Romance 101: A Love Song for Every Moment

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▶CD
4▶CD
5▼CD
Nr.TitelKünstlerBewertungLänge
1You Are Everything
Produzent(in):
Hal Davis
vocals:
Diana Ross
arranger:
Dave Blumberg
cover recording of:
You Are Everything
Verfasser(in):
Linda Creed und Thom Bell (keyboards, songwriter, producer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye33:10
2Let’s Get It On
Produzent(in):
Marvin Gaye und Ed Townsend
Perkussion:
Emil Richards
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
Remix von:
Let’s Get It On (album version) von Marvin Gaye
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 46)
recording of:
Let’s Get It On
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye3.53:58
3You’re the Best Thing
Schlagzeug [drums]-Programmierung:
Peter Wilson (UK Producer)
Produzent(in):
Paul Weller (English singer‐songwriter and musician) und Peter Wilson (UK Producer)
Bass-Synthesizer [bass synth] und zusätzlich Keyboard [keyboards]:
Mick Talbot (von 1983-10 bis 1984-01)
Gitarre [guitars] und Synthesizer [synths]:
Paul Weller (English singer‐songwriter and musician) (von 1983-10 bis 1984-01)
vocals:
Mick Talbot (von 1983-10 bis 1984-01) und Paul Weller (English singer‐songwriter and musician) (von 1983-10 bis 1984-01)
aufgenommen bei:
Solid Bond Studio in London (Greater London), England, Vereinigtes Königreich (von 1983-10 bis 1984-01)
zusätzlich aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (von 1983-10 bis 1984-01)
recording of:
You’re the Best Thing (von 1983-10 bis 1984-01)
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!) und Universal Music Publishing MGB Australia
The Style Council25:40
4Hello
Produzent(in):
James Anthony Carmichael und Lionel Richie
Interpret(in):
Ocobamba
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
Texter und Komponist(in):
Lionel Richie
zusätzliche(r) Verfasser(in):
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Lionel Richie3.854:09
5Love Me
Produzent(in):
Freddie Perren
recording of:
Love Me
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Gibb Brothers Music
Yvonne Elliman3:20
6Baby Come Back
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
recording of:
Baby Come Back (Player song) (in 1977)
Verfasser(in):
Peter Beckett (lead singer of Player) und John Charles Crowley II
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
Player53:36
7I’ll Make Love to You
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 24)
recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
cover recording of:
I’ll Make Love to You
Texter und Komponist(in):
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men3:59
8Just to Be Loved
Al Jarreau4:11
9Addicted to Love
Techniker(in):
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
Bernard Edwards (American bassist and record producer)
Mix:
Eric "E.T." Thorngren
Bassgitarre:
Bernard Edwards (American bassist and record producer)
Gitarre:
Andy Taylor (of Duran Duran)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC)
Hintergrundgesang:
Benny Diggs und Fonzi Thornton
vocals arranger:
Chaka Khan
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1985) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985)
recording of:
Addicted to Love
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und WC Music Corp.
Robert Palmer44:20
10My One Temptation
recording of:
My One Temptation
Verfasser(in):
Michael Leeson, Peter Vale (writer/arranger) und Miles Waters (songwriter)
publisher:
Abacus Publishing und Chappell Music Co. Inc.
Mica Paris4:33
11The Lover in Me
assistierende(r) Techniker(in):
Andy "Opie" Batwinas (Aufgabe: mixing), Don Sullivan (engineer), Toni Greene (engineer) und Fred Howard (engineer)
Techniker(in):
Jon Gass und Jon Gass (Aufgabe: mixing)
Produzent(in):
L.A. & Babyface (US R&B songwriting/production duo)
Mix:
Babyface (R&B musician Kenny Edmonds) und L.A. Reid
Keyboard [keyboards]:
Babyface (R&B musician Kenny Edmonds) und Kayo (Kevin Roberson)
Perkussion und Schlagzeug [drums]:
L.A. Reid
Solo-Saxophon:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Sheena Easton, Daryl Simmons und Karyn White
produced for:
La'Face, Inc. (production company)
aufgenommen bei:
Elumba Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Galaxy Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Sound (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten
remixed at:
Elumba Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
instrumental versions:
The Lover in Me (instrumental) von Sheena Easton, The Lover in Me (instrumental) von Sheena Easton und The Lover in Me (instrumental) von Sheena Easton
recording of:
The Lover in Me
Verfasser(in):
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) und Daryl Simmons
publisher:
Green Skirt Music (publisher), Hip Trip Music (publisher) und Kear Music (publisher)
Sheena Easton5:02
12Show Me Heaven
phonographisches Urheberrecht (℗) von:
MCA (1967–2003; name as in imprint during 1972–1990) (in 1990) und The David Geffen Company (legal rights relating to Geffen Records) (in 1990)
recording of:
Show Me Heaven
Verfasser(in):
Eric Rackin (Production music composer), Maria McKee und Jay Rifkin
publisher:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:44
13Don’t Be a Stranger
Produzent(in):
Nigel Lowis
arranger:
Nigel Lowis
Remix von:
Don’t Be a Stranger von Dina Carroll
recording of:
Don’t Be a Stranger
Verfasser(in):
Coral Gordon und Geoff Gurd
Dina Carroll34:44
14Somewhere Down the Crazy River
recording of:
Somewhere Down the Crazy River
Texter und Komponist(in):
Robbie Robertson
publisher:
Medicine Hat Music und SBK Songs (publisher)
Robbie Robertson4:32
15Senza una donna
Produzent(in):
Corrado Rustici
arranger:
Corrado Rustici
recording of:
Senza una donna (Spanish version)
übersetzte Version von:
Senza una donna (Without a Woman)
recording of:
Senza una donna (Without a Woman)
Verfasser(in):
Frank Musker und Zucchero
publisher:
Gruppo Intersong S.R.L. (publisher; do NOT use as release label) und Warner Chappell Music Italiana S.r.l.
Zucchero & Paul Young3.654:29
16Float On
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1977)
Bearbeitung von:
Float On (long version) von Floaters
recording of:
Float On
Verfasser(in):
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) und Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters4.54:11
17You Make Me Feel Brand New
recording of:
You Make Me Feel Brand New
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) und Linda Creed
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics45:27
6▶CD

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Veröffentlichung

hergestellt in:Singapur
gedruckt in:Singapur
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Universal Music Ltd. (Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.) (in 2009)