Max 5: 19 of Today’s Biggest Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Matrix: 259 496019-2#1
No SIDs.

Counterfeit copy of a (probably official) release.

  • Low print quality, blurry text, especially on the medium label. Medium label has a printed white border.
  • Tray inlay is printed upside-down.
  • Various speckles printed into the cover art.
  • Scanner lines printed into the medium label.
  • Dark spots printed into the medium label that look like smudges made by fingers.
  • Inconsistent colours on booklet pages (although this may also be present in the original release).
  • Poor cropping of some booklet pages: Page 12 has a thin white sliver in the top-left corner (although this may just be a manufacturing error).

Origin country unknown, likely Asian, original release is likely from Hong Kong.

Sub-Optimal Credits

On rear inlay and medium: This compilation: (p) & (c) 1999 Sony Music Asia Inc in conjunction with Warner Music International Asia Pacific & BMG Entertainment International Asia Pacific.
Not added to the release because this is a counterfeit, but these relationships may actually apply between the real entities for those labels and this release, since it's a counterfeit copy of an official release.

Annotazione modificata l'ultima volta il 2022-07-23 22:48 UTC.

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Livin’ la Vida Loca
tecnico di registrazione e tecnico di missaggio:
Charles Dye
tecnico di registrazione aggiunto:
Craig Lozowick e Nathan Malki
programmazione:
Randy Cantor
assistente tecnico:
Craig Lozowick, Nathan Malki e Germán Ortiz
co-produttore:
Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
produttore:
Desmond Child
produttore aggiunto:
Iris Aponte e Brian Coleman (Manager/production coordinator)
chitarra :
Rusty Anderson
chitarra acustica e voce di accompagnamento:
Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
flicorno soprano e tromba :
Tony Concepción
percussione :
Rafael Solano
tastiera :
Randy Cantor
voce:
Ricky Martin (Puerto Rican singer, actor, author & king of Latin pop)
arrangiatore:
Randy Cantor
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1999)
registrata presso e mixata presso:
The Gentlemen’s Club in Miami Beach, Florida, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 180)
registrazione di:
Livin’ la Vida Loca (English version) (dal 1998-10 al 1999-03)
autore:
Desmond Child e Robi Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
editore:
PolyGram Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), A Phantom Vox Publishing (dal 1999 a oggi), Desmophobia (dal 1999 a oggi), PolyGram Music Publishing (dal 1999 a oggi) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1999 a oggi)
Ricky Martin4.54:04
2Believe
produttore:
Brian Rawling e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
tecnico di missaggio:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1998)
è stato produttore per:
Metro (production company) e Rive Droite Music Productions
registrata presso e mixata presso:
Dreamhouse Studios in London (Greater London), England, Regno Unito
parte di:
Grammy Award: Best Dance/Electronic Recording nominees (numero: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (numero: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 159) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 337)
registrazione di:
Believe
paroliere:
Brian Higgins (British producer and song writer) e Matt Gray (UK techno DJ/producer, former video game composer)
compositore:
Brian Higgins (British producer and song writer) (nel 1998), Matt Gray (UK techno DJ/producer, former video game composer) (nel 1998), Stuart McLennan (nel 1998), Paul Michael Barry (songwriter/musician) (nel 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (nel 1998) e Steve Torch (nel 1998)
editore:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music e Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.84:00
3Baby One More Time
tecnico di registrazione, produttore e tecnico di missaggio:
Max Martin (Swedish record producer) e Rami (Swedish record producer and songwriter)
chitarra :
Johan Carlberg
chitarra basso :
Tomas Lindberg (Swedish bass player)
voce di accompagnamento:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) e Britney Spears
voce principale:
Britney Spears
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1998) e Zomba Recording LLC (nel 1999)
mixata per e è stato produttore per:
Cheiron Productions
registrata presso e mixata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia
video musicali:
…Baby One More Time di Britney Spears, …Baby One More Time (official music video) di Britney Spears, …Baby One More Time (Angle 1) di Britney Spears e …Baby One More Time (Angle 2) di Britney Spears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 205) e BILLIONS CLUB
registrazione di:
…Baby One More Time
paroliere e compositore:
Max Martin (Swedish record producer)
editore:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
Freaky Friday (2003)
Britney Spears3.83:32
4Praise You
tecnico e tecnico di missaggio:
Simon Thornton (Big beat mixing engineer)
produttore:
Fatboy Slim
diritti fonografici (℗) detenuti da:
Skint Records (nel 1998)
campionamenti:
Take Yo’ Praise di Camille Yarbrough
video musicali:
Praise You di Fatboy Slim
registrazione di:
Praise You
autore:
Norman Cook e Camille Yarbrough
editore:
Maat Music Inc., Polygram Music e PolyGram Music Publishing Ltd.
si basa su:
Take Yo' Praise
Fatboy Slim4.153:55
5We Like to Party
produttore:
Danski e DJ Delmundo
diritti fonografici (℗) detenuti da:
Breakin' Records (Dutch eurodance/trance label) (nel 1998), Violent Music BV (nel 1998) e Violent Music UK BV. (nel 1998)
registrazione di:
We Like to Party! (The Vengabus)
compositore:
Danski e DJ Delmundo
editore:
Violent Publishing
Vengaboys3.13:44
6Better Best Forgotten
assistente tecnico:
Bradlee Spreadborough e Al Unsworth
tecnico:
Dan Frampton (engineer) e Chris McDonnell (engineer)
produttore:
Mark Topham, Karl Twigg e Pete Waterman
tecnico di missaggio:
Dan Frampton (engineer)
batteria [drums] :
Chris McDonnell (engineer)
tastiera [keyboards] :
Mark Topham e Karl Twigg
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1998)
registrata presso e mixata presso:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Regno Unito e PWL Studios (London) in London (Greater London), England, Regno Unito
registrazione di:
Better Best Forgotten
autore:
Andrew Frampton e Pete Waterman
editore:
All Boys Music Ltd., BMG Music Publishing Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated)
Steps2.853:42
7Thank ABBA for the Music
tecnico e tecnico di missaggio:
Paul Waterman
produttore:
Work in Progress (UK remix and production team)
voce:
B*Witched (Irish girl group), Billie (Billie Piper, English actor, former singer), Cleopatra (UK girl group), Tina Cousins e Steps (British Euro-Pop group)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1999)
registrata presso:
PWL Studios (Manchester) in Manchester, Greater Manchester, England, Regno Unito
medley che comprende una registrazione cover di:
Dancing Queen
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (dal 1976 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1976 a oggi) e Universal/Union Songs Musikförlag AB (dal 1976 a oggi)
eseguita per la prima volta presso:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Svezia (il 1976-06-18)
parte di:
Mamma Mia! (1999 musical)
medley che comprende una registrazione cover di:
Mamma Mia
scritta a:
Lidingö municipality, Stockholms län (Stockholm county), Svezia
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Polar Music AB (conclusa), Union Songs AB (publisher) (conclusa), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
medley che comprende una registrazione cover di:
Take a Chance on Me
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
medley che comprende una registrazione cover di:
Thank You for the Music
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
parte di:
The Girl With the Golden Hair: 3 Scenes From a Mini Musical
registrazione di:
Thank You for the Music
autore:
Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group e Universal/Union Songs Musikförlag AB
parte di:
Mamma Mia! (1999 musical)
parte di:
The Girl With the Golden Hair: 3 Scenes From a Mini Musical
B*Witched, Billie, Cleopatra, Tina Cousins, Billie34:08
8So Young
tecnico di registrazione:
Oliver Leiber e Barry Rudolph
programmazione:
Leo Pearson (Irish music producer)
produttore:
Jim Corr e Oliver Lieber
assistente tecnico di missaggio:
Ryan Freeland
tecnico di missaggio:
Bob Clearmountain
batteria :
Gota Yashiki, Groove Activator (Gota Yashiki)
chitarra :
Anto Drennan
voce principale:
Andrea Corr
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1997) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
è stato produttore per:
Noise Club, Inc. (Oliver Leiber production company)
registrata presso:
Ollywood Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Mix This! Studio in Pacific Palisades, Los Angeles, California, Stati Uniti
registrazione di:
So Young
autore:
Andrea Corr, Caroline Corr, Jim Corr e Sharon Corr
editore:
Beacon Communications Music Co. (nel 1997) e Songs of PolyGram International, Inc. (nel 1997)
The Corrs3.53:52
9Stay the Same
produttore:
Walter Afanasieff, Joe Carrier e Dan Shea
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1999)
video musicali:
Stay the Same di Joey McIntyre
registrazione di:
Stay the Same
autore:
Joe Carrier e Joey McIntyre
editore:
Cristjen Music e Joseth Music
Joey McIntyre1.53:49
10I Still Believe
assistente tecnico:
Ralf (engineer)
tecnico e tecnico di missaggio:
Dana Jon Chappelle
produttore:
Mariah Carey, Mike Mason (US r&b producer, often works with Stevie J) e Stevie J (US hip-hop producer/songwriter Steven Jordan)
voce di accompagnamento:
Melonie Daniels, Trey Lorenz e Mary Ann Tatum
arrangiatore voci:
Mariah Carey
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
registrata presso e mixata presso:
Doppler Studios in Atlanta, Georgia, Stati Uniti e Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrazione cover di:
I Still Believe
compositore:
Antonina Armato e Giuseppe Cantarelli (Italian composer, singer, arranger and producer)
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), Colgems-EMI Music Inc. e Tom Sturges Music
versione tradotta di:
I Still Believe/Creo en ti
Mariah Carey43:54
11It's Not Right but It's OK
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1999)
registrazione di:
It’s Not Right but It’s Okay
autore:
LaShawn Daniels (US contemporary R&B songwriter), Toni Estes, Freddie Jerkins, Isaak Phillips e Rodney Jerkins
editore:
EMI-April Music, Inc., EMI-Blackwood Music Inc., Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Mic'l Publishing
Whitney Houston4:09
12Miami
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1997)
registrazione di:
Miami
paroliere:
Will Smith (US actor aka The Fresh Prince)
compositore:
Leon Sylvers III, Samuel J. Barnes (US rapper & hip‐hop producer, aka Tone), William Shelby, Stephen Shockley e Ryan Toby
editore:
DP JJ Publishing Co., Jelly’s Jams LLC, Pladid Music, Portrait (publisher), Slamuwell Productions, Solar Songs Inc. e Treyball Music
Will Smith53:20
13Have You Ever
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1998)
registrazione di:
Have You Ever?
paroliere e autore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Realsongs
Brandy4:11
14Hands
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1998) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
Hands
autore:
Jewel Kilcher (singer-songwriter Jewel Kilcher) e Patrick Leonard (producer, songwriter and pianist)
editore:
No Tomato Music, WB Music Corp. (1929–2019) e Wiggly Tooth Music
Jewel3:46
15True Colors
diritti fonografici (℗) detenuti da:
Philip Collins Ltd. (nel 1998)
registrazione cover di:
True Colors
autore:
Billy Steinberg e Tom Kelly (songwriter)
editore:
Sony Tunes, Inc. (conclusa), Brain Drain Music (work publisher), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Tennman Tunes
Phil Collins33:52
16(God Must Have Spent) A Little More Time on You
diritti fonografici (℗) detenuti da:
Trans Continental Records, Inc. (nel 1998)
registrazione di:
God Must Have Spent a Little More Time on You
compositore:
Evan Rogers (musician/producer) e Carl Sturken
editore:
Bayjun Beat Music e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
N‐Sync3.54:03
17Miss You Finally
diritti fonografici (℗) detenuti da:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (nel 1997)
registrazione di:
Miss You Finally
autore:
Dannad, A. Leeds, J. Lizzy e J. Myer
editore:
Bou-Bou Musikverlag e Gothic Musikverlag GmbH
Trademark3:49
18Until the Time Is Through
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK and Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1998)
registrazione di:
Until the Time Is Through
autore:
Andreas Carlsson (pop songwriter) e Max Martin (Swedish record producer)
editore:
Grantsville
Five4:14
19Maria
diritti fonografici (℗) detenuti da:
Beyond Music (US rock label) (nel 1999)
registrazione di:
Maria (Blondie)
paroliere e compositore:
Jimmy Destri
editore:
Dick Johnson Songs
Blondie4:00

Accreditamenti

Pubblicazione

materiale grafico:Jerry Liu
distribuito da:Sony Music Asia (fake Sony Music Asia label, for bootlegs only)

Gruppo di pubblicazioni

parte di:Max (numero: 5) (ordine: 6)
Discogs:https://www.discogs.com/master/1492368 [info]