Ferry Maat's Soulshow: 25th Anniversary Collection - The Seventies Part 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Soul Show Tune: “Shaft in Africa”
Johnny Pate3:04
2(Don’t Worry) If There’s a Hell Below, We’re All Gonna Go
assistierende(r) Techniker(in):
Danny Turbeville
Techniker(in):
Tom Flye und Roger Anfinson
Produzent(in):
Curtis Mayfield
baritone saxophone:
Ron Kolber (Saxophone)
Bratsche / Viola:
Harold Klatz
Geige / Violine:
Sol Bobrob und Elloit Golub
Gitarre:
Patrick Ferreri und Phil Upchurch
Holzblasinstrumente [woodwinds]:
Harold Dessent
Horn:
Robert Lewis (horn)
Instrumente:
Sam Heiman, Harold Lepp, Richard Single und Gary Slabo
Keyboard [keyboards]:
John Ross (keyboards)
Perkussion:
Master Henry Gibson (Percussionist with Curtis Mayfield, Stan Getz, Ramsey Lewis) und Robert Sims (drummer)
Posaune:
Lorin Binford
Saxophon:
Clifford Davis und Leonard Druss
Schlagzeug [drums]:
Robert Sims (drummer) und Donald Simmons
Trompete:
John Howell (trumpet) und Rudolph Stauber
vocals:
Curtis Mayfield
arranger:
Riley Hampton und Gary Slabo
phonographisches Urheberrecht (℗) von:
Curtom Records (in 1970)
recording of:
(Don’t Worry) If There’s a Hell Below, We’re All Going to Go
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Curtom Publishing Co Inc (vom 1970 bis ????)
Curtis Mayfield4.57:51
3Don’t Play That Song
recording engineer:
Ron Albert und Chuck Kirkpatrick
Techniker(in):
Ron Albert, Chuck Kirkpatrick und Lewis Hahn
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Tommy McClure (am 1970-03-10)
Gitarre:
Charlie Freeman (am 1970-03-10)
Keyboard:
Jim Dickinson (am 1970-03-10)
Klavier:
Aretha Franklin (am 1970-03-10)
Schlagzeug:
Sammy Creason (am 1970-03-10)
Hintergrundgesang:
Margaret Branch (am 1970-03-10), Brenda Bryant (am 1970-03-10) und Almeda Lattimore (am 1970-03-10)
vocals:
Aretha Franklin (am 1970-03-10)
Horn arranger:
Tom Dowd
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-03-10)
cover recording of:
Don’t Play That Song (You Lied) (am 1970-03-10)
Verfasser(in):
Ahmet Ertegun (US songwriter/producer) und Betty Nelson
publisher:
Carlin Music Corporation und Unichappell Music, Inc.
Aretha Franklin42:58
4Respect Yourself
Produzent(in):
Al Bell
Mix:
Terry Manning (US recording engineer)
arranger:
Al Bell
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 462)
recording of:
Respect Yourself
Texter und Komponist(in):
Luther Ingram und Sir Mack Rice
publisher:
Irving Music (BMI) (in 1988) und Klondike Enterprises (publisher) (in 1988)
The Staple Singers4:54
5(Do the) Push and Pull, Part 1
Rufus Thomas2:19
6Mr. Big Stuff
recording of:
Mr. Big Stuff
Verfasser(in):
Joseph Broussard, Carrol Washington und Ralph Williams (US soul composer)
publisher:
Caraljo Music Inc., Malaco Music Company und Peermusic III, Ltd. (BMI)
Jean Knight3:36
7Theme From Shaft
Produzent(in):
Isaac Hayes
Bassgitarre:
James Alexander (US soul bassist, singer and songwriter)
Bongos und Conga:
Gary Jones (percussionist)
Gitarre:
Charles Pitts und Michael Toles
Hybrid-Piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
Hybrid-Piano, Orgel, Klavier und Vibraphon und Sologesang:
Isaac Hayes
membranophone und Tamburin:
Willie "Too Big" Hall
phonographisches Urheberrecht (℗) von:
Stax Records (not for release) (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 303)
recording of:
Theme From Shaft (Shaft, 1971)
Texter und Komponist(in):
Isaac Hayes
publisher:
Irving Music, Inc.
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1971 winner)
Teil von:
Shaft (1971 film soundtrack)
Isaac Hayes3.654:36
8(For God’s Sake) Give More Power to the People
recording of:
(For God’s Sake) Give More Power to the People
Texter und Komponist(in):
Eugene Record
publisher:
Unichappell Music, Inc.
The Chi‐Lites3:42
9I’ll Be Around
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
DJ Minnesotah, MASATO (KANDYTOWN) und Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
recording of:
I’ll Be Around (in 1973)
Komponist(in):
Thom Bell (keyboards, songwriter, producer) und Phil Hurtt
publisher:
Mighty Three Music Ld. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:10
10Pop That Thang
The Isley Brothers2:55
11Family Affair
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 138)
recording of:
Family Affair
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone4.353:04
12Backstabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Back Stabbers (in 1972)
Verfasser(in):
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden und John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:08
13Why Can’t We Live Together
recording of:
Why Can’t We Live Together (in 1972-08)
Texter und Komponist(in):
Timmy Thomas
publisher:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas44:36
14The Love I Lost
Produzent(in):
Gamble & Huff
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1973)
arranger:
Bobby Martin (US soul/R&B producer/arranger)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 470)
recording of:
The Love I Lost (in 1973)
Verfasser(in):
Gamble & Huff, Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes6:25
15I’m Doin’ Fine Now
recording of:
I’m Doin’ Fine Now
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) und Sherman Marshall
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
New York City2:56
16Yes We Can Can
cover recording of:
Yes We Can Can
Texter und Komponist(in):
Allen Toussaint
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Pointer Sisters54:13
17Never Gonna Give You Up
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
recording of:
Never, Never Gonna Give Ya Up
Texter und Komponist(in):
Barry White
Barry White57:58
18Hang on in There Baby
recording of:
Hang on in There Baby
Texter und Komponist(in):
Johnny W. Bristol
publisher:
Bushka Music (publishing) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Johnny Bristol3:50
19Do It
recording of:
Do It (’Til You’re Satisfied)
Verfasser(in):
Billy Nichols (US soul/disco singer/songwriter)
publisher:
Bravo and Encore Music und Music in Three
B.T. Express3:20
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