Mission: Impossible: Music From the Original Motion Picture Score

~ Uitgave van Danny Elfman (Bekijk alle versies van deze uitgave, 6 beschikbaar)

Nummerlijst

1▼cd
#TitelArtiestWaarderingDuur
1Sleeping Beauty
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Sleeping Beauty
componist:
Danny Elfman (American singer and score composer)
Danny Elfman2:31
2Mission: Impossible Theme
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Mission: Impossible theme (Danny Elfman version)
componist:
Lalo Schifrin (pianist & composer)
verzorgde het arrangement:
Danny Elfman (American singer and score composer)
revisie van:
Mission: Impossible
Lalo Schifrin1:05
3Red Handed
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Red Handed
componist:
Danny Elfman (American singer and score composer)
Danny Elfman4:23
4Big Trouble
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Big Trouble
componist:
Danny Elfman (American singer and score composer)
Danny Elfman5:35
5Love Theme?
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Love Theme?
componist:
Danny Elfman (American singer and score composer)
Danny Elfman2:23
6Mole Hunt
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Mole Hunt
componist:
Danny Elfman (American singer and score composer)
Danny Elfman3:04
7The Disc
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
The Disc
componist:
Danny Elfman (American singer and score composer)
Danny Elfman1:57
8Max Found
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Max Found
componist:
Danny Elfman (American singer and score composer)
Danny Elfman1:05
9Looking for “Job”
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Looking for "Job"
componist:
Danny Elfman (American singer and score composer)
Danny Elfman4:41
10Betrayal
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Betrayal
componist:
Danny Elfman (American singer and score composer)
deel van:
Mission: Impossible
Danny Elfman2:58
11The Heist
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
The Heist
componist:
Danny Elfman (American singer and score composer)
Danny Elfman5:49
12Uh‐Oh!
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Uh-Oh!
componist:
Danny Elfman (American singer and score composer)
Danny Elfman1:31
13Biblical Revelation
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Biblical Revelation
componist:
Danny Elfman (American singer and score composer)
Danny Elfman1:36
14Phone Home
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Phone Home
componist:
Danny Elfman (American singer and score composer)
Danny Elfman2:27
15Train Time
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Train Time
componist:
Danny Elfman (American singer and score composer)
Danny Elfman4:13
16Ménage à trois
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Ménage à trois
componist:
Danny Elfman (American singer and score composer)
Danny Elfman2:57
17Zoom A
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Zoom A
componist:
Danny Elfman (American singer and score composer)
Danny Elfman1:55
18Zoom B
opnametechnicus en mixer:
Shawn Murphy (producer/engineer)
assisterend technicus:
Greg Dennen, Mark Eshelman (recording engineer), Sue McLean en Pat Weber
editor:
Ellen Segal
was dirigent:
Artie Kane
orkestrator:
Steve Bartek en Mark McKenzie (US film composer/orchestrator)
fonografisch auteursrecht (℗):
Paramount Pictures, Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) en Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1996)
is een opname van:
Zoom B
componist:
Danny Elfman (American singer and score composer)
Danny Elfman2:54