Substance 1987

~ Release by New Order (see all versions of this release, 26 available)

Tracklist

1▼Cassette
#TitleRatingLength
A1Ceremony
producer:
Martin Hannett
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 24)
recording of:
Ceremony
additional lyricist:
Peter Hook and Bernard Sumner
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) and Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
2.5?:??
A2Everything’s Gone Green
producer:
Martin Hannett
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Everything’s Gone Green
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and WB Music Corp. (1929–2019)
3?:??
A3Temptation
engineer:
Michael Johnson (UK recording engineer and producer)
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Temptation (New Order)
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) and Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
3.4?:??
A4Blue Monday
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1983, in 1987)
samples:
Uran by Kraftwerk
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (number: 61) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 235)
recording of:
Blue Monday
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) and Zomba Music Publishing Ltd.
3.7?:??
A5Confusion
engineer:
Michael Johnson (UK recording engineer and producer)
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Confusion
writer:
Arthur Baker (American record producer and DJ), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Shakin’ Baker Music and Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
3.35?:??
A6Thieves Like Us
engineer:
Michael Johnson (UK recording engineer and producer)
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Thieves Like Us
writer:
Arthur Baker (American record producer and DJ), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Shakin’ Baker Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and WB Music Corp. (1929–2019)
3.35?:??
B1Perfect Kiss
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
The Perfect Kiss
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
is based on:
Perfect Pit
3.65?:??
B2Subculture
engineer:
John Robie
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Sub-Culture (in 1984)
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
3?:??
B3Shellshock
producer:
New Order (UK synth pop band) and John Robie
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
Shellshock
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order), John Robie and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Ensign Music Corporation, Indulgent Music (BMI) and Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
1?:??
B4State of the Nation
engineer:
Michael Johnson (UK recording engineer and producer)
producer:
New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1986, in 1987)
recorded at:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, United Kingdom, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom and Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
State of the Nation
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) and Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
1?:??
B5Bizarre Love Triangle
engineer:
Michael Johnson (UK recording engineer and producer) and Steve Peck (producer and engineer)
producer:
New Order (UK synth pop band)
editor:
Latin Rascals and Shep Pettibone
remixer:
Shep Pettibone
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1986, in 1987) and Warner Music UK Ltd. (not for release label use!) (in 1986)
remixed for:
Mastermix Productions
recorded at:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, United Kingdom, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom and Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Ireland
remix of:
Bizarre Love Triangle by New Order (UK synth pop band)
recording of:
Bizarre Love Triangle
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell Music Ltd. (1996–2019)
1.5?:??
B6True Faith
producer:
Stephen Hague and New Order (UK synth pop band)
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
True Faith
writer:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
part of:
American Psycho
3.75?:??
2▶Cassette