Complete Mozart Edition

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 17 available)

Tracklist

1▶CD: Volume 1: Symphonies
2▶CD: Volume 1: Symphonies
3▶CD: Volume 1: Symphonies
4▶CD: Volume 1: Symphonies
5▶CD: Volume 1: Symphonies
6▶CD: Volume 1: Symphonies
7▶CD: Volume 1: Symphonies
8▶CD: Volume 1: Symphonies
9▶CD: Volume 1: Symphonies
10▶CD: Volume 1: Symphonies
11▶CD: Volume 1: Symphonies
12▶CD: Volume 1: Symphonies
13▶CD: Volume 2: Serenades / Dances / Marches
14▶CD: Volume 2: Serenades / Dances / Marches
15▶CD: Volume 2: Serenades / Dances / Marches
16▶CD: Volume 2: Serenades / Dances / Marches
17▶CD: Volume 2: Serenades / Dances / Marches
18▶CD: Volume 2: Serenades / Dances / Marches
19▶CD: Volume 2: Serenades / Dances / Marches
20▶CD: Volume 2: Serenades / Dances / Marches
21▶CD: Volume 2: Serenades / Dances / Marches
22▶CD: Volume 2: Serenades / Dances / Marches
23▶CD: Volume 2: Serenades / Dances / Marches
24▶CD: Volume 2: Serenades / Dances / Marches
25▶CD: Volume 2: Serenades / Dances / Marches
26▶CD: Volume 3: Divertimenti / Serenades
27▶CD: Volume 3: Divertimenti / Serenades
28▶CD: Volume 3: Divertimenti / Serenades
29▶CD: Volume 3: Divertimenti / Serenades
30▶CD: Volume 3: Divertimenti / Serenades
31▶CD: Volume 3: Divertimenti / Serenades
32▶CD: Volume 3: Divertimenti / Serenades
33▶CD: Volume 3: Divertimenti / Serenades
34▶CD: Volume 3: Divertimenti / Serenades
35▶CD: Volume 3: Divertimenti / Serenades
36▶CD: Volume 3: Divertimenti / Serenades
37▶CD: Volume 4: Piano Concertos
38▶CD: Volume 4: Piano Concertos
39▶CD: Volume 4: Piano Concertos
40▶CD: Volume 4: Piano Concertos
41▶CD: Volume 4: Piano Concertos
42▶CD: Volume 4: Piano Concertos
43▶CD: Volume 4: Piano Concertos
44▶CD: Volume 4: Piano Concertos
45▶CD: Volume 4: Piano Concertos
46▶CD: Volume 4: Piano Concertos
47▶CD: Volume 4: Piano Concertos
48▶CD: Volume 4: Piano Concertos
49▶CD: Volume 5: Violin Concertos / Wind Concertos
50▶CD: Volume 5: Violin Concertos / Wind Concertos
51▶CD: Volume 5: Violin Concertos / Wind Concertos
52▶CD: Volume 5: Violin Concertos / Wind Concertos
53▶CD: Volume 5: Violin Concertos / Wind Concertos
54▶CD: Volume 5: Violin Concertos / Wind Concertos
55▶CD: Volume 5: Violin Concertos / Wind Concertos
56▶CD: Volume 5: Violin Concertos / Wind Concertos
57▶CD: Volume 5: Violin Concertos / Wind Concertos
58▶CD: Volume 6: Quintets, Quartets, Trios, etc.
59▶CD: Volume 6: Quintets, Quartets, Trios, etc.
60▶CD: Volume 6: Quintets, Quartets, Trios, etc.
61▶CD: Volume 6: Quintets, Quartets, Trios, etc.
62▶CD: Volume 6: Quintets, Quartets, Trios, etc.
63▶CD: Volume 6: Quintets, Quartets, Trios, etc.
64▶CD: Volume 6: Quintets, Quartets, Trios, etc.
65▶CD: Volume 6: Quintets, Quartets, Trios, etc.
66▶CD: Volume 7: String Quartets / String Quintets
67▶CD: Volume 7: String Quartets / String Quintets
68▶CD: Volume 7: String Quartets / String Quintets
69▶CD: Volume 7: String Quartets / String Quintets
70▶CD: Volume 7: String Quartets / String Quintets
71▶CD: Volume 7: String Quartets / String Quintets
72▶CD: Volume 7: String Quartets / String Quintets
73▶CD: Volume 7: String Quartets / String Quintets
74▶CD: Volume 7: String Quartets / String Quintets
75▶CD: Volume 7: String Quartets / String Quintets
76▶CD: Volume 7: String Quartets / String Quintets
77▶CD: Volume 8: Violin Sonatas / String Duos & Trios
78▶CD: Volume 8: Violin Sonatas / String Duos & Trios
79▶CD: Volume 8: Violin Sonatas / String Duos & Trios
80▶CD: Volume 8: Violin Sonatas / String Duos & Trios
81▶CD: Volume 8: Violin Sonatas / String Duos & Trios
82▶CD: Volume 8: Violin Sonatas / String Duos & Trios
83▶CD: Volume 8: Violin Sonatas / String Duos & Trios
84▶CD: Volume 8: Violin Sonatas / String Duos & Trios
85▶CD: Volume 8: Violin Sonatas / String Duos & Trios
86▶CD: Volume 9: Piano Music
87▶CD: Volume 9: Piano Music
88▶CD: Volume 9: Piano Music
89▶CD: Volume 9: Piano Music
90▶CD: Volume 9: Piano Music
91▶CD: Volume 9: Piano Music
92▶CD: Volume 9: Piano Music
93▶CD: Volume 9: Piano Music
94▶CD: Volume 9: Piano Music
95▶CD: Volume 9: Piano Music
96▶CD: Volume 9: Piano Music
97▶CD: Volume 9: Piano Music
98▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
99▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
100▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
101▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
102▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
103▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
104▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
105▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
106▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
107▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
108▶CD: Volume 10: Missae / Requiem / Organ Sonatas & Solos
109▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
110▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
111▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
112▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
113▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
114▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
115▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
116▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
117▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
118▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
119▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
120▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
121▶CD: Volume 11: Litanies, Vespers / Oratorios / Cantatas / Masonic Music
122▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
123▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
124▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
125▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
126▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
127▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
128▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
129▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
130▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
131▶CD: Volume 12: Arias / Vocal Ensembles / Canons / Lieder / Notturni
132▶CD: Volume 13: Early Italian Operas
133▶CD: Volume 13: Early Italian Operas
134▶CD: Volume 13: Early Italian Operas
135▶CD: Volume 13: Early Italian Operas
136▶CD: Volume 13: Early Italian Operas
137▶CD: Volume 13: Early Italian Operas
138▶CD: Volume 13: Early Italian Operas
139▶CD: Volume 13: Early Italian Operas
140▶CD: Volume 13: Early Italian Operas
141▶CD: Volume 13: Early Italian Operas
142▶CD: Volume 13: Early Italian Operas
143▶CD: Volume 13: Early Italian Operas
144▶CD: Volume 13: Early Italian Operas
145▶CD: Volume 14: Middle Italian Operas
146▶CD: Volume 14: Middle Italian Operas
147▶CD: Volume 14: Middle Italian Operas
148▶CD: Volume 14: Middle Italian Operas
149▶CD: Volume 14: Middle Italian Operas
150▶CD: Volume 14: Middle Italian Operas
151▶CD: Volume 14: Middle Italian Operas
152▶CD: Volume 14: Middle Italian Operas
153▶CD: Volume 14: Middle Italian Operas
154▶CD: Volume 15: Late Italian Operas
155▶CD: Volume 15: Late Italian Operas
156▶CD: Volume 15: Late Italian Operas
157▶CD: Volume 15: Late Italian Operas
158▼CD: Volume 15: Late Italian Operas
#TitleRatingLength
1Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni)
harpsichord:
John Constable (pianist) (in 1973-05)
tenor vocals [Don Ottavio]:
Stuart Burrows (tenor) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
0:33
2Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio) [K. 540a]
harpsichord:
John Constable (pianist) (in 1973-05)
tenor vocals [Don Ottavio]:
Stuart Burrows (tenor) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
4:21
3Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
baritone vocals [Leporello]:
Wladimiro Ganzarolli (bass-baritone) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:32
4Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:14
5Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto... senti un po'" (Zerlina, Masetto)
harpsichord:
John Constable (pianist) (in 1973-05)
bass vocals [Masetto]:
Richard van Allan (operatic bass-baritone) (in 1973-05)
soprano vocals [Zerlina]:
Mirella Freni (soprano) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:12
6Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, o bel Masetto" (Zerlina) / Act I, Scene XVI. Recitativo "Guarda un po' come seppe questa strega" (Masetto, Don Giovanni, Zerlina)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
bass vocals [Masetto]:
Richard van Allan (operatic bass-baritone) (in 1973-05)
soprano vocals [Zerlina]:
Mirella Freni (soprano) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
4:06
7Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XVII. No. 13 Finale "Presto presto...pria ch'ei venga" / Act I, Scene XVIII. No. 13 Finale "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto, Coro)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
bass vocals [Masetto]:
Richard van Allan (operatic bass-baritone) (in 1973-05)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1973-05)
soprano vocals [Zerlina]:
Mirella Freni (soprano) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
4:08
8Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XIX. No. 13 Finale "Bisogna aver coraggio" / Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello, Don Giovanni)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
baritone vocals [Leporello]:
Wladimiro Ganzarolli (bass-baritone) (in 1973-05)
soprano vocals [Donna Anna]:
Martina Arroyo (soprano) (in 1973-05)
soprano vocals [Donna Elvira]:
Kiri Te Kanawa (soprano) (in 1973-05)
tenor vocals [Don Ottavio]:
Stuart Burrows (tenor) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. “Protegga il giusto cielo” (Donna Anna, Donna Elvira, Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
4:06
9Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Zerlina, Don Giovanni, Leporello, Masetto)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
baritone vocals [Leporello]:
Wladimiro Ganzarolli (bass-baritone) (in 1973-05)
bass vocals [Masetto]:
Richard van Allan (operatic bass-baritone) (in 1973-05)
soprano vocals [Zerlina]:
Mirella Freni (soprano) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:16
10Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" / Act I, Scene XX. No. 13 Finale Minuetto "Da bravi, via, ballate!" (Donna Anna, Donna Elvira, Don Ottavio, Leporello, Masetto, Zerlina, Don Giovanni)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
baritone vocals [Leporello]:
Wladimiro Ganzarolli (bass-baritone) (in 1973-05)
bass vocals [Masetto]:
Richard van Allan (operatic bass-baritone) (in 1973-05)
soprano vocals [Donna Anna]:
Martina Arroyo (soprano) (in 1973-05)
soprano vocals [Donna Elvira]:
Kiri Te Kanawa (soprano) (in 1973-05)
soprano vocals [Zerlina]:
Mirella Freni (soprano) (in 1973-05)
tenor vocals [Don Ottavio]:
Stuart Burrows (tenor) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. “Venite, pur avanti” … “Ricominciate il suono” … Minuetto (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
recording of:
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale Minuetto “Da bravi, via, ballate!” (Donna Anna, Donna Elvira, Don Ottavio, Leporello, Masetto, Zerlina, Don Giovanni) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
3:57
11Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" / Act I, Scene XX. No. 13 Finale "Trema, trema, o scellerato!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
baritone vocals [Leporello]:
Wladimiro Ganzarolli (bass-baritone) (in 1973-05)
bass vocals [Masetto]:
Richard van Allan (operatic bass-baritone) (in 1973-05)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1973-05)
soprano vocals [Donna Anna]:
Martina Arroyo (soprano) (in 1973-05)
soprano vocals [Donna Elvira]:
Kiri Te Kanawa (soprano) (in 1973-05)
soprano vocals [Zerlina]:
Mirella Freni (soprano) (in 1973-05)
tenor vocals [Don Ottavio]:
Stuart Burrows (tenor) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto I. “Ecco il birbo che t'ha offesa!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. “Trema, trema, o scellerato!” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
3:37
12Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello) / Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
baritone vocals [Leporello]:
Wladimiro Ganzarolli (bass-baritone) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
3:05
13Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
baritone vocals [Leporello]:
Wladimiro Ganzarolli (bass-baritone) (in 1973-05)
soprano vocals [Donna Elvira]:
Kiri Te Kanawa (soprano) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
4:45
14Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello, Donna Elvira)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
baritone vocals [Leporello]:
Wladimiro Ganzarolli (bass-baritone) (in 1973-05)
soprano vocals [Donna Elvira]:
Kiri Te Kanawa (soprano) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
1:59
15Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni) / Act II, Scene III. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
bass vocals [Masetto]:
Richard van Allan (operatic bass-baritone) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
3:01
16Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
2:46
17Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni, Masetto, Zerlina)
harpsichord:
John Constable (pianist) (in 1973-05)
baritone vocals [Don Giovanni]:
Ingvar Wixell (baritone) (in 1973-05)
bass vocals [Masetto]:
Richard van Allan (operatic bass-baritone) (in 1973-05)
soprano vocals [Zerlina]:
Mirella Freni (soprano) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
2:08
18Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina)
harpsichord:
John Constable (pianist) (in 1973-05)
soprano vocals [Zerlina]:
Mirella Freni (soprano) (in 1973-05)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1973-05)
conductor:
Sir Colin Davis (English conductor) (in 1973-05)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1973-05)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
3:28
159▶CD: Volume 15: Late Italian Operas
160▶CD: Volume 15: Late Italian Operas
161▶CD: Volume 15: Late Italian Operas
162▶CD: Volume 15: Late Italian Operas
163▶CD: Volume 15: Late Italian Operas
164▶CD: Volume 15: Late Italian Operas
165▶CD: Volume 16: German Operas
166▶CD: Volume 16: German Operas
167▶CD: Volume 16: German Operas
168▶CD: Volume 16: German Operas
169▶CD: Volume 16: German Operas
170▶CD: Volume 16: German Operas
171▶CD: Volume 16: German Operas
172▶CD: Volume 16: German Operas
173▶CD: Volume 16: German Operas
174▶CD: Volume 16: German Operas
175▶CD: Volume 16: German Operas
176▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
177▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
178▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
179▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises
180▶CD: Volume 17: Theatre and Ballet Music / Rarities / Surprises

Credits

Release

transliterated/translated track listings:Mozart Les inédits by Wolfgang Amadeus Mozart (classical composer) & Ensemble de chambre de l'Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
ASIN:DE: B000050GG5 [info]