Bizet Carmen Suite / Grieg Peer Gynt Suite

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1Carmen suite No. 1: I. Prelude – Andante moderato
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
compositore:
Georges Bizet (French composer)
parte di:
Carmen Suite no. 1
Georges Bizet1:32
2Carmen suite No. 1: II. Aragonaise – Allegro vivo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
parte di:
Carmen Suite no. 1
Georges Bizet2:11
3Carmen suite No. 1: III. Intermezzo – Andantino quasi allegretto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
parte di:
Carmen Suite no. 1
Georges Bizet2:40
4Carmen suite No. 1: IV. Séguédille – Allegretto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
parte di:
Carmen Suite no. 1
Georges Bizet2:01
5Carmen suite No. 1: V. Les Dragons d’Alcala – Allegro moderato
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
parte di:
Carmen Suite no. 1
Georges Bizet1:48
6Carmen suite No. 1: VI. Les Toréadors – Allegro giocoso
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
si basa su:
Carmen : Prélude
parte di:
Carmen Suite no. 1
Georges Bizet2:15
7Carmen suite No. 2: I. Marche des contrebandiers – Allegro moderato
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Carmen Suite no. 2: I. Marche des contrebandiers
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers)
parte di:
Carmen Suite no. 2
Georges Bizet4:26
8Carmen suite No. 2: II. Habanera – Allegretto quasi andantino
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Carmen Suite no. 2: II. Habanera
compositore:
Georges Bizet (French composer)
arrangiatore:
Ernest Guiraud (French composer)
si basa su:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
parte di:
Carmen Suite no. 2
Georges Bizet2:15
9Carmen suite No. 2: III. Nocturne – Andante molto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Carmen Suite no. 2: III. Nocturne
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
parte di:
Carmen Suite no. 2
Georges Bizet5:10
10Carmen suite No. 2: IV. Chanson du Toréador
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Carmen Suite no. 2: IV. Chanson du toréador
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
parte di:
Carmen Suite no. 2
Georges Bizet2:56
11Carmen suite No. 2: V. La Garde montante – Allegro
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Carmen Suite no. 2: V. La Garde montante
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
parte di:
Carmen Suite no. 2
Georges Bizet3:57
12Carmen suite No. 2: VI. Danse bohème – Andantino quasi allegretto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Carmen Suite no. 2: VI. Danse bohème
compositore:
Georges Bizet (French composer)
si basa su:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
parte di:
Carmen Suite no. 2
Georges Bizet4:56
13Peer Gynt Suite No. 1 Op. 46: I. Morning – Allegretto pastorale
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
compositore:
Edvard Grieg (composer) (nel 1875)
rivista da:
Edvard Grieg (composer) (nel 1888)
versione di:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
parte di:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:05
14Peer Gynt Suite No. 1 Op. 46: II.The Death of Ase – Andante doloroso
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death)
compositore:
Edvard Grieg (composer) (nel 1875)
rivista da:
Edvard Grieg (composer) (nel 1888)
versione di:
Peer Gynt, op. 23: 3. akt: Åses død
parte di:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg5:12
15Peer Gynt Suite No. 1 Op. 46: III. Anitra’s Dance – Tempo di mazurka
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance)
compositore:
Edvard Grieg (composer) (nel 1875)
rivista da:
Edvard Grieg (composer) (nel 1888)
versione di:
Peer Gynt, op. 23: 4. akt: Anitras dans
parte di:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:41
16Peer Gynt Suite No. 1 Op. 46. IV. In the Hall of the Mountain King – Alla marcia e molto marcata
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King)
compositore:
Edvard Grieg (composer) (nel 1875)
rivista da:
Edvard Grieg (composer) (nel 1888)
versione di:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
parte di:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:41
17Peer Gynt Suite No. 2 Solvejg’s Song – Andante
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
registrazione di:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer)
compositore:
Edvard Grieg (composer) (nel 1875)
rivista da:
Edvard Grieg (composer) (nel 1891)
versione di:
Peer Gynt, op. 23: 4. akt: Solveigs sang
parte di:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg6:10