It Had To Be You

~ Veröffentlichung von Mildred Bailey (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelBewertungLänge
1When Day Is Done
Gitarre:
Dick McDonough (am 1935-09-20)
Klavier:
Teddy Wilson (am 1935-09-20)
Kontrabass:
Artie Bernstein (am 1935-09-20)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1935-09-20)
Tenorsaxophon:
Leon “Chu” Berry (am 1935-09-20)
Trompete:
Chris Griffin (Gordon Claude Griffin, trumpeter) (am 1935-09-20)
xylophone:
Red Norvo (am 1935-09-20)
vocals:
Mildred Bailey (am 1935-09-20)
recording of:
When Day Is Done (am 1935-09-20)
Texter:
Buddy DeSylva (in 1926)
Komponist(in):
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Redwood Music Ltd. (Carlin)
basiert auf:
Madonna, du bist schöner als der Sonnenschein
3:27
2I’ve Got My Love to Keep Me Warm
alto saxophone:
Frank Simeone (am 1937-01-08)
alto saxophone und Klarinette und Klarinette:
Hank D'Amico (am 1937-01-08)
Gitarre:
Dave Barbour (am 1937-01-08)
Klavier:
Joe Liss (am 1937-01-08)
Kontrabass:
Pete Peterson (jazz bassist) (am 1937-01-08)
Posaune:
Alex Mastren (am 1937-01-08)
Schlagzeug:
Maurice Purtill (am 1937-01-08)
Tenorsaxophon:
Herbie Haymer (am 1937-01-08)
Trompete:
Bill Hyland (am 1937-01-08), Stew Pletcher (am 1937-01-08) und Eddie Sauter (am 1937-01-08)
xylophone:
Red Norvo (am 1937-01-08)
vocals:
Mildred Bailey (am 1937-01-08)
recording of:
I’ve Got My Love to Keep Me Warm (am 1937-01-08)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:56
3Rockin’ Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:10
4Thanks for the Memory
Gitarre:
Allen Hanlon (jazz guitarist) (am 1938-01-10)
Klarinette:
Hank D'Amico (am 1938-01-10)
Klavier:
Teddy Wilson (am 1938-01-10)
Kontrabass:
Pete Peterson (jazz bassist) (am 1938-01-10)
Schlagzeug:
Dave Tough (jazz drummer) (am 1938-01-10)
Tenorsaxophon:
Leon “Chu” Berry (am 1938-01-10)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1938-01-10)
vocals:
Mildred Bailey (am 1938-01-10)
2:41
5Rock It for Me
recording of:
Rock It for Me
Verfasser(in):
Kay Werner (Songwriter, along with her sister Sue) (in 1938) und Sue Werner (Songwriter, along with her sister Kay) (in 1938)
2:52
6’Tain’t What You Do
alto saxophone:
Russell Procope (am 1939-02-28)
Klarinette:
Buster Bailey (clarinetist) (am 1939-02-28)
Klavier:
Billy Kyle (am 1939-02-28)
Kontrabass:
John Kirby (jazz bass/trombone/tuba player) (am 1939-02-28)
Schlagzeug:
O’Neill Spencer (am 1939-02-28)
Trompete:
Charlie Shavers (am 1939-02-28)
xylophone:
Red Norvo (am 1939-02-28)
vocals:
Mildred Bailey (am 1939-02-28)
recording of:
It Ain’t What You Do (It’s the Way That You Do It) (am 1939-02-28)
Verfasser(in):
Sy Oliver und Trummy Young
2:37
7Barrelhouse Music
Gitarre:
Floyd Smith (30s/40s blues guitarist) (am 1939-03-16)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1939-03-16)
Kontrabass:
John Williams (jazz bassist) (am 1939-03-16)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-03-16)
vocals:
Mildred Bailey (am 1939-03-16)
recording of:
Barrelhouse Music (am 1939-03-16)
Texter und Komponist(in):
Willard Robison
2:58
8Arkansas Blues
E-Gitarre:
Floyd Smith (30s/40s blues guitarist) (am 1939-03-16)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1939-03-16)
Kontrabass:
John Williams (jazz bassist) (am 1939-03-16)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-03-16)
vocals:
Mildred Bailey (am 1939-03-16)
recording of:
Arkansas Blues (am 1939-03-16)
Verfasser(in):
Anton Lada (US jazz drummer, composer & bandleader) und Spencer Williams (US jazz composer, pianist & singer)
3:00
9There’ll Be Some Changes Made
Gitarre:
Floyd Smith (30s/40s blues guitarist) (am 1939-03-16)
Klavier:
Mary Lou Williams (American jazz pianist and composer) (am 1939-03-16)
Kontrabass:
John Williams (jazz bassist) (am 1939-03-16)
Schlagzeug:
Eddie Dougherty (jazz drummer) (am 1939-03-16)
vocals:
Mildred Bailey (am 1939-03-16)
recording of:
There’ll Be Some Changes Made (am 1939-03-16)
publisher:
Harry H. Pace (in 1921)
Texter:
Billy Higgins (1920s composer and singer)
Komponist(in):
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
3:10
10A Ghost of a Chance
alto saxophone:
Russell Procope (am 1939-06-27)
Klarinette:
Buster Bailey (clarinetist) (am 1939-06-27)
Klavier:
Billy Kyle (am 1939-06-27)
Kontrabass:
John Kirby (jazz bass/trombone/tuba player) (am 1939-06-27)
Schlagzeug:
O’Neill Spencer (am 1939-06-27)
Trompete:
Charlie Shavers (am 1939-06-27)
xylophone:
Red Norvo (am 1939-06-27)
vocals:
Mildred Bailey (am 1939-06-27)
recording of:
(I Don’t Stand) A Ghost of a Chance (am 1939-06-27)
Texter:
Bing Crosby und Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited und Mills Music, Inc.
3:11
11Darn to Dream
alto saxophone:
Buff Estes (Sterling Buford Estes) (am 1939-11-22) und Toots Mondello (am 1939-11-22)
E-Gitarre:
Charlie Christian (am 1939-11-22)
Gitarre:
Arnold Covey (am 1939-11-22)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1939-11-22)
Klavier:
Fletcher Henderson (am 1939-11-22)
Kontrabass:
Artie Bernstein (am 1939-11-22)
Posaune:
Red Ballard (am 1939-11-22), Vernon Brown (am 1939-11-22) und Ted Vesely (am 1939-11-22)
Schlagzeug:
Nick Fatool (am 1939-11-22)
Tenorsaxophon:
Bus Bassey (am 1939-11-22) und Jerry Jerome (am 1939-11-22)
Trompete:
Ziggy Elman (am 1939-11-22), Johnny Martel (1930s US jazz trumpet player) (am 1939-11-22) und Jimmy Maxwell (Trumpet) (am 1939-11-22)
vocals:
Mildred Bailey (am 1939-11-22)
arranger:
Eddie Sauter
recording of:
Darn That Dream (am 1939-11-22)
Texter:
Eddie DeLange (in 1939)
Komponist(in):
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
Teil von:
Swingin’ the Dream
3:00
12Peace, Brother!
alto saxophone:
Buff Estes (Sterling Buford Estes) (am 1939-11-11) und Toots Mondello (am 1939-11-11)
Gitarre:
Arnold Covarrubias (am 1939-11-11)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1939-11-11)
Klavier:
Fletcher Henderson (am 1939-11-11)
Kontrabass:
Artie Bernstein (am 1939-11-11)
Posaune:
Red Ballard (am 1939-11-11), Vernon Brown (am 1939-11-11) und Ted Vesely (am 1939-11-11)
Schlagzeug:
Nick Fatool (am 1939-11-11)
Tenorsaxophon:
Bus Bassey (am 1939-11-11) und Jerry Jerome (am 1939-11-11)
Trompete:
Ziggy Elman (am 1939-11-11), Johnny Martel (1930s US jazz trumpet player) (am 1939-11-11) und Jimmy Maxwell (Trumpet) (am 1939-11-11)
vocals:
Mildred Bailey (am 1939-11-11)
arranger:
Eddie Sauter
recording of:
Peace, Brother! (am 1939-11-11)
Texter:
Eddie DeLange
Komponist(in):
Jimmy Van Heusen
2:39
13Evaline
2:37
14It Had to Be You
recording of:
It Had to Be You
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
1:55
15I Never Knew
recording of:
I Never Knew
Texter:
Gus Kahn
Komponist(in):
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Gilbert Keyes Music Company
2:01
16Please Don’t Talk About Me When I’m Gone
recording of:
Please Don’t Talk About Me When I’m Gone
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
1:41
17I Didn’t Know About You
recording of:
I Didn’t Know About You
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1944)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944)
basiert auf:
Sentimental Lady
3:57
18I’ll Get By
recording of:
I’ll Get by (as Long as I Have You)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
1:45
19St. Louis Blues
alto saxophone:
Frank Simeone (am 1938-09-29)
bass saxophone:
Pole Peterson (am 1938-09-29)
Klarinette:
Hank D'Amico (am 1938-09-29)
Klavier:
Bill Miller (pianist) (am 1938-09-29)
Posaune:
Al George (am 1938-09-29) und Andy Russo (Jazz trombonist) (am 1938-09-29)
Schlagzeug:
George Wettling (am 1938-09-29)
Tenorsaxophon:
George Berg (am 1938-09-29) und Maurice Kogan (am 1938-09-29)
Trompete:
Jack Owens (jazz trumpeter) (am 1938-09-29), Jack Palmer (jazz trumpeter and singer) (am 1938-09-29) und Barney Zudecoff (am 1938-09-29)
xylophone:
Red Norvo (am 1938-09-29)
vocals:
Terry Allen (Country music singer, painter, and conceptual artist) (am 1938-09-29) und Mildred Bailey (am 1938-09-29)
recording of:
St. Louis Blues (am 1938-09-29)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
2:34
20Lover Come Back to Me
recording of:
Lover, Come Back to Me (from "The New Moon")
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
Verfasser(in):
Sigmund Romberg
Komponist(in):
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The New Moon: Act II
2:34

Nennungen

Veröffentlichungsgruppe

Teil von:The Great Vocalists of Jazz & Entertainment (Nummer: 12) (Reihenfolge: 12)