Classic Gold: Classic Moods, Volume Two

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Brandenburg Concerto, No.2 BWV1047: Adagio
Geige / Violine:
J. Brezina (violinist)
Orchester:
Camerata Labacensis (Slovenian chamber orchestra), Camerata Romana (an Alfred Scholz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Hamburger Symphoniker, Musici di San Marco (an Alfred Scholz pseudonym), Philharmonia Slavonia (Alfred Scholz pseudonym) und Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym), Karel Brazda (an Alfred Scholz pseudonym), Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Heribert Münchner (conductor, pseudonym for Alfred Scholz) und Gabor Ötvös
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:30
2Symphony No. 5 in B-flat major: Andante con moto
recording of:
Symphony no. 5 in B-flat major, D. 485: II. Andante con moto
Komponist(in):
Franz Schubert (composer) (in 1816)
Teil von:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert12:44
3Canon in D Major
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel5:56
4Prelude a l'apres: midi d'un faune
Orchester:
Philharmonic Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
Komponist(in):
Claude Debussy (French composer) (von 1891 bis 1894-09)
gewidmet:
Raymond Bonheur (composer, 1861-1939)
Premiere bei:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
Teil von:
Classic 100: Music of France (2012) (Nummer: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (Nummer: L. 86) und Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (Nummer: CD 87)
Claude Debussy10:15
5Romance No. 2 in F major, Op. 50
Geige / Violine:
Alexander Permovalsky (violinist, possibly a Scholz fake name) und Jan Czerkow (violinist, an Alfred Scholz pseudonym)
Orchester:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
phonographisches Urheberrecht (℗) von:
Selected Sound Carrier AG (in 1991)
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romanze für Violine und Orchester No. 2 in F-Dur, Op. 50: Adagio cantabile)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 50)
Ludwig van Beethoven8:19
6"The Messiah I": Sinfonia
Orchester:
Stuttgart Radio Symphony (Radio-Sinfonieorchester Stuttgart des SWR)
conductor:
Garcia Navarro (conductor)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:18
7Impromptu in G flat major, Op. 90/3
recording of:
Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante
Komponist(in):
Franz Schubert (composer) (in 1827)
Teil von:
Classic 100: Piano (2004) (Nummer: 6)
Teil von:
4 Impromptus, op. 90, D. 899
Franz Schubert6:40
8Serenade in E major for String Orchestra, Op. 22: Moderato
Orchester:
Hungarian State Orchestra (probably fictitious, or Alfred Scholz related), Nemzeti Filharmonikus Zenekar (Ungarische Nationalphilharmonie), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) und Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Reinhardt Lutz und Martin Sieghart (Austrian conductor and cellist)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993)
recording of:
Serenade for Strings in E major, op. 22, B. 52: I. Moderato
Komponist(in):
Antonín Dvořák (composer) (von 1875-05-03 bis 1875-05-14)
überarbeitet von:
Antonín Dvořák (composer) (in 1878)
Teil von:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade für Streichorchester E-Dur, op. 22, B. 52)
Antonín Dvořák4:30
9Serenade in E major for String Orchestra, Op. 22: Tempo di Valse
Orchester:
Hungarian State Orchestra (probably fictitious, or Alfred Scholz related), Nemzeti Filharmonikus Zenekar (Ungarische Nationalphilharmonie), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) und Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Reinhardt Lutz und Martin Sieghart (Austrian conductor and cellist)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993)
recording of:
Serenade for Strings in E major, op. 22, B. 52: II. Tempo di valse
Komponist(in):
Antonín Dvořák (composer) (von 1875-05-03 bis 1875-05-14)
überarbeitet von:
Antonín Dvořák (composer) (in 1878)
Teil von:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade für Streichorchester E-Dur, op. 22, B. 52)
Antonín Dvořák6:42

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Allmusic:https://www.allmusic.com/album/mw0001365156 [Info]