Greatest Hits (CBS Masterworks Composers' Greatest Hits – 23)

~ Release by Georges Bizet; Mormon Tabernacle Choir, New York Philharmonic, Leonard Bernstein, Columbia Symphony, André Kostelanetz, Philadelphia Orchestra, Eugene Ormandy (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Carmen: Act I. Prelude
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (American conductor, composer, pianist)
Georges Bizet2:32
2Carmen: Act I. Habanera
orchestra:
The Philadelphia Orchestra (on 1958-01-26)
conductor:
Eugene Ormandy (conductor) (on 1958-01-26)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1959)
recorded at:
Broadwood Hotel in Philadelphia, Pennsylvania, United States (on 1958-01-26)
recording of:
Carmen Suite no. 2: II. Habanera (on 1958-01-26)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
Georges Bizet1:58
3Carmen: Act III. March of the Smugglers
orchestra:
The Philadelphia Orchestra (on 1958-01-26)
conductor:
Eugene Ormandy (conductor) (on 1958-01-26)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1959)
recorded at:
Broadwood Hotel in Philadelphia, Pennsylvania, United States (on 1958-01-26)
recording of:
Carmen Suite no. 2: I. Marche des contrebandiers (on 1958-01-26)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
part of:
Carmen Suite no. 2
Georges Bizet4:41
4Carmen: Act I. Seguidilla
engineer:
Larry Keyes (engineer) and John McClure (recording engineer and record producer)
producer:
Richard Killough (producer) and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1967-05-15)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1967-05-15)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1967-05-15)
recording of:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») (on 1967-05-15)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
recording of:
Carmen Fantasy: II. Seguidilla
composer:
Georges Bizet (French composer)
arranger:
Robert Elkjer
part of:
Carmen Fantasy
Georges Bizet1:59
5Carmen: Act II. Flower Song
Georges Bizet4:04
6Carmen: Act IV. March of the Toreadors & Chorus
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
Georges Bizet4:00
7Carmen: Entr’acte (Act II–Act III)
orchestra:
The Philadelphia Orchestra (on 1958-01-26)
conductor:
Eugene Ormandy (conductor) (on 1958-01-26)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1959)
recorded at:
Broadwood Hotel in Philadelphia, Pennsylvania, United States (on 1958-01-26)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (on 1958-01-26)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:24
8Carmen: Entr’acte (Act I–Act II)
orchestra:
The Philadelphia Orchestra (on 1958-01-26)
conductor:
Eugene Ormandy (conductor) (on 1958-01-26)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1959)
recorded at:
Broadwood Hotel in Philadelphia, Pennsylvania, United States (on 1958-01-26)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (on 1958-01-26)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:56
9Carmen: Act III. Micaela’s Aria
producer:
Richard Killough (producer) and John McClure (recording engineer and record producer)
violin:
David Nadien (from 1967-05-15 until 1967-05-20)
orchestra:
New York Philharmonic (from 1967-05-15 until 1967-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1967-05-15 until 1967-05-20)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
recorded at:
Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1967-05-15 until 1967-05-20)
recording of:
Carmen Suite no. 2: III. Nocturne (from 1967-05-15 until 1967-05-20)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
part of:
Carmen Suite no. 2
Georges Bizet5:48
10Carmen: Act II. Bohemian Dance
orchestra:
The Philadelphia Orchestra (on 1958-01-26)
conductor:
Eugene Ormandy (conductor) (on 1958-01-26)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1959)
recorded at:
Broadwood Hotel in Philadelphia, Pennsylvania, United States (on 1958-01-26)
recording of:
Carmen Suite no. 2: VI. Danse bohème (on 1958-01-26)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet4:24
11The Pearl Fishers: “I Hear as in a Dream”
Georges Bizet4:02
12L’Arlesienne Suite no. 1: Overture
producer:
Thomas Frost (classical music producer)
orchestra:
The Philadelphia Orchestra (on 1963-01-22)
conductor:
Eugene Ormandy (conductor) (on 1963-01-22)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1964)
recorded at:
Philadelphia Athletic Club in Philadelphia, Pennsylvania, United States (on 1963-01-22)
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra) (on 1963-01-22)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet5:48
13L’Arlesienne Suite no. 1: Minuet
producer:
Thomas Frost (classical music producer)
orchestra:
The Philadelphia Orchestra (on 1963-01-22)
conductor:
Eugene Ormandy (conductor) (on 1963-01-22)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1964)
recorded at:
Philadelphia Athletic Club in Philadelphia, Pennsylvania, United States (on 1963-01-22)
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra) (on 1963-01-22)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet3:03
14L’Arlesienne Suite no. 1: Adagietto
producer:
Thomas Frost (classical music producer)
orchestra:
The Philadelphia Orchestra (on 1963-01-22)
conductor:
Eugene Ormandy (conductor) (on 1963-01-22)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1964)
recorded at:
Philadelphia Athletic Club in Philadelphia, Pennsylvania, United States (on 1963-01-22)
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra) (on 1963-01-22)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:45
15L’Arlesienne Suite no. 1: Carillon
producer:
Thomas Frost (classical music producer)
orchestra:
The Philadelphia Orchestra (on 1963-01-22)
conductor:
Eugene Ormandy (conductor) (on 1963-01-22)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1964)
recorded at:
Philadelphia Athletic Club in Philadelphia, Pennsylvania, United States (on 1963-01-22)
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra) (on 1963-01-22)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:09
16L’Arlesienne Suite no. 2: “Farandole”
producer:
Thomas Frost (classical music producer)
orchestra:
The Philadelphia Orchestra (on 1963-01-22)
conductor:
Eugene Ormandy (conductor) (on 1963-01-22)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1964)
recorded at:
Philadelphia Athletic Club in Philadelphia, Pennsylvania, United States (on 1963-01-22)
recording of:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra) (on 1963-01-22)
composer:
Georges Bizet (French composer) (in 1872)
arranger:
Ernest Guiraud (French composer)
part of:
L’Arlésienne Suite no. 2 (for orchestra)
Georges Bizet3:19