A Lady Sings the Blues

~ Pubblicazione di Billie Holiday (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▶CD: Love Is Here to Stay
2▼CD: Let’s Do It
#TitoloValutazioneDurata
1Let’s Do It
2:57
2On the Sunny Side of the Street
registrazione di:
On the Sunny Side of the Street
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. e Vydia Music Publishing
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. e シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
parte di:
American Splendor
3:03
3Let’s Call the Whole Thing Off
registrazione di:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
versione tradotta di:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
parte di:
Shall We Dance (1937 film soundtrack)
3:24
4Them There Eyes
registrazione di:
Them There Eyes
paroliere:
William Tracey (nel 1930)
compositore:
Maceo Pinkard (nel 1930) e Doris Tauber (nel 1930)
editore:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) e Warner Chappell Music Limited (2019–present)
2:27
5Ain’t Misbehavin’
registrazione cover di:
Ain’t Misbehavin’
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
4:38
6I Get a Kick Out of You
registrazione di:
I Get a Kick Out of You
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
5:39
7What a Little Moonlight Can Do
registrazione di:
What a Little Moonlight Can Do
paroliere e compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) e Warner Brothers Music Inc.
3:13
8How Deep Is the Ocean
registrazione di:
How Deep Is the Ocean?
paroliere e compositore:
Irving Berlin (nel 1932)
editore:
Francis, Day & Hunter Ltd. e Irving Berlin Music Corp.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:59
9Now or Never
registrazione di:
Now or Never
autore:
Billie Holiday e Curtis Lewis (US songwriter)
3:18
10Please Don’t Talk About Me When I’m Gone
registrazione di:
Please Don’t Talk About Me When I’m Gone
paroliere:
Sidney Clare
compositore:
Sam H. Stept
editore:
Bourne Co. (not for release label use, this is a music publisher) e Remick Music Corp.
4:17
11What Is This Thing Called Love
registrazione di:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
3:10
12Body and Soul
registrazione di:
Body and Soul
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:19
13Guilty
registrazione cover di:
Guilty
paroliere:
Gus Kahn
compositore:
Harry Akst e Richard A. Whiting (composer)
3:10
14I Must Have That Man
registrazione di:
I Must Have That Man
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
3:06
15Some Other Spring
registrazione di:
Some Other Spring
compositore:
Arthur Herzog, Jr. e Irene Kitchings
3:37
16Love Me or Leave Me
registrazione di:
Love Me or Leave Me
paroliere:
Gus Kahn
compositore:
Walter Donaldson
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (nel 1928, nel 1955) e Gilbert Keyes Music Company (nel 1928, nel 1955)
2:35
17A Foggy Day in London Town
registrazione di:
A Foggy Day (in London Town)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
A Damsel in Distress (1937 film score)
4:39
18I Can’t Face the Music
registrazione di:
I Can’t Face the Music
paroliere:
Ted Koehler
compositore:
Rube Bloom (American songwriter, pianist and vocalist)
3:14
19Do Nothin’ Till You Hear From Me
registrazione di:
Do Nothin’ Till You Hear From Me
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1943)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1943)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Sony/ATV Harmony
versione di:
Concerto for Cootie
4:58
20Say It Isn’t So
registrata a:
Los Angeles, California, Stati Uniti (dal 1957-01-03 al 1957-01-07)
tecnico:
Val Valentin
produttore:
Norman Granz
basso :
Red Mitchell (jazz double-bassist, composer and lyricist) (dal 1957-01-03 al 1957-01-07)
batteria :
Alvin Stoller (dal 1957-01-03 al 1957-01-07, il 1957-01-08) e Larry Bunker (il 1957-01-08)
chitarra :
Barney Kessel (dal 1957-01-03 al 1957-01-07, il 1957-01-08)
contrabbasso :
Red Mitchell (jazz double-bassist, composer and lyricist) (il 1957-01-08) e Joe Mondragon (il 1957-01-08)
pianoforte :
Jimmy Rowles (dal 1957-01-03 al 1957-01-07, il 1957-01-08)
sassofono tenore :
Ben Webster (dal 1957-01-03 al 1957-01-07, il 1957-01-08)
tromba :
Harry “Sweets” Edison (dal 1957-01-03 al 1957-01-07, il 1957-01-08)
voce:
Billie Holiday (dal 1957-01-03 al 1957-01-07, il 1957-01-08)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-01-08)
registrazione di:
Say It Isn’t So (dal 1957-01-03 al 1957-01-07)
paroliere e compositore:
Irving Berlin
editore:
Irving Berlin Music Corp.
registrazione di:
Say It Isn’t So (il 1957-01-08)
paroliere e compositore:
Irving Berlin
editore:
Irving Berlin Music Corp.
2.53:15
21One for My Baby
5:38
3▶CD: Blue Moon