The Best Of B.B. King, Volume One

~ Veröffentlichung von B.B. King (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelBewertungLänge
1You Upset Me Baby
alto saxophone:
Jewell Grant (US saxophonist) (von 1954-08-18 bis 1954-08-19)
Bass:
Ralph Hamilton (US jazz/R&B bassist) (von 1954-08-18 bis 1954-08-19)
Gitarre:
B.B. King (von 1954-08-18 bis 1954-08-19)
Klavier:
Willard McDaniel (von 1954-08-18 bis 1954-08-19)
Saxophon:
Floyd Turnham (von 1954-08-18 bis 1954-08-19)
Schlagzeug:
Jesse Sailes (von 1954-08-18 bis 1954-08-19)
Tenorsaxophon:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”) (von 1954-08-18 bis 1954-08-19)
Trompete:
Harry D. Jones (von 1954-08-18 bis 1954-08-19)
vocals:
B.B. King (von 1954-08-18 bis 1954-08-19)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
Herausgeber:
Intersong Music
phonographisches Urheberrecht (℗) von:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) und P‐VINE RECORDS (record label — add releases here) (in 1954)
aufgenommen bei:
Modern Studios in Culver City, California (Kalifornien), Vereinigte Staaten (von 1954-08-18 bis 1954-08-19)
recording of:
You Upset Me Baby (von 1954-08-18 bis 1958-08-19)
Verfasser(in):
Riley B. King und Jules Taub
publisher:
BMG Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
13:03
2Every Day (I Have the Blues)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1955)
Conga:
Charles Crosby (drums) (am 1954-03-02)
Gitarre:
B.B. King (am 1954-03-02)
vocals:
B.B. King (am 1954-03-02)
arranger:
Maxwell Davis (1940s tenor sax and arranger “The Father of West Coast R&B”)
phonographisches Urheberrecht (℗) von:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1954) und P‐VINE RECORDS (record label — add releases here) (in 1954)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-03-02)
cover recording of:
Everyday I Have the Blues (am 1954-03-02)
Texter, Komponist(in) und überarbeitet von:
Peter Chatman
Verfasser(in):
Memphis Slim, Aaron ‘Pinetop’ Sparks (1930s blues & boogie-woogie pianist) (in 1935) und Milton Sparks (in 1935)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company und Tristan Music Ltd.
22:50
35 Long Years3:29
4Sweet Little Angel
recording of:
Sweet Little Angel
Verfasser(in):
Jules Bihari und B.B. King
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Powerforce Music, Sounds Of Lucille, Inc. und Universal/MCA Music Ltd. (not for release label use!)
basiert auf:
Black Angel Blues
13:02
5Beautician Blues
cover recording of:
Beautician Blues
Texter und Komponist(in):
Roy Brown (blues musician) (bis 1950-06-23)
2:00
6Dust My Broom
arranger:
B.B. King
cover recording of:
Dust My Broom
Texter und Komponist(in):
Elmore James
zusätzlicher Texter und zusätzliche(r) Komponist(in):
Robert Johnson (1930s blues legend)
publisher:
ARC Music (world and ethnic music label), Flair Publishing und MPCA King of Spades
Version von:
I Believe I’ll Dust My Broom
recording of:
Dust My Broom
Texter und Komponist(in):
Elmore James
zusätzlicher Texter und zusätzliche(r) Komponist(in):
Robert Johnson (1930s blues legend)
publisher:
ARC Music (world and ethnic music label), Flair Publishing und MPCA King of Spades
Version von:
I Believe I’ll Dust My Broom
cover recording of:
I Believe I’ll Dust My Broom
Texter und Komponist(in):
Robert Johnson (1930s blues legend)
3:21
7Three O'clock Blues
cover recording of:
Three O’Clock Blues (First recorded in 1946)
Verfasser(in):
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. und Powerforce Music
recording of:
Three O’Clock Blues (First recorded in 1946)
Verfasser(in):
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. und Powerforce Music
23:48
8Ain't That Just Like a Woman
cover recording of:
Ain’t That Just Like a Woman
Verfasser(in):
Claude Demetrius und Fleecie Moore
publisher:
Cherio Music
3:16
9I'm King
recording of:
I’m King
Verfasser(in):
B.B. King und Jules Taub
publisher:
BMG Music Publishing Ltd.
12:21
10Sweet Sixteen (part 1)13:47
11Sweet Sixteen (part 2)12:29
12A Whole Lot of Lovin'
cover recording of:
Whole Lotta Loving
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
2:44
13Mean Ole Frisco
cover recording of:
Mean Old Frisco
Texter und Komponist(in):
Arthur “Big Boy” Crudup
2:32
14Please Accept My Love
cover recording of:
Please Accept My Love
Texter und Komponist(in):
Clarence Garlow
publisher:
Kamar Music und Universal Music Careers
12:35
15Going Down Slow
cover recording of:
Goin’ Down Slow
Texter und Komponist(in):
James Burke Oden (blues singer and songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Leeds Music, MCA Music Ltd. und Unichappell Music, Inc.
2:51
16Blues for Me
recording of:
Blues for Me
Texter und Komponist(in):
B.B. King
2:19
17You Don't Know
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956)
recording of:
You Don’t Know (in 1956)
Texter und Komponist(in):
Walter Spriggs
12:26
18Early Every Morning
recording of:
Early Every Morning
Verfasser(in):
Joe Josea und B.B. King
2:33
19Blues at Sunrise
cover recording of:
Blues at Sunrise
Texter und Komponist(in):
Albert King (well‐known US blues guitarist & singer)
2:58
20Please Love Me12:48