The Masterpieces

~ Pubblicazione di Benjamin Britten (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

1▶CD
2▶CD
3▼CD
#TitoloValutazioneDurata
1Songs From "Friday Afternoons", op. 7: Begone, dull care
tecnico di registrazione:
Michael Mailes (engineer) (nel 1966-07)
produttore:
John Culshaw
pianoforte :
Viola Tunnard (pianist)
cori:
Choir of Downside School, Purley (Purley) (nel 1966-07)
direttore d'orchestra:
Benjamin Britten (English composer, conductor, and pianist) (nel 1966-07)
registrata presso:
Decca Studios: Studio 3 in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1966-07)
registrazione di:
Friday Afternoons, op. 7: No. 1. Begone, Dull Care! (nel 1966-07)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
0:59
2Songs From "Friday Afternoons", op. 7: A tragic story
tecnico di registrazione:
Michael Mailes (engineer) (nel 1966-07)
produttore:
John Culshaw
pianoforte :
Viola Tunnard (pianist)
cori:
Choir of Downside School, Purley (Purley) (nel 1966-07)
direttore d'orchestra:
Benjamin Britten (English composer, conductor, and pianist) (nel 1966-07)
registrata presso:
Decca Studios: Studio 3 in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1966-07)
registrazione di:
Friday Afternoons, op. 7: No. 2. A Tragic Story (nel 1966-07)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
1:37
3Songs From "Friday Afternoons", op. 7: Cuckoo!
tecnico di registrazione:
Michael Mailes (engineer) (nel 1966-07)
produttore:
John Culshaw
pianoforte :
Viola Tunnard (pianist)
cori:
Choir of Downside School, Purley (Purley) (nel 1966-07)
direttore d'orchestra:
Benjamin Britten (English composer, conductor, and pianist) (nel 1966-07)
registrata presso:
Decca Studios: Studio 3 in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1966-07)
registrazione di:
Friday Afternoons, op. 7: No. 3. Cuckoo! (nel 1966-07)
paroliere:
Jane Taylor (poet, most famous for “Twinkle, Twinkle, Little Star”)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
1:39
4Songs From "Friday Afternoons", op. 7: A New Year carol
tecnico di registrazione:
Michael Mailes (engineer) (nel 1966-07)
produttore:
John Culshaw
pianoforte :
Viola Tunnard (pianist)
cori:
Choir of Downside School, Purley (Purley) (nel 1966-07)
direttore d'orchestra:
Benjamin Britten (English composer, conductor, and pianist) (nel 1966-07)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1967)
registrata presso:
Decca Studios: Studio 3 in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1966-07)
registrazione di:
Friday Afternoons, op. 7: No. 5. A New Year Carol (nel 1966-07)
compositore:
Benjamin Britten (English composer, conductor, and pianist) (nel 1934)
cita i testi di:
Tom Tiddler’s Ground
parte di:
Friday Afternoons, op. 7
registrazione di:
Friday Afternoons, op. 7: No. 4. “Ee‐oh!”
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
2:04
5Songs From "Friday Afternoons", op. 7: I mun be married on Sunday
tecnico di registrazione:
Michael Mailes (engineer) (nel 1966-07)
produttore:
John Culshaw
pianoforte :
Viola Tunnard (pianist)
cori:
Choir of Downside School, Purley (Purley) (nel 1966-07)
direttore d'orchestra:
Benjamin Britten (English composer, conductor, and pianist) (nel 1966-07)
registrata presso:
Decca Studios: Studio 3 in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1966-07)
registrazione di:
Friday Afternoons, op. 7: No. 6. I Mun Be Married on Sunday (nel 1966-07)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
registrazione di:
Friday Afternoons, op. 7: No. 5. A New Year Carol
compositore:
Benjamin Britten (English composer, conductor, and pianist) (nel 1934)
cita i testi di:
Tom Tiddler’s Ground
parte di:
Friday Afternoons, op. 7
1:13
6Songs From "Friday Afternoons", op. 7: There was a man of Newington
tecnico di registrazione:
Michael Mailes (engineer) (nel 1966-07)
produttore:
John Culshaw
pianoforte :
Viola Tunnard (pianist)
cori:
Choir of Downside School, Purley (Purley) (nel 1966-07)
direttore d'orchestra:
Benjamin Britten (English composer, conductor, and pianist) (nel 1966-07)
registrata presso:
Decca Studios: Studio 3 in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1966-07)
registrazione di:
Friday Afternoons, op. 7: No. 7. There Was a Man of Newington (nel 1966-07)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
registrazione di:
Friday Afternoons, op. 7: No. 6. I Mun Be Married on Sunday
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
0:34
7Songs From "Friday Afternoons", op. 7: Fishing song
tecnico di registrazione:
Michael Mailes (engineer) (nel 1966-07)
produttore:
John Culshaw
pianoforte :
Viola Tunnard (pianist)
cori:
Choir of Downside School, Purley (Purley) (nel 1966-07)
direttore d'orchestra:
Benjamin Britten (English composer, conductor, and pianist) (nel 1966-07)
registrata presso:
Decca Studios: Studio 3 in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1966-07)
registrazione di:
Friday Afternoons, op. 7: No. 8. Fishing song (nel 1966-07)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
registrazione di:
Friday Afternoons, op. 7: No. 7. There Was a Man of Newington
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
2:10
8Songs From "Friday Afternoons", op. 7: The useful plough
tecnico di registrazione:
Michael Mailes (engineer) (nel 1966-07)
produttore:
John Culshaw
pianoforte :
Viola Tunnard (pianist)
cori:
Choir of Downside School, Purley (Purley) (nel 1966-07)
direttore d'orchestra:
Benjamin Britten (English composer, conductor, and pianist) (nel 1966-07)
registrata presso:
Decca Studios: Studio 3 in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1966-07)
registrazione di:
Friday Afternoons, op. 7: No. 9. The Useful Plough (nel 1966-07)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
registrazione di:
Friday Afternoons, op. 7: No. 8. Fishing song
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
2:23
9Songs From "Friday Afternoons", op. 7: Jazz-man
tecnico di registrazione:
Michael Mailes (engineer) (nel 1966-07)
produttore:
John Culshaw
pianoforte :
Viola Tunnard (pianist)
cori:
Choir of Downside School, Purley (Purley) (nel 1966-07)
direttore d'orchestra:
Benjamin Britten (English composer, conductor, and pianist) (nel 1966-07)
registrata presso:
Decca Studios: Studio 3 in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1966-07)
registrazione di:
Friday Afternoons, op. 7: No. 10. Jazz‐Man (nel 1966-07)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
registrazione di:
Friday Afternoons, op. 7: No. 9. The Useful Plough
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
0:48
10Songs From "Friday Afternoons", op. 7: There was a monkey
tecnico di registrazione:
Michael Mailes (engineer) (nel 1966-07)
produttore:
John Culshaw
pianoforte :
Viola Tunnard (pianist)
cori:
Choir of Downside School, Purley (Purley) (nel 1966-07)
direttore d'orchestra:
Benjamin Britten (English composer, conductor, and pianist) (nel 1966-07)
registrata presso:
Decca Studios: Studio 3 in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1966-07)
registrazione di:
Friday Afternoons, op. 7: No. 11. There Was a Monkey (nel 1966-07)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
registrazione di:
Friday Afternoons, op. 7: No. 10. Jazz‐Man
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
1:31
11Songs From "Friday Afternoons", op. 7: Old Abram Brown
tecnico di registrazione:
Michael Mailes (engineer) (nel 1966-07)
produttore:
John Culshaw
pianoforte :
Viola Tunnard (pianist)
cori:
Choir of Downside School, Purley (Purley) (nel 1966-07)
direttore d'orchestra:
Benjamin Britten (English composer, conductor, and pianist) (nel 1966-07)
registrata presso:
Decca Studios: Studio 3 in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (nel 1966-07)
registrazione di:
Friday Afternoons, op. 7: No. 12. Old Abram Brown (nel 1966-07)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
registrazione di:
Friday Afternoons, op. 7: No. 11. There Was a Monkey
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Friday Afternoons, op. 7
3:31
12Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me
orchestra:
English Chamber Orchestra (nel 1961)
direttore d'orchestra:
Norman Del Mar (conductor) (nel 1961)
registrazione di:
Noye's Fludde, op. 59: I. Lord Jesus, think on me (nel 1961)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Noye's Fludde, op. 59
3:06
13Noye's Fludde, op. 59, The Chester Miracle Play set to music: I God, that all this worlde hath wroughte
voce di basso-baritono:
Owen Brannigan (operatic bass) (nel 1961)
registrazione di:
Noye's Fludde, op. 59: II. I God, that all this worlde hath wroughte (nel 1961)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Noye's Fludde, op. 59
2:05
14Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all
voce di basso-baritono:
Owen Brannigan (operatic bass) (nel 1961)
voce di contralto:
Sheila Rex (nel 1961)
orchestra:
English Chamber Orchestra (nel 1961)
direttore d'orchestra:
Norman Del Mar (conductor) (nel 1961)
registrazione di:
Noye's Fludde, op. 59: III. Have done, you men and wemen all (nel 1961)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Noye's Fludde, op. 59
2:38
15Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne
voce di basso-baritono:
Owen Brannigan (operatic bass) (nel 1961)
voce di contralto:
Sheila Rex (nel 1961)
orchestra:
English Chamber Orchestra (nel 1961)
direttore d'orchestra:
Norman Del Mar (conductor) (nel 1961)
registrazione di:
Noye's Fludde, op. 59: IV. Now in the name of God I will begyne (nel 1961)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Noye's Fludde, op. 59
4:18
16Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, Noye, take thou thy company
voce di basso-baritono:
Owen Brannigan (operatic bass) (nel 1961)
orchestra:
English Chamber Orchestra (nel 1961)
direttore d'orchestra:
Norman Del Mar (conductor) (nel 1961)
esecutore:
Trevor Anthony
registrazione di:
Noye's Fludde, op. 59: V. Noye, Noye, take thou thy company (nel 1961)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Noye's Fludde, op. 59
6:07
17Noye's Fludde, op. 59, The Chester Miracle Play set to music: Wiffe, come in! why standes thou their?
voce di basso-baritono:
Owen Brannigan (operatic bass) (nel 1961)
voce di contralto:
Sheila Rex (nel 1961)
orchestra:
English Chamber Orchestra (nel 1961)
direttore d'orchestra:
Norman Del Mar (conductor) (nel 1961)
registrazione di:
Noye's Fludde, op. 59: VI. Wiffe, come in! why standes thou their? (nel 1961)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Noye's Fludde, op. 59
5:09
18Noye's Fludde, op. 59, The Chester Miracle Play set to music: Ha! Children, me thinkes my botte removes
voce di basso-baritono:
Owen Brannigan (operatic bass) (nel 1961)
voce di contralto:
Sheila Rex (nel 1961)
orchestra:
English Chamber Orchestra (nel 1961)
direttore d'orchestra:
Norman Del Mar (conductor) (nel 1961)
registrazione di:
Noye's Fludde, op. 59: VII. Ha! Children, me thinkes my botte removes (nel 1961)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Noye's Fludde, op. 59
8:18
19Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone
voce di basso-baritono:
Owen Brannigan (operatic bass) (nel 1961)
orchestra:
English Chamber Orchestra (nel 1961)
direttore d'orchestra:
Norman Del Mar (conductor) (nel 1961)
registrazione di:
Noye's Fludde, op. 59: VIII. Now forty dayes are fullie gone (nel 1961)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Noye's Fludde, op. 59
5:10
20Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone
voce di basso-baritono:
Owen Brannigan (operatic bass) (nel 1961)
voce di contralto:
Sheila Rex (nel 1961)
orchestra:
English Chamber Orchestra (nel 1961)
direttore d'orchestra:
Norman Del Mar (conductor) (nel 1961)
registrazione di:
Noye's Fludde, op. 59: IX. Noye, take thy wife anone (nel 1961)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Noye's Fludde, op. 59
2:39
21Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste
registrazione di:
Noye's Fludde, op. 59: X. Noye, heare I behette thee a heste
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Noye's Fludde, op. 59
1:15
22Noye's Fludde, op. 59, The Chester Miracle Play set to music: The spacious firmament on high
voce di basso-baritono:
Owen Brannigan (operatic bass) (nel 1961)
voce di contralto:
Sheila Rex (nel 1961)
orchestra:
English Chamber Orchestra (nel 1961)
direttore d'orchestra:
Norman Del Mar (conductor) (nel 1961)
registrazione di:
Noye's Fludde, op. 59: XI. The spacious firmament on high (nel 1961)
compositore:
Benjamin Britten (English composer, conductor, and pianist)
parte di:
Noye's Fludde, op. 59
7:23
4▶CD