Cruisin’

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1We Close Our Eyes
Produzent(in):
Gary Stevenson
remixer:
Tom Lord‐Alge
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
We Close Our Eyes von Go West
recording of:
We Close Our Eyes
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Go West3.23:49
2The Loneliest Man in the World
recording of:
The Lonelist Man in the World
Texter und Komponist(in):
Steven Lindsay
The Big Dish3:34
3You’re in Love
recording engineer und Mix:
Francis Buckley
zusätzlich recording engineer:
Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat und Rail Jon Rogut
assistierende(r) Techniker(in):
Dan Bosworth (engineer), Ric Butz, Darryl Dean Dobson, Graig Johnson und Bill Malina
Produzent(in):
Glen Ballard
Bass:
Jimmy Johnson (US session bassist) und Abraham Laboriel
Gitarre:
Michael Landau
Keyboard:
Glen Ballard und Randy Kerber
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Perkussion arranger:
Glen Ballard
vocals arranger:
Glen Ballard und Wilson Phillips
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990) und SBK Records (in 1990)
recording of:
You’re in Love
Verfasser(in):
Glen Ballard, Chynna Phillips, Carnie Wilson und Wendy Wilson
publisher:
Aerostation Corporation, EMI Blackwood Music Inc., Get Out Songs, Smooshie Music, Wendihaus Music, Willphill Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (von 1990 bis 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (von 1990 bis 2003) und Universal Music Corp. (USA, affiliated with ASCAP) (vom 2003 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Wilson Phillips3.654:48
4Calling All the Heroes
recording of:
Calling All the Heroes
Verfasser(in):
Francis Dunnery
It Bites55:31
5Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:52
6Sailing on the Seven Seas
Techniker(in):
Jeremy Allom
Produzent(in):
Orchestral Manoeuvres in the Dark
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1991)
recording of:
Sailing on the Seven Seas
Texter und Komponist(in):
Stuart Kershaw (OMD drummer) und Andy McCluskey
publisher:
Raw Unltd. Ltd. (publisher) (in 1991) und Virgin Music (Publishers) Ltd. (in 1991)
Orchestral Manoeuvres in the Dark33:47
7I Touch Myself
assistierende(r) Techniker(in):
Chris Albert (US engineer) und Vince Caro (engineer, music editor, producer)
Produzent(in):
Divinyls (Australian rock band), Howard Shore (Canadian score composer) und David Tickle
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989, in 1990) und Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (in 1990)
aufgenommen bei:
BMG Recording Studios in Theater District, New York, New York, Vereinigte Staaten
remixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 54) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 326)
recording of:
I Touch Myself
Texter und Komponist(in):
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) und William Steinberg
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:48
8Still Got the Blues (for You)
assistierende(r) Techniker(in) und assistierende(r) Mix:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris und Greg Muden
Techniker(in) und Mix:
Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Bassgitarre:
Andy Pyle
Gast-Saiteninstrumente:
Gavyn Wright (UK violinist, conductor)
Gitarre und Sologesang:
Gary Moore (Thin Lizzy, blues guitar)
Keyboard:
Don Airey
Klavier:
Nicky Hopkins (pianist and organist)
Schlagzeug:
Graham Walker (UK drummer)
conductor:
Don Airey
Saiteninstrumente arranger:
Don Airey und Gary Moore (Thin Lizzy, blues guitar)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1990)
recording of:
Still Got the Blues (for You)
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
publisher:
BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs und Mushroom Music Pty. Ltd.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gary Moore44:12
9Heaven Is a Place on Earth
recording engineer:
Steve McMillan
Schlagzeug [drum]-Programmierung:
Charles Judge (American guitarist, pianist, arranger and songwriter) und Rick Nowels
assistierende(r) Techniker(in):
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble und Joe Schiff
zusätzliche(r) Techniker(in):
Stacy Baird (former audio engineer) und Robert Feist
Produzent(in):
Rick Nowels
zusätzliche(r) Produzent(in):
Robert Feist (sonstiger Gesang [vocal]) und Ellen Shipley (sonstiger Gesang [vocal])
Mix:
Shelly Yakus
Akustikgitarre [acoustic guitars]:
Rick Nowels
Bass:
John Pierce (US session bassist)
E-Gitarre [electric guitars]:
Dan Huff, John McCurry und Rick Nowels
Gitarre [air guitar] und Sologesang:
Belinda Carlisle
Keyboard [keyboards]:
Charles Judge (American guitarist, pianist, arranger and songwriter) und Rick Nowels
Klavier [acoustic piano]:
Charles Judge (American guitarist, pianist, arranger and songwriter)
Schlagzeug [drums]:
Kenny Aronoff und Curly Smith (Jo Jo Gunne musician)
Synthesizer [Fairlight]:
Rhett Lawrence
zusätzlich Gitarre:
Tim Pierce (US session guitarist)
zusätzlich Gitarre [guitars]:
Michael Landau
zusätzlich Keyboard [keyboards]:
Thomas Dolby
zusätzlich Perkussion:
Jimmy Bralower und Paulinho da Costa (Brazilian percussionist)
vocals:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips und Ellen Shipley
arranger:
Rick Nowels
phonographisches Urheberrecht (℗) von:
Artist Management Services Ltd. (in 1987), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1987), Virgin Records Ltd (not for release label use! for company relationships only) (in 1987) und Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
aufgenommen bei:
American Recording und Ocean Way Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Hollywood Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten und Music Grinder Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 400)
recording of:
Heaven Is a Place on Earth
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), BMG Rights Management (see annotation), Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (in 1987) und Shipwreck Music (publisher) (in 1987)
sub-publisher:
Fujipacific Music, Inc.
Belinda Carlisle4.154:05
10(I Just) Died in Your Arms Tonight
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:37
11All I Want Is You
recording of:
All I Want Is You
Verfasser(in):
Lee Brennan und John McLaughlin (guitarist)
91134:10
12Temptation
Produzent(in):
B.E.F. und Greg Walsh (producer and engineer)
vocals:
Carol Kenyon
recording of:
Temptation
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
publisher:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Heaven 172.353:07
13Love Is the Drug
Produzent(in):
Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975, in 1999)
recording of:
Love Is the Drug
Texter:
Bryan Ferry
Komponist(in):
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs und E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.24:09
14Shadow on the Wall
Techniker(in):
Nigel Luby
Produzent(in):
Mike Oldfield und Simon Phillips (rock drummer)
Banjo, Bass, Gitarre und Synthesizer:
Mike Oldfield (von 1982-11 bis 1983-04)
Gitarre:
Ant (Anthony Glynne, Guitar Player) (von 1982-11 bis 1983-04)
Schlagzeug:
Simon Phillips (rock drummer) (von 1982-11 bis 1983-04)
vocals:
Roger Chapman (von 1982-11 bis 1983-04)
phonographisches Urheberrecht (℗) von:
Mike Oldfield (in 2013)
aufgenommen bei:
Denham Studios (von 1982-11 bis 1983-04)
recording of:
Shadow on the Wall (von 1982-11 bis 1983-04)
Texter und Komponist(in):
Mike Oldfield
publisher:
Virgin Music (Publishers) Ltd.
Mike Oldfield3.43:09
15Our House
Produzent(in):
Clive Langer & Alan Winstanley
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recording of:
Our House
Texter:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness43:12
16Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.453:27
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Discogs:https://www.discogs.com/master/1806026 [Info]