Centenary Collection 1968-1977

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Mahler: Symphony no. 4 / Smetana: Má vlast
2▶CD: Wagner: Der Ring des Nibelungen - Highlights (1)
3▶CD: Wagner: Der Ring des Nibelungen - Highlights (2)
4▶CD: Bach: Christmas Cantatas
5▶CD: Debussy: Images I & II / Children's Corner / Préludes
6▶CD: Henze: Symphonies nos. 5 & 6 / Five Neapolitan Songs
7▶CD: Mozart: Piano Concerto no. 27 / Concerto for 2 Pianos K. 365 / Six Variations in F, K. 398 / Fantasia in D minor
8▼CD: Verdi: Overtures & Choruses
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1Nabucco, Act I: Gli arredi festivi
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1974-11)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1974-11)
conductor:
Claudio Abbado (conductor) (in 1974-11)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1974-11)
recording of:
Nabucco: Parte I. Introduzione “Gli arredi festivi giù cadano infranti” (Coro) (in 1974-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte I. Gerusalemme
Giuseppe Verdi5:15
2Nabucco, Act III: Va, pensiero "Chorus of the Hebrew Slaves"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1974-11)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1974-11)
conductor:
Claudio Abbado (conductor) (in 1974-11)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1974-11)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1974-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi34:24
3Ernani, Act III: Si ridesti il leon di Castiglia
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1974-11)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1974-11)
conductor:
Claudio Abbado (conductor) (in 1974-11)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1974-11)
recording of:
Ernani: Atto III. (no. 12b) “Un patto! Un giuramento!…Si redesti il Leon di Castiglia” (Tutti) (in 1974-11)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto III (La clemenza)
Giuseppe Verdi1:28
4Macbeth, Act I: Overture (Preludio)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: N°1 Preludio (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth
part of:
Macbeth (german lyrics)
Giuseppe Verdi3:20
5Macbeth, Act I: Che faceste? Dite su! "Witches' Chorus"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto I. N°2a Coro d'introduzione “Che faceste? dite su!” (Streghe) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
Giuseppe Verdi3:29
6Macbeth, Act I: Chorus. S'allontanarono!
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto I. N°2e Coro “S'allontanarono! - N'accozzeremo” (Streghe) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto I
Giuseppe Verdi2:07
7Macbeth, Act IV: Chorus. Patria oppressa
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1974-11)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1974-11)
conductor:
Claudio Abbado (conductor) (in 1974-11)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1974-11)
recording of:
Macbeth: Atto IV. N°12 Coro “Patria oppressa! il dolce nome” (Profughi scozzesi) (Chorus of Scottish Exiles) (in 1974-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1847)
librettist:
Andrea Maffei (19th century poet, translator and librettist) and Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi6:16
8Simon Boccanegra, Prologue: Maria Maria: Viva Simon
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1977-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1977-01)
conductor:
Claudio Abbado (conductor) (in 1977-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1977-01)
partial recording of:
Simon Boccanegra: Prologo. “Oh de'Fieschi implacata, orrida razza!” (Simon, Fiesco, coro, Paolo, Pietro) (in 1977-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Prologo
Giuseppe Verdi2:18
9Aida, Act I: Possente, possente Fthà
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
bass vocals [Ramfis, capo dei sacerdoti]:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala (in 1981-01)
mezzo-soprano vocals [Sacerdotessa]:
Lucia Valentini Terrani (mezzo soprano) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto I, scena 2. Gran scena della consacrazione: “Possente, possente Fthà” / “Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:17
10Aida, Act I: Danza sacra del Sacerdotesse: Immenso Fthà
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer (artistic director)
bass vocals [Ramfis, capo dei sacerdoti]:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala (in 1981-01)
mezzo-soprano vocals [Sacerdotessa]:
Lucia Valentini Terrani (mezzo soprano) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto I, scena 2. Danza sacra delle Sacerdotesse: “Immenso Fthà!…” / “Mortal, diletto ai Numi” (Sacerdotesse, Ramfis, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi3:18
11Aida, Act III: O tu che sei d'Osiride
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto III: Introduzione-Preghiera: “Vieni d’Iside al tempio” (Sacerdotesse, Sacerdoti, Ramfis, Amneris) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi4:22
12Requiem: IIa. Dies irae
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1980-02)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Klaus Scheibe (editor/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1980-02)
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro) (in 1980-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:24
13Requiem: IIb. Tuba mirum
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1980-02)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Klaus Scheibe (editor/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1980-02)
recording of:
Messa da requiem: IIb. Dies irae: Tuba mirum (basso, coro) (in 1980-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi1:55
14Requiem: IId. Liber scriptus
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1980-02)
solo mezzo-soprano vocals:
Shirley Verrett (mezzo-soprano) (in 1980-02)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
balance engineer:
Klaus Hiemann (engineer/producer) and Klaus Scheibe (editor/engineer)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano (Milan), Milano, Lombardia, Italy (in 1980-02)
recording of:
Messa da requiem: IId. Dies irae: Liber scriptus (mezzo-soprano, coro) (in 1980-02)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi5:19
15Un ballo in maschera, Act I: Posa in pace
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (from 1979-12 until 1980-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (from 1979-12 until 1980-01)
conductor:
Claudio Abbado (conductor) (from 1979-12 until 1980-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Centro Telecinematografico Culturale di Milano in Milano (Milan), Milano, Lombardia, Italy (from 1979-12 until 1980-01)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 2 “Posa in pace, a' bei sogni ristora” (Samuel, Tom, Coro) (from 1979-12 until 1980-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:01
16Il Trovatore, Act II: Vedi le fosche notturne spoglie "Anvil Chorus"
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1974-11)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1974-11)
conductor:
Claudio Abbado (conductor) (in 1974-11)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1974-11)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (in 1974-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:56
17Don Carlos, Act II: Charles-Quint, l'auguste Empereur
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte II, scène 1. Scène et prière « Charles-Quint, l'auguste empereur » (Moines, un moine) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
recording of:
Don Carlos : Acte II, scène 1. Scène et prière « Charles-Quint, l'auguste empereur » (Moines, un moine) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte II
Giuseppe Verdi5:52
18Don Carlos, Act III: Prelude
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte III. Prélude (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
recording of:
Don Carlos : Acte III. Prélude (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
Giuseppe Verdi2:35
19Don Carlos, Act III: Ce jour heureux est plein d'allégresse!
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
tenor vocals [Un héraut royal]:
Antonio Savastano (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte III, scène 2. Grand final « Ce jour heureux est plein d’allégresse ! … » (le Peuple, moines, le Héraut royal) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
recording of:
Don Carlos : Acte III, scène 2. Grand final « Ce jour heureux est plein d’allégresse ! … » (le Peuple, moines, le Héraut royal) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte III
Giuseppe Verdi7:13
9▶CD: Chopin: 24 Préludes / Piano Concerto no. 2
10▶CD: Mozart: Piano Concerto no. 23 / Beethoven: Piano Concerto no. 4
11▶CD: Verdi: La traviata (1)
12▶CD: Verdi: La traviata (2)