NOW That’s What I Call Yacht Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Feels So Good
phonographisches Urheberrecht (℗) von:
A&M Records (in 1977) und A&M Records, Inc. (in 1978)
recording of:
Feels So Good (instrumental)
Komponist(in):
Chuck Mangione
publisher:
Gates Music und Primary Wave Music (management, publishing and marketing company)
Chuck Mangione2.753:30
2Africa
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982)
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Spirit Two Music, Cowbella Music (US work publisher) (in 1982) und Hudmar Publishing Co. Inc. (in 1982)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto3.54:23
3This Is It
Horn [horns] arranger:
Brian Mann (keyboardist, accordionist, composer)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973)
Bearbeitung von:
This Is It von Kenny Loggins
recording of:
This Is It
Verfasser(in):
Kenny Loggins und Michael McDonald (R&B & soul singer)
publisher:
Snug Music (beendet), Milk Money Music, Tauripin Tunes, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Kenny Loggins2.53:37
4Cool Change
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) und Capitol Records (imprint of Capitol Records, Inc.) (in 2002)
recording of:
Cool Change
Texter und Komponist(in):
Glenn Shorrock (von 1977 bis 1978)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) und Wheatley Music Pty Ltd.
Little River Band24:49
5Baby, I Love Your Way (live)
Produzent(in):
Peter Frampton
Bassgitarre:
Stanley Sheldon (bass player)
Flügel, Orgel und Rhodes Piano:
Bob Mayo (US session keyboardist & guitarist)
Gitarre:
Peter Frampton und Bob Mayo (US session keyboardist & guitarist)
Schlagzeug [drums]:
John Siomos
Talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) und Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975) und A&M Records, Inc. (in 1975)
live recording of:
Baby, I Love Your Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Peter Frampton3.654:41
6Baby Come Back
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
recording of:
Baby Come Back (Player song)
Verfasser(in):
Peter Beckett (lead singer of Player) und John Charles Crowley II
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
Player2.254:01
7Brandy (You’re a Fine Girl)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 2), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 11) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 40)
recording of:
Brandy (You’re a Fine Girl) (in 1972)
Texter und Komponist(in):
Elliot Lurie
Looking Glass4.253:06
8Escape (The Piña Colada Song)
Techniker(in) und Mix:
Jim Boyer (producer/engineer)
Produzent(in):
Jim Boyer (producer/engineer) und Rupert Holmes
Bass [electric bass]:
Frank Gravis
Schlagzeug:
Leo Adamian
phonographisches Urheberrecht (℗) von:
Geffen Records, Infinity Records Inc. und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
recording of:
Escape (The Piña Colada Song)
Texter und Komponist(in):
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes3.554:34
9What You Won’t Do for Love
Produzent(in):
Ann Holloway (producer/songwriter)
Analoger Synthesizer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
Bassgitarre:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist), George "Chocolate" Perry (bassist aka "Chocolate") und Richie Valesquez (bassist)
Gitarre:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) und Alfons Kettner
Keyboard:
Benny Latimore (US blues/R&B singer, songwriter and pianist) und Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
Schlagzeug:
Joe Galdo (US drummer & percussionist) und Ed Greene (drummer)
vocals:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Mike Lewis (US composer, arranger and producer)
phonographisches Urheberrecht (℗) von:
Sin‐Drome Records, Ltd. (holding company - file NO releases here!) (in 1978)
recording of:
What You Won’t Do for Love
Verfasser(in):
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) und Alfons Kettner
publisher:
EMI Longitude Music, Lindseyanne Music, Sherlyn Publishing Co., Inc., The Music Force, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Bobby Caldwell3.44:45
10Couldn’t Get It Right
assistierende(r) Techniker(in):
Colin Fairley
Techniker(in):
Pete Henderson (engineer)
Produzent(in):
Mike Vernon
phonographisches Urheberrecht (℗) von:
Chrysalis Copyrights Ltd.
recording of:
Couldn’t Get It Right
Verfasser(in):
Colin Cooper, John Cuffley, Pete Haycock, Derek Holt und Richard Jones (Climax Blues Band)
publisher:
AIR Music (London) Ltd., Bleu-Disque-Music Co. Inc. (publisher), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Germany GmbH (2008–today) und Neue Welt Musikverlag
Climax Blues Band3.253:18
11How Long
Produzent(in):
John Anthony (British producer and record executive)
phonographisches Urheberrecht (℗) von:
Anchor Records (UK 70s indie label), Cavalcade Records Ltd, Minder Records (in 1974) und Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 7), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 31) und The Downloader’s Music Source Book (Nummer: 121)
recording of:
How Long?
Texter und Komponist(in):
Paul Carrack
publisher:
Anchor Music Ltd. und Minder Music Ltd.
Ace3.653:21
12I Just Wanna Stop
recording engineer und Mix:
Norm Kinney
assistierende(r) Techniker(in):
Chris Desmond
Produzent(in):
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) und Ross Vannelli
assistierende(r) Mix:
Paul Aronoff und Betsy Banghart (engineer)
Bass-Synthesizer [synthesized electric bass]:
Leon Gaer
Gitarre:
Carlos Rios (producer/guitarist)
Hybrid-Piano und Synthesizer:
Joe Vannelli (Canadian musician, composer and record producer)
Perkussion:
Manuel Badrena
Schlagzeug:
Mark Craney
Tenorsaxophon:
Ernie Watts (jazz and blues saxophonist)
Hintergrundgesang:
Julia Tillman Waters, Maxine Willard Waters, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) und Ross Vannelli
Sologesang:
Gino Vannelli
arranger:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) und Ross Vannelli
phonographisches Urheberrecht (℗) von:
A&M Records und A&M Records, Inc. (in 1978)
aufgenommen bei:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Group IV Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Just Wanna Stop
Texter und Komponist(in):
Ross Vannelli
publisher:
Ross Vannelli Publishing und 日音 Synch事業部 (NICHION, INC. Synch Division)
Gino Vannelli3.13:37
13We Just Disagree
assistierende(r) Techniker(in):
Michael Beiriger und Rick Smith (engineer)
Produzent(in):
Ron Nevison
Bassgitarre [bass]:
Gerald Johnson
Keyboard:
Mike Finnigan (keyboardist)
Perkussion:
Bobbye Hall
Schlagzeug:
Rick Jaeger (drummer)
vocals:
Mike Finnigan (keyboardist)
Saiteninstrumente arranger:
Alan MacMillan
arranger:
Dave Mason (co‐founder of Traffic)
concertmaster:
James Getzoff (American concertmaster and violinist)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977)
produced for:
Gadget Productions Inc.
aufgenommen bei und mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
We Just Disagree
Texter und Komponist(in):
Jim Krueger
publisher:
Bruiser Music, EMI Blackwood Music Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Dave Mason3.653:01
14Crazy Love
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) und MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1978)
recording of:
Crazy Love
Texter und Komponist(in):
Rusty Young
publisher:
Green Lantern Music, Pirooting Publishing und WB Music Corp. (1929–2019)
Poco2.52:51
15Jackie Blue
phonographisches Urheberrecht (℗) von:
A&M Records
recording of:
Jackie Blue
Verfasser(in) und Komponist(in):
Steve Cash und Larry Lee (Vinyl Kings and Ozark Mountain Daredevils)
The Ozark Mountain Daredevils4.13:34
16Love Will Find a Way
assistierende(r) Techniker(in):
Jim Scheffler
Techniker(in), Produzent(in) und Mix:
Bill Schnee
zusätzliche(r) assistierende(r) Techniker(in):
Greg Price (engineer)
assistierende(r) Mix:
Gabe Beltri
Bassgitarre [bass]:
Bruce Day (US soft rock bassist)
Gitarre [guitars]:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific)
Keyboard [keyboards]:
Cory Lerios
Perkussion und Schlagzeug:
Stephen Price (US drummer, founding member of Pablo Cruise)
Hintergrundgesang:
Bruce Day (US soft rock bassist), David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) und Cory Lerios
Sologesang:
Bruce Day (US soft rock bassist) und David Jenkins (US guitarist for Pablo Cruise & Southern Pacific)
phonographisches Urheberrecht (℗) von:
A&M Records und A&M Records, Inc. (in 1978)
aufgenommen bei:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California (Kalifornien), Vereinigte Staaten (von 1978-02 bis 1978-03)
zusätzlich aufgenommen bei:
Redwing Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten
additionally mixed at:
The Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 44)
recording of:
Love Will Find a Way
Verfasser(in):
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) und Cory Lerios
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), Irving Music, Inc., Pablo Cruise Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Pablo Cruise24:08
17I’m Not in Love
Bass und Gitarre:
Graham Gouldman (in 1975)
Effektgerät [musical effects]:
Eric (in 1975)
Hybrid-Piano und Sologesang:
Eric Stewart (in 1975)
Klavier:
Lol Creme (in 1975)
Moog:
Kevin Godley (in 1975)
Synclavier [control desk]:
Eric (in 1975), Graham (in 1975), Kevin (in 1975) und Lol (in 1975)
Hintergrundgesang:
Lol Creme (in 1975), Kevin Godley (in 1975) und Graham Gouldman (in 1975)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!)
Bearbeitung von:
I’m Not in Love (album version) von 10cc
recording of:
I’m Not in Love (in 1975)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc4.23:43
18Longer
Techniker(in):
Jeff Guercio und Marty Lewis (engineer)
Produzent(in):
Dan Fogelberg, Marty Lewis (engineer) und Norbert Putnam
Mix:
Marty Lewis (engineer)
Akustikgitarre:
Dan Fogelberg
Harfe:
Gayle Levant (American studio musician, harpist)
Solo-Flügelhorn:
Jerry Hey
vocals:
Dan Fogelberg
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) und Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1980)
mixed at:
Quadrafonic Sound Studios in Nashville, Tennessee, Vereinigte Staaten
recording of:
Longer
Texter und Komponist(in):
Dan Fogelberg
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Hickory Grove Music
Dan Fogelberg3.153:14

Nennungen

Veröffentlichung

hergestellt in:Mexiko
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2019)
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2019)
Discogs:https://www.discogs.com/release/14209382 [Info]
ASIN:US: B07TJKBT3M [Info]

Veröffentlichungsgruppe

Teil von:NOW That’s What I Call Yacht Rock (Nummer: 1) (Reihenfolge: 1)
NOW That’s What I Call… (USA compilations outside the main numbered series) (Reihenfolge: 67)
Discogs:https://www.discogs.com/master/1731685 [Info]
andere Datenbanken:https://rateyourmusic.com/release/album/various-artists/now-thats-what-i-call-yacht-rock/ [Info]
Allmusic:https://www.allmusic.com/album/mw0003299011 [Info]