitgeverij Artemis B.V., Rouge Booze, Inc., Universal–Songs of PolyGram International, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.353:48
20Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1982) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
Jennifer Warnes3.53:51