Fetenhits Rock Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Another One Bites the Dust
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Koproduzent(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack), Brian May (Queen guitarist), Queen (UK rock group) und Roger Taylor (Queen drummer)
Bass, Bassgitarre, Gitarre, Keyboard, Klavier [piano (reversed)] und Synthesizer [synthesizer (reversed)]:
John Deacon (von 1980-02 bis 1980-05)
E-Gitarre:
John Deacon (von 1980-02 bis 1980-05) und Brian May (Queen guitarist) (von 1980-02 bis 1980-05)
elektronische Instrumente [electronic percussion] und Schlagzeug:
Roger Taylor (Queen drummer) (von 1980-02 bis 1980-05)
Hintergrundgesang und Sologesang:
Freddie Mercury (von 1980-02 bis 1980-05)
phonographisches Urheberrecht (℗) von:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1980, in 2014), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1980, in 2011) und Raincloud Productions Ltd. (in 1980, in 2014)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-06 bis 1980-05)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 48)
recording of:
Another One Bites the Dust (von 1980-02 bis 1980-05)
Texter und Komponist(in):
John Deacon
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. (, in 1980), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Beechwood Music Corp. (in 1980) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen4.153:34
2Owner of a Lonely Heart
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Chris Squire (Yes bassist) (in 1983)
Gitarre:
Trevor Rabin (South African musician and score composer) (in 1983)
Keyboard:
Tony Kaye (in 1983)
Schlagzeug:
Alan White (Yes drummer) (in 1983)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) und Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Yes3.94:25
3Black Betty
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Ram Jam3.653:56
4The Boys Are Back in Town
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4:26
5Rockin’ All Over the World
cover recording of:
Rockin’ All Over the World
Texter und Komponist(in):
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Wenaha Music, Wenaha Music Company und Intersong Ltd. (publisher) (in 1977)
Status Quo3:36
6Walking on Sunshine
recorded in:
England, Vereinigtes Königreich
assistierende(r) Techniker(in):
Jon Goldberger (engineer)
Techniker(in) und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Pat Collier und Katrina and the Waves (British‐American rock band)
zusätzliche(r) Produzent(in):
Scott Litt (producer and engineer)
Bassgitarre:
Vince de la Cruz
Gast-Blechblasinstrumente [Rumour Brass Section]:
Ray Beavis, Dick Hanson und John "Irish" Earl (Irish saxophonist)
Gast-Orgel:
Nick Glennie‐Smith
Gitarre [lead guitar]:
Kimberley Rew
Gitarre [rhythm guitar] und Sologesang:
Katrina Leskanich
Perkussion und Schlagzeug:
Alex Cooper (drummer, member of “Katrina and the Waves”)
Hintergrundgesang:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz und Kimberley Rew
Blechblasinstrumente arranger:
Eamon Fitzpatrick
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
Alaska Studios in London (Greater London), England, Vereinigtes Königreich und Greenhouse Studio (London) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1984-12 bis 1985-03)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 378)
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:56
7Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:36
8Don’t Get Me Wrong
recording of:
Don’t Get Me Wrong
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hynde House of Hits Music
Pretenders3:47
9Shadow on the Wall
Techniker(in):
Nigel Luby
Produzent(in):
Mike Oldfield und Simon Phillips (rock drummer)
Banjo, Bass, Gitarre und Synthesizer:
Mike Oldfield (von 1982-11 bis 1983-04)
Gitarre:
Ant (Anthony Glynne, Guitar Player) (von 1982-11 bis 1983-04)
Schlagzeug:
Simon Phillips (rock drummer) (von 1982-11 bis 1983-04)
vocals:
Roger Chapman (von 1982-11 bis 1983-04)
phonographisches Urheberrecht (℗) von:
Mike Oldfield (in 2013)
aufgenommen bei:
Denham Studios (von 1982-11 bis 1983-04)
recording of:
Shadow on the Wall (von 1982-11 bis 1983-04)
Texter und Komponist(in):
Mike Oldfield
publisher:
Virgin Music (Publishers) Ltd.
Mike Oldfield3.43:06
10Easy Livin’
recording engineer:
Peter Gallen (von 1972-03 bis 1972-04)
assistierende(r) Techniker(in):
Ashley Howe
Techniker(in):
Peter Gallen
Produzent(in):
Gerry Bron
Mix:
Rafe McKenna
E-Bass:
Gary Thain (von 1972-03 bis 1972-04)
Gitarre:
Mick Box (von 1972-03 bis 1972-04)
Orgel:
Ken Hensley (von 1972-03 bis 1972-04)
Schlagzeug:
Lee Kerslake (von 1972-03 bis 1972-04)
vocals:
David Byron (von 1972-03 bis 1972-04)
arranger:
Uriah Heep (British prog/hard rock)
phonographisches Urheberrecht (℗) von:
Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich (von 1972-03 bis 1972-04) und Astoria Theatre (London) in Westminster, London (Greater London), England, Vereinigtes Königreich (am 2003-11-08)
produced at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich
recording of:
Easy Livin’ (von 1972-03 bis 1972-04)
Texter und Komponist(in):
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled “Sydney”) und Umble Tunes Ltd.
Uriah Heep4.252:35
11Runaway Train
assistierende(r) Techniker(in):
David Michael Dill (engineer) und Dan Gellert (sound engineer)
Produzent(in):
Michael Beinhorn
assistierende(r) Mix:
Craig Doubet (recording engineer) und Steve Sisco
Mix:
Andy Wallace (engineer)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
Texter und Komponist(in):
Dave Pirner
publisher:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
Soul Asylum4.44:22
12Kryptonite
recording engineer:
Matt Martone (recording engineer) und Paul Ebersold
Produzent(in):
Paul Ebersold
assistierende(r) Mix:
Mike Butler (engineer)
Mix:
Toby Wright (producer & engineer)
Editing:
Andrew Garver
Bassgitarre:
Todd Harrell
Gitarre:
Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
Schlagzeug und Sologesang:
Brad Arnold (vocalist for 3 Doors Down)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1999), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 1999), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1999) und Universal Republic Records (2006–2012) (in 2012)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Village Voice – The 50 Worst Songs of the ’00s (Nummer: 42) und BILLIONS CLUB
recording of:
Kryptonite
Texter:
Brad Arnold (vocalist for 3 Doors Down)
Komponist(in):
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell und Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs, Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
3 Doors Down43:54
13Teenage Dirtbag
Techniker(in) und Produzent(in):
Philip A. Jimenez und Wheatus
Mix:
David Thoener
turntable:
Pippi Longscratchings
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 2000), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2000) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2000)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 427)
recording of:
Teenage Dirtbag
Texter und Komponist(in):
Brendan B. Brown (Wheatus singer/guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (in 2000) und Montauk Mantis Productions (in 2000)
Wheatus3.454:00
14Can the Can
recording of:
Can the Can
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) und Universal Music Publishing MGB Australia
Suzi Quatro3:34
15Because the Night
Produzent(in):
Jimmy Iovine
Mix:
Jimmy Iovine und Shelly Yakus
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978, in 1988) und Arista Records, LLC (holding company - file NO releases here!) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 72)
recording of:
Because the Night
publisher:
Bruce Springsteen und Bruce Springsteen (in 1975)
Texter:
Patti Smith (in 1977) und Bruce Springsteen (in 1977)
Komponist(in):
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.63:18
16You Ain’t Seen Nothing Yet
recording engineer und Mix:
Mark K. Smith (Canadian engineer)
assistierende(r) Techniker(in):
Buzz Richmond
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
assistierende(r) Mix:
Richard Dashut
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
mixed at:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:54
17Ruby
Assistent recording engineer und assistierende(r) Techniker(in):
Alex Mackenzie
recording engineer und Techniker(in):
Tom Stanley und Cenzo Townshend (engineer)
Produzent(in):
Stephen Street (famous producer, songwriter)
Mix:
Stephen Street (famous producer, songwriter) und Cenzo Townshend (engineer)
phonographisches Urheberrecht (℗) von:
B‐Unique Records (in 2007)
aufgenommen bei:
Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
engineered at:
Hook End Studios (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich
Musikvideos:
Ruby von Kaiser Chiefs
recording of:
Ruby
Verfasser(in):
Nick Baines, Nick J.D. Hodgson (ex Kaiser Chiefs), Simon Rix, Andrew White (Guitarist for the Kaiser Chiefs) und Ricky Wilson (Kaiser Chiefs)
Kaiser Chiefs3.653:21
18Maggie May
Bearbeitung von:
Maggie May (without “Henry” prelude) von Rod Stewart
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart33:41
19Me and Bobby McGee
recording of:
Me and Bobby McGee
Texter und Komponist(in):
Fred Foster und Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. und Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4:29
20Heat of the Moment
Techniker(in) und Produzent(in):
Mike Stone (producer and engineer, 1960s–80s)
E-Bass:
John Wetton
Gitarre:
Steve Howe
Keyboard:
Geoff Downes (English keyboardist)
Schlagzeug und Perkussion:
Carl Palmer
vocals:
Geoff Downes (English keyboardist), Steve Howe und John Wetton
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1982), The David Geffen Company (legal rights relating to Geffen Records) (in 1982) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1982)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Heat of the Moment (music video) von Asia (UK progressive rock band)
recording of:
Heat of the Moment
Verfasser(in):
Geoff Downes (English keyboardist) und John Wetton
publisher:
BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Palan Music Publishing Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music Co., Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music, Inc., Ackee Music Inc. (vom 1982 bis heute), Almond Legg Music Corp. (vom 1982 bis heute), WB Music Corp. (1929–2019) (von 1982 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Asia4.53:48
21I’d Do Anything for Love (but I Won’t Do That)
recording of:
I’d Do Anything for Love (but I Won’t Do That)
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1993)
Meat Loaf55:26
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