Mastermix Jock in a Box, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▶CD
4▼CD
Nr.TitelKünstlerBewertungLänge
1Stand by Your Man
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Sologesang:
Tammy Wynette (in 1968)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 473)
recording of:
Stand by Your Man (in 1968)
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette3.82:42
2That Don’t Impress Me Much
recording of:
That Don’t Impress Me Much
Verfasser(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
publisher:
Imagem London Ltd.
Shania Twain3.54:05
3From This Moment On
assistierende Programmierung:
Jay Alvarez und James Somberg
Programmierung und Editing:
Olle Romo (Swedish music producer, songwriter, and drummer)
zusätzliche Programmierung:
Bjorn Thornsrud
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Saiteninstrumente:
David Hamilton (US keyboardist, orchestral arranger/conductor, producer and songwriter) und Carl Marsh (US orchestrator, arranger, composer and pianist)
Gast vocals:
Bryan White (Lawton, OK country singer)
vocals:
Bryan White (Lawton, OK country singer)
Interpret(in):
Shania Twain
instruments arranger:
David Hamilton (US keyboardist, orchestral arranger/conductor, producer and songwriter) und Carl Marsh (US orchestrator, arranger, composer and pianist)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits)
recording of:
From This Moment On
Verfasser(in):
Robert John “Mutt” Lange (Robert John Lange) und Shania Twain
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Shania Twain44:39
4How Do I Live
Produzent(in):
Mike Curb, Chuck Howard (american A&R executive, record and movie producer) und Wilbur C. Rimes
recording of:
How Do I Live
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Realsongs (vom 1997 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 2)
LeAnn Rimes34:09
5Unbreak My Heart (Frankie Knuckles Classic disco mix)
remixer:
Frankie Knuckles
recording of:
Un-Break My Heart
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Realsongs
Toni Braxton4:30
6Finally
recording of:
Finally (CeCe Peniston song)
Verfasser(in):
Cecilia Peniston, Felipe Delgado, Elbert Linnear und R. K. Jackson
publisher:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Urban Tracks Music und Wax Museum Music
CeCe Peniston3.53:45
7Walk This Way
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records) und Russell Simmons
Gast-Gitarre:
Joe Perry (guitarist for Aerosmith)
Gast vocals:
Steven Tyler
phonographisches Urheberrecht (℗) von:
Arista Records, LLC (holding company - file NO releases here!) (in 1986), Profile Records, Inc. (distributor / holding / manufacturer) (in 1986) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1986)
Bearbeitung von:
Walk This Way von Run‐D.M.C.
Musikvideos:
Walk This Way (music video) von Run‐D.M.C.
recording of:
Walk This Way
Verfasser(in):
Joe Perry (guitarist for Aerosmith) und Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited und Vindaloo Productions, Inc.
cover recording of:
Walk This Way
Verfasser(in):
Joe Perry (guitarist for Aerosmith) und Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited und Vindaloo Productions, Inc.
Run‐D.M.C.3.73:43
8Fools Gold
Produzent(in) und Mix:
John Leckie
phonographisches Urheberrecht (℗) von:
Silvertone Records Ltd. (company credits only; file NO releases here!) (in 1989, in 1990)
Musikvideos:
Fools Gold (Music video) von The Stone Roses
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 32) und Indie 88: Top 500 Indie Rock Songs (Nummer: 145)
recording of:
Fools Gold
Verfasser(in):
Ian Brown (UK singer, member of Stone Roses) und John Squire
publisher:
Universal Music Publishers MGB Australia Pty Ltd
The Stone Roses4.54:19
9Should I Stay or Should I Go
Techniker(in):
Bob Clearmountain
Produzent(in):
Guy Stevens
Mix:
Glyn Johns
Bassgitarre:
Paul Simonon
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
Schlagzeug:
Topper Headon
Gast vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 42), Indie 88: Top 500 Indie Rock Songs (Nummer: 183) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 228)
recording of:
Should I Stay or Should I Go
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd. und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:10
10Sit Down
recording of:
Sit Down
Texter:
Tim Booth
Komponist(in):
Tim Booth, Jim Glennie, Larry Gott und Gavan Whelan
James3.84:08
11Hey Baby
phonographisches Urheberrecht (℗) von:
Pro Sound GmbH (von 2000 bis 2001) und EMI Austria GmbH (in 2001)
Musikvideos:
Hey Baby (taxi version) von DJ Ötzi (Austrian entertainer and schlager singer)
cover recording of:
Hey! Baby (in 2000)
Verfasser(in):
Bruce Channel und Margaret Cobb (singer, writer, publisher)
publisher:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd., シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.), CBS Unart Catalog, Inc. (in 1961) und Le Bill Music (in 1961)
DJ Ötzi23:39
12Country Roads
cover recording of:
Take Me Home, Country Roads
Nationalhymne von:
West Virginia, Vereinigte Staaten
Verfasser(in):
Bill Danoff, John Denver und Taffy Nivert
publisher:
BMG Ruby Songs, Cherry Lane Music Ltd., Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music und Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Hermes House Band3:22
13Keep On Movin’
recording engineer:
Adrian Bushby
zusätzliche Programmierung:
Chris Laws (engineer, keyboardist & songwriter)
Produzent(in):
Julian Gallagher (songwriter, producer) und Richard Stannard
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistierende(r) Mix:
Daniel Pursey (UK engineer), Conal Markey und Alvin Sweeney
Mix:
Adrian Bushby, Jake Davies und Matt Howe (producer and engineer)
Interpret(in):
Abs (Richard Abidin Breen ex-Five), J (Five), Ritchie (British singer/songwriter, member of boy band "Five") und Scott (British singer/performer/songwriter)
phonographisches Urheberrecht (℗) von:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 1999)
produced for:
Biffco Productions
aufgenommen bei:
Windmill Lane Studio (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
additionally mixed at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
additionally produced at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Keep On Movin’
Verfasser(in):
Richard Breen, Jason Paul Brown (Five), Sean Conlon, Julian Gallagher (songwriter, producer) und Richard Stannard
publisher:
EMI Music Publishing Limited (PRS‐affiliated), Sony/ATV Music Publishing Ltd und Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group)
Five53:19
14Everybody (Backstreets Back)
Techniker(in):
Tommie Hicks Jr. und Joe Smith (US recording/mixing engineer)
Produzent(in):
Max Martin (Swedish record producer) und Denniz PoP
sonstiger Gesang:
Bonnie Brewster, Andrea M. Majied und Susan McCall
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
recording of:
Everybody (Backstreet’s Back)
Verfasser(in):
Max Martin (Swedish record producer) und Denniz PoP
publisher:
Maratone AB (beendet), MXM Music AB (beendet), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys4.14:49
15Wherever, Whenever
recording engineer:
Gustavo Celis, Alfred Figueroa, Javier Garza und Terry Manning (US recording engineer)
Programmierung:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
assistierende(r) Techniker(in):
Oswald Bowe, Chris Carroll (US engineer, Mantra Recording Studio), Alex Dixon, Jorge Gonzalez (engineer), Roger Gonzalez, Tony Mardini, Nicholas Marshall, Ken Theis und Christine Tramontano
zusätzliche(r) Techniker(in):
Freddy Piñero, Jr.
Koproduzent(in):
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
Produzent(in):
Shakira (Colombian singer-songwriter)
Mix:
Javier Garza
charango, quena und Rondador:
Gustavo Patiño
E-Bass:
Paul Bushnell (session bassist, producer and music director)
Gitarre:
Tim Pierce (US session guitarist) und Brian Ray
Gitarre und Mandoline:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
Perkussion:
Miriam Eli, Emilio Estefan, Jr. und Archie Peña
Schlagzeug:
Brendan Buckley
Hintergrundgesang:
Rita Quintero
Hintergrundgesang und Sologesang:
Shakira (Colombian singer-songwriter)
arranger:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) und Shakira (Colombian singer-songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 2001) und Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 2021)
co-produced for:
Crescent Moon, Inc.
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, Crescent Moon Studios in Miami, Florida, Vereinigte Staaten und The Hit Factory Criteria in Miami, Florida, Vereinigte Staaten
mixed at:
Crescent Moon Studios in Miami, Florida, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2002 (Nummer: 28)
recording of:
Whenever, Wherever
Texter:
Gloria Estefan und Shakira (Colombian singer-songwriter)
Komponist(in):
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) und Shakira (Colombian singer-songwriter)
publisher:
Aniwi Music, LLC, F.I.P.P. International und Sony/ATV Latin Music Publishing
übersetzte Version von:
Suerte
Shakira3.953:18
16Ain’t It Funny
recording engineer:
Fabian Marasciullo, Glen Marchese und Robert Williams (engineer)
Programmierung:
Jose Sanchez und Dan Shea
assistierende(r) Techniker(in):
David Swope
Produzent(in):
Cory Rooney und Dan Shea
zusätzliche(r) Produzent(in):
Peter Wade Keusch
Mix:
Jim Annunziato, Dan Hetzel, Richie Jones, Peter Wade Keusch und Tony Maserati (engineer / mixer)
Gitarre:
René Toledo
Trompete:
Ángel Fernández (Trumpet player)
Hintergrundgesang:
Cory Rooney und Shalene Thomas
Sologesang:
Jennifer Lopez (American singer and actress aka J.Lo)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2001) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2026)
recording of:
Ain’t It Funny
Texter und Komponist(in):
Jennifer Lopez (American singer and actress aka J.Lo) und Cory Rooney
publisher:
Cori Tiffani Publishing, Nuyorican Publishing und Sony/ATV Songs LLC
Jennifer Lopez3.24:05
17She Bangs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 2000)
recording of:
She Bangs
Verfasser(in):
Walter Afanasieff, Desmond Child, Daniel Lopez (US spanish language songwriter), Glenn Monroig (cantautor puertorriqueño), Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa) und Julia Sierra
adaptations:
CLUB ZIPANGU
Ricky Martin34:06
18We’re Going to Ibiza!
arranger:
Danski und DJ Delmundo
phonographisches Urheberrecht (℗) von:
Violent Music B.V. (in 1999)
recording of:
We’re Going to Ibiza
Verfasser(in):
Jeffrey Calvert und Max West
arranger:
Danski und DJ Delmundo
publisher:
Munnycroft Ltd.
basiert auf:
Barbados
Vengaboys2.93:41
19Smooth
Assistent recording engineer:
Steve Fontano
recording engineer und Mix:
David Thoener
Programmierung und Editing:
Mark Dobson (engineer)
Produzent(in):
Matt Serletic
assistierende(r) Mix:
Andy Haller
Interpret(in):
Rob Thomas (Matchbox Twenty)
Bearbeitung von:
Smooth (album version) von Santana (US Latin, blues, & rock band) featuring Rob Thomas (Matchbox Twenty)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 3)
recording of:
Smooth
Texter:
Rob Thomas (Matchbox Twenty)
Komponist(in):
Itaal Shur und Rob Thomas (Matchbox Twenty)
publisher:
Bidnis, Inc., EMI April Music Inc., EMI Blackwood Music Inc., Itaal Shur Music und U Rule Music
Santana2.44:04
20Stop Her on Sight (SOS)
recording of:
Stop Her on Sight (S.O.S.)
Verfasser(in):
Al Hamilton, Richard Morris (Songwriter) und Edwin Starr
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
Edwin Starr22:17
21The Snake
Produzent(in):
Marc Gordon (soul songwriter, producer, and manager) und Johnny Rivers (Singer, songwriter, and guitarist)
cover recording of:
The Snake
Texter und Komponist(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Al Wilson3:29
5▶CD