Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Gypsys, Tramps & Thieves
tecnico:
Lenny Roberts (producer/engineer)
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
arrangiatore:
Al Capps (American record producer, arranger, songwriter, multi-instrumentalist, and vocalist; Born: Allan Alfonzo Capps)
è stato produttore per:
Garrett Music Enterprises (company owned by Tommy Garrett)
registrazione di:
Gypsys, Tramps & Thieves
paroliere e compositore:
Bob Stone (engineer, studio technician, producer, songwriter)
autore:
Bob Stone (US lyricist, producer, arranger)
editore:
Peso Music (publisher) (nel 1971)
Cher4.252:37
2Raindrops Keep Fallin' on My Head
registrazione di:
Raindrops Keep Fallin’ on My Head
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
The 42nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1969 winner)
B.J. Thomas3:14
3Crocodile Rock
tecnico:
Ken Scott (UK record producer & engineer)
produttore:
Gus Dudgeon
batteria :
Nigel Olsson
chitarra basso :
Dee Murray
chitarra elettrica :
Davey Johnstone
farfisa e pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1972, nel 1973) e Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2022)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia
registrazione di:
Crocodile Rock
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.453:56
4You're No Good
tecnico di registrazione:
Val Garay (dal 1974-06 al 1974-09) e David Hassinger (dal 1974-06 al 1974-09)
tecnico:
Val Garay
produttore:
Peter Asher, Jay Faires e Tricia Holloway
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1974-06 al 1974-09)
batteria, pianoforte elettrico e percussione :
Andrew Gold (dal 1974-06 al 1974-09)
chitarra elettrica :
Ed Black (dal 1974-06 al 1974-09)
chitarra elettrica solista :
Andrew Gold (dal 1974-04 al 1974-09)
voce di accompagnamento:
Clydie King (dal 1974-06 al 1974-09) e Shirley Matthews (Canadian pop singer) (dal 1974-06 al 1974-09)
arrangiatore archi :
Gregory Rose
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1974, nel 2006) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1974, nel 2013)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (dal 1974-06 al 1974-09)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 38)
registrazione cover di:
You’re No Good (dal 1974-06 al 1974-09)
paroliere e compositore:
Clint Ballard, Jr.
editore:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:45
5Song Sung Blue
tecnico:
Armin Steiner
produttore:
Tom Catalano e Neil Diamond
direttore d'orchestra:
Lee Holdridge
arrangiatore:
Lee Holdridge
registrazione di:
Song Sung Blue (nel 1972-06)
paroliere e compositore:
Neil Diamond (nel 1972)
editore:
Chappell Music Ltd., EMI Music Publishing Germany GmbH (1967–2001), Prophet Music Inc. e Sony Tunes, Inc.
si basa su:
Concerto for Piano no. 21 in C major, K. 467
Neil Diamond3.653:15
6Love Will Keep Us Together
tecnico di registrazione e tecnico di missaggio:
Dennis Dragon
produttore:
The Captain
produttore associato:
Toni Tennille
basso elettrico [Fender] , campane a vento , celesta , clavinet , minimoog [Mini-moog] , organo Hammond , piano elettrico Wurlitzer , pianoforte , sintetizzatore [Arp String Ensemble] , sintetizzatore [Odyssey] e tastiera [Clavietta] :
The Captain
batteria , congas e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
violino :
Kenneth Yerke
voce di accompagnamento:
Melissa Tennille e Toni Tennille
arrangiatore archi :
Kenneth Yerke
arrangiatore:
The Captain
diritti fonografici (℗) detenuti da:
A&M Records (nel 1975), A&M Records, Inc. (nel 1975) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1975)
è stato produttore per:
Moonlight and Magnolia Productions
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 337)
registrazione cover di:
Love Will Keep Us Together
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. e Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:21
7I Just Want to Be Your Everything
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
voce di accompagnamento:
Barry Gibb
diritti fonografici (℗) detenuti da:
Peta Gibb (nel 1977)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1977) e RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1977)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 33)
registrazione di:
I Just Want to Be Your Everything
paroliere e compositore:
Barry Gibb
editore:
Stigwood Music, Inc.
Andy Gibb43:46
8If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:54
9Knock Three Times
produttore:
Dave Appell e The Tokens
arrangiatore:
Norman Bergen
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975)
registrazione di:
Knock Three Times
autore:
Lawrence Russell Brown (lyricist) e Irwin Levine
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Tony Orlando & Dawn4.352:53
10Sister Golden Hair
assistente tecnico:
Tom Anderson (engineer)
tecnico:
Geoff Emerick (British recording engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
altri strumenti :
America (US folk/soft rock band)
batteria e percussione :
Willie Leacox
chitarra basso :
David Dickey (U.S. drummer and bassist)
voce:
America (US folk/soft rock band)
arrangiatore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1975), Warner Music H.K. Ltd. (nel 1997) e Rhino Entertainment Company (not for release label use!) (nel 2011)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 12) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 264)
registrazione di:
Sister Golden Hair
paroliere e compositore:
Gerald Beckley
editore:
Warner/Chappell Music Australia Pty. Ltd.
America4.13:19
11Have You Ever Been Mellow
co-tecnico:
Alan Rouse
tecnico:
Tony Clark (engineer, Abbey Road)
produttore:
John Farrar
arrangiatore:
John Fiddy (songwriter/singer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Have You Never Been Mellow
paroliere e compositore:
John Farrar
editore:
ATV Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambuck Music Ltd., John Farrar Music, Jumbuck Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal/MCA Music Publishing Pty Ltd e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Olivia Newton‐John3.53:30
12Escape (The Pina Colada Song)
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1979) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1979)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 89)
registrazione di:
Escape (The Piña Colada Song)
paroliere e compositore:
Rupert Holmes
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes23:52
13Black & White
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1972)
registrazione di:
Black and White
paroliere:
David Arkin
compositore:
Earl Robinson (40s US folk artist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Three Dog Night4.53:25
14I'll Be There
produttore:
Nickolas Ashford, Hal Davis e Valerie Simpson
arrangiatore:
Bob West (US session bassist, producer & songwriter)
registrazione di:
I’ll Be There (nel 1970-06)
autore:
Bob West (US session bassist, producer & songwriter), Hal Davis, Berry Gordy e Willie Hutch
editore:
EMI April Music Inc., EMI Songs Australia, Jobete Music Co., Inc. e Stone Diamond Music Corporation
parte di:
MJ: The Musical
The Jackson 54.353:58
15I Can See Clearly Now
produttore:
Johnny Nash (US reggae/pop singer-songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1972) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 165)
registrazione di:
I Can See Clearly Now (nel 1972)
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash4.152:44
16Afternoon Delight
voce:
Jon Carroll (of Starland Vocal Band, on vocals, keyboard, guitar), Margot Chapman (singer with Starland Vocal Band), Bill Danoff e Taffy Nivert
diritti fonografici (℗) detenuti da:
Cherry Lane Music Publishing Company Inc. (nel 1976)
registrazione di:
Afternoon Delight
paroliere e compositore:
Bill Danoff
editore:
Cherry Lane Music Publishing Company Inc. e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Starland Vocal Band3.53:10
17Baby Come Back
tecnico:
Matt Hyde (engineer, active in the 1970s–80s), Jay Lewis (producer/engineer/guitarist) e Joe Sidore
produttore:
Dennis Lambert e Brian Potter (US songwriter & producer)
batteria , congas e maracas :
John Friesen (drummer)
chitarra :
Peter Beckett (lead singer of Player)
chitarra basso :
Ronn Moss
clavinet , pianoforte elettrico e sintetizzatore :
Wayne Cook
voce:
Peter Beckett (lead singer of Player) e Ronn Moss
voce di accompagnamento e voce principale:
J.C. Crowley
diritti fonografici (℗) detenuti da:
PolyGram International Music B.V. (not for release label use!) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 7) e Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 24)
registrazione di:
Baby Come Back (Player song)
autore:
Peter Beckett (lead singer of Player) e John Charles Crowley II
editore:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Player4.354:12
18Alone Again (Naturally)
produttore:
Gordon Mills (60s/70s UK producer and songwriter)
diritti fonografici (℗) detenuti da:
O.S.M. Inc. (nel 1972)
registrazione di:
Alone Again (Naturally)
paroliere e compositore:
Gilbert O’Sullivan
editore:
Grand Upright Music Ltd. e 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Gilbert O’Sullivan53:37
19Brand New Key
registrazione di:
Brand New Key
paroliere e compositore:
Melanie Anne Safka‐Schekeryk (US singer‐songwriter Melanie Safka)
editore:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
Melanie2:25
20I Can Help
registrazione di:
I Can Help (nel 1974)
paroliere e compositore:
Billy Swan
editore:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Billy Swan52:54