Extraits/Excerpts: Grands Compositeurs Baroques/Great Baroque Masters

~ Pubblicazione di Henry Purcell (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1The Fairy Queen: First Musick, Prelude / Hornpipe
registrazione di:
The Fairy Queen, Z. 629: First Musick, no. 1. Prelude
compositore:
Henry Purcell (Baroque composer)
parte di:
The Fairy Queen, Z. 629
registrazione di:
The Fairy Queen, Z. 629: First Musick, no. 2. Hornpipe (Hornpipe in g)
compositore:
Henry Purcell (Baroque composer)
parte di:
The Fairy Queen, Z. 629
2:24
2The Fairy Queen: Acte II. Choeur "May the god of Wit inspire" / Echo
orchestra:
Les Arts Florissants (French baroque ensemble)
direttore d'orchestra:
William Christie (harpsichordist and conductor)
registrazione di:
The Fairy Queen, Z. 629: Part II "Night and silence": "The Songsters... May the god of wit inspire"
compositore:
Henry Purcell (Baroque composer) (nel 1692)
parte di:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
2:25
3The Fairy Queen: Acte II. Choeur "Now join your warbling voices all" / "Sing while we trip it" / Danse des Fées
orchestra:
Les Arts Florissants (French baroque ensemble)
direttore d'orchestra:
William Christie (harpsichordist and conductor)
registrazione di:
The Fairy Queen, Z. 629: Part II "Night and silence": "Echo... Now join your warbling voices all"
compositore:
Henry Purcell (Baroque composer) (nel 1692)
parte di:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
2:52
4The Fairy Queen: Acte III. Dialogue entre Coridon et Mopsa
orchestra:
Les Arts Florissants (French baroque ensemble)
direttore d'orchestra:
William Christie (harpsichordist and conductor)
registrazione di:
The Fairy Queen, Z. 629: Act III, no. 25. Dialogue Between Coridon and Mopsa: "Now the Maids and the Men"
compositore:
Henry Purcell (Baroque composer)
parte di:
The Fairy Queen, Z. 629
3:33
5King Arthur: Acte III. Scène 2
diritti fonografici (℗) detenuti da:
harmonia mundi s.a. (not for release label use!) (dal 1979 a oggi)
registrazione di:
King Arthur, Z. 628: Act III, 18. Prelude (before Act III, 19. “What ho! Thou genius of this isle”)
compositore:
Henry Purcell (Baroque composer)
parte di:
King Arthur, Z. 628: Act III
registrazione di:
King Arthur, Z. 628: Act III, 19. “What ho! Thou genius of this isle” (Cupid)
compositore:
Henry Purcell (Baroque composer)
librettista:
John Dryden (English poet)
parte di:
King Arthur, Z. 628: Act III
registrazione di:
King Arthur, Z. 628: Act III, 20. “What power art thou, who from below…” (Cold Genius)
compositore:
Henry Purcell (Baroque composer)
librettista:
John Dryden (English poet)
parte di:
King Arthur, Z. 628: Act III
registrazione di:
King Arthur, Z. 628: Act III, 21. “Thou doting fool” (Cupid)
compositore:
Henry Purcell (Baroque composer)
librettista:
John Dryden (English poet)
parte di:
King Arthur, Z. 628: Act III
registrazione di:
King Arthur, Z. 628: Act III, 22. “Great love, I know thee now” (Cold Genius)
compositore:
Henry Purcell (Baroque composer)
librettista:
John Dryden (English poet)
parte di:
King Arthur, Z. 628: Act III
registrazione di:
King Arthur, Z. 628: Act III, 23. “No part of my dominion shall be waste” (Cupid)
compositore:
Henry Purcell (Baroque composer)
librettista:
John Dryden (English poet)
parte di:
King Arthur, Z. 628: Act III
registrazione di:
King Arthur, Z. 628: Act III, 24. Prelude (before Act III, 25. “See, see, we assemble”)
parte di:
King Arthur, Z. 628: Act III
registrazione di:
King Arthur, Z. 628: Act III, 25. “See, see, we assemble” (Chorus)
compositore:
Henry Purcell (Baroque composer)
librettista:
John Dryden (English poet)
parte di:
King Arthur, Z. 628: Act III
10:56
6Dido & Aeneas: Acte III. Monologue et mort de Didon
tecnico di registrazione:
Alain Duchemin (nel 1985-07)
voce di mezzosoprano [Dido]:
Guillemette Laurens (mezzo-soprano) (nel 1985-07)
orchestra:
Les Arts Florissants (French baroque ensemble) (nel 1985-07)
direttore d'orchestra:
William Christie (harpsichordist and conductor) (nel 1985-07)
diritti fonografici (℗) detenuti da:
harmonia mundi s.a. (not for release label use!) (nel 1986)
registrata presso:
Église Saint-Martin d'Arles (Chapelle du Méjan) in Arles, Bouches-du-Rhône (Bocche del Rodano), Provence-Alpes-Côte-d'Azur, Francia (nel 1985-07)
registrazione di:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (nel 1985-07)
compositore:
Henry Purcell (Baroque composer)
librettista:
Nahum Tate
parte di:
Dido and Aeneas, Z. 626: Act III
registrazione di:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (nel 1985-07)
compositore:
Henry Purcell (Baroque composer) (nel 1689)
librettista:
Nahum Tate
parte di:
Dido and Aeneas, Z. 626: Act III
registrazione di:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (nel 1985-07)
compositore:
Henry Purcell (Baroque composer) (nel 1689)
librettista:
Nahum Tate
parte di:
Dido and Aeneas, Z. 626: Act III
8:15
7Sonate VII en mi mineur, Z.796: Adagio
orchestra:
London Baroque (founded 1978 by Charles Medlam)
registrazione di:
Trio Sonata of 3 parts no. 7 in E minor, Z. 796: I. Adagio
compositore:
Henry Purcell (Baroque composer) (nel 1683)
parte di:
Trio Sonata in 3 parts no. 7 in E minor, Z. 796
1:35
8Sonate VII en mi mineur, Z.796: Canzona
orchestra:
London Baroque (founded 1978 by Charles Medlam)
registrazione di:
Trio Sonata of 3 parts no. 7 in E minor, Z. 796: II. Canzona
compositore:
Henry Purcell (Baroque composer) (nel 1683)
parte di:
Trio Sonata in 3 parts no. 7 in E minor, Z. 796
1:28
9Sonate VII en mi mineur, Z.796: Largo
orchestra:
London Baroque (founded 1978 by Charles Medlam)
registrazione di:
Trio Sonata of 3 parts no. 7 in E minor, Z. 796: III. Largo
compositore:
Henry Purcell (Baroque composer) (nel 1683)
parte di:
Trio Sonata in 3 parts no. 7 in E minor, Z. 796
1:27
10Sonate VII en mi mineur, Z.796: Grave
registrazione di:
Trio Sonata of 3 parts no. 7 in E minor, Z. 796: IV. Grave
compositore:
Henry Purcell (Baroque composer) (nel 1683)
parte di:
Trio Sonata in 3 parts no. 7 in E minor, Z. 796
1:08
11Chacony a 4 en sol mineur, Z.730
orchestra:
London Baroque (founded 1978 by Charles Medlam)
registrazione di:
Chacony in G minor for 2 violins, viola and continuo, Z. 730
compositore:
Henry Purcell (Baroque composer)
parte di:
Henry Purcell: An Analytical Catalogue of His Music (numero: Z. 730)
4:21
12Oedipus, Z. 583 No. 2: "Music for awhile"
clavicembalo :
William Christie (harpsichordist and conductor) (nel 1979-04)
viola da gamba e viola da gamba basso :
Wieland Kuijken (Belgian cellist) (nel 1979-04)
voce di controtenore:
Alfred Deller (countertenor) (nel 1979-04)
registrazione di:
Oedipus, King of Thebes, Z. 583: II. "Music for a While" (nel 1979-04)
paroliere:
John Dryden (English poet)
compositore:
Henry Purcell (Baroque composer)
parte di:
Oedipus, King of Thebes, Z. 583
4:01
13King Arthur, Z. 628 No. 38: Aria "Fairest isle"
clavicembalo :
William Christie (harpsichordist and conductor) (nel 1979-04)
viola da gamba e viola da gamba basso :
Wieland Kuijken (Belgian cellist) (nel 1979-04)
voce di controtenore:
Alfred Deller (countertenor) (nel 1979-04)
registrazione di:
King Arthur, Z. 628: Act V, Scene II, 38. “Fairest Isle” (Venus) (nel 1979)
compositore:
Henry Purcell (Baroque composer)
librettista:
John Dryden (English poet)
parte di:
King Arthur, Z. 628: Act V
2:45
14O Solitude, My Sweetest Choice, Z.406 (Poème Katherine Philips)
organo :
Robert Elliott (harpsichord / organist) (nel 1979-04)
viola da gamba e viola da gamba basso :
Jane Ryan (British classical viol player) (nel 1979-04)
voce di controtenore:
Alfred Deller (countertenor) (nel 1979-04)
registrazione di:
O Solitude, Z. 406 (nel 1979-04)
paroliere:
Katherine Philips (17th century poet)
compositore:
Henry Purcell (Baroque composer) (dal 1684 al 1685)
parte di:
Henry Purcell: An Analytical Catalogue of His Music (numero: Z. 406)
si basa su:
O Solitude
5:54
15Ode on St. Cecilia's Day (1683), Z.339: Ouverture
cori:
Deller Consort (UK vocal & instrumental early music ensemble) (nel 1970)
orchestra:
Stour Music Festival Chamber Orchestra (nel 1970)
direttore d'orchestra:
Alfred Deller (countertenor) (nel 1970)
registrazione di:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Overture (nel 1970)
parte di:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339
2:22
16Ode on St. Cecilia's Day (1683), Z.339: Choeur "Welcome to all the pleasures"
cori:
Deller Consort (UK vocal & instrumental early music ensemble) (nel 1970)
orchestra:
Stour Music Festival Chamber Orchestra (nel 1970)
direttore d'orchestra:
Alfred Deller (countertenor) (nel 1970)
registrazione di:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Welcome to all the Pleasures (nel 1970)
parte di:
Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339
2:12
17Ode on Queen Mary's Birthday (1692), Z.331: Ouverture
cori:
Deller Consort (UK vocal & instrumental early music ensemble) (nel 1970)
orchestra:
Stour Music Festival Chamber Orchestra (nel 1970)
direttore d'orchestra:
Alfred Deller (countertenor) (nel 1970)
registrazione di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Overture (nel 1970)
parte di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
4:00
18Ode on Queen Mary's Birthday (1692), Z.331: "Love's Goddess sure was blind" (alto solo)
cori:
Deller Consort (UK vocal & instrumental early music ensemble) (nel 1970)
orchestra:
Stour Music Festival Chamber Orchestra (nel 1970)
direttore d'orchestra:
Alfred Deller (countertenor) (nel 1970)
registrazione di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Love's goddess sure was blind (nel 1970)
parte di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
4:22
19Ode on Queen Mary's Birthday (1692), Z.331: "Sweetness of nature" (duo altos)
registrazione parziale di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Sweetness of nature / Long may she reign
compositore:
Henry Purcell (Baroque composer)
parte di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
3:20
20Ode on Queen Mary's Birthday (1692), Z.331: "Long may she reigne" (soprano, choeur)
registrazione parziale di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Sweetness of nature / Long may she reign
compositore:
Henry Purcell (Baroque composer)
parte di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
1:44
21Ode on Queen Mary's Birthday (1692), Z.331: "May the blest example chase" (alto solo)
cori:
Deller Consort (UK vocal & instrumental early music ensemble) (nel 1970)
orchestra:
Stour Music Festival Chamber Orchestra (nel 1970)
direttore d'orchestra:
Alfred Deller (countertenor) (nel 1970)
registrazione di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: May her blest example chase (nel 1970)
parte di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
1:36
22Ode on Queen Mary's Birthday (1692), Z.331: "May such days" (duo altos)
cori:
Deller Consort (UK vocal & instrumental early music ensemble) (nel 1970)
orchestra:
Stour Music Festival Chamber Orchestra (nel 1970)
direttore d'orchestra:
Alfred Deller (countertenor) (nel 1970)
registrazione di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Many such days (nel 1970)
parte di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
2:55
23Ode on Queen Mary's Birthday (1692), Z.331: "May she to heaven late return" (choeur)
cori:
Deller Consort (UK vocal & instrumental early music ensemble) (nel 1970)
orchestra:
Stour Music Festival Chamber Orchestra (nel 1970)
direttore d'orchestra:
Alfred Deller (countertenor) (nel 1970)
registrazione di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: May she to Heaven late return (nel 1970)
parte di:
Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331
2:47

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ASIN:US: B000NIFTDW [info]