The Very Best of Ella Fitzgerald

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1It Don’t Mean a Thing (If It Ain’t Got That Swing)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Geige / Violine:
Stuff Smith (jazz violinist) (von 1957-09-04 bis 1957-09-16)
Gitarre:
Barney Kessel (von 1957-09-04 bis 1957-09-16)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (von 1957-09-04 bis 1957-09-16)
Kontrabass:
Joe Mondragon (von 1957-09-04 bis 1957-09-16)
Schlagzeug:
Alvin Stoller (von 1957-09-04 bis 1957-09-16)
Tenorsaxophon:
Ben Webster (von 1957-09-04 bis 1957-09-16)
Sologesang:
Ella Fitzgerald (American jazz singer) (von 1957-09-04 bis 1957-09-16)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (von 1957-09-04 bis 1957-09-16)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:15
2The Lady Is a Tramp
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Bud Shank (am 1956-08-21) und Maurice Stein (American jazz saxophonist) (am 1956-08-21)
baritone saxophone:
Chuck Gentry (am 1956-08-21)
Bass:
Joe Mondragon (am 1956-08-21)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-21)
Gitarre:
Barney Kessel (am 1956-08-21)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-21)
Posaune:
Milt Bernhart (am 1956-08-21), Joe Howard (american trombone player) (am 1956-08-21) und Lloyd Ulyate (am 1956-08-21)
Schlagzeug:
Alvin Stoller (am 1956-08-21)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-21) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-21)
Trompete:
Pete Candoli (am 1956-08-21), Maynard Ferguson (am 1956-08-21), Conrad Gozzo (am 1956-08-21) und Ray Linn (am 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-21)
conductor:
Buddy Bregman (am 1956-08-21)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-08-21)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
4.653:25
3Blue Skies
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-03-18)
Techniker(in):
Val Valentin (am 1958-03-18)
Produzent(in):
Norman Granz
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1958-03-18)
conductor:
Paul Weston (am 1958-03-18)
Interpret(in):
Paul Weston and His Orchestra (am 1958-03-18)
arranger:
Paul Weston (in 1958)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1958-03-18)
cover recording of:
Blue Skies (am 1958-03-18)
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
53:46
4The Very Thought of You
vocals:
Ella Fitzgerald (American jazz singer) (in 1962)
conductor:
Nelson Riddle (in 1962)
cover recording of:
The Very Thought of You (in 1962)
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
2:48
5Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
Gitarre:
Herb Ellis (jazz guitarist) (in 1957, am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957, am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (in 1957, am 1957-07-23)
Trompete:
Louis Armstrong (in 1957, am 1957-07-23)
vocals:
Louis Armstrong (in 1957, am 1957-07-23) und Ella Fitzgerald (American jazz singer) (in 1957, am 1957-07-23)
Interpret(in):
Ella Fitzgerald (American jazz singer)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (am 1957-07-23)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
3.654:14
6Begin the Beguine
cover recording of:
Begin the Beguine
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
3:40
7You’ll Have to Swing It (Mr. Paganini)
cover recording of:
You'll Have to Swing It (Mr Paganini)
Verfasser(in):
Sam Coslow
5:12
8I Won’t Dance
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:34
9Baby, It’s Cold Outside
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
2:45
10I Only Have Eyes for You
Produzent(in):
Norman Granz (in 1962)
vocals:
Ella Fitzgerald (American jazz singer) (in 1962)
conductor:
Nelson Riddle (in 1962)
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
2:40
11Oh, Lady Be Good!
cover recording of:
Oh, Lady Be Good!
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
3:10
12Love You Madly
cover recording of:
Love You Madly
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
4:42
13Night and Day
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-03-27) und Bud Shank (am 1956-03-27)
baritone saxophone:
Chuck Gentry (am 1956-03-27)
Bassposaune:
George Roberts (american bass trombone) (am 1956-03-27)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-03-27) und Edgar Lustgarten (am 1956-03-27)
Gitarre:
Barney Kessel (am 1956-03-27)
Harfe:
Corky Hale (am 1956-03-27)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-03-27)
Kontrabass:
Joe Mondragon (am 1956-03-27)
Posaune:
Milt Bernhart (am 1956-03-27), Joe Howard (american trombone player) (am 1956-03-27) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-03-27)
Schlagzeug:
Alvin Stoller (am 1956-03-27)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-03-27) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-03-27)
Trompete:
Pete Candoli (am 1956-03-27), Harry “Sweets” Edison (am 1956-03-27), Maynard Ferguson (am 1956-03-27) und Conrad Gozzo (am 1956-03-27)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-03-27)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-03-27)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1956-03-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
3:07
14Too Darn Hot
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-07) und Bud Shank (am 1956-02-07)
baritone saxophone:
Chuck Gentry (am 1956-02-07)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-07)
Gitarre:
Barney Kessel (am 1956-02-07)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Kontrabass:
Joe Mondragon (am 1956-02-07)
Posaune:
Milt Bernhart (am 1956-02-07), Joe Howard (american trombone player) (am 1956-02-07) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-07)
Schlagzeug:
Alvin Stoller (am 1956-02-07)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-07) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-07)
Trompete:
Pete Candoli (am 1956-02-07), Harry “Sweets” Edison (am 1956-02-07), Maynard Ferguson (am 1956-02-07) und Conrad Gozzo (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
conductor:
Buddy Bregman (am 1956-02-07)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Too Darn Hot (from Kiss Me, Kate) (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co. und T.B. Harms Co.
Teil von:
Kiss Me, Kate (musical)
3.653:51
15Lullaby of Birdland
recorded in:
New York, New York, Vereinigte Staaten (am 1954-06-04)
Gitarre:
Everett Barksdale (am 1954-06-04)
Klavier:
Hank Jones (piano) (am 1954-06-04)
Kontrabass:
Sandy Block (Jazz bassist, band leader) (am 1954-06-04)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (am 1954-06-04)
Tenorsaxophon:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-06-04)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-06-04, in 1956)
Orchester:
Sy Oliver and His Orchestra (am 1954-06-04)
conductor:
Sy Oliver (am 1954-06-04)
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (am 1954-06-04)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
42:52