Long Live the Chief

~ Release by The Count Basie Orchestra (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1You Got It
engineer:
Malcolm Pollack (from 1986-06-24 until 1986-06-25)
producer:
Tom Ueno and 渡辺貴浩
assistant mixer:
Kazuyoshi Hinoki
mixer:
Hiroshi Gotoh (recording engineer)
editor:
久木崎秀樹
alto saxophone:
Danny House (from 1986-06-24 until 1986-06-25) and Danny Turner (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
baritone saxophone:
John Williams (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
bass trombone:
Bill Hughes (jazz trombonist) (from 1986-06-24 until 1986-06-25)
double bass:
Lynn Seaton (jazz double bassist) (from 1986-06-24 until 1986-06-25)
guitar:
Freddie Green (from 1986-06-24 until 1986-06-25)
membranophone:
Dennis Mackrel (from 1986-06-24 until 1986-06-25)
piano:
Tee Carson (from 1986-06-24 until 1986-06-25)
tenor saxophone:
Eric Dixon (woodwind) (from 1986-06-24 until 1986-06-25), Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25) and Kenny Hing (from 1986-06-24 until 1986-06-25)
trombone:
Clarence Banks (from 1986-06-24 until 1986-06-25), Mel Wanzo (from 1986-06-24 until 1986-06-25) and Dennis Wilson (jazz trombonist) (from 1986-06-24 until 1986-06-25)
trumpet:
Sonny Cohn (from 1986-06-24 until 1986-06-25), Melton Mustafa (from 1986-06-24 until 1986-06-25), Bob Ojeda (trumpeter) (from 1986-06-24 until 1986-06-25) and Byron Stripling (from 1986-06-24 until 1986-06-25)
conductor:
Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1986-06-24 until 1986-06-25)
recording of:
You Got It (from 1986-06-24 until 1986-06-25)
composer:
Frank Foster (saxophonist)
5:39
2April in Paris
engineer:
Malcolm Pollack (from 1986-06-24 until 1986-06-25)
producer:
Tom Ueno and 渡辺貴浩
assistant mixer:
Kazuyoshi Hinoki
mixer:
Hiroshi Gotoh (recording engineer)
editor:
久木崎秀樹
alto saxophone:
Danny House (from 1986-06-24 until 1986-06-25) and Danny Turner (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
baritone saxophone:
John Williams (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
bass trombone:
Bill Hughes (jazz trombonist) (from 1986-06-24 until 1986-06-25)
double bass:
Lynn Seaton (jazz double bassist) (from 1986-06-24 until 1986-06-25)
guitar:
Freddie Green (from 1986-06-24 until 1986-06-25)
membranophone:
Dennis Mackrel (from 1986-06-24 until 1986-06-25)
piano:
Tee Carson (from 1986-06-24 until 1986-06-25)
tenor saxophone:
Eric Dixon (woodwind) (from 1986-06-24 until 1986-06-25), Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25) and Kenny Hing (from 1986-06-24 until 1986-06-25)
trombone:
Clarence Banks (from 1986-06-24 until 1986-06-25), Mel Wanzo (from 1986-06-24 until 1986-06-25) and Dennis Wilson (jazz trombonist) (from 1986-06-24 until 1986-06-25)
trumpet:
Sonny Cohn (from 1986-06-24 until 1986-06-25), Melton Mustafa (from 1986-06-24 until 1986-06-25), Bob Ojeda (trumpeter) (from 1986-06-24 until 1986-06-25) and Byron Stripling (from 1986-06-24 until 1986-06-25)
conductor:
Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1986-06-24 until 1986-06-25)
instrumental recording of:
April in Paris (from 1986-06-24 until 1986-06-25)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
3:40
3Misunderstood Blues
engineer:
Malcolm Pollack (from 1986-06-24 until 1986-06-25)
producer:
Tom Ueno and 渡辺貴浩
assistant mixer:
Kazuyoshi Hinoki
mixer:
Hiroshi Gotoh (recording engineer)
editor:
久木崎秀樹
alto saxophone:
Danny House (from 1986-06-24 until 1986-06-25) and Danny Turner (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
baritone saxophone:
John Williams (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
bass trombone:
Bill Hughes (jazz trombonist) (from 1986-06-24 until 1986-06-25)
double bass:
Lynn Seaton (jazz double bassist) (from 1986-06-24 until 1986-06-25)
guitar:
Freddie Green (from 1986-06-24 until 1986-06-25)
membranophone:
Dennis Mackrel (from 1986-06-24 until 1986-06-25)
piano:
Tee Carson (from 1986-06-24 until 1986-06-25)
tenor saxophone:
Eric Dixon (woodwind) (from 1986-06-24 until 1986-06-25), Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25) and Kenny Hing (from 1986-06-24 until 1986-06-25)
trombone:
Clarence Banks (from 1986-06-24 until 1986-06-25), Mel Wanzo (from 1986-06-24 until 1986-06-25) and Dennis Wilson (jazz trombonist) (from 1986-06-24 until 1986-06-25)
trumpet:
Sonny Cohn (from 1986-06-24 until 1986-06-25), Melton Mustafa (from 1986-06-24 until 1986-06-25), Bob Ojeda (trumpeter) (from 1986-06-24 until 1986-06-25) and Byron Stripling (from 1986-06-24 until 1986-06-25)
conductor:
Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1986-06-24 until 1986-06-25)
recording of:
Misunderstood Blues (from 1986-06-24 until 1986-06-25)
composer:
Frank Foster (saxophonist)
7:13
4Autumn Leaves
engineer:
Malcolm Pollack (from 1986-06-24 until 1986-06-25)
producer:
Tom Ueno and 渡辺貴浩
assistant mixer:
Kazuyoshi Hinoki
mixer:
Hiroshi Gotoh (recording engineer)
editor:
久木崎秀樹
alto saxophone:
Danny House (from 1986-06-24 until 1986-06-25) and Danny Turner (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
baritone saxophone:
John Williams (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
bass trombone:
Bill Hughes (jazz trombonist) (from 1986-06-24 until 1986-06-25)
double bass:
Lynn Seaton (jazz double bassist) (from 1986-06-24 until 1986-06-25)
guitar:
Freddie Green (from 1986-06-24 until 1986-06-25)
membranophone:
Dennis Mackrel (from 1986-06-24 until 1986-06-25)
piano:
Tee Carson (from 1986-06-24 until 1986-06-25)
tenor saxophone:
Eric Dixon (woodwind) (from 1986-06-24 until 1986-06-25), Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25) and Kenny Hing (from 1986-06-24 until 1986-06-25)
trombone:
Clarence Banks (from 1986-06-24 until 1986-06-25), Mel Wanzo (from 1986-06-24 until 1986-06-25) and Dennis Wilson (jazz trombonist) (from 1986-06-24 until 1986-06-25)
trumpet:
Sonny Cohn (from 1986-06-24 until 1986-06-25), Melton Mustafa (from 1986-06-24 until 1986-06-25), Bob Ojeda (trumpeter) (from 1986-06-24 until 1986-06-25) and Byron Stripling (from 1986-06-24 until 1986-06-25)
conductor:
Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1986-06-24 until 1986-06-25)
instrumental recording of:
Autumn Leaves (jazz standard, English lyrics) (from 1986-06-24 until 1986-06-25)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
5:29
5A Foggy Day
engineer:
Malcolm Pollack (from 1986-06-24 until 1986-06-25)
producer:
Tom Ueno and 渡辺貴浩
assistant mixer:
Kazuyoshi Hinoki
mixer:
Hiroshi Gotoh (recording engineer)
editor:
久木崎秀樹
alto saxophone:
Danny House (from 1986-06-24 until 1986-06-25) and Danny Turner (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
baritone saxophone:
John Williams (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
bass trombone:
Bill Hughes (jazz trombonist) (from 1986-06-24 until 1986-06-25)
double bass:
Lynn Seaton (jazz double bassist) (from 1986-06-24 until 1986-06-25)
guitar:
Freddie Green (from 1986-06-24 until 1986-06-25)
membranophone:
Dennis Mackrel (from 1986-06-24 until 1986-06-25)
piano:
Tee Carson (from 1986-06-24 until 1986-06-25)
tenor saxophone:
Eric Dixon (woodwind) (from 1986-06-24 until 1986-06-25), Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25) and Kenny Hing (from 1986-06-24 until 1986-06-25)
trombone:
Clarence Banks (from 1986-06-24 until 1986-06-25), Mel Wanzo (from 1986-06-24 until 1986-06-25) and Dennis Wilson (jazz trombonist) (from 1986-06-24 until 1986-06-25)
trumpet:
Sonny Cohn (from 1986-06-24 until 1986-06-25), Melton Mustafa (from 1986-06-24 until 1986-06-25) and Bob Ojeda (trumpeter) (from 1986-06-24 until 1986-06-25)
lead vocals:
Carmen Bradford (jazz vocalist) (from 1986-06-24 until 1986-06-25)
conductor:
Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1986-06-24 until 1986-06-25)
cover recording of:
A Foggy Day (in London Town) (from 1986-06-24 until 1986-06-25)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
1:43
6Good Time Blues
engineer:
Malcolm Pollack (from 1986-06-24 until 1986-06-25)
producer:
Tom Ueno and 渡辺貴浩
assistant mixer:
Kazuyoshi Hinoki
mixer:
Hiroshi Gotoh (recording engineer)
editor:
久木崎秀樹
alto saxophone:
Danny House (from 1986-06-24 until 1986-06-25) and Danny Turner (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
baritone saxophone:
John Williams (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
bass trombone:
Bill Hughes (jazz trombonist) (from 1986-06-24 until 1986-06-25)
double bass:
Lynn Seaton (jazz double bassist) (from 1986-06-24 until 1986-06-25)
guitar:
Freddie Green (from 1986-06-24 until 1986-06-25)
membranophone:
Dennis Mackrel (from 1986-06-24 until 1986-06-25)
piano:
Tee Carson (from 1986-06-24 until 1986-06-25)
tenor saxophone:
Eric Dixon (woodwind) (from 1986-06-24 until 1986-06-25), Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25) and Kenny Hing (from 1986-06-24 until 1986-06-25)
trombone:
Clarence Banks (from 1986-06-24 until 1986-06-25), Mel Wanzo (from 1986-06-24 until 1986-06-25) and Dennis Wilson (jazz trombonist) (from 1986-06-24 until 1986-06-25)
trumpet:
Sonny Cohn (from 1986-06-24 until 1986-06-25), Melton Mustafa (from 1986-06-24 until 1986-06-25), Bob Ojeda (trumpeter) (from 1986-06-24 until 1986-06-25) and Byron Stripling (from 1986-06-24 until 1986-06-25)
conductor:
Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1986-06-24 until 1986-06-25)
recording of:
Good Time Blues (from 1986-06-24 until 1986-06-25)
composer:
Ernie Wilkins
publisher:
EMI Longitude Music
4:32
7Hey! I See You Over There
engineer:
Malcolm Pollack (from 1986-06-24 until 1986-06-25)
producer:
Tom Ueno and 渡辺貴浩
assistant mixer:
Kazuyoshi Hinoki
mixer:
Hiroshi Gotoh (recording engineer)
editor:
久木崎秀樹
alto saxophone:
Danny House (from 1986-06-24 until 1986-06-25) and Danny Turner (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
baritone saxophone:
John Williams (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
bass trombone:
Bill Hughes (jazz trombonist) (from 1986-06-24 until 1986-06-25)
double bass:
Lynn Seaton (jazz double bassist) (from 1986-06-24 until 1986-06-25)
guitar:
Freddie Green (from 1986-06-24 until 1986-06-25)
membranophone:
Dennis Mackrel (from 1986-06-24 until 1986-06-25)
piano:
Tee Carson (from 1986-06-24 until 1986-06-25)
tenor saxophone:
Eric Dixon (woodwind) (from 1986-06-24 until 1986-06-25), Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25) and Kenny Hing (from 1986-06-24 until 1986-06-25)
trombone:
Clarence Banks (African-American singer, who recorded for the Library of Congress while an inmate at Reed State Farm in Boykin, S.C., in 1934.) (from 1986-06-24 until 1986-06-25), Mel Wanzo (from 1986-06-24 until 1986-06-25) and Dennis Wilson (Beach Boys) (from 1986-06-24 until 1986-06-25)
trumpet:
Sonny Cohn (from 1986-06-24 until 1986-06-25), Melton Mustafa (from 1986-06-24 until 1986-06-25), Bob Ojeda (trumpeter) (from 1986-06-24 until 1986-06-25) and Byron Stripling (from 1986-06-24 until 1986-06-25)
conductor:
Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1986-06-24 until 1986-06-25)
recording of:
Hey! I See You Over There (from 1986-06-24 until 1986-06-25)
composer:
Dennis Wilson (jazz trombonist)
3:45
8Lil’ Darlin’
engineer:
Malcolm Pollack (from 1986-06-24 until 1986-06-25)
producer:
Tom Ueno and 渡辺貴浩
assistant mixer:
Kazuyoshi Hinoki
mixer:
Hiroshi Gotoh (recording engineer)
editor:
久木崎秀樹
alto saxophone:
Danny House (from 1986-06-24 until 1986-06-25) and Danny Turner (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
baritone saxophone:
John Williams (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
bass trombone:
Bill Hughes (jazz trombonist) (from 1986-06-24 until 1986-06-25)
double bass:
Lynn Seaton (jazz double bassist) (from 1986-06-24 until 1986-06-25)
guitar:
Freddie Green (from 1986-06-24 until 1986-06-25)
membranophone:
Dennis Mackrel (from 1986-06-24 until 1986-06-25)
piano:
Tee Carson (from 1986-06-24 until 1986-06-25)
tenor saxophone:
Eric Dixon (woodwind) (from 1986-06-24 until 1986-06-25), Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25) and Kenny Hing (from 1986-06-24 until 1986-06-25)
trombone:
Clarence Banks (African-American singer, who recorded for the Library of Congress while an inmate at Reed State Farm in Boykin, S.C., in 1934.) (from 1986-06-24 until 1986-06-25), Mel Wanzo (from 1986-06-24 until 1986-06-25) and Dennis Wilson (Beach Boys) (from 1986-06-24 until 1986-06-25)
trumpet:
Sonny Cohn (from 1986-06-24 until 1986-06-25), Melton Mustafa (from 1986-06-24 until 1986-06-25), Bob Ojeda (trumpeter) (from 1986-06-24 until 1986-06-25) and Byron Stripling (from 1986-06-24 until 1986-06-25)
conductor:
Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1986-06-24 until 1986-06-25)
recording of:
Lil’ Darlin’ (from 1986-06-24 until 1986-06-25)
composer and arranger:
Neal Hefti
5:00
9Bus Dust
engineer:
Malcolm Pollack (from 1986-06-24 until 1986-06-25)
producer:
Tom Ueno and 渡辺貴浩
assistant mixer:
Kazuyoshi Hinoki
mixer:
Hiroshi Gotoh (recording engineer)
editor:
久木崎秀樹
alto saxophone:
Danny House (from 1986-06-24 until 1986-06-25) and Danny Turner (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
baritone saxophone:
John Williams (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
bass trombone:
Bill Hughes (jazz trombonist) (from 1986-06-24 until 1986-06-25)
double bass:
Lynn Seaton (jazz double bassist) (from 1986-06-24 until 1986-06-25)
guitar:
Freddie Green (from 1986-06-24 until 1986-06-25)
membranophone:
Dennis Mackrel (from 1986-06-24 until 1986-06-25)
piano:
Tee Carson (from 1986-06-24 until 1986-06-25)
tenor saxophone:
Eric Dixon (woodwind) (from 1986-06-24 until 1986-06-25), Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25) and Kenny Hing (from 1986-06-24 until 1986-06-25)
trombone:
Clarence Banks (African-American singer, who recorded for the Library of Congress while an inmate at Reed State Farm in Boykin, S.C., in 1934.) (from 1986-06-24 until 1986-06-25), Mel Wanzo (from 1986-06-24 until 1986-06-25) and Dennis Wilson (Beach Boys) (from 1986-06-24 until 1986-06-25)
trumpet:
Sonny Cohn (from 1986-06-24 until 1986-06-25), Melton Mustafa (from 1986-06-24 until 1986-06-25), Bob Ojeda (trumpeter) (from 1986-06-24 until 1986-06-25) and Byron Stripling (from 1986-06-24 until 1986-06-25)
conductor:
Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1986-06-24 until 1986-06-25)
recording of:
Bus Dust (from 1986-06-24 until 1986-06-25)
composer:
Dennis Mackrel
4:43
10Corner Pocket
engineer:
Malcolm Pollack (from 1986-06-24 until 1986-06-25)
producer:
Tom Ueno and 渡辺貴浩
assistant mixer:
Kazuyoshi Hinoki
mixer:
Hiroshi Gotoh (recording engineer)
editor:
久木崎秀樹
alto saxophone:
Danny House (from 1986-06-24 until 1986-06-25) and Danny Turner (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
baritone saxophone:
John Williams (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
bass trombone:
Bill Hughes (jazz trombonist) (from 1986-06-24 until 1986-06-25)
double bass:
Lynn Seaton (jazz double bassist) (from 1986-06-24 until 1986-06-25)
guitar:
Freddie Green (from 1986-06-24 until 1986-06-25)
membranophone:
Dennis Mackrel (from 1986-06-24 until 1986-06-25)
piano:
Tee Carson (from 1986-06-24 until 1986-06-25)
tenor saxophone:
Eric Dixon (woodwind) (from 1986-06-24 until 1986-06-25), Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25) and Kenny Hing (from 1986-06-24 until 1986-06-25)
trombone:
Clarence Banks (African-American singer, who recorded for the Library of Congress while an inmate at Reed State Farm in Boykin, S.C., in 1934.) (from 1986-06-24 until 1986-06-25), Mel Wanzo (from 1986-06-24 until 1986-06-25) and Dennis Wilson (Beach Boys) (from 1986-06-24 until 1986-06-25)
trumpet:
Sonny Cohn (from 1986-06-24 until 1986-06-25), Melton Mustafa (from 1986-06-24 until 1986-06-25), Bob Ojeda (trumpeter) (from 1986-06-24 until 1986-06-25) and Byron Stripling (from 1986-06-24 until 1986-06-25)
conductor:
Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1986-06-24 until 1986-06-25)
recording of:
Corner Pocket (from 1986-06-24 until 1986-06-25)
lyricist:
Donald Wolf (songwriter / composer)
composer:
Freddie Green
publisher:
Longitude Music
5:43
11Dr. Feelgood
engineer:
Malcolm Pollack (from 1986-06-24 until 1986-06-25)
producer:
Tom Ueno and 渡辺貴浩
assistant mixer:
Kazuyoshi Hinoki
mixer:
Hiroshi Gotoh (recording engineer)
editor:
久木崎秀樹
alto saxophone:
Danny House (from 1986-06-24 until 1986-06-25) and Danny Turner (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
baritone saxophone:
John Williams (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
bass trombone:
Bill Hughes (jazz trombonist) (from 1986-06-24 until 1986-06-25)
double bass:
Lynn Seaton (jazz double bassist) (from 1986-06-24 until 1986-06-25)
guitar:
Freddie Green (from 1986-06-24 until 1986-06-25)
membranophone:
Dennis Mackrel (from 1986-06-24 until 1986-06-25)
piano:
Tee Carson (from 1986-06-24 until 1986-06-25)
tenor saxophone:
Eric Dixon (woodwind) (from 1986-06-24 until 1986-06-25), Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25) and Kenny Hing (from 1986-06-24 until 1986-06-25)
trombone:
Clarence Banks (African-American singer, who recorded for the Library of Congress while an inmate at Reed State Farm in Boykin, S.C., in 1934.) (from 1986-06-24 until 1986-06-25), Mel Wanzo (from 1986-06-24 until 1986-06-25) and Dennis Wilson (Beach Boys) (from 1986-06-24 until 1986-06-25)
trumpet:
Sonny Cohn (from 1986-06-24 until 1986-06-25), Melton Mustafa (from 1986-06-24 until 1986-06-25), Bob Ojeda (trumpeter) (from 1986-06-24 until 1986-06-25) and Byron Stripling (from 1986-06-24 until 1986-06-25)
lead vocals:
Carmen Bradford (jazz vocalist) (from 1986-06-24 until 1986-06-25)
conductor:
Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1986-06-24 until 1986-06-25)
recording of:
Dr. Feelgood (Love Is a Serious Business) (from 1986-06-24 until 1986-06-25)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music and Pronto Music (publisher)
4:43
12Four Five Six
engineer:
Malcolm Pollack (from 1986-06-24 until 1986-06-25)
producer:
Tom Ueno and 渡辺貴浩
assistant mixer:
Kazuyoshi Hinoki
mixer:
Hiroshi Gotoh (recording engineer)
editor:
久木崎秀樹
alto saxophone:
Danny House (from 1986-06-24 until 1986-06-25) and Danny Turner (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
baritone saxophone:
John Williams (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
bass trombone:
Bill Hughes (jazz trombonist) (from 1986-06-24 until 1986-06-25)
double bass:
Lynn Seaton (jazz double bassist) (from 1986-06-24 until 1986-06-25)
guitar:
Freddie Green (from 1986-06-24 until 1986-06-25)
membranophone:
Dennis Mackrel (from 1986-06-24 until 1986-06-25)
piano:
Tee Carson (from 1986-06-24 until 1986-06-25)
tenor saxophone:
Eric Dixon (woodwind) (from 1986-06-24 until 1986-06-25), Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25) and Kenny Hing (from 1986-06-24 until 1986-06-25)
trombone:
Clarence Banks (African-American singer, who recorded for the Library of Congress while an inmate at Reed State Farm in Boykin, S.C., in 1934.) (from 1986-06-24 until 1986-06-25), Mel Wanzo (from 1986-06-24 until 1986-06-25) and Dennis Wilson (Beach Boys) (from 1986-06-24 until 1986-06-25)
trumpet:
Sonny Cohn (from 1986-06-24 until 1986-06-25), Melton Mustafa (from 1986-06-24 until 1986-06-25), Bob Ojeda (trumpeter) (from 1986-06-24 until 1986-06-25) and Byron Stripling (from 1986-06-24 until 1986-06-25)
conductor:
Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1986-06-24 until 1986-06-25)
recording of:
Four Five Six (from 1986-06-24 until 1986-06-25)
composer:
Frank Foster (saxophonist)
6:51
13Shiny Stockings
engineer:
Malcolm Pollack (from 1986-06-24 until 1986-06-25)
producer:
Tom Ueno and 渡辺貴浩
assistant mixer:
Kazuyoshi Hinoki
mixer:
Hiroshi Gotoh (recording engineer)
editor:
久木崎秀樹
alto saxophone:
Danny House (from 1986-06-24 until 1986-06-25) and Danny Turner (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
baritone saxophone:
John Williams (jazz saxophonist) (from 1986-06-24 until 1986-06-25)
bass trombone:
Bill Hughes (jazz trombonist) (from 1986-06-24 until 1986-06-25)
double bass:
Lynn Seaton (jazz double bassist) (from 1986-06-24 until 1986-06-25)
guitar:
Freddie Green (from 1986-06-24 until 1986-06-25)
membranophone:
Dennis Mackrel (from 1986-06-24 until 1986-06-25)
piano:
Tee Carson (from 1986-06-24 until 1986-06-25)
tenor saxophone:
Eric Dixon (woodwind) (from 1986-06-24 until 1986-06-25), Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25) and Kenny Hing (from 1986-06-24 until 1986-06-25)
trombone:
Clarence Banks (African-American singer, who recorded for the Library of Congress while an inmate at Reed State Farm in Boykin, S.C., in 1934.) (from 1986-06-24 until 1986-06-25), Mel Wanzo (from 1986-06-24 until 1986-06-25) and Dennis Wilson (Beach Boys) (from 1986-06-24 until 1986-06-25)
trumpet:
Sonny Cohn (from 1986-06-24 until 1986-06-25), Melton Mustafa (from 1986-06-24 until 1986-06-25), Bob Ojeda (trumpeter) (from 1986-06-24 until 1986-06-25) and Byron Stripling (from 1986-06-24 until 1986-06-25)
conductor:
Frank Foster (saxophonist) (from 1986-06-24 until 1986-06-25)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1986-06-24 until 1986-06-25)
recording of:
Shiny Stockings (original 1955 instrumental composition) (from 1986-06-24 until 1986-06-25)
composer:
Frank Foster (saxophonist) (in 1955)
4:58