| # | Title | Artist | Rating | Length |
|---|
| 1 | Echo Beach | Martha and the Muffins | 3.6 | 3:35 |
| 2 | Blame It on the Boogie- engineer:
- Don Murray
- executive producer:
- Mike Atkinson and Bobby Colomby
- mixer:
- John Luongo
- bass:
- Gary King (in 1978) and Nathan Watts (in 1978)
- congas:
- Laudir de Oliveira (in 1978) and Claudio Slon (in 1978)
- drums (drum set) and percussion:
- Rick Morotta (in 1978)
- flute, saxophone and trumpet:
- Seawind Horns
- guitar:
- Roland Bautista (in 1978), Tito Jackson (in 1978) and Mike Sembello (in 1978)
- keyboard:
- Greg Phillinganes (in 1978)
- background vocals:
- Jackie Jackson , Marlon Jackson and Randy Jackson
- lead vocals:
- Michael Jackson (in 1978)
- horn arranger:
- Jerry Hey
- arranger:
- Michael Jackson
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1978)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Dawnbreakers Studios in Los Angeles, California, United States, Filmways/Heider Recording in Hollywood, Los Angeles, California, United States, The Record Plant in Hollywood, Los Angeles, California, United States and Total Experience Recording Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Producer’s Workshop in Hollywood, Los Angeles, California, United States and Westlake Audio in Los Angeles, California, United States
- cover recording of:
- Blame It on the Boogie (in 1978)
- writer:
- Dave Jackson , Mick Jackson and Elmar Krohn
- publisher:
- Almo Music Corp. , Carlin Music Ltd. and Peterman & Co. Ltd.
- part of:
- MJ: The Musical
- recording of:
- Blame It on the Boogie
- writer:
- Dave Jackson , Mick Jackson and Elmar Krohn
- publisher:
- Almo Music Corp. , Carlin Music Ltd. and Peterman & Co. Ltd.
- part of:
- MJ: The Musical
| The Jacksons | 4.3 | 3:35 |
| 3 | Turn Me Loose | Loverboy | | 5:38 |
| 4 | Wake Me Up Before You Go‐Go | Wham! | 3.85 | 3:50 |
| 5 | Tainted Love- engineer:
- Paul Hardiman
- producer:
- Mike Thorne
- mixer:
- Harvey Goldberg
- electronic instruments and other instruments:
- Dave Ball
- saxophone:
- David Tofani
- background vocals:
- Vicious Pink
- vocals:
- Marc Almond
- phonographic copyright (℗) by:
- Mercury Records Ltd. (London) (in 1981)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- music videos:
- Tainted Love by Soft Cell
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (number: 33) and Billboard: The 500 Best Pop Songs (number: 46)
- cover recording of:
- Tainted Love
- lyricist and composer:
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. and Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
| Soft Cell | 3.95 | 2:42 |
| 6 | Don’t Pay the Ferryman | Chris de Burgh | | 3:49 |
| 7 | Video Killed the Radio Star- producer:
- The Buggles
- electric guitar and lead vocals:
- Trevor Horn (in 1979)
- keyboard:
- Geoff Downes (in 1979)
- choir vocals:
- Debi Doss (in 1979) and Linda Jardim (in 1979)
- phonographic copyright (℗) by:
- Island Records (in 1979)
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 40)
- recording of:
- Video Killed the Radio Star
- writer:
- Geoff Downes , Trevor Horn and Bruce Woolley
- publisher:
- Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control , Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal , Universal Music Publishing Pty Ltd. , Universal PolyGram International Publishing, Inc. and Universal/Island Music Ltd.
| Buggles | 3.95 | 3:34 |
| 8 | Mad World | Tears for Fears | 3.7 | 3:33 |
| 9 | I Don’t Like Mondays | The Boomtown Rats | 4 | 4:20 |
| 10 | The Safety Dance | Men Without Hats | 3.8 | 2:45 |
| 11 | Born to Be Alive | Patrick Hernandez | | 3:19 |
| 12 | Girls on Film | Duran Duran | 3.75 | 3:30 |
| 13 | Our Lips Are Sealed- additional assistant recording engineer:
- James Ball, Eric Kortee and Darroll Gustamachio
- assistant recording engineer:
- Ted Blechta and John Terelle
- recording engineer and mixer:
- Rob Freeman
- producer:
- Rob Freeman and Richard Gottehrer
- assistant mixer:
- Gray Russell
- bass guitar and guitar:
- Kathy Valentine
- drums (drum set) and percussion:
- Gina Schock
- guitar [lead guitar] and keyboard:
- Charlotte Caffey
- guitar [rhythm guitar]:
- Jane Wiedlin
- lead vocals:
- Belinda Carlisle
- vocals:
- Charlotte Caffey and Jane Wiedlin
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1981) and I.R.S., Inc. (in 1981)
- additionally recorded at:
- Sound Mixers Studio in New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recorded at:
- Pennylane Studios in New York, New York, United States
- mixed at:
- Sound Mixers Studio in New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 25), Billboard: The 500 Best Pop Songs (number: 317) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 477)
- recording of:
- Our Lips Are Sealed
- lyricist and composer:
- Terry Hall and Jane Wiedlin
- publisher:
- BMG Music Pty Ltd, Chappell Music Ltd., Copyright Control , Gotown Music, Matthews Music Pty. Ltd. and Plangent Visions Music
| The Go‐Go’s | 3.8 | 2:46 |
| 14 | My Sharona- recording engineer:
- Pete Coleman
- producer:
- Mike Chapman
- bass guitar:
- Prescott Niles
- drums (drum set):
- Bruce Gary
- guitar:
- Berton Averre and Doug Fieger
- lead vocals:
- Doug Fieger
- vocals:
- Berton Averre
- remixer:
- Dave Jerden
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 1994, in 2013)
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 72) and Billboard: The 500 Best Pop Songs (number: 201)
- recording of:
- My Sharona
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 4.1 | 4:54 |
| 15 | Howzat | Sherbet | 2 | 3:47 |
| 16 | Centerfold- engineer:
- Dave Thoener
- producer:
- Seth Justman
- arranger:
- Seth Justman
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1981), Capitol Records, LLC (in 1981), EMI Records USA (in 1981) and EMI Catalog (in 2006)
- recorded at:
- Long View Farm in North Brookfield, Massachusetts, United States
- mixed at:
- Mix Room, Record Plant in New York, New York, United States
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (number: 314)
- recording of:
- Centerfold
- lyricist and composer:
- Seth Justman
- publisher:
- Center City Music, Copyright Control , Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. and Warner/Chappell Music Ltd.
| The J. Geils Band | 4 | 3:39 |
| 17 | Venus | Bananarama | 3 | 3:36 |
| 18 | I Know What Boys Like | The Waitresses | | 3:16 |
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