Ultimate Rock ’n’ Roll Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1More Than a Feeling
assistente tecnico:
Bruce Hensal, Deni King (engineer) e Doug Rider
tecnico:
Warren Dewey e Tom Scholz
produttore:
John Boylan e Tom Scholz
assistente tecnico di missaggio:
Steve Hodge (engineer and producer)
batteria e percussione :
Sib Hashian (dal 1975 al 1976)
chitarra [lead guitar] , chitarra [rhythm guitar] , chitarra acustica e chitarra basso :
Tom Scholz (dal 1975 al 1976)
voce principale e voce principale [Harmony]:
Brad Delp (dal 1975 al 1976)
arrangiatore:
Brad Delp e Tom Scholz
co-arrangiatore:
Jim Masdea
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
Foxglove Studios in Watertown, Massachusetts, Stati Uniti (nel 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
prima pubblicazione:
More Than a Feeling di Boston (US rock band)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 63), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 212) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 500)
registrazione di:
More Than a Feeling (dal 1975 al 1976)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston3.954:46
2Cum On Feel the Noize
tecnico:
Duane Baron
produttore:
Spencer Proffer
basso elettrico :
Rudy Sarzo
batteria :
Frankie Banali (US drummer)
chitarra elettrica :
Carlos Cavazo
tastiera :
Pat Regan (American recording engineer)
voce principale:
Kevin DuBrow
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983)
è stato produttore per:
Pasha
registrata presso e mixata presso:
Pasha Music House in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 41)
registrazione cover di:
Cum On Feel the Noize
autore:
Noddy Holder e Jim Lea
editore:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Quiet Riot4.24:51
3I Want You to Want Me
tecnico di registrazione:
鈴木智雄 (Tomoo Suzuki) (dal 1978-04-28 al 1978-04-30)
assistente tecnico:
Mike Beriger
tecnico:
Gary Ladinsky (engineer)
produttore:
Cheap Trick e Jack Douglas
tecnico di missaggio:
Cheap Trick, Gary Ladinsky (engineer) e Jay Messina (nel 1978)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), EPC (nel 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (nel 1978, nel 1979), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso:
Nippon Budokan in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Giappone (dal 1978-04-28 al 1978-04-30)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1978)
registrazione dal vivo di:
I Want You to Want Me (dal 1978-04-28 al 1978-04-30)
paroliere e compositore:
Rick Nielsen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (nel 1977) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1977)
parte di:
10 Things I Hate About You
Cheap Trick3.853:40
4Feel Like Makin’ Love
tecnico di registrazione:
Ron Nevison (nel 1974-09)
produttore:
Bad Company (British blues-rock supergroup)
tecnico di missaggio:
Ron Nevison
basso elettrico :
Boz Burrell (English musician) (nel 1974-09)
batteria :
Simon Kirke (nel 1974-09)
chitarra :
Mick Ralphs (nel 1974-09) e Paul Rodgers (nel 1974-09)
pianoforte e voce principale:
Paul Rodgers (nel 1974-09)
tastiera :
Mick Ralphs (nel 1974-09)
diritti fonografici (℗) detenuti da:
Swan Song Inc. (nel 1975)
registrata presso:
Clearwell Castle in Gloucestershire, England, Regno Unito (nel 1974-09)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 78)
registrazione di:
Feel Like Makin’ Love (nel 1974-09)
autore:
Mick Ralphs e Paul Rodgers
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Badco Music, Inc. (dal 1974 a oggi)
Bad Company4.255:12
5Slow Ride
tecnico e produttore:
Nick Jameson
direzione creativa:
Tony Outeda
basso e tastiera [keyboards] :
Nick Jameson
batteria e percussione [repercussion] :
Roger Earl
chitarra :
Nick Jameson, Lonesome Dave Peverett e Rod “The Bottle” Price
chitarra slide [slide] :
Rod “The Bottle” Price
voce di accompagnamento [vocals]:
Nick Jameson e Rod “The Bottle” Price
voce principale:
Lonesome Dave Peverett
diritti fonografici (℗) detenuti da:
Bearsville Records (nel 1975) e Rhino Entertainment Company (not for release label use!) (nel 2016)
registrata presso e mixata presso:
Suntreader Studios in Vermont, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 45)
registrazione di:
Slow Ride
paroliere e compositore:
Dave Peverett
editore:
Kohaw Music Inc. e WC Music Corp.
Foghat4.68:13
6Let It Ride
tecnico:
Buzz Richmond
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
registrazione di:
Let It Ride
autore:
C.F. Turner e R. Bachman (Canadian guitarist, singer & songwriter)
editore:
Eventide Music (1970s publisher, likely Canadian), Ranbach Music (publisher), Sony Songs Inc. e Top Soil Music (publisher)
Bachman–Turner Overdrive43:32
7Radar Love
tecnico di registrazione:
Pieter Nieboer
produttore:
Golden Earring
produttore esecutivo:
Fred Haayen
tecnico di missaggio:
Damon Lyon-Shaw
basso elettrico e tastiera :
Rinus Gerritsen (bass player)
batteria e percussione :
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
chitarra acustica e chitarra elettrica :
George Kooymans
chitarra slide :
Eelco Gelling
voce:
Barry Hay e George Kooymans
arrangiatore:
Golden Earring
diritti fonografici (℗) detenuti da:
Dutch Record Company (nel 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (nel 1973), Red Bullet Productions B.V. (nel 1973), Track Records Ltd. (nel 1973) e Geffen Records (nel 1974)
è stato produttore per:
Red Bullet Productions
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
mixata presso:
IBC Studios in London (Greater London), England, Regno Unito
registrazione di:
Radar Love
paroliere:
Barry Hay
compositore:
George Kooymans
editore:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) e Sony/ATV Music Publishing
Golden Earring4.36:24
8Two Tickets to Paradise
tecnico di registrazione:
Andy Johns (nel 1977-06)
assistente tecnico:
Mike Clink (incarico: assistant), Roy Segal (incarico: assistant), Steven D. Smith (US recording engineer, mainly rock & game scores) (incarico: assistant) e Tom Lubin (incarico: assistant)
tecnico:
Andy Johns (incarico: recording & mixing)
produttore:
Bruce Botnick
tecnico di missaggio:
Andy Johns
armonica (a bocca) , sassofono e voce principale:
Eddie Money
basso :
Lonnie Turner
batteria :
Gary Mallaber
chitarra :
Jimmy Lyon (rock guitarist, worked with Eddie Money)
chitarra basso :
Lonnie Turner
percussione :
Kevin Calhoun (percussionist), Gary Mallaber e Kevin Calhoun (composer)
sassofono contralto :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
sassofono tenore :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera :
Freddy Webb, Eddie Money, Alan Pasqua, Randy Nichols e Freddie Webb (keyboardist)
voce:
Eddie Money
voce di accompagnamento:
Randy Nichols
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978)
registrata presso:
CBS Studios (San Francisco) in San Francisco, California, Stati Uniti (nel 1977-06) e Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1977-06)
registrazione di:
Two Tickets to Paradise (nel 1977-06)
paroliere e compositore:
Eddie Money
editore:
Cashola Music, Three Wise Boys Music LLC e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Eddie Money4.153:58
9Paradise by the Dashboard Light
tecnico, produttore e tecnico di missaggio:
Todd Rundgren
basso :
Kasim Sultan
batteria :
Max Weinberg
chitarra :
Todd Rundgren
sassofono :
Edgar Winter
sintetizzatore :
Roger Powell (US musician, programmer, and columnist, band "Utopia")
tastiera e altra voce [lascivious effects]:
Jim Steinman
tastiera e pianoforte :
Roy Bittan
voce di accompagnamento:
Rory Dodd, Marvin Lee e Todd Rundgren
voce di accompagnamento e voce principale [featured female vocal]:
Ellen Foley
voce parlata [baseball play-by-play]:
Phil Rizzuto
voce principale:
Meat Loaf
esecutore:
Ellen Foley
arrangiatore:
Todd Rundgren e Jim Steinman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977)
registrazione di:
Paradise by the Dashboard Light
paroliere e compositore:
Jim Steinman
Meat Loaf4.28:30
10Keep On Loving You
assistente tecnico:
Tom Cummings (engineer) e Jeff Eccles
tecnico:
Kevin Beamish
co-produttore:
Alan Gratzer (drummer)
produttore:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) e Gary Richrath (guitarist and songwriter)
basso :
Bruce Hall (US bassist for REO Speedwagon)
batteria :
Alan Gratzer (drummer)
chitarra :
Gary Richrath (guitarist and songwriter)
chitarra acustica :
Kevin Cronin (guitarist, singer and songwriter)
organo Hammond :
Neal Doughty (keyboards)
voce di accompagnamento:
Kevin Cronin (guitarist, singer and songwriter), Tom Kelly (songwriter) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arrangiatore:
Kevin Cronin (guitarist, singer and songwriter)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980, nel 1981) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 67)
registrazione di:
Keep On Loving You (il 1980-09-03)
paroliere e compositore:
Kevin Cronin (guitarist, singer and songwriter)
editore:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Taiyō Music
REO Speedwagon3.553:20
11Just What I Needed
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 112) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 369)
registrazione di:
Just What I Needed (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
BMG Music Publishing Ltd., Lido Music, Inc. e Lido Music (not for release label use!) (nel 1978)
The Cars4.33:45
12Don’t Bring Me Down
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
batteria e percussione :
Bev Bevan (English rock drummer) (dal 1979-03 al 1979-04)
chitarra basso :
Kelly Groucutt (dal 1979-03 al 1979-04)
chitarra elettrica e voce principale:
Jeff Lynne (dal 1979-03 al 1979-04)
clarinetto e pianoforte elettrico :
Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-03 al 1979-04)
pianoforte e sintetizzatore :
Jeff Lynne (dal 1979-03 al 1979-04) e Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-03 al 1979-04)
cori:
Kelly Groucutt (dal 1979-03 al 1979-04) e Jeff Lynne (dal 1979-03 al 1979-04)
direttore d'orchestra:
Louis Clark (dal 1979-03 al 1979-04)
arrangiatore archi e arrangiatore cori:
Louis Clark, Jeff Lynne e Richard Tandy (keyboardist for Electric Light Orchestra)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1979), Jet Inc. (nel 1979), Jet Records (nel 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2005)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1979-03 al 1979-04)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 215)
registrazione di:
Don’t Bring Me Down (dal 1979-03 al 1979-04)
paroliere e compositore:
Jeff Lynne
editore:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) e Polygon Publishing Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.54:04
13Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983)
registrazione di:
Owner of a Lonely Heart
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes4.653:48
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