Work From Home: Chilled Soundtracks

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Countries where available (Deezer + Spotify)

(As of 2020-10-25).

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Anmerkung zuletzt geändert am 2020-11-01 11:00 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1A Gift of a Thistle (from “Braveheart” soundtrack)
recording engineer und Mix:
Shawn Murphy (producer/engineer)
assistierende(r) Techniker(in):
Jonathan Allen (engineer)
Produzent(in):
James Horner (American score composer)
assistierendes Editing:
Christine Cholvin und Joe E. Rand (editor)
Editing:
Jim Henrikson
Chorgesang:
Choir of Westminster Abbey
Orchester:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Martin Neary (English organist and choral conductor)
Orchestrator(in):
James Horner (American score composer)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
A Gift of a Thistle (Braveheart)
Komponist(in):
James Horner (American score composer)
publisher:
Fox Film Music Corporation (BMI-affiliated)
sub-publisher:
EMI Music Publishing France
Teil von:
Braveheart
James Horner1:38
2Memories
recording engineer und Mix:
Peter Cobbin (recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Lewis Jones (engineer)
Produzent(in):
Dominique Lemonnier
Editing:
Gerard McCann (producer, editor)
Orchester:
London Symphony Orchestra
conductor:
Alexandre Desplat (French score composer)
phonographisches Urheberrecht (℗) von:
Pathé Productions Limited, Philomena Lee Limited und The Weinstein Company LLC (do not use as a release label!)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Memories
Orchestrator(in) und Komponist(in):
Alexandre Desplat (French score composer)
Alexandre Desplat1:16
3The Farm (from “Road to Perdition” soundtrack)
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
The Farm
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman2:10
4She Was Running (from “My Brilliant Friend” TV series soundtrack)
Produzent(in):
Max Richter (German pianist and score composer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recording of:
She Was Running
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter2:09
5A Lord of the Rings Suite
Produzent(in):
Craig Leon (musician, arranger, composer and producer)
flute:
James Galway (flautist) (in 2004-06)
Orchester:
London Symphony Orchestra (in 2004-06)
conductor:
Klauspeter Seibel (conductor) (in 2004-06)
Tonmeister(in):
Jonathan Allen (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 2004-06)
recording of:
A Lord of the Rings Suite (for flute and orchestra) (in 2004-06)
Komponist(in):
Howard Shore (Canadian score composer)
James Galway, Klauspeter Seibel & London Symphony Orchestra6:41
6Looking for the Next Great Idea (from “A Beautiful Mind” soundtrack)
recording of:
Looking for the Next Great Idea
Komponist(in):
James Horner (American score composer)
James Horner3:03
7Bulldog of Bergen
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein und Thomas Newman (American score composer)
Mix:
Tommy Vicari
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Bulldog of Bergen
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman1:43
8Drives to Roscrea
recording engineer und Mix:
Peter Cobbin (recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Lewis Jones (engineer)
Produzent(in):
Dominique Lemonnier
Editing:
Gerard McCann (producer, editor)
Orchester:
London Symphony Orchestra
conductor:
Alexandre Desplat (French score composer)
phonographisches Urheberrecht (℗) von:
Pathé Productions Limited, Philomena Lee Limited und The Weinstein Company LLC (do not use as a release label!)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Drives to Roscrea
Orchestrator(in) und Komponist(in):
Alexandre Desplat (French score composer)
Alexandre Desplat1:15
9The Beyondness of Things
recording engineer:
John Richards (engineer) (in 1997-10)
Produzent(in):
John Barry (English score composer)
Orchester:
English Chamber Orchestra (in 1997-10)
conductor:
John Barry (English score composer) (in 1997-10)
Interpret(in):
John Barry (English score composer)
arranger:
John Barry (English score composer)
aufgenommen bei:
EMI Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1997-10)
recording of:
The Beyondness Of Things (in 1997-10)
Komponist(in):
John Barry (English score composer)
English Chamber Orchestra & John Barry4:15
10May It Be (Arr. M. Sheeran)
recording engineer:
David Hinitt (UK recording engineer, early 21c) (von 2018-05-03 bis 2018-06-08)
Mix:
David Hinitt (UK recording engineer, early 21c)
Bass-Gesang:
Robert Clark (Baritone) (von 2018-05-03 bis 2018-06-08)
arranger:
Matthew Sheeran
aufgenommen bei:
St George’s Church (Chesterton) in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 2018-05-03 bis 2018-06-08)
recording of:
May It Be (Enya song for Lord of the Rings soundtrack) (von 2018-05-03 bis 2018-06-08)
Orchestrator(in):
Howard Shore (Canadian score composer)
Texter:
Roma Ryan
Komponist(in):
Enya (Irish singer-songwriter) und Nicky Ryan
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Teil von:
The 74th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Lord of the Rings: The Fellowship of the Ring (film soundtrack)
Voces83:45
11For the Love of a Princess
recording of:
For the Love of a Princess (for brass band, Duncan)
Komponist(in):
James Horner (American score composer)
instruments arranger:
Andrew Duncan (Scottish tuba player and composer/arranger)
Arrangement von:
For the Love of a Princess (Braveheart)
James Horner4:08
12From Shangai to London
recording engineer:
John Timperley (von 2006-07 bis 2006-08)
assistierende(r) Techniker(in):
Cenda Kotzmann und Ivan Zbíral
Produzent(in):
Alexandre Desplat (French score composer)
Mix:
John Timperley
Editing:
Peter Clarke (music editor)
Klavier:
Lang Lang (Chinese pianist) (von 2006-07 bis 2006-08)
Orchester:
Prague Symphony Orchestra (Prager Symphoniker) (von 2006-07 bis 2006-08)
conductor:
Alexandre Desplat (French score composer) (von 2006-07 bis 2006-08)
Orchestrator(in):
Alexandre Desplat (French score composer)
zusätzliche(r) Orchestrator(in):
Jean-Pascal Beintus (composer)
aufgenommen bei:
Rudolfinum (House of Artists) in Praha (Prague), Tschechien (von 2006-07 bis 2006-08)
mixed at:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich
recording of:
From Shanghai to London (The Painted Veil) (von 2006-07 bis 2006-08)
Komponist(in):
Alexandre Desplat (French score composer)
Alexandre Desplat, Symfonický orchestr hlavního města Prahy FOK & Lang Lang2:03
13Lionel and Bertie
Assistent recording engineer und assistierende(r) Mix:
John Barrett (engineer)
recording engineer und Mix:
Peter Cobbin (recording engineer at Abbey Road Studios)
Produzent(in):
Alexandre Desplat (French score composer) und Maggie Rodford
conductor:
Alexandre Desplat (French score composer)
phonographisches Urheberrecht (℗) von:
Cutting Edge Music (Holdings) Limited
recording of:
Lionel and Bertie
Orchestrator(in):
Jean-Pascal Beintus (composer) und Alexandre Desplat (French score composer)
Komponist(in):
Alexandre Desplat (French score composer)
Alexandre Desplat2:11
14American Beauty (Arr. For Violin and Orchestra) (from American Beauty)
Geige / Violine:
Daniel Hope (violinist)
Orchester:
Royal Stockholm Philharmonic Orchestra
conductor:
Alexander Shelley (conductor)
aufgenommen bei:
Stockholms konserthus (Stockholm Concert Hall, Konserthuset Stockholm) in Stockholm, Stockholms län (Stockholm county), Schweden (in 2013-01)
recording of:
American Beauty
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Teil von:
American Beauty (1999)
Daniel Hope, Kungliga Filharmonikerna & Alexander Shelley3:01
15Of One Heart, of One Mind (from “A Beautiful Mind” soundtrack)
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
David Marquette
Produzent(in):
James Horner (American score composer) und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierendes Editing:
Barbara McDermott
Editing:
Jim Henrikson
conductor:
James Horner (American score composer)
Orchestrator(in):
James Horner (American score composer) und Randy Kerber
aufgenommen bei und mixed at:
Todd Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Of One Heart, of One Mind
Komponist(in):
James Horner (American score composer)
James Horner6:20
16The Funeral
recording engineer:
John Timperley (von 2006-07 bis 2006-08)
assistierende(r) Techniker(in):
Cenda Kotzmann und Ivan Zbíral
Produzent(in):
Alexandre Desplat (French score composer)
Mix:
John Timperley
Editing:
Peter Clarke (music editor)
Orchester:
Prague Symphony Orchestra (Prager Symphoniker) (von 2006-07 bis 2006-08)
conductor:
Alexandre Desplat (French score composer) (von 2006-07 bis 2006-08)
Orchestrator(in):
Alexandre Desplat (French score composer)
zusätzliche(r) Orchestrator(in):
Jean-Pascal Beintus (composer)
aufgenommen bei:
Rudolfinum (House of Artists) in Praha (Prague), Tschechien (von 2006-07 bis 2006-08)
mixed at:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich
recording of:
The Funeral (The Painted Veil) (von 2006-07 bis 2006-08)
Komponist(in):
Alexandre Desplat (French score composer)
Alexandre Desplat & Symfonický orchestr hlavního města Prahy FOK0:51
17Farewell
Orchester:
Bucharest Metropolitan Orchestra (George Enescu Philharmonic Orchestra)
conductor:
Radu Popa (Romanian conductor)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2007)
recording of:
Farewell
Komponist(in):
Osvaldo Golijov (Argentinean composer)
Teil von:
Youth Without Youth
Bucharest Metropolitan Orchestra & Radu Popa3:04
18I Think I Am Going to Read (from “Florence Foster Jenkins” soundtrack)
assistierende(r) Techniker(in):
John Barrett (engineer) und Lewis Jones (engineer)
Techniker(in):
Peter Cobbin (recording engineer at Abbey Road Studios)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios), Alexandre Desplat (French score composer) und Kirsty Whalley (engineer and keyboardist)
Editing:
Kirsty Whalley (engineer and keyboardist)
Orchester:
John Kirby & His Orchestra
conductor:
Alexandre Desplat (French score composer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
I Think I Am Going to Read (From “florence Foster Jenkins” Soundtrack)
Orchestrator(in) und Komponist(in):
Alexandre Desplat (French score composer)
Alexandre Desplat1:00
19Bedtime (from “Florence Foster Jenkins” soundtrack)
assistierende(r) Techniker(in):
John Barrett (engineer) und Lewis Jones (engineer)
Techniker(in):
Peter Cobbin (recording engineer at Abbey Road Studios)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios), Alexandre Desplat (French score composer) und Kirsty Whalley (engineer and keyboardist)
Editing:
Kirsty Whalley (engineer and keyboardist)
Orchester:
John Kirby & His Orchestra
conductor:
Alexandre Desplat (French score composer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Bedtime (From “florence Foster Jenkins” Soundtrack)
Orchestrator(in) und Komponist(in):
Alexandre Desplat (French score composer)
Alexandre Desplat1:00
20Innocence (from „Free the Mind” soundtrack)
Keyboard:
Jóhann Jóhannsson (Icelandic musician and score composer)
Klavier:
Jóhann Jóhannsson (Icelandic musician and score composer) und Ólafur Björn Ólafsson
Perkussion:
Ólafur Björn Ólafsson
conductor:
Péter Pejtsik
Orchestrator(in):
Peter Due und Jóhann Jóhannsson (Icelandic musician and score composer)
concertmaster:
Zsófia Környei (Hungarian classical violinist)
recording of:
Innocence (From „free the Mind” Soundtrack)
Komponist(in):
Jóhann Jóhannsson (Icelandic musician and score composer)
Johann Johannsson1:11
21One of Them (from “Darkest Hour” soundtrack)
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Ashley Andrew-Jones, Fiona Cruickshank und John Prestage (engineer)
Produzent(in):
Dario Marianelli (Italian score composer)
Editing:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Horn:
Nicholas Korth (horn player)
Klavier:
Víkingur Ólafsson (pianist)
conductor:
Dario Marianelli (Italian score composer)
Orchestrator(in):
Geoff Alexander und Dario Marianelli (Italian score composer)
concertmaster:
Rolf Wilson (violinist)
aufgenommen bei:
AIR Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
One of Them (From “darkest Hour” Soundtrack)
Orchestrator(in) und Komponist(in):
Dario Marianelli (Italian score composer)
Dario Marianelli & Víkingur Ólafsson1:33
22Falling Rain
conductor:
Alexandre Desplat (French score composer)
recording of:
Falling Rain
Orchestrator(in) und Komponist(in):
Alexandre Desplat (French score composer)
Alexandre Desplat1:12
23Shimmering Clouds (from “My Brilliant Friend” TV series soundtrack)
Produzent(in):
Max Richter (German pianist and score composer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recording of:
Shimmering Clouds
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter1:15
24St. Clair’s Blues (from “Florence Foster Jenkins” soundtrack)
assistierende(r) Techniker(in):
John Barrett (engineer) und Lewis Jones (engineer)
Techniker(in):
Peter Cobbin (recording engineer at Abbey Road Studios)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios), Alexandre Desplat (French score composer) und Kirsty Whalley (engineer and keyboardist)
Editing:
Kirsty Whalley (engineer and keyboardist)
Orchester:
John Kirby & His Orchestra
conductor:
Alexandre Desplat (French score composer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
St. Clair’s Blues (From “florence Foster Jenkins” Soundtrack)
Orchestrator(in) und Komponist(in):
Alexandre Desplat (French score composer)
Alexandre Desplat1:19
25Flares (from “The Mercy” soundtrack)
recording engineer:
Geoff Foster (sound engineer)
Programmierung:
Rutger Hoedemaekers und Jóhann Jóhannsson (Icelandic musician and score composer)
Produzent(in):
Jóhann Jóhannsson (Icelandic musician and score composer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Celesta und Klavier:
Jóhann Jóhannsson (Icelandic musician and score composer)
elektronische Instrumente:
Rutger Hoedemaekers
Keyboard und Synthesizer:
Rutger Hoedemaekers und Jóhann Jóhannsson (Icelandic musician and score composer)
aufgenommen bei:
Studio 22 (Magyar Rádió) in Budapest, Ungarn
Johann Johannsson1:11
26Catharina’s Pearls (Girl with a Pearl Earring O.S.T.)
recording engineer:
John Timperley (von 2003-07-19 bis 2003-07-23)
Produzent(in):
Alexandre Desplat (French score composer)
assistierende(r) Mix:
Sam Okell (engineer, Abbey Road Studios)
Mix:
John Timperley
Orchester:
Pro Arte Orchestra of London (founded 1985) (von 2003-07-19 bis 2003-07-23)
conductor:
Alexandre Desplat (French score composer) (von 2003-07-19 bis 2003-07-23)
phonographisches Urheberrecht (℗) von:
Archer Street (Girl) Limited und Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, Vereinigtes Königreich (von 2003-07-19 bis 2003-07-23)
recording of:
Catharina’s Pearls (Girl with a Pearl Earring O.S.T.)
Komponist(in):
Alexandre Desplat (French score composer)
Alexandre Desplat, Pro Arte Orchestra of London & Michael Davis1:23
27Art School (from “Werk ohne Autor” soundtrack)
Sound-Engineering:
Rupert Coulson (sound engineer)
Techniker(in):
John Prestage (engineer)
Produzent(in):
Max Richter (German pianist and score composer)
Orchester:
Air Lyndhurst Orchestra
phonographisches Urheberrecht (℗) von:
Studio Richter Mahr
aufgenommen bei:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Art School
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter1:24
28The Lovers
recording engineer:
John Timperley (von 2006-07 bis 2006-08)
assistierende(r) Techniker(in):
Cenda Kotzmann und Ivan Zbíral
Produzent(in):
Alexandre Desplat (French score composer)
Mix:
John Timperley
Editing:
Peter Clarke (music editor)
Klavier:
Lang Lang (Chinese pianist) (von 2006-07 bis 2006-08)
Orchester:
Prague Symphony Orchestra (Prager Symphoniker) (von 2006-07 bis 2006-08)
conductor:
Alexandre Desplat (French score composer) (von 2006-07 bis 2006-08)
Orchestrator(in):
Alexandre Desplat (French score composer)
zusätzliche(r) Orchestrator(in):
Jean-Pascal Beintus (composer)
aufgenommen bei:
Rudolfinum (House of Artists) in Praha (Prague), Tschechien (von 2006-07 bis 2006-08)
mixed at:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich
recording of:
The Lovers (The Painted Veil) (von 2006-07 bis 2006-08)
Komponist(in):
Alexandre Desplat (French score composer)
Alexandre Desplat, Lang Lang & Symfonický orchestr hlavního města Prahy FOK1:26
29Meditation (from „Free the Mind” soundtrack)
Keyboard:
Jóhann Jóhannsson (Icelandic musician and score composer)
Klavier:
Jóhann Jóhannsson (Icelandic musician and score composer) und Ólafur Björn Ólafsson
Perkussion:
Ólafur Björn Ólafsson
conductor:
Péter Pejtsik
Orchestrator(in):
Peter Due und Jóhann Jóhannsson (Icelandic musician and score composer)
concertmaster:
Zsófia Környei (Hungarian classical violinist)
recording of:
Meditation (From „free the Mind” Soundtrack)
Komponist(in):
Jóhann Jóhannsson (Icelandic musician and score composer)
Johann Johannsson1:30
30Liz on Top of the World (from “Pride & Prejudice” soundtrack)
Jean-Yves Thibaudet1:23
31To Belong (from “Werk ohne Autor” soundtrack)
Sound-Engineering:
Rupert Coulson (sound engineer)
Techniker(in):
John Prestage (engineer)
Produzent(in):
Max Richter (German pianist and score composer)
Orchester:
Air Lyndhurst Orchestra
phonographisches Urheberrecht (℗) von:
Studio Richter Mahr
aufgenommen bei:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
To Belong
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter1:32
32Virign Mary (from “Road to Perdition” soundtrack)
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Virign Mary
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman1:34
33Boating for Beginners (from “The Mercy” soundtrack)
recording engineer:
Geoff Foster (sound engineer)
Programmierung:
Rutger Hoedemaekers und Jóhann Jóhannsson (Icelandic musician and score composer)
Produzent(in):
Jóhann Jóhannsson (Icelandic musician and score composer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Celesta und Klavier:
Jóhann Jóhannsson (Icelandic musician and score composer)
elektronische Instrumente:
Rutger Hoedemaekers
Keyboard:
Rutger Hoedemaekers, Jóhann Jóhannsson (Icelandic musician and score composer), Ólafur Björn Ólafsson und Alex Somers
Perkussion:
Ólafur Björn Ólafsson
Synthesizer:
Rutger Hoedemaekers und Jóhann Jóhannsson (Icelandic musician and score composer)
Orchester:
Budapest Art Orchestra
conductor:
Anthony Weeden (Conductor and orchestrator)
Orchestrator(in):
Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator)
aufgenommen bei:
Studio 22 (Magyar Rádió) in Budapest, Ungarn
Johann Johannsson & Rutger Hoedemaekers1:34
34Out of Bullets (from “spectre” soundtrack)
zusätzlich recording engineer:
Shinnosuke Miyazawa (engineer)
assistierende(r) Techniker(in):
Gordon Davidson (engineer, Abbey Road Studios), Lewis Jones (engineer) und Matt Jones (production music composer)
Produzent(in):
Bill Bernstein und Thomas Newman (American score composer)
Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
Editing:
Bill Bernstein, Peter Clarke (music editor) und Yann McCullough (engineer, composer)
conductor:
Thomas Newman (American score composer)
zusätzlich arranger:
Simon Franglen (English score composer)
Orchestrator(in):
J.A.C. Redford
concertmaster:
Thomas Bowes (violinist)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Out of Bullets
Komponist(in):
Thomas Newman (American score composer)
publisher:
United Lion Music Inc.
Thomas Newman2.51:51
35Leaving Netherfield (from “Pride & Prejudice” soundtrack)
Jean-Yves Thibaudet1:41
36Begin Again (from “Werk ohne Autor” soundtrack)
Sound-Engineering:
Rupert Coulson (sound engineer)
Techniker(in):
John Prestage (engineer)
Produzent(in):
Max Richter (German pianist and score composer)
Orchester:
Air Lyndhurst Orchestra
phonographisches Urheberrecht (℗) von:
Studio Richter Mahr
aufgenommen bei:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Begin Again
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter1:50
37The Secret Life of Daydreams (from “Pride & Prejudice” soundtrack)
Jean-Yves Thibaudet1:55
38Stars and Butterflies (from “Pride & Prejudice” soundtrack)
Jean-Yves Thibaudet1:59
39The Danish Girl (from “The Danish Girl” soundtrack)
Alexandre Desplat2:11
40The Doldrums (from “The Mercy” soundtrack)
recording engineer:
Geoff Foster (sound engineer)
Programmierung:
Rutger Hoedemaekers und Jóhann Jóhannsson (Icelandic musician and score composer)
Produzent(in):
Jóhann Jóhannsson (Icelandic musician and score composer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Celesta und Klavier:
Jóhann Jóhannsson (Icelandic musician and score composer)
elektronische Instrumente:
Rutger Hoedemaekers
Keyboard:
Rutger Hoedemaekers, Jóhann Jóhannsson (Icelandic musician and score composer) und Ólafur Björn Ólafsson
Perkussion:
Ólafur Björn Ólafsson
Synthesizer:
Rutger Hoedemaekers und Jóhann Jóhannsson (Icelandic musician and score composer)
Orchester:
Budapest Art Orchestra
conductor:
Anthony Weeden (Conductor and orchestrator)
Orchestrator(in):
Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator)
aufgenommen bei:
Studio 22 (Magyar Rádió) in Budapest, Ungarn
Johann Johannsson & Rutger Hoedemaekers2:12
41A Letter From Prison (from “Paddington 2” original motion picture soundtrack)
recording engineer:
Fiona Cruickshank und Nick Wollage
Produzent(in):
Maggie Rodford
Mix:
Nick Wollage
assistierendes Editing:
Nathan Klein (editor)
Editing:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
conductor:
Dario Marianelli (Italian score composer)
aufgenommen bei und mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
A Letter from Prison
Orchestrator(in):
Geoff Alexander und Dario Marianelli (Italian score composer)
Komponist(in):
Dario Marianelli (Italian score composer)
Dario Marianelli2:21
42Muirfield (original motion picture soundtrack “The Aviator”)
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
Muirfield
Howard Shore & The Flemish Radio Orchestra2:22
43River Waltz
recording engineer:
John Timperley (von 2006-07 bis 2006-08)
assistierende(r) Techniker(in):
Cenda Kotzmann und Ivan Zbíral
Produzent(in):
Alexandre Desplat (French score composer)
Mix:
John Timperley
Editing:
Peter Clarke (music editor)
Klavier:
Lang Lang (Chinese pianist) (von 2006-07 bis 2006-08)
Orchester:
Prague Symphony Orchestra (Prager Symphoniker) (von 2006-07 bis 2006-08)
conductor:
Alexandre Desplat (French score composer) (von 2006-07 bis 2006-08)
Orchestrator(in):
Alexandre Desplat (French score composer)
zusätzliche(r) Orchestrator(in):
Jean-Pascal Beintus (composer)
aufgenommen bei:
Rudolfinum (House of Artists) in Praha (Prague), Tschechien (von 2006-07 bis 2006-08)
mixed at:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich
recording of:
River Waltz (The Painted Veil) (von 2006-07 bis 2006-08)
Komponist(in):
Alexandre Desplat (French score composer)
Alexandre Desplat, Lang Lang & Symfonický orchestr hlavního města Prahy FOK2:22
44Prelude (from “Darkest Hour” soundtrack)
recording engineer und Mix:
Nick Wollage
assistierende(r) Techniker(in):
Ashley Andrew-Jones, Fiona Cruickshank und John Prestage (engineer)
Produzent(in):
Dario Marianelli (Italian score composer)
Editing:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Klavier:
Víkingur Ólafsson (pianist)
conductor:
Dario Marianelli (Italian score composer)
Orchestrator(in):
Geoff Alexander und Dario Marianelli (Italian score composer)
concertmaster:
Rolf Wilson (violinist)
aufgenommen bei:
AIR Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Prelude (From “darkest Hour” Soundtrack)
Orchestrator(in) und Komponist(in):
Dario Marianelli (Italian score composer)
Dario Marianelli & Víkingur Ólafsson2:25
45Denouement
English Chamber Orchestra & Benjamin Wallfisch2:27
461951 (from “Werk ohne Autor” soundtrack)
Sound-Engineering:
Rupert Coulson (sound engineer)
Techniker(in):
John Prestage (engineer)
Produzent(in):
Max Richter (German pianist and score composer)
Orchester:
Air Lyndhurst Orchestra
phonographisches Urheberrecht (℗) von:
Studio Richter Mahr
aufgenommen bei:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
1951
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter2:27
47Terra Firma (from “The Mercy” soundtrack)
recording engineer:
Geoff Foster (sound engineer)
Programmierung:
Rutger Hoedemaekers und Jóhann Jóhannsson (Icelandic musician and score composer)
Produzent(in):
Jóhann Jóhannsson (Icelandic musician and score composer)
Mix:
Peter Cobbin (recording engineer at Abbey Road Studios) und Kirsty Whalley (engineer and keyboardist)
Celesta und Klavier:
Jóhann Jóhannsson (Icelandic musician and score composer)
Cristal Baschet und Ondes Martenot:
Thomas Bloch (composer)
elektronische Instrumente:
Rutger Hoedemaekers
Keyboard und Synthesizer:
Rutger Hoedemaekers und Jóhann Jóhannsson (Icelandic musician and score composer)
Orchester:
Budapest Art Orchestra
conductor:
Anthony Weeden (Conductor and orchestrator)
Orchestrator(in):
Jóhann Jóhannsson (Icelandic musician and score composer) und Anthony Weeden (Conductor and orchestrator)
aufgenommen bei:
Studio 22 (Magyar Rádió) in Budapest, Ungarn
Johann Johannsson & Rutger Hoedemaekers2:38
48Cathedral (from “Road to Perdition” soundtrack)
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
Samples:
Alma Redemptoris mater (Marian Antiphon) von Choir of King’s College, Cambridge, Stephen Cleobury (organist, conductor)
recording of:
Cathedral
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman2:40
49Baby Keisha (from “White Boy Rick” soundtrack)
Sound-Engineering:
Rupert Coulson (sound engineer)
Techniker(in):
Tom Bailey (engineer)
Produzent(in):
Max Richter (German pianist and score composer)
Orchester:
Air Lyndhurst Orchestra
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc.
recording of:
Baby Keisha
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter2:41
50Weehawken Ferry
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein und Thomas Newman (American score composer)
Mix:
Tommy Vicari
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Weehawken Ferry
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Thomas Newman2:43
51The Germ Free Zone (original motion picture soundtrack “The Aviator”)
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
The Germ Free Zone
Howard Shore & The Flemish Radio Orchestra2:49
52Main Title (from “Braveheart” soundtrack)
James Horner2:50
53Kurt & Elisabeth (from “Werk ohne Autor” soundtrack)
Sound-Engineering:
Rupert Coulson (sound engineer)
Techniker(in):
John Prestage (engineer)
Produzent(in):
Max Richter (German pianist and score composer)
Orchester:
Air Lyndhurst Orchestra
phonographisches Urheberrecht (℗) von:
Studio Richter Mahr
aufgenommen bei:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Kurt & Elisabeth
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter2:51
54Night Drive (from “White Boy Rick” soundtrack)
Sound-Engineering:
Rupert Coulson (sound engineer)
Techniker(in):
Tom Bailey (engineer)
Produzent(in):
Max Richter (German pianist and score composer)
Orchester:
Air Lyndhurst Orchestra
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc.
recording of:
Night Drive
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter2:54
55Memory Lane (from “Werk ohne Autor” soundtrack)
Sound-Engineering:
Rupert Coulson (sound engineer)
Techniker(in):
John Prestage (engineer)
Produzent(in):
Max Richter (German pianist and score composer)
Orchester:
Air Lyndhurst Orchestra
phonographisches Urheberrecht (℗) von:
Studio Richter Mahr
aufgenommen bei:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Memory Lane
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter2:56
56The Living Sculptures of Pemberley (from “Pride & Prejudice” soundtrack)
English Chamber Orchestra & Benjamin Wallfisch3:01
57The Prize of One’s Life… the Prize of One’s Mind (from “A Beautiful Mind” soundtrack)
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
David Marquette
Produzent(in):
James Horner (American score composer) und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierendes Editing:
Barbara McDermott
Editing:
Jim Henrikson
conductor:
James Horner (American score composer)
Orchestrator(in):
James Horner (American score composer) und Randy Kerber
aufgenommen bei und mixed at:
Todd Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Prize of One's Life... The Prize of One's Mind
Komponist(in):
James Horner (American score composer)
James Horner3:03
58Crazy Dog
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger) (am 2001-02-13)
Produzent(in):
John Barry (English score composer)
Orchester:
English Chamber Orchestra (am 2001-02-13)
conductor:
John Barry (English score composer) (am 2001-02-13)
Orchestrator(in):
Christian Rutherford
aufgenommen bei:
Angel Studios in Islington, London (Greater London), England, Vereinigtes Königreich (am 2001-02-13)
recording of:
Crazy Dog
Komponist(in):
John Barry (English score composer)
English Chamber Orchestra & John Barry3:03
59Road to Chicago (from “Road to Perdition” soundtrack)
recording engineer:
Armin Steiner und Tommy Vicari
Produzent(in):
Bill Bernstein
Mix:
Tommy Vicari
Editing:
Bill Bernstein und Mike Zainer
Orchester:
[anonymous] (special purpose artist)
conductor:
Thomas Newman (American score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics Group (not for release label use, a division of UMG Recordings, Inc.)
recording of:
Road to Chicago (Road to Perdition)
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
Teil von:
Road to Perdition
Thomas Newman3:06
60All Alone (from “White Boy Rick” soundtrack)
Sound-Engineering:
Rupert Coulson (sound engineer)
Techniker(in):
Tom Bailey (engineer)
Produzent(in):
Max Richter (German pianist and score composer)
Klavier:
Andy Massey (pianist)
Orchester:
Air Lyndhurst Orchestra
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc.
recording of:
All Alone
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter3:14
61Teaching Mathematics Again (from “A Beautiful Mind” soundtrack)
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
David Marquette
Produzent(in):
James Horner (American score composer) und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierendes Editing:
Barbara McDermott
Editing:
Jim Henrikson
conductor:
James Horner (American score composer)
Orchestrator(in):
James Horner (American score composer) und Randy Kerber
aufgenommen bei und mixed at:
Todd Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Teaching Mathematics Again
Komponist(in):
James Horner (American score composer)
James Horner3:16
62Lullabying
English Chamber Orchestra & John Barry3:17
63Good Morning, Midnight
Produzent(in):
Jóhann Jóhannsson (Icelandic musician and score composer)
Mix:
Francesco Donadello
elektronische Instrumente [programming]:
Jóhann Jóhannsson (Icelandic musician and score composer)
Orchester:
Air Lyndhurst String Orchestra
conductor:
Anthony Weeden (Conductor and orchestrator)
arranger und Orchestrator(in):
Jóhann Jóhannsson (Icelandic musician and score composer)
zusätzliche(r) Orchestrator(in):
Owen Roberts und Anthony Weeden (Conductor and orchestrator)
mixed at:
Vox-Ton Recording Studio in Berlin, Deutschland
recording of:
Good Morning, Midnight
Komponist(in):
Jóhann Jóhannsson (Icelandic musician and score composer)
Johann Johannsson, Air Lyndhurst String Orchestra & Anthony Weeden3:18
64The Professor’s Portrait (from “Werk ohne Autor” soundtrack)
Sound-Engineering:
Rupert Coulson (sound engineer)
Techniker(in):
John Prestage (engineer)
Produzent(in):
Max Richter (German pianist and score composer)
Orchester:
Air Lyndhurst Orchestra
phonographisches Urheberrecht (℗) von:
Studio Richter Mahr
aufgenommen bei:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
The Professor’s Portrait
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter3:22
65Nonviolent Offender (from “White Boy Rick” soundtrack)
Sound-Engineering:
Rupert Coulson (sound engineer)
Techniker(in):
Tom Bailey (engineer)
Produzent(in):
Max Richter (German pianist and score composer)
Klavier:
Andy Massey (pianist)
Orchester:
Air Lyndhurst Orchestra
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc.
recording of:
Nonviolent Offender
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter3:32
66Happy Birthday Aunt Lucy (from “Paddington 2” original motion picture soundtrack)
recording engineer:
Fiona Cruickshank und Nick Wollage
Produzent(in):
Maggie Rodford
Mix:
Nick Wollage
assistierendes Editing:
Nathan Klein (editor)
Editing:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
conductor:
Dario Marianelli (Italian score composer)
aufgenommen bei und mixed at:
Air Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Happy Birthday Aunt Lucy
Orchestrator(in):
Geoff Alexander und Dario Marianelli (Italian score composer)
Komponist(in):
Dario Marianelli (Italian score composer)
Dario Marianelli3:34
67Playing a Game of “go!” (from “A Beautiful Mind” soundtrack)
recording engineer und Mix:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
David Marquette
Produzent(in):
James Horner (American score composer) und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierendes Editing:
Barbara McDermott
Editing:
Jim Henrikson
conductor:
James Horner (American score composer)
Orchestrator(in):
James Horner (American score composer) und Randy Kerber
aufgenommen bei und mixed at:
Todd Scoring Stage in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Playing a Game of "Go!"
Komponist(in):
James Horner (American score composer)
James Horner3:34
68Your Reflection (from “My Brilliant Friend” TV series soundtrack)
Produzent(in):
Max Richter (German pianist and score composer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recording of:
Your Reflection
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter3:36
69The Princess Pleads for Wallace’s Life (from “Braveheart” soundtrack)
recording of:
The Princess Pleads for Wallace’s Life (album version)
Komponist(in):
James Horner (American score composer)
Teil von:
Braveheart
James Horner3:38
70Quarantine (original motion picture soundtrack “The Aviator”)
recording engineer:
John Kurlander (engineer)
assistierende(r) Techniker(in):
Richard Hale (recording engineer), Roland Heap, Richard Lancaster und Jay Spears
Produzent(in):
Howard Shore (Canadian score composer)
Mix:
Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
assistierendes Editing:
Ben Pederson und Marie Ebbing
Editing:
Jennifer Dunnington, Jonathan Schultz (mastering), Tim Starnes (engineer) und Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production)
Orchester:
The Flemish Radio Orchestra (Brussels Philharmonic)
conductor:
Howard Shore (Canadian score composer)
Orchestrator(in):
Howard Shore (Canadian score composer)
recording of:
Quarantine
Howard Shore & The Flemish Radio Orchestra3:52
71Give Me a Smile
recording engineer:
John Richards (engineer) (in 1997-10)
Produzent(in):
John Barry (English score composer)
Orchester:
English Chamber Orchestra (in 1997-10)
conductor:
John Barry (English score composer) (in 1997-10)
aufgenommen bei:
EMI Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1997-10)
recording of:
Give Me a Smile (in 1997-10)
Komponist(in):
John Barry (English score composer)
English Chamber Orchestra & John Barry4:49
72Elena & Lila (from “My Brilliant Friend” TV series soundtrack)
Produzent(in):
Max Richter (German pianist and score composer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recording of:
Elena and Lila
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter4:55
73In Remembrance of You (from “My Brilliant Friend” TV series soundtrack)
Produzent(in):
Max Richter (German pianist and score composer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recording of:
In Remembrance of You
Komponist(in):
Max Richter (German pianist and score composer)
Max Richter4:58
74The Secret Wedding (from “Braveheart” soundtrack)
recording engineer und Mix:
Shawn Murphy (producer/engineer)
assistierende(r) Techniker(in):
Jonathan Allen (engineer)
Produzent(in):
James Horner (American score composer)
assistierendes Editing:
Christine Cholvin und Joe E. Rand (editor)
Editing:
Jim Henrikson
Chorgesang:
Choir of Westminster Abbey
Orchester:
London Symphony Orchestra
conductor:
James Horner (American score composer)
chorus master:
Martin Neary (English organist and choral conductor)
Orchestrator(in):
James Horner (American score composer)
aufgenommen bei und mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
The Secret Wedding (Braveheart)
Komponist(in):
James Horner (American score composer)
publisher:
Fox Film Music Corporation (BMI-affiliated) und TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
sub-publisher:
EMI Music Publishing France
Teil von:
Braveheart
James Horner6:33

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
kostenlos streamen:https://open.spotify.com/album/2QZMgi7GVnr7KdEsWxsDJa [Info]
https://www.deezer.com/album/140069572 [Info]