20th Century Hits for a New Millennium: 40 Hits of 1975–1979

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Denis
tecnico:
Rob Freeman (engineer)
produttore:
Richard Gottehrer (American songwriter and music executive)
archi , farfisa , pianoforte a coda , sintetizzatore [Polymoog] e sintetizzatore [Roland] :
Jimmy Destri (dal 1977-06 al 1977-07)
batteria :
Clem Burke (dal 1977-06 al 1977-07)
chitarra basso :
Frank Infante (dal 1977-06 al 1977-07) e Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [lead guitar] e vibrafono :
Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [rhythm guitar] :
Frank Infante (dal 1977-06 al 1977-07)
voce di accompagnamento:
Clem Burke (dal 1977-06 al 1977-07) e Jimmy Destri (dal 1977-06 al 1977-07)
voce principale:
Deborah Harry (dal 1977-06 al 1977-07)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1977), Chrysalis Records, Inc. (not for release label use!) (nel 1977, nel 2001) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti (dal 1977-06 al 1977-07)
registrazione cover di:
Denise (dal 1977-06 al 1977-07)
paroliere e compositore:
Neil Levenson (pianist and songwriter)
editore:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. e Taking Care of Business Music Inc. (BMI)
Blondie3.552:18
2Lay Your Love on Me
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978), RAK Records (copyrights holder) (nel 1978) e RAK (nel 1979)
registrazione di:
Lay Your Love on Me
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music e Universal Music Publishing MGB Australia
Racey3:14
3Greased Lightnin’
produttore:
Louis St. Louis (American songwriter, music arranger and singer)
tecnico di missaggio:
David J. Holman
sassofono :
Ray Pizzi
voce aggiuntiva:
Jeff Conaway (actor)
voce principale:
John Travolta (American actor and singer)
arrangiatore archi e arrangiatore corno :
Michael Melvoin
arrangiatore:
John Farrar, Michael Gibson (trombone) e Louis St. Louis (American songwriter, music arranger and singer)
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (dal 1978 a oggi) e RSO Records (US company that owned the RSO label, not the label itself.) (nel 1978)
registrazione di:
Greased Lightnin’ (Grease, 1971 musical)
autore:
Warren Casey e Jim Jacobs
editore:
Edwin H. Morris & Company (a division of MPL Communications Inc.) (dal 1978 a oggi)
parte di:
Grease (1971 musical)
John Travolta4.653:16
4I’m Your Boogie Man
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977) e T.K. Records (Miami‐based disco label) (nel 1977)
registrazione di:
I’m Your Boogie Man
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Songs, EMI Songs Australia, Harrick Music e Longitude Music
KC & the Sunshine Band4.354:03
5When You’re in Love With a Beautiful Woman
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
When You’re in Love With a Beautiful Woman
paroliere e compositore:
Even Stevens (singer / songwriter)
editore:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:53
6Substitute
produttore:
Grahame Beggs
registrazione di:
Substitute (nel 1978)
paroliere e compositore:
Willie Wilson
editore:
Discoton (German club label)
Clout43:28
7If You Can’t Give Me Love
produttore:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980) e RAK Records Ltd. (nel 1978)
è stato produttore per:
Chinnichap (production company and publisher)
registrazione di:
If You Can’t Give Me Love (nel 1980)
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing Ltd., Chinnichap (production company and publisher), Chinnichap Ltd. (production company), RAK Publishing Ltd. e Universal Music–MGB Songs
Suzi Quatro4.53:53
8So You Win Again
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977) e RAK (nel 1977)
registrazione di:
So You Win Again
paroliere e compositore:
Russ Ballard
editore:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) e Universal Music–MGB Songs
Hot Chocolate4.254:29
9Fire
produttore:
Richard Perry (producer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1996)
registrazione cover di:
Fire
paroliere e compositore:
Bruce Springsteen (nel 1977-05)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Pointer Sisters4.353:28
10Home on Monday
assistente tecnico:
John Hodge (engineer)
tecnico:
Ross Cockle e Paul Grupp
produttore:
John Boylan e Little River Band
tecnico di missaggio:
Paul Grupp
basso :
George McArdle
batteria :
Derek Pellicci
chitarra acustica :
Beeb Birtles e Graeham Goble
chitarra elettrica :
Beeb Birtles e David Briggs (producer, guitarist of Little River Band)
pianoforte :
Peter Sullivan
voce di accompagnamento:
Beeb Birtles, Graeham Goble e Glenn Shorrock
voce principale:
Glenn Shorrock
orchestra:
Melbourne Symphony Orchestra
direttore d'orchestra:
Riccardo Formosa
arrangiatore archi :
Riccardo Formosa
arrangiatore voci:
Graeham Goble
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1975), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (nel 1976, nel 1977), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1977, nel 1978) e EMI Music Australia (defunct holding company, not for release label use!) (nel 2002)
è stato produttore per:
Tumbleweed Productions
registrata presso:
Armstrong Audio Video (later renamed AAV Studios) in Melbourne, Victoria, Australia
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
registrazione di:
Home on Monday
paroliere:
Beeb Birtles e Glenn Shorrock
compositore:
Glenn Shorrock
editore:
Tumbleweed Music Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. e Wheatley Music Pty Ltd.
Little River Band23:54
11Baker Street
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (nel 1977)
batteria :
Henry Spinetti (nel 1977)
chitarra [lead guitar] :
Hugh Burns (nel 1977)
chitarra [rhythm guitar] :
Nigel Jenkins (nel 1977)
percussione :
Glen LeFleur (nel 1977)
sassofono :
Raphael Ravenscroft (nel 1977)
tastiera :
Tommy Eyre (nel 1977)
voce principale:
Gerry Rafferty (nel 1977)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (nel 1977)
edit di:
Baker Street di Gerry Rafferty
registrazione di:
Baker Street (nel 1977)
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:08
12It’s a Heartache
produttore:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
basso :
Kevin Dunne
batteria e percussione :
Micky Gibbins (drummer for Badfinger)
chitarra acustica e voce di accompagnamento:
Steve Wolfe (producer, songwriter and guitar player)
voce:
Bonnie Tyler
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1977), RCA Ltd. (UK arm of RCA) (nel 1977), Sanctuary Copyrights Ltd. (nel 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1977), Soundbarrier Ltd. (production company) (nel 1977, nel 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Soundbarrier Ltd. (production company)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 24)
registrazione di:
It’s a Heartache
autore:
Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
editore:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (nel 1977) e RAK Publishing (nel 1977)
Bonnie Tyler3.83:29
13Everytime I Think of You
tecnico di registrazione e produttore:
Ron Nevison
assistente tecnico:
Mike Clink
basso :
Jack Conrad (producer and songwriter)
batteria e percussione :
Tony Brock
chitarra :
Wally Stocker
pianoforte :
Kevin Kelly (piano, organ, accordion player)
voce di accompagnamento:
Diana Lee (credited mostly for backing vocals, does soprano too), Myrna Matthews e Marti McCall (session vocalist)
voce principale:
John Waite
direttore d'orchestra:
Jimmy Haskell
arrangiatore archi e arrangiatore ottoni [horns] :
Jimmy Haskell
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978, nel 1979) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979)
registrazione di:
Every Time I Think of You
autore:
Jack Conrad (producer and songwriter) (nel 1978) e Ray Kennedy (singer, songwriter, and record producer based in L.A.) (nel 1978)
editore:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music e X‐Ray Music
The Babys4.354:02
14Wuthering Heights
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel) (dal 1977-07 al 1977-08)
pianoforte , voce di accompagnamento e voce principale:
Kate Bush (dal 1977-07 al 1977-08)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977, nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977, nel 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (nel 1977, nel 1978), EMI America Records, Inc. (holding – file NO releases here!) (nel 1982) e EMI France (nel 1995)
registrata presso:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-08)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 18)
registrazione di:
Wuthering Heights (dal 1977-07 al 1977-08)
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush (il 1977-03-05)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated) (dal 1978 a oggi)
Kate Bush3.854:30
15Don’t Look Back (You’ve Gotta Walk)
registrazione cover di:
Don’t Look Back
autore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
Peter Tosh3:44
16Right Back Where We Started From
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1994)
registrazione di:
Right Back Where We Started From (nel 1975)
autore:
J. Vincent Edwards e Pierre Tubbs
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sony/ATV Songs LLC
Maxine Nightingale4.153:12
17Rapper’s Delight
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 101), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 248) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 427)
registrazione di:
Rapper’s Delight (il 1979-08-02)
autore:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson e Nile Rodgers
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
si basa su:
Good Times
Sugarhill Gang4.54:51
18No More Heroes
tecnico:
Alan Winstanley (English record producer)
produttore:
Martin Rushent
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1977-07)
registrazione di:
No More Heroes (nel 1977-07)
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music Ltd.
The Stranglers4.653:28
19My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack3.94:01
20If I Had Words
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 45)
registrazione cover di:
If I Had Words
compositore:
Camille Saint‐Saëns (composer)
arrangiatore:
Jonathan Hodge
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
si basa su:
Symphony no. 3 in C minor “avec orgue”, op. 78: II. Allegro moderato — Presto — Maestoso — Allegro
Scott Fitzgerald & Yvonne Keeley23:52

Accreditamenti

Pubblicazione

design:Artidee (graphic design company)
distribuito da e commercializzata da:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (nel 1998)
licenziata da:BMG Nederland B.V.
BR Music Two B.V.
Castle Communications PLC (not for label use, copyright holder)
Chelsea/Roxbury/Wes Sky Industries Inc.
David Soul
EMI (EMI Records, or EMI Music only if there is no other imprint)
Janus Records Inc.
The Hit Label
Universal Music (plain logo: “Universal Music”)
Discogs:https://www.discogs.com/release/514951 [info]
ASIN:DE: B00000IJKI [info]

Gruppo di pubblicazioni

parte di:20th Century Hits for a New Millennium (numero: 6) (ordine: 6)