Across the Stars

~ Pubblicazione di Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams (visualizza tutte le versioni di questa pubblicazione: 6 disponibili)

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1Rey’s Theme (from “Star Wars: The Force Awakens”)
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Wolfgang Schiefermair
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Rey’s Theme (Star Wars: The Force Awakens) (nel 2019-04)
compositore:
John Williams (American score composer and conductor) (dal 2014-12 al 2015-11)
editore:
Utapau Music
parte di:
Star Wars, Episode VII: The Force Awakens (2015 film score)
parte di:
Star Wars: The Force Awakens (Suite for Orchestra)
3:17
2Yoda’s Theme (from “Star Wars: The Empire Strikes Back”)
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (nel 2019-04)
orchestratore:
Herbert W. Spencer (composer and orchestrator)
compositore:
John Williams (American score composer and conductor)
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
3:35
3Hedwig’s Theme (from “Harry Potter and the Philosopher’s Stone”)
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Wolfgang Schiefermair
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Hedwig’s Theme (Harry Potter and the Philosopher’s Stone) (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
editore:
Warner–Barham Music LLC
parte di:
Harry Potter and the Philosopher’s Stone (Harry Potter and the Philosopher's Stone, 2001 film score)
6:04
4Across the Stars (Love Theme) (from “Star Wars: Attack of the Clones”)
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Wolfgang Schiefermair
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Across the Stars (Star Wars, Episode II: Attack of the Clones; love theme) (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
editore:
Bantha Music
parte di:
Star Wars, Episode II: Attack of the Clones (2002 film score)
5:18
5Donnybrook Fair (Based on “Blowing Off Steam” from “Far and Away”)
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Donnybrook Fair (Based On "Blowing Off Steam" from "Far And Away") (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
si basa su:
Blowing Off Steam
3:53
6Sayuri’s Theme (from “Memoirs of a Geisha”)
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Sayuri's Theme (Memoirs of a Geisha) (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
parte di:
Memoirs of a Geisha (2005 film score)
4:44
7Night Journeys (from “Dracula”)
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Night Journeys (Dracula) (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
parte di:
Dracula (1979 film score)
5:38
8Theme (from “Sabrina”)
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Theme From Sabrina (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
parte di:
Sabrina (1995 film score)
4:59
9The Duel (from “The Adventures of Tintin”)
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
The Duel (from "The Adventures Of Tintin") (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
parte di:
The Adventures of Tintin: The Secret of the Unicorn
4:24
10Luke and Leia (from “Star Wars: Return of the Jedi”)
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (nel 2019-04)
compositore:
John Williams (American score composer and conductor)
editore:
Fox Fanfare Music Inc.
parte di:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
5:01
11Nice to Be Around (from “Cinderella Liberty”)
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Nice to Be Around (nel 2019-04)
paroliere:
Paul Williams (US songwriter/soft rock vocalist)
compositore:
John Williams (American score composer and conductor)
parte di:
The 46th Academy Award for Best Original Song (numero: 2)
4:02
12Theme (from “Schindler’s List”)
assistente tecnico di registrazione:
Robert Wolff (engineer)
tecnico di registrazione:
Shawn Murphy (producer/engineer)
produttore:
Bernhard Güttler (engineer)
produttore esecutivo:
Ute Fesquet
tecnico di missaggio:
Bernhard Güttler (engineer) e Tobias Lehmann
violino :
Anne‐Sophie Mutter (violinist) (nel 2019-04)
orchestra:
Recording Arts Orchestra of Los Angeles (The Los Angeles Recording Arts Orchestra) (nel 2019-04)
direttore d'orchestra:
John Williams (American score composer and conductor) (nel 2019-04)
registrata presso:
Sony Pictures Studios (film and television studio complex, formerly Columbia Studios) in Culver City, California, Stati Uniti (nel 2019-04)
registrazione di:
Main Theme (Schindler’s List) (nel 2019-04)
compositore:
John Williams (American score composer and conductor) (nel 1993)
editore:
Chester Music Ltd., MCA Music Ltd. e Universal/MCA Music (music publisher; do not use as release label!)
parte di:
Schindler's List
parte di:
Three Pieces from Schindler’s List
4:12